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Champignon V (Tondo), 1966

Paul Jenkins, American, b. Kansas City, Missouri, 1923–2012

Oil on canvas, 69 3/4 x 51 1/8 in. (177.0 x 129.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2592

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism

Oscar Muñoz, Colombian, b. Popayán, 1951

Conte crayon on paper, SHEET: 39 1/16 X 27 5/16 in. (99.2 X 69.3 cm) IMAGE: 35 3/8 X 24 5/8 in. (89.8 X 60.0 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 79.277

Hirshhorn Museum and Sculpture Garden Collection, Hispanic Contemporary

Hassel Smith, American, b. Sturgis, Michigan, 1915–2007

Oil on canvas, 68 x 69 3/4 in. (172.7 x 177.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4652

Hirshhorn Museum and Sculpture Garden Collection

Francisco Zúñiga, Mexican, b. San José, Costa Rica, 1912–1998

Black marble, 27 1/4 × 11 1/2 × 11 5/8 in. (69.3 × 29 × 29.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5877

Hirshhorn Museum and Sculpture Garden Collection

Rosemarie Beck, American, b. New York, 1923–2003

Oil on canvas, 50 1/8 x 69 3/4 in. (127.2 x 177.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.426

Jh Purchased From Peridot Gallery, New York 1960

Hirshhorn Museum and Sculpture Garden Collection

Joan Miró, Spanish, b. Barcelona, 1893–1983

Intaglio aquatint on paper, 22 15/16 x 27 5/16 in. (58.2 x 69.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3254

Jh Purchased From Peridot Gallery, New York 1960

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)

James Wolfe, American, b. 1944

Steel, 120 1/2 x 65 1/4 x 69 3/4 in. (306.1 x 165.8 x 177.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1984

Accession Number: 84.22

ANNMARIE SCULPTURE GARDEN, Solomon's Island, Maryland. September 2004-

Hirshhorn Museum and Sculpture Garden Collection, Formalist Abstraction

Roy De Forest, American, b. North Platte, Nebraska, 1930–2007

Acrylic on canvas and painted wood frame, 69 1/4 X 69 3/8 IN. (175.8 X 176.2 CM.) INCL. ARTIST'S FRAME

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Samuel M. Greenbaum and Helen Marx Greenbaum Families in memory of Helen Marx Greenbaum, 1993

Accession Number: 93.21

Samuel M. Greenbaum, Washington, DC, to 24 September 1993, Gift of Samuel M. Greenbaum and Helen Marx Greenbaum Families in memory of Helen Marx Greenbaum, 1993

Hirshhorn Museum and Sculpture Garden Collection

Adolph Gottlieb, American, b. New York City, 1903–1974

Steel and paint, 27 1/4 x 41 3/4 x 26 in. (69.3 x 106.3 x 66 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1978, Art © Adolph and Esther Gottlieb Foundation/Licensed by VAGA, New York, NY

Accession Number: 78.77

Estate of the artist, Southampton, New York, Andre Emmerich Gallery, New York, to 1 July 1978, Museum Purchase, 1978, COOPER-HEWITT MUSEUM, Smithsonian Institution, New York. "Smithsonian," 11 September 1979-6 January 1980, no. cat., CONROY, SARAH BOOTH. "Smithsonian Sampler Is Seen in New York," Smithsonian 10 (November 1979): color ill. p. 135.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation)

Louise Nevelson, American, b. Kiev, Ukraine, 1899–1988

Wood and paint, 69 3/4 x 14 1/2 x 12 in. (176.7 x 37 x 30.5 cm) incl. base height: 1 1/4 in. (3.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3823

Robert Schoelkopf Gallery, New York, to 1962, Joseph H. Hirshhorn, New York, 1962-17 May 1966, Gift of Joseph H. Hirshhorn, 1966

Hirshhorn Museum and Sculpture Garden Collection, American Eccentrics

Lorna Simpson, American, b. Brooklyn, New York, 1960

Silver gelatin prints and engraved plastic plaque, overall: 53 1/4 x 69 3/4 in. (135.3 x 177.2 cm) frame (each): 43 x 34 in. (109.2 x 86.4 cm) sight (image): 41 1/2 x 32 1/2 in. (105.4 x 82.6 cm) plaque: 4 1/4 x 14 5/8 in. (10.8 x 37.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2005

Accession Number: 05.29

Sean Kelly Gallery, New York, to 27 October 2005, Joseph H. Hirshhorn Purchase Fund, 2005

Hirshhorn Museum and Sculpture Garden Collection, African-American Contemporary

Clyfford Still, American, b. Grandin, North Dakota, 1904–1980

Oil on canvas, 107 7/8 X 92 1/8 IN. (273.9 X 233.9 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the artist, 1969

Accession Number: 69.3

Gift of the artist, New Windsor, MD, 1969, CLYFFORD STILL STUDIO, New York. Private Showing, 1960., MARLBOROUGH-GERSON GALLERIES, New York. Clyfford Still, October-November 1969, no. 36, p. 71., HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington D.C. "Inaugural Exhibition," 4 October 1974-15 September 1975, p. 520, no. 771., SANDLER, IRVING. The Triumph of American Painting (New York: Praeger, 1970) p. 170., LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) p. 520, 752., LERNER, ABRAM. Selected Paintings and Sculpture from the Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) no. 92., RUSSELL, JOHN. The Meanings of Modern Art Volume II: The Great Divide 1950-70 (New York: The Museum of Modern Art, 1975) fig. 5., CARMEAN, E.A. Jr. "Morris Louis and the Modern Tradition: I: Abstract Expressionism," Arts Magazine 51/1 (September 1976) p. 72., RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974) sec. 2., DESCHAMPS, MADELEINE. Le Peinture Americaine: Les Mythes et la Matiere (Paris: Denoel, 1981) pl. XXII.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation)

Richard Bernstein, American, b. New York City, 1942–2002

Synthetic polymer and pencil on muslin, diameter: 69 3/4 in. (177.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.332

Gift of the artist, New Windsor, MD, 1969, CLYFFORD STILL STUDIO, New York. Private Showing, 1960., MARLBOROUGH-GERSON GALLERIES, New York. Clyfford Still, October-November 1969, no. 36, p. 71., HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington D.C. "Inaugural Exhibition," 4 October 1974-15 September 1975, p. 520, no. 771., SANDLER, IRVING. The Triumph of American Painting (New York: Praeger, 1970) p. 170., LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) p. 520, 752., LERNER, ABRAM. Selected Paintings and Sculpture from the Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) no. 92., RUSSELL, JOHN. The Meanings of Modern Art Volume II: The Great Divide 1950-70 (New York: The Museum of Modern Art, 1975) fig. 5., CARMEAN, E.A. Jr. "Morris Louis and the Modern Tradition: I: Abstract Expressionism," Arts Magazine 51/1 (September 1976) p. 72., RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974) sec. 2., DESCHAMPS, MADELEINE. Le Peinture Americaine: Les Mythes et la Matiere (Paris: Denoel, 1981) pl. XXII.

Hirshhorn Museum and Sculpture Garden Collection

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