Hirshhorn senior curator Valerie Fletcher reflects on the curatorial rationale of Marvelous Objects: Surrealist Sculpture from Paris to New York. Presenting a broader, more international history of Surrealist sculpture, the exhibition highlights two main approaches, organic abstraction (biomorphism) and found-object assemblage, and also unites into a single narrative the work of disparate artists active in Europe and the United States.

< Back to the Programs Calendar