Still from Mircea Cantor, Deeparture, 2005
September 17 to December 9, 2007
Mircea Cantor (b. 1977, Romania; lives and works in Cluj-Napoca, Romania, and Paris) often mines the territory of conceptual and performance art associated with Alan Kaprow, Joseph Beuys, and Andy Warhol. The artist, who is also a cofounder of Version, a journal devoted to the interface of culture, sociology, music, philosophy, and natural sciences, resists restricting his work to a singular style or medium. To date, his works have explored a wide range of topics and include photography, installation, sculpture, and short films. When questioned about the function of art during an interview with critic Boris Groys, Cantor replied, “Art is like a playground.”
Deeparture (2005) examines two wild animals presented out of their element in a gallery space. The stark backdrop and silence of the work links the creatures in space while the camera frames points of view that heighten our awareness of the grace of their movements. Their enigmatic body language, breathing patterns, and mysterious eyes all contribute to a lure that projects human interpretations onto their behavior, constructing notions that are ultimately only a matter of speculation. As stated by the artist, the spelling of the title is meant to “encourage viewers to use the work as a departure point to look deeper into themselves.”
Cantor’s work has been featured in exhibitions around the world. In the fall of 2007, the artist’s work was the focus of a solo exhibition at Yvon Lambert Gallery, New York City, and was part of Brave New World, a major group show at the Walker Art Center, Minneapolis. The artist discussed his work during “Meet the Artist: Mircea Cantor,” Tuesday, October 2, at 7 pm. An additional selection of his films was screened in the Ring Auditorium, Thursday, October 4, at 8 pm.
The Hirshhorn’s Black Box presents recent film and video works by a diverse range of emerging and established international artists. This presentation was organized by Associate Curator Kelly Gordon. Films ran continuously during Museum hours. Support for the Black Box program is provided in part by Lawrence Cohen/Ringler Associates.