This exhibition has been postponed. New dates will be announced shortly. Find additional information on our FAQ.
The Hirshhorn has been collecting the prolific work of Yayoi Kusama since 1996. Our 2017 survey of her work traveled to five North American art museums, introducing Kusama’s spellbinding visions to record audiences. Next up: an exhibition of her five works in our permanent collection, including two of the artist’s transcendent Infinity Mirror Rooms, sculptures, an early painting, and photographs of the artist. One with Eternity: Yayoi Kusama in the Hirshhorn Collection is a tribute to the life and practice of this visionary artist. While the exhibition is not currently open, we have a few ways to bring the wonder of Kusama into your home. We invite you to explore.
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Make like Kusama
Get your hands dotty with Kusama-themed activities, perfect for adults as well as our littlest Kusama fans. Share your creation with #HirshhornInsideOut.
Maker Morning Challenge
- Stitch Soft Sculpture. Create your own little piece of Infinity Mirror Room—Phalli’ s Field by sewing your own polka-dot tubers.
- Repeat to Infinity. Create a painting inspired by Kusama’s use of seemingly infinite dots.
- Pumpkin Pinch Pots. Dot-covered pumpkins are a common theme in the artist’s work. Make your own. Then give it life.
The artist has a message for you
Building on the Hirshhorn’s blockbuster 2017 exhibition Yayoi Kusama: Infinity Mirrors, this new exhibition affirms Kusama’s legacy within the Museum’s collection and art history with three significant new acquisitions.
One with Eternity will showcase the Hirshhorn’s permanent collection of works by Kusama, including two of her Infinity Mirror Rooms—her first and one of her most recent—that create a dazzling sensation of never-ending space. These transcendent rooms will be exhibited alongside an early painting; sculptures, including Pumpkin (2016) and Flowers—Overcoat (1964); and photographs of the artist. This exhibition honors Kusama’s distinctive vision of self-obliteration by exploring its development across media while also underscoring the Museum’s mission: to present the most exciting art and ideas of our time.
Among the additions to the Hirshhorn’s permanent collection is Kusama’s milestone Infinity Mirror Room—Phalli’s Field (Floor Show) (1965/2017), the first of the artist’s immersive installations to transform the intense repetition of her earlier paintings and works on paper into a perceptual and participatory experience. The exhibition will also debut one of Kusama’s most recent rooms to Washington, DC, audiences.
Born in Matsumoto, Nagano, Japan, in 1929, Kusama fought against great odds to immigrate to the United States in 1957, settling in New York the following year and becoming a permanent resident in 1963. Kusama’s work is characterized by a remarkable consistency of vision, with her earliest works on paper already demonstrating the profound world view that she has steadily deepened throughout her seven-decade career.
Owing to the nature of the artwork, free same-day Timed Passes will be distributed daily at the Museum starting at 9:30 am throughout the run of the upcoming exhibition. Learn more.
Hirshhorn Insiders are invited to preview the exhibition. Originally scheduled to open April 4, 2020, One with Eternity has been postponed. New exhibition dates and Hirshhorn Insider preview dates are forthcoming. See it first.
Kusama was born in Matsumoto, Nagano, Japan, in 1929. Today she continues to produce paintings at her studio in Tokyo. She studied traditional Nihonga (Japanese-style) painting in Kyoto and moved to New York City in 1958. There she was active in avant-garde circles during the formative years of Pop art and Minimalism, exhibiting her work alongside such artists as Andy Warhol, Claes Oldenburg, and Allan Kaprow—figures who have cited Kusama as influential to the development of assemblage, environmental art, and performative practices.
Kusama exhibited widely in Italy, Germany, and the Netherlands in the mid-’60s, participating in exhibitions with artists associated with Nul, ZERO, and the New Tendency in Europe, where she began developing her interest in the optics and interactive elements of mirrors, electric lights, sound, and kinetics. The artist’s fame grew in the late 1960s through her radical antiwar happenings, which espoused nudity and polka dots in the streets of New York. Kusama returned to Japan in 1973, where she has since resided. In recent years, Kusama has achieved tremendous critical respect as well as celebrity status.