Ann Hamilton, at hand, 2001
Closing Feb 18th, 2018.
Ann Hamilton creates site-specific, multimedia installations that are simultaneously immersive and ephemeral. Initially commissioned by MASS MoCA for their largest gallery—a cavernous space the size of a football field—at hand combines the sounds of mechanization and audio recordings of a poem with the motorized release of translucent white paper, which gently descends from the ceiling. Though the paper accrues on the gallery floor in a sculptural “drift,” the effect of the installation remains one of loss and absence; the paper is blank, the movement is random, and the hand of the artist remains invisible.
Hamilton provided some thoughts for your visit: Can you hear the silence of the paper falling through air? The gestures and actions of a hand that might hold and the mouth that might speak from the rimmed space of the page form a litany of possibility. Your presence becomes part of the project—you are free to touch the paper and explore the space but please observe and respect it’s quiet and slow rhythms. Try to listen to the silence of the paper falling through the air.
Currently on view in the exhibition What Absence Is Made Of, Hamilton’s installation joins more than 60 works that explore how artists use absence as a means of expression. In their search to represent what is not, they engage in a long tradition of conveying transcendental ideas through art—a tradition which includes art forms as disparate as religious icons and abstract painting.