Collection Works on View

Provenance:
Alexandre Iolas Gallery, New York (cast edition)
[Constantin Xenakis, Athens]
Harold Diamond, New York, to 26 January 1961
Joseph H. Hirshhorn, New York, 26 January 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculptures from the Joseph H. Hirshhorn Collection," 2 October 1962-6 January 1963, no. 150, ill. p. 118.
DALLAS MUSEUM OF FINE ARTS. "Sculpture Twentieth Century," 12 May-13 June 1965, no. 24.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 480.
LOS ANGELES COUNTY MUSEUM OF ART. "Exiles and Emigres: 1933-1945," 20 February-11 May 1997. Tour: MONTREAL MUSEUM OF FINE ARTS, 19 June-7 September; STAATLICHE MUSEEN ZU BERLIN, 16 October-4 January 1998.
CENTRE GEORGES POMPIDOU, Paris. "Max Ernst: Sculptures, Maisons et Paysages," 5 May-27 July 1998. Tour: KUNSTSAMMLUNG NORDRHEIN-WESTFALEN, Dusseldorf, 5 September-29 November.
NEUE NATIONALGALERIE, Berlin. "Max Ernst: Die Retrospektive," 5 March-30 May 1999, no. 136, p. 194, ill. p. 195. Tour: HAUS DER KUNST, Munich, 11 June-19 September.
METROPOLITAN MUSEUM OF ART, New York. "Max Ernst," 4 April-10 July 2005.
CENTRE GEORGES POMPIDOU, Paris. "Surrealism and the Object," 30 October 2013-3 March 2014.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 78, color ill. p. 78; p. 185.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), pp. 162, 292, no. 144, ill. p. 146.
VISUAL PUBLICATIONS. Educational film strip (England, 1970), no. 144, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), pp. 690-691, ill. p. 340.
FAIRFAX COUNTY PUBLIC SCHOOLS. A Guide to Teaching Art in the Primary Grades K-3 (Fairfax, VA: Fairfax County Public Schools, Department of Instructional Services, 1983), p. 228, ill.
PARK, EDWARDS. Treasures of the Smithsonian (Washington, DC: Smithsonian Books, 1983), ill.
OTTINGER, DIDIER, ed. Dictionnaire de l’objet surréaliste (Éditions Gallimard/Centre
Pompidou, Paris, 2013), p. 309.
See file for further info.

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Joseph Hirshhorn purchased from Mr and Mrs. Samuel J. Holtzman, Baltimore 15 October 1977

Provenance:
David Platzker, New York, to 8 June 2015
Gift of David Platzker and Susan Inglett, 2015

Provenance:
Max Protetch Gallery, New York, to 1 October 1991
Museum Purchase, 1991

Exhibition History:
THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. Sculpture from Washington Collections, 4 October 1996-30 September 1997, brochure, ill.

Provenance:
Max Protetch Gallery, New York, to 1 October 1991
Museum Purchase, 1991

Exhibition History:
THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. Sculpture from Washington Collections, 4 October 1996-30 September 1997, brochure, ill.

Provenance:
Galleria dell'Ariete, Milan, to 22 February 1962
Joseph H. Hirshhhorn, New York, 22 February 1962-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
DUKE UNIVERSITY MUSEUM OF ART, Durham, North Carolina. "Paintings of the 50s: Another Look, a loan of twenty-one paintings from the Hirshhorn Museum and Sculpture Garden," 3 October-27 November 1983, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
UNSIGNED. “Expositions et informations,” Aujourd’hui 6 (December 1961), p. 100.
SANDLER, IRVING, et al. Abstract Art Since 1945 (London: Thames and Hudson, 1971), p. 62; pl. 43, p. 69 (misidentified as a Robert Motherwell in text; see correction on p. 62).
MARTIN, MICHEL, KENNETH BRUMMEL, and YVES MICHAUD. Mitchell / Riopelle: Nothing in Moderation (New York: Harry N. Abrams, 2018), fig. 55 (color), p. 164.

Provenance:
Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.

Exhibition History:
PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.

Published References:
****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Provenance:
Tanya Bonakdar Gallery, New York, to 9 May 2009
Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2009

Exhibition History:
CARNEGIE MUSEUM OF ART, Pittsburgh. "55th Carnegie International," 3 May 2008-11 January 2009.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed in the Sculpture Garden, 10 July 2009- .

Published References:
GOPNIK, BLAKE. "Survey Says: Six is the Magic Number," Washington Post (8 June 2008), p. M05.
CHURNER, RACHEL. "55th Carnegie International," Artforum (September 2008), p. 455.

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

FREDERIK MEIJER GARDENS & SCULPTURE PARK, Grand Rapids, Michigan. "Beverly Pepper: Palingenesis 1962-2012," 25 May-26 August 2012, color ill. p. 25.

Provenance:
The Artist, Paris, 1935-c. 1937
Mrs. Nan Roberts, London (Ben Nicholson's sister-in-law), c. 1937-1956 (acquired from the artist for £25)
[V. Fletcher: see catalogue raisonne which lists Winifred Nicholson (wife of Ben) as the original owner.]
Harold Diamond, New York, 1956
G. David Thompson, Pittsburgh, 1956-1960
Galerie Beyeler, Basel, 1960-1961
Harold Diamond, New York, 1961-1962
Mr. and Mrs. Frederick R. Weisman, Los Angeles, 1962-1968
Harold Diamond, New York, to 24 May 1968
Joseph H. Hirshhorn, New York, 24 May 1968-1972
Gift of the Joseph H. Hirshhorn Foundation, 1972

Exhibition History:
KUNSTHAUS, Zurich. "Thompson Pittsburgh: Aus einer Amerikanischen Privatsammlung," 15 October-27 November 1960, no. 149, colorpl. (as Komposition Blau-Gelb). Tour: KUNST MUSEUM, Dusseldorf, "Sammlung G. David Thompson," 14 December 1960-29 January 1961; HAAGS GEMEENTEMUSEUM, The Hague, "Collectie Thomson Uit Pittsburgh," 12 February-9 April, no. 143, colorpl.; SOLOMON R. GUGGENHEIM MUSEUM, New York, "One Hundred Paintings from the G. David Thompson Collection," May-August; GALLERIA CIVICA D'ARTE MODERNA, Turin, "Collezione G. David Thompson Pittsburgh," October-November.
PASADENA ART MUSEUM. "A View of this Century," 24 November-19 December 1964, no. 44, ill. (as Composition Blue-Yellow, lent by Mr. and Mrs. Frederick Weisman).
GALERIE BEYELER, Basel. "Mondrian," December 1964-January 1965 (lent by Private Collection).
SOLOMON R GUGGENHEIM MUSEUM, New York. "Piet Mondrian Centennial Exhibition," 7 October-12 December 1971, no. 116, colorpl. (did not tour).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 503.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Instiution, Washington, DC. "Dreams and Nightmares: Utopian Visions in Modern Art," 8 December 1983-12 February 1984, no. 58, ill. p. 93 and frontispiece.
CENTRE GEORGES POMPIDOU, Paris. "Mondrian in Paris," 1 December 2010-21 March 2011.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
SEUPHOR, MICHEL. Piet Mondrian: Life and Work (New York: Harry N. Abrams, 1956; Cologne: Du Mont, 1957; Paris, 1970), no. 531, p. 429, cc. 379, ill. p. 390 (as Composition, 1932/36, no. collection or size given).
F.S. "Les expositions a l'etranger: Dusseldorf-Klee et la collection G. David Thompson," Aujourd'hui 5 (February 1961), p. 52.
NORDLAND, GERALD. "Collecting in Los Angeles," Artforum 2 (Summer 1964), p. 18, ill. (in situ in Weisman collection).
SCHMIDT, GEORGE (intro.). Piet Mondrian (Basel: Galerie Beyeler, n.d. [after January 1965]), colorplate 53 (cropped). Listed as Seuphor ill. 381, Private Collection.
MARMER, NANCY. "Los Angeles Letter," Art International 9 (February 1965), p. 32.
IVES-STILLMAN, INC. Announcemnet offering portfolio (New Haven, 1965-66), colorplate.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden," Smithsonian Year 1968 (Washington, DC, 1969), p. 222, ill. p. 223.
ROBERTSON, NAN. "Hirshhorn Gives Museum 326 Works," New York Times (March 10, 1972).
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden, (New York: Harry N. Abrams, 1974), p. 724, colorplate 503.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 68.
OTTOLENGHI, MARIA GRAZIA. L'Opera Completa di Mondrian (Milan: Rizzdi, 1974), no. 422, ill.
CHAMPA, KERMIT. "Piet Mondrian's 'Composition with Blue and Yellow'," Arts Magazine 53 (January 1979), pp. 137-39, color ill. p. 138.
CARMEAN, E.A. Mondrian: The Diamond Compositions (Washington, DC: National Gallery of Art, 1979), ill. 45, p. 54 (not in exhibition).
UNSIGNED. A Guide to Teaching Art in the Primary Grades K-3 (Fairfax, Virginia: Fairfax County Public Schools, 1983), pp. 278, 279, ill.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), p. 387, ill.
CHAMPA, KERMIT SWILER. Mondrian Studies (Chicago and London: University of Chicago Press, 1985), pl. 20.
WOLF, ALINE. Mommy, It's a Renoir!: Child-Size Masterpieces (Altoona, Pennsylvania: Parent Child Press, 1986), ill.
BATES, SUSAN, and ANNE FICKLEN, eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 39.
WHITFORD, FRANK. Understanding Abstract Art (London: Barrie & Jenkins, 1987), ill. pp. 13, 118, 129.
BERGER, ARTHUR ASA. Seeing Is Believing (Mountain View, California: Mayfield Publishing, 1989), ill. p. 5 (fig. 0.6).
VARNEDOE, KIRK. A Fine Disregard (New York: Harry N. Abrams, 1989), no. 160, p. 158.
INDURKHYA, BIPIN. Studies in Cognitive Systems, vol. 13: Metaphor and Cognition (Boston: Kluwer Academic Publishers, 1992), pl. 3, p. 43.
GIBSON, ERIC. "Museum pursues new look," Washington Times (20 December 1992).
APPEL, ALFRED, JR. The Art of Celebration (New York: Alfred A. Knopf, Inc., 1993), ill. p. 7.
BLOTKAMP, CAREL. Mondrian: The Art of Destruction (London: Reaktion Book, 1994), colorpl. 163, p. 217.
SAYRE, HENRY M. A World of Art, second edition (New Jersey: Prentice Hall, 1997), fig. 277, p. 161.
See file for further info.

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1989," 15 March-14 May 1989, unpublished checklist, no. 2.

JHH Purchased From Castelli Gallery, Leo, New York 12 April 1961

Provenance:
World House Galleries, New York, to 16 April 1959
Joseph H. Hirshhorn, New York, 16 April 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
WORLD HOUSE GALLERIES, New York. "Bourdelle," 19 May-29 June 1957, no. 18, cover ill.
UNIVERSITY OF MINNESOTA ART GALLERIES, Minneapolis. "Antoine Bourdelle," 8 November-8 December 1957, no. 2. TOUR: WALKER ART CENTER, 12 January-9 February 1958.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 37, ill. p. 33.

Published References:
JIANOU, IONEL, and MICHEL DUFET. Bourdelle, trans. Kathleen Muston and Bryan Richardson (Paris: Arted, 1965), p. 77, pl. 7; 2nd edition, 1975, p. 80, no. 161.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 56, ill.
HALE, WILLIAM H. The World of Rodin 1840-1917 (New York; Time Life Books, 1969), p. 175, caption on p. 174.
UNSIGNED. Apollo, vol. 96 (August 1972), p. 102, no. 19, ill. p. 103.
GOODE, JAMES E. "Outdoor Sculpture: Washington's Overlooked Monuments," Historic Preservation (January-March 1973), p. 6, ill.
BUTLER, JOSEPH T. "America: The Hirshhorn Museum and Sculpture Garden Opens in Washington, DC," Connoisseur 187/753 (November 1974), ill. no. 5.
YOUNG, MAHONRI SHARP. "Letter from the U.S.A. : Hirshhorn on the Mall," Apollo 100/153 (November 1974), p. 419.
MUESSIG, RAYMOND H. ed. "Controversial Issues in the Social Studies" (Washington, DC: National Council for the Social Studies, 1975), ill. p. 196.
UNSIGNED. SMITHSONIAN TORCH (December 1978), ill. p. 8.
UNSIGNED. "Care for Outdoor Sculpture," Washington Post (30 June 1994), Washington Home, ill. p. 20.
UNSIGNED. "Gallery Listings," Intowner (May 1996), ill.
FLETCHER, VALERIE J. A Garden for Art (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), no. 4, ill. p. 41.

Provenance:
Samuel M. Kootz Gallery, New York, to 24 January 1959
Joseph H. Hirshhorn, New York, 24 January 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
KOOTZ GALLERY, New York. February-May 1959.
GALERIES NATIONALES DU GRAND PALAIS, Paris. "Zao Wou-Ki: Peintures, Encres de Chine," 12 June-10 August 1981, ill. Tour: FUKUOKA CITY MUSEUM, Japan, 6-21 October; TOKYO NIHONBASHI ART GALLERY, 13 November-25 December; FUKUI PREFECTURAL MUSEUM, 27 February-22 March 1982; KYOTO NATIONAL MUSEUM OF MODERN ART, 30 March-9 May; KANAGAWA PREFECTURAL MUSEUM OF MODERN ART, Kamakura, 16 May-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
BOURDAIS, GILDAS. Les Modernes et les Autres: Cent Ans d'Art Moderne dans le Monde (Lausanne, Switzerland: Livre Total, 1990), ill. p. 221.

Provenance:
The artist, New York, to 15 February 1007
Gift of the artist, 2007

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed in sculpture garden, 2 April 2007-present.

Published References:
DAWSON, JESSICA. "Yoko Ono's Peaceful Message Takes Root," Washington Post (3 April 2007), online edition.
KELLY, JOHN. "Every Week is Harvest Season for the Hirshhorn's Wish Tree," Washington Post (25 August 2011), Metro section, p. B2.

Provenance:
The artist
Marlborough International Fine Art, Vaduz, Lichtenstein, to 28 June 1989
Gift of Marlborough International Fine Art and gift of the Joseph H. Hirshhorn Foundation, by exchange, 1989

Exhibition History:
GALERIE MAEGHT-LELONG, Paris. "Francis Bacon: Peintures Récentes," 18 January-25 February 1984, no. 11, ill.
MARLBOROUGH GALLERY, New York. "Francis Bacon: Recent Paintings," 5 May-5 June 1984, no. 11, ill. pp. 31-32. (combi9ne w/ above//)
TATE GALLERY, London. "Francis Bacon," 22 May-18 August 1985, no. 124, ill. TOUR: STAATSGALERIE STUTTGART, 19 October-5 January 1986; NATIONALGALERIE, Berlin, 7 February-31 March.
MARLBOROUGH GALLERIES, London. "Francis Bacon: Paintings of the Eighties," 7 May-31 July 1987, no. 3, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Francis Bacon," 12 October 1989-7 January 1990, no. 53, color ill. pp. 19-20. TOUR: LOS ANGELES COUNTY MUSEUM OF ART, 11 February-29 April; MUSEUM OF MODERN ART, New York, 24 May-28 August.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 4.
LOUISIANA MUSEUM OF MODERN ART, Humlebaek, Denmark. "Francis Bacon," 23 January-26 April 1998, no. 33, color ill. pp. 78-79.
TRUST FOR MUSEUM EXHIBITIONS, Washington, DC (organizer). "Francis Bacon: A Retrospective Exhibition," no. 65. TOUR: YALE CENTER FOR BRITISH ART, New Haven, 25 January-21 March 1999; MINNEAPOLIS INSTITUTE OF ARTS, 8 April-27 May; FINE ARTS MUSEUMS OF SAN FRANCISCO, 13 June-2 August; MODERN ART MUSEUM OF FORT WORTH, 20 August-15 October.
KUNSTHISTORISCHES MUSEUM, Vienna. "Francis Bacon and the Tradition of Art," 15 October 2003-18 January 2004, no. 102, color ill. pp. 256-257. TOUR: FONDATION BEYELER, Riehen/Basel, 8 February-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat. (only on view until 2015 due to Gagosian loan).
GAGOSIAN GALLERY, New York. "Francis Bacon: Late Paintings," 7 November-12 December 2015, color ill. on front and back cover, pp. 82-83, and p. 204; p. 206.

Published References:
DELEUZE, GILLES. "Francis Bacon: The Logic of Sensation," Flash Art (May 1983): p. 8-21.
SCHMIED, WIELAND. Francis Bacon: Vier Studien zu einem Portrat (Berlin: Frolich & Kaufman, 1985): p. 84.
FULLER, PETER. "London: Francis Bacon," The Burlington Magazine (August 1985): p. 553.
DAVIES, HUGH and SALLY YARD. Francis Bacon (New York: Abbeville Press, 1986): p. 106.
KUSPIT, DONALD. "Hysterical Painting," ArtForum (January 1986): p. 55, 58-60.
LESSOE, ROLF. "Francis Bacon's Crucifixions and Related Themes," Hafnia Copenhagen Papers in the History of Art 11 (1987[printed August 1988]): p. 33, 34.
WELZENBACH, MICHAEL. "Everyman's Scream," Museum & Arts Washington (September-October 1989): p. 66-67.
GOWING, LAWRENCE. "Francis Bacon: The human presence," The Journal of Art 2/3 (December 1989): 7, 8, 10.
UNSIGNED. "La Chronique des Arts: Principles Acquistions des Musees en 1989," Gazette des Beaux Arts 1454 (March 1990): p. 1, 64.
SOLLERS, PHILIPPE. "Francis Bacon dans le vif du sujet," Beaux Arts 80 (June 1990): pp. 94-107.
SOTHEBY'S NEW YORK. Old Master, 19th and 20th Century and Contemporary Prints; Auction 9 May 1991 (1991): lot 476.
WILSON, JANET. "Heavenly Hodgepodge," Washington Post (25 October 1991): p. B1.
SINCLAIR, ANDREW. Francis Bacon: His :Life and Violent Times (London: Sinclair-Stevenson, 1993): p. 279.
CENTRE GEORGES POMPIDOU. Francis Bacon (Paris: Centre Georges Pompidou, 1996): p. 238, 239, 309.
SOLLERS, PHILIPPE. Les Passions de Francis Bacon (Paris: Monographies: Gallimard, 1996): 168, 169, 177.
DAGEN, PHILIPPE. Bacon (Paris?: Reperes Contemporains, Cercle d'Art, 1996): right panel of dust jacket.
NOWAK, JEAN MCDUFFIE. "Yale's large collection of art earns high marks," Washington Times (7 March 1999): p. 21.
GALE, MATTHEW and CHRIS STEPHENS, eds. Francis Bacon (London: Tate Publishing, 2008), fig. 127, p. 247.

Provenance:
The artist
Marlborough International Fine Art, Vaduz, Lichtenstein, to 28 June 1989
Gift of Marlborough International Fine Art and gift of the Joseph H. Hirshhorn Foundation, by exchange, 1989

Exhibition History:
GALERIE MAEGHT-LELONG, Paris. "Francis Bacon: Peintures Récentes," 18 January-25 February 1984, no. 11, ill.
MARLBOROUGH GALLERY, New York. "Francis Bacon: Recent Paintings," 5 May-5 June 1984, no. 11, ill. pp. 31-32. (combi9ne w/ above//)
TATE GALLERY, London. "Francis Bacon," 22 May-18 August 1985, no. 124, ill. TOUR: STAATSGALERIE STUTTGART, 19 October-5 January 1986; NATIONALGALERIE, Berlin, 7 February-31 March.
MARLBOROUGH GALLERIES, London. "Francis Bacon: Paintings of the Eighties," 7 May-31 July 1987, no. 3, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Francis Bacon," 12 October 1989-7 January 1990, no. 53, color ill. pp. 19-20. TOUR: LOS ANGELES COUNTY MUSEUM OF ART, 11 February-29 April; MUSEUM OF MODERN ART, New York, 24 May-28 August.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 4.
LOUISIANA MUSEUM OF MODERN ART, Humlebaek, Denmark. "Francis Bacon," 23 January-26 April 1998, no. 33, color ill. pp. 78-79.
TRUST FOR MUSEUM EXHIBITIONS, Washington, DC (organizer). "Francis Bacon: A Retrospective Exhibition," no. 65. TOUR: YALE CENTER FOR BRITISH ART, New Haven, 25 January-21 March 1999; MINNEAPOLIS INSTITUTE OF ARTS, 8 April-27 May; FINE ARTS MUSEUMS OF SAN FRANCISCO, 13 June-2 August; MODERN ART MUSEUM OF FORT WORTH, 20 August-15 October.
KUNSTHISTORISCHES MUSEUM, Vienna. "Francis Bacon and the Tradition of Art," 15 October 2003-18 January 2004, no. 102, color ill. pp. 256-257. TOUR: FONDATION BEYELER, Riehen/Basel, 8 February-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat. (only on view until 2015 due to Gagosian loan).
GAGOSIAN GALLERY, New York. "Francis Bacon: Late Paintings," 7 November-12 December 2015, color ill. on front and back cover, pp. 82-83, and p. 204; p. 206.

Published References:
DELEUZE, GILLES. "Francis Bacon: The Logic of Sensation," Flash Art (May 1983): p. 8-21.
SCHMIED, WIELAND. Francis Bacon: Vier Studien zu einem Portrat (Berlin: Frolich & Kaufman, 1985): p. 84.
FULLER, PETER. "London: Francis Bacon," The Burlington Magazine (August 1985): p. 553.
DAVIES, HUGH and SALLY YARD. Francis Bacon (New York: Abbeville Press, 1986): p. 106.
KUSPIT, DONALD. "Hysterical Painting," ArtForum (January 1986): p. 55, 58-60.
LESSOE, ROLF. "Francis Bacon's Crucifixions and Related Themes," Hafnia Copenhagen Papers in the History of Art 11 (1987[printed August 1988]): p. 33, 34.
WELZENBACH, MICHAEL. "Everyman's Scream," Museum & Arts Washington (September-October 1989): p. 66-67.
GOWING, LAWRENCE. "Francis Bacon: The human presence," The Journal of Art 2/3 (December 1989): 7, 8, 10.
UNSIGNED. "La Chronique des Arts: Principles Acquistions des Musees en 1989," Gazette des Beaux Arts 1454 (March 1990): p. 1, 64.
SOLLERS, PHILIPPE. "Francis Bacon dans le vif du sujet," Beaux Arts 80 (June 1990): pp. 94-107.
SOTHEBY'S NEW YORK. Old Master, 19th and 20th Century and Contemporary Prints; Auction 9 May 1991 (1991): lot 476.
WILSON, JANET. "Heavenly Hodgepodge," Washington Post (25 October 1991): p. B1.
SINCLAIR, ANDREW. Francis Bacon: His :Life and Violent Times (London: Sinclair-Stevenson, 1993): p. 279.
CENTRE GEORGES POMPIDOU. Francis Bacon (Paris: Centre Georges Pompidou, 1996): p. 238, 239, 309.
SOLLERS, PHILIPPE. Les Passions de Francis Bacon (Paris: Monographies: Gallimard, 1996): 168, 169, 177.
DAGEN, PHILIPPE. Bacon (Paris?: Reperes Contemporains, Cercle d'Art, 1996): right panel of dust jacket.
NOWAK, JEAN MCDUFFIE. "Yale's large collection of art earns high marks," Washington Times (7 March 1999): p. 21.
GALE, MATTHEW and CHRIS STEPHENS, eds. Francis Bacon (London: Tate Publishing, 2008), fig. 127, p. 247.

Provenance:
Samuel M. Kootz Gallery, New York, to 24 January 1959
Joseph H. Hirshhorn, New York, 24 January 1959-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
KOOTZ GALLERY, New York. "Hans Hofmann: Paintings of 1958," 6-31 January 1959, cat., ill.
CONTEMPORARY ARTS MUSEUM, Houston. "The Romantic Agony: From Goya to De Kooning," 23 April-31 May 1959, ill. p. 21.
FRANKISCHE GALERIE AM MARIENTOR, Nuremberg. "Hans Hofmann Retrospective," 8 April-6 May 1962, no. 59. TOUR: KUNSTVEREIN, Cologne, 26 May-July; KONGRESSEHALLE, Berlin, October-November; STADTISCHE GALERIE, Munich, December-January 1963.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, colorpl. 739, p. 501; p. 702.
THE WHITE HOUSE, Washington, DC. Extended temporary loan, from 18 May 1981. Returned [date unknown].
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
SAWIN, MARTICA. "In the Galleries: Hans Hofmann," Arts XXXIII/5 (February 1959), p. 56.
HUNTER, SAM. Hans Hoffman (New York: Abrams, 1963), colorpl. 86.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), colorpl. 739, p. 501; p. 702.
HANHISALO, JUDITH EVANS. Enjoying Art: Painting, Sculpture, Architecture and the Decorative Arts (Englewood Cliffs, NJ: Prentice-Hall, 1983), fig. 120, p. 165.
UNSIGNED. Invitation, Fifth Annual Beaux Arts Masked Ball "Fire and Ice," John's Island Beach Club, Vero Beach (Washington, DC: Center for the Arts, 1984), ill.
SMITHSONIAN INSTITUTION. The Sea: The Smithsonian Engagement Calendar for 1985 (New York: Universe, 1984), in "May."
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, NJ: Prentice-Hall, 1985), fig. 16-29, p. 419.
GOODMAN, CYNTHIA. Hans Hofmann (New York: Abbeville Press, 1986).

Provenance:
Musee Rodin, Paris, 1962
Galerie Claude Bernard, Paris, January-4 March 1963*
Joseph H. Hirshhorn, New York, 4 March 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
*This cast was probably commissioned by JHH through Galerie Calude Bernard. See VJF memo of 25 October 1995 in file.

Exhibition History:
GALERIE CLAUDE BERNARD, Paris. "Auguste Rodin," January 1963, no. 1, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
SMITHSONIAN INSTITUTION, Washington, DC (organizer). "The America's Smithsonian: 150th Anniversary Exhibition," TOUR: Los Angeles, 9 February-7 March 1996; Kansas City, Missouri, 19 April-19 May; New York City, 11 June-24 July; Providence, 16 August-19 September; St. Paul, 11 October-14 November; Houston, 7 December-12 January 1997; Portland, 3 February-9 March; Birmingham, 1 April-11 May; San Jose, 3 June-11 July.

Published References:
WATT, ALEXANDER. "Rodin Unknown, Homage to Atlan. Paris Commentary," Studio 165/841 (May 1963), 216.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 57, 114, ill. 72.
JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), p. 69, colorpl.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 86.
JACOBS, JAY. "Quality as Well as Quantity: Joseph H. Hirshhorn," Collector in America, ed. by Jean Lipman (New York: Viking, 1971), p. 83, colorpl.
ZANINI, WALTER. Tendencias da escultura moderna (Sao Paolo: Cultrix, 1971), p. 27, no. 5.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 32, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 103, 741, colorpl. 221.
LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), p. 41, colorpl. p. 39.
MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 2-4, 64, ill. 4.
COURTHION, PIERRE. "Le plus grand musee de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 65, no. 65-1, see related works, p. 369.
FENTON, DEBORAH T. Paris and the American Avant-Garde, 1900-1925 (Detroit: Detroit Institute of Arts, 1980), fig. 14, p. 19.
SELZ, PETER. Art in our Times: A Pictorial History 1890-1980 (New York: Harcourt Brace Jovanovich and Harry N. Abrams, 1981), ill. p. 76, no. 167.
FICHNER-RATHUS, LOIS. Understanding Art, second ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1986), p. 133, ill., no. 6-11.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 6-17, ill. p. 134.
LEWIS, RICHARD, and SUSAN I. LEWIS. The Power of Art (New York: Harcourt Brace College Publishers, 1995), no. 7-13, ill. p. 115.
UNSIGNED. "Smithsonian Packs Up Its Show to Hit the Road," New York Times National (25 November 1995).
TRESCOTT, JACQUELINE. "Smithsonian Marks 150th With Biggest Exhibit Ever," Washington Post (14 December 1995), pp. A1, A19.
MOESER, VICKI. "Smithsonian packs travel bags," Torch, no. 96-1 (Washington DC: A Monthly Newspaper for Smithsonian Institution, January 1996), ill.
GOLDBERGER, PAUL. "An Attic Of Stuff, All Real," New York Times (14 June 1996), p. C1, C14.
TANSEY, RICHARD G. and FRED S. KLEINER. Gardner's Art Through The Ages, tenth ed. (New York: Harcourt Brace College Publishers, 1996), no. 26.91, p. 1012.
UNSIGNED. "America's Attic," USA Today (July 1996), ill. p. 26.
BAKER, KENNETH. "America Trophies," San Francisco Chronicle (31 July 1997), p. C1, ill. p. C3.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and
Hudson, 1998), no. 5, ill. p. 42.
TRESCOTT, JACQUELINE. "History Comes Home," Washington Post (12 February 1998), p. E2.
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 1, p. 3. [exhibition brochure]
See file for further info.

Provenance:
Pierre Matisse Gallery, New York, by May 1943 to Nov 1959
Mrs. Harold Weinstein, Chicago, acquired Nov 1959
B.C. Holland Gallery, Chicago, acquired at unknown date (possibly 1966)
Harold Diamond, New York, to 14 February 1967
Joseph H. Hirshhorn, New York, 14 February 1967- 6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
PIERRE MATISSE GALLERY, New York. "Yves Tanguy: Recent Paintings," 18 May-5 June 1943, no. 4
PIERRE MATISSE GALLERY, New York. "Yves Tanguy," 5-30 November 1946, no. 14, ill. p. 80.
UNIVERSITY GALLERY, University of Minnesota, Minneapolis. "40 American Painters, 1940-1950," 4 June-30 August 1951, no. 73, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no 484, ill. p. 343.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artist-Immigrants of America, 1876-1976," 20 May-20 October 1976, no. 159, colorplate p. 330.
UNIVERSITY ART MUSEUM, Berkeley. "Anxious Visions-Surrealist Art," 3 October 1990-6 January 1991, p. 95, plate 119, p. 94.
BRUCE MUSEUM, Greenwich, Connecticut. "The Surrealist Vision: Europe and the Americas," 17 January-15 April 1998, no. cat.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA, Madrid. "The Surrealists in Exile and the Origin of the New York School," 21 December 1999-27 February 2000. Tour: MUSEE D'ART MODERNE ET CONTEMPORAIN, Strasbourg, France, 12 May- 27 August.
STAATSGALERIE STUTTGART, Germany. "Yves Tanguy and Surrealism," 9 December 2000-29 April 2001. Tour: MENIL COLLECTION, Houston, 31 May-16 September 2001.
NATIONAL ACADEMY OF DESIGN, New York. "Surrealism USA," 10 February-8 May 2005. Tour: PHOENIX ART MUSEUM, 3 June-25 September 2005; TOLEDO MUSEUM OF ART, October 2005-January 2006.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
UNSIGNED. Yves Tanguy: A Summary of His Works (New York: Pierre Matisse, 1963): no. 290, ill. p. 131.
GOLDSTEIN, NATHAN. Painting: Visual and Technical Fundamentals (Englewood Cliffs, New Jersey: Prentice-Hall, 1979): fig. 5.18, p. 135, ill. p. 136.
CURTISS, DEBORAH. Introduction to Visual Literacy: A Guide to the Visual Arts and Communication (Englewood Cliffs, New Jersey: Prentice-Hall, 1987): no. 3-63, ill. p. 33.
FELDMAN, EDMUND BURKE. Practical Art Criticism (Englewood Cliffs, New Jersey: Prentice-Hall, 1994): ill. p. 54.

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Provenance:
Gimpel Fils, London, to March 1958
Joseph H. Hirshhorn, New York, March 1958-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Provenance:
Heather and Tony Podesta, Washington, DC, to 29 December 2016
Gift of Heather and Tony Podesta Collection, 2016

Provenance:
Hanover Gallery, London
Durlacher Brothers, New York, from 31 March 1953
Mr. and Mrs. Stanley Wolf, Great Neck, New York
Alan Gallery, New York, 9 March 1955
Joseph H. Hirshhorn, New York, 9 March 1955-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
DURLACHER BROTHERS, New York."Francis Bacon," 20 October-14 November 1953, no. 3.
BRANDEIS UNIVERSITY, Waltham, Massachusetts. "Three Collections," 1-17 June 1955, no. 2.
TATE GALLERY, London. "Francis Bacon Retrospective," 24 May-1 July 1962, no. 28, ill. TOUR: KUNSTHALLE MANNHEIM, Germany, 18 July-26 August, no. 22; MUSEO CIVICO DI TORINO, 11 September-14 October, no. 29, ill.; KUNSTHAUS, Zurich, 27 October-25 November; STEDELIJK MUSEUM, Amsterdam, 11 January-18 February 1963, no. 19, ill.
AMERICAN FEDERATION OF ARTS, New York (organizer). "Paintings from the Joseph H. Hirshhorn Foundation Collection: A View of the Protean Century," no. 76. TOUR: M. KNOEDLER, New York, 31 October-24 November 1962; CURRIER GALLERY OF ART, Manchester, New Hampshire, 16 December-12 January 1963; CARNEGIE INSTITUTE, Pittsburgh, 30 January-26 February; EVANSVILLE MUSEUM OF ARTS AND SCIENCE, Indiana, 16 March-12 April; MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York, 30 April-27 May; J.B. SPEED ART MUSEUM, Louisville,13 June-10 July; MINNEAPOLIS INSTITUTE OF THE ARTS, 30 July-25 August; SEATTLE ART MUSEUM, 11 September-8 October; SAN FRANCISCO MUSEUM OF ART, 26 October-23 November; COLORADO SPRINGS FINE ARTS CENTER, 11 December-7 January 1964; DALLAS MUSEUM OF FINE ARTS, 26 January-23 February; ATLANTA ART ASSOCIATION, 10 June-7 July; SAGINAW ART MUSEUM, Michigan, 25 July-22 August; MONTREAL MUSEUM OF FINE ARTS, 8 September-6 October; ALLENTOWN ART MUSEUM, Pennsylvania, 24 October-21 November; MUSEUM OF FINE ARTS, Boston, 9 December-10 January 1965; BROOKLYN MUSEUM, 8 February-5 April.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, fig. 632, p. 437; p. 660.
ALDRICH MUSEUM OF CONTEMPORARY ART, Ridgefield, Connecticut. "Homo Sapiens: The Many Images," 9 May-16 September 1982, ill. p. 9.
MUSEUM OF CONTEMPORARY ART SAN DIEGO. "Francis Bacon: The Papal Portraits of 1953," 17 January-28 March 1999, ill. p. 49; p. 71.
KUNSTHISTORISCHES MUSEUM, Vienna. "Francis Bacon and the Tradition of Art," 15 October 2003-18 January 2004, no. 6, ill. p. 126. TOUR: FONDATION BEYELER, Riehen/Basel, 8 February-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.

Published References:
HUNTER, SAM. "Francis Bacon: An Acute Sense of Impasse," Art Digest 28 (15 October 1953): p. 16, ill.
UNSIGNED. "Snapshots from Hell," Time 62 (19 October 1953) ill., p. 63.
SECKLER, DOROTHY GEES. "Reviews and Previews: Francis Bacon," Art News 52, part 1 (November 1953): p. 43.
SPENDER, STEPHEN. "English Artists vs. English Painting," Art News 52 (November 1953) p. 48, ill. p. 14.
FITZSIMMONS, JAMES. "Art Paintings of Apes and Madmen," Arts and Architecture 71 (January 1954) p. 30, ill.
ROTHENSTEIN, JOHN and RONALD ALLEY. Francis Bacon (London: Thames and Hudson, 1964): no. 63.
BROOKLYN MUSEUM. "Exhibitions: Paintings from the Hirshhorn Foundation," Museum News (February 1965).
PRESTON, STUART. "A Collectors Eye-View," The New York Times (28 February 1965) sec. 2, p. 19.
MENNA, F. "Modern European Art," New Catholic Encuclopedia I (New York: McGraw Hill, 1967): p. 911, ill. p. 907.
MARLBOROUGH-GERSON GALLERY, INC. Francis Bacon: Recent Paintings (1968): cat., ill. p. 62.
LERNER, ABRAM. Selected Paintings and Sculpture from the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, Inc., 1974): no. 632, p. 660.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," The New York Times (14 July 1974) section 2.
TRUCCHI, LORENZA. Francis Bacon (Milan: Fratelli Fabbri Editori, 1975): no. 29, ill.
DAVIES, HUGH M.. Francis Bacon: The Early and Middle Years, 1928-1958 (New York and London: Garland Publishing, 1978) no. 73, ill.
SCHMIED, WIELAND. Francis Bacon: Vier Studien zu einem Portrat (Berlin: Frolich & Kaufmann, 1985): p. 13.
DAVIES, HUGH and SALLY YARD. Francis Bacon (New York: Abbeville Press, 1986): p. 27.
KULTERMANN, VON UDO. "Inkunabeln kunstlerischer Appropriation: Zur Interpretation von Bacons Velazquez-Variationen," Neue Burcher Beitung no. 241 (17-18 October 1987): p. 69.
SINCLAIR, ANDREW. Francis Bacon: His Life and Violent Times (London: Sinclair-Stevenson, 1993): p. 122.
CENTRE GEORGES POMPIDOU. Francis Bacon (Paris: Centre Georges Pompidou, 1996): p. 258.
MUSEUM OF CONTEMPORARY ART SAN DIEGO. "Exhibitions: Francis Bacon," Museum of Contemporary Art San Diego Newsletter (1999).
DAVIES, HUGH. Francis Bacon: The Papal Portraits of 1953 (Museum of Contemporary Art San Diego, 1999).
UNSIGNED. "Gyroscope: Fall 2005," (Hirshhorn Museum and Sculpture Garden, 2005), fig. 4. [exhibition brochure]

Provenance:
Peter Freeman, Inc., New York, to 25 July 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installation on plaza, 6 August 2016-ongoing.

Jh Purchased From Valentin Gallery, Curt, New York Dec 07, 1954

Provenance:
The artist
Enrico Martignoni, Winnemucca, Nevada, to 25 August 1999
Joseph H. Hirshhorn Purchase Fund and Gift of the Institute of Scrap Recycling Industries, by exchange, 1999

Exhibition History:
ALBRIGHT-KNOX ART GALLERY, Buffalo. "Plus by Minus," 1968.
GRAND RAPIDS ART MUSEUM, Michigan (organizer). "Sculpture off the Pedestal," 8 September-3 December 1973, cat. (Citywide exhibition of large-scale outdoor sculpture by thirteen American artists.)
WHITNEY MUSEUM OF AMERICAN ART, New York. "Mark di Suvero," 13 November 1975-8 February 1976, no. 38, p. 87. (Installed in Prospect Park, Brooklyn, New York.)
WURTTEMBERGISCHER KUNSTVEREIN, Stuttgart. "Mark di Suvero," 11 May-10 July 1988, p. 217, ill. pp. 86-87.
MUSEE D'ART MODERNE ET D'ART CONTEMPORAIN, Nice. "Mark di Suvero Retrospective," 1991, p. 14, p. 140, ill. pp. 13, 16, 20.
IVAM CENTRE JULIO GONZALEZ, Valencia. "Mark di Suvero," 16 December 1994-19 March 1995, p. 24, 36, ill.
XLVI INTERNATIONAL ART EXHIBITION, VENICE BIENNALE. "Mark di Suvero," 11 June-15 October 1995, no. 5, ill.
STORM KING ART CENTER, Mountainville, New York. "Mark di Suvero at Storm King Art Center," 13 May-15 November 1995 and 1 April-15 November 1996, ills., p. 31, 128.
GALERIE JEANNE-BUCHER, Paris. "Mark di Suvero," 1997, p. 8, ill.
SAN FRANCISCO MUSEUM OF MODERN ART (organizer only). “Mark di Suvero.” Tour: CRISSY FIELD, San Francisco, 22 May 2013-26 May 2014. (Exhibition of eight large-scale outdoor sculptures.)

Published References:
UNSIGNED. Advertisement, "Mark Di Suvero: 25 Years of Sculpture and Drawings, Storm King Art Center," Art in America 73 (June 1985), n.p.
UNSIGNED. Advertisement, "Mark Di Suvero: 25 Years of Sculpture and Drawings, Storm King Art Center," Artforum 23 (Summer 1985), n.p.
KARDON, JANET. 1967 at the Crossroads (Institute of Contemporary Art, University of Pennsylvania, 1987), ill., n.p.
UNSIGNED. Advertisement, "Richard Bellamy/Oil & Steel Gallery and Gagosian Gallery," Art in America, 85 (November 1997), n.p.
UNSIGNED. "Mark di Suvero: Mairie de Paris," Artforum (January 1998), p. 109.
RUBINSTEIN, RAPHAEL. "A Season of Steel in the City of Light," Art in America (July 1998), p. 69, ill. p. 68.
UNSIGNED. "Hirshhorn's Mall Sculpture Steels the Show," Washington Times (26 August 1999), P. C7.
RICHARD, PAUL. "Here and Now," Washington Post (29 August 1999), p. G3.
FORGEY, BENJAMIN. "Cityscape: Splendor on the Grass," Washington Post (15 October 1999), p. C1, color ill.
GARRELS, GARY, ed. Celebrating Modern Art: The Anderson Collection (Berkeley: University of California Press, 2000), ill., n.p.
ESKIN, BLAKE. "Man of Steel," Art News 100, no. 6 (June 2001), p. 91.
ELLEGOOD, ANNE and JOANNA BURTON. The Uncertainty of Objects and Ideas: Recent Sculpture (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006), ill. p. 61.

Provenance:
Galerie Nordine Zidoun, Paris, to 9 May 2009
Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2009

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Provenance:
Donald Moffett, San Antonio, to 26 June 2018
Gift of Donald Moffett, 2018

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Speculative Forms," 16 June 2014-24 April 2016, no cat.

Provenance:
Buchholz Gallery, New York
Curt Valentin Gallery, New York
William Rubin, New York, to 1 July 1963
Joseph H. Hirshhorn, New York, 1 July 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
[BUCHHOLZ GALLERY, New York. "Andre Masson," February 1947.]
SMITHSONIAN INSTITUTION TRAVELING EXHIBITION SERVICE, Washington, DC (organizer). "Surrealist Art: Selections from the Hirshhorn Museum and Sculpture Garden," no. 4, ill. p. 15. Tour: JOSLYN ART MUSEUM, Omaha, 22 March-4 May 1986; FINE ARTS CENTER AT CHEEKWOOD, Nashville, 26 June-7 September; MONTGOMERY MUSEUM OF FINE ART, Alabama, 27 September-9 November; VASSAR COLLEGE ART GALLERY, Poughkeepsie, New York, 29 November-11 January 1987; SOCIETY OF THE FOUR ARTS, Palm Beach, Florida, 31 January-15 March; IBM GALLERY OF SCIENCE AND ART, New York City, 4 April-17 May.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
[(?)Unsigned. "Reviews and Previews: Andre Masson," Art News, XLV/12 (February 1947) p. 42]
RUBIN, WILLIAM. Andre Masson. New York: Museum of Modern Art, 1976, p. 168 (not ill.)
FLETCHER, VALERIE J. "Wifredo Lam: Art of Pride and Anger," in Wifredo Lam in North America (Milwaukee: Marquette University, 2007), p. 50, ill. p. 51.

Exhibition History:
INSTITUT VALENCIA D'ART MODERN, Spain. "Charles Simonds," 18 September-30 November 2003, ill. p. 189 (color, with detail p. 188).
DUMBARTON OAKS, Washington DC. "Charles Simonds: Landscape/Body/Dwelling,"
28 Apri-25 October 2009.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Speculative Forms," 16 June 2014-24 April 2016, no cat.

Provenance:
The artist, to 16 September 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Exhibition History:
NEW ART EXCHANGE, Nottingham. “Hurvin Anderson: Dub Versions,” 2 July-18 September 2016.
MICHAEL WERNER GALLERY, New York. “Hurvin Anderson: Foreign Body,” 4 November 2016-14 January 2017.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Exhibition History:
NEW ART EXCHANGE, Nottingham. “Hurvin Anderson: Dub Versions,” 2 July-18 September 2016.
MICHAEL WERNER GALLERY, New York. “Hurvin Anderson: Foreign Body,” 4 November 2016-14 January 2017.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Provenance:
The artist, to 1993
Anthony d'Offay Gallery, London, 1993-1997
Private collection, New York, 1997-1998
Richard Gray Gallery, Chicago,to 22 October 1998
Joseph H. Hirshhorn Purchase Fund and Smithsonian Collections Acquisition Program, 1998

Provenance:
Carstairs Gallery, New York, to 21 January 1957
Joseph H. Hirshhorn, New York, 21 January 1957-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
CARSTAIRS GALLERY, New York. Salvador Dalí, 4 December 1956-5 January 1957, no. 2.
AMERICAN FEDERATION OF ARTS, New York (organizer). "Paintings from the Joseph H. Hirshhorn Collection: A View of the Protean Century," no. 18, ill. TOUR: M. KNOEDLER, New York, 31 October-24 November 1962; CURRIER GALLERY OF ART, Manchester, New Hampshire, 16 December-12 January 1963; CARNEGIE INSTITUTE, Pittsburgh, 30 January-26 February; EVANSVILLE MUSEUM OF ARTS AND SCIENCE, INDIANA, 16 March-12 April; MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York, 30 April-27 May; J.B. SPEED ART MUSEUM, Louisville, Kentucky, 13 June-10 July; THE MINNEAPOLIS INSTITUTE OF ARTS, 30 July-25 August; SEATTLE ART MUSEUM, 11 September-8 October; SAN FRANCISCO MUSEUM OF ART, 26 October-23 November; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 11 December-7 January, 1964; DALLAS MUSEUM OF FINE ARTS, 26 January-23 February; OKLAHOMA ART CENTER, Oklahoma City, 12 March-8 April; BROOKS MEMORIAL ART GALLERY, Memphis, 25 April-23 May; ATLANTA ART ASSOCIATION, Georgia, 10 June-7 July; SAGINAW ART MUSEUM, Michigan, 25 July-22 August; MONTREAL MUSEUM OF FINE ARTS, 8 September-6 October; ALLENTOWN ART MUSEUM, Pennsylvania, 24 October-21 November; MUSEUM OF FINE ARTS, Boston, 9 December-10 January 1965; THE BROOKLYN MUSEUM, New York, 8 February-5 April.
GALLERY OF MODERN ART, New York. Salvador Dalí, 17 December 1965-11 September 1966, no. 146, ill. p. 127.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 754, ill. p. 509.
HAMBURGER KUNSTHALLE, West Germany. Luther and the Consequences on the Arts, 10 November 1983-8 January 1984.
STAATSGALERIE STUTTGART, Stuttgart, West Germany. Salvador Dalí Retrospective, 12 May-23 July 1989. Tour: KUNSTHAUS ZURICH, Zurich, Switzerland, 18 August-22 November 1989.
MARTIN-GROPIUS-BAU, Berlin. GegenwartEwigkeit, 6 April-24 June 1990, ill. p. 168, p. 320.
TOKYO SHIMBUN and CHUGOKU SHIMBUN, Japan, organizers. "Disguised Vision," 27 October 1994-23 April 1995, no. I-23, p. 49, color ill. Tour: ISETAN MUSEUM OF ART, Tokyo, 27 October-5 December 1994; HIROSHIMA MUSEUM OF ART, 20 December-5 February 1995; MUSEUM OF MODERN ART, Kamakura, 11 February-21 March; KORIYAMA CITY MUSEUM, 25 March-23 April.
WADSWORTH ATHENEUM, Hartford, Connecticut. "Dalí's Optical Illusions," 21 January-26 March 2000, no. 54, pp. 168-69. Tour: HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC, 19 April-18 June 2000; SCOTTISH NATIONAL GALLERY OF MODERN ART, Edinburgh, 23 July-1 October 2000.
PALAZZO GRASSI, Venice. "Salvador Dalí," 12 September 2004-16 January 2005, no. 231, ill. p. 383. TOUR: PHILADELPHIA MUSEUM OF ART, 16 February-15 May.
MUSEUM LUDWIG, Cologne, Germany. "Salvador Dalí: La Gare de Perpignan," 18 March-25 June 2006.
NAGOYA CITY ART MUSEUM, Japan. "Visual Deception," 11 April-7 June 2009, p. 141, fig. 108. TOUR: BUNKAMURA MUSEUM OF ART, 13 June-16 August; HYOGO PREFECTURAL MUSEUM OF ART, 26 August-3 November.
HIGH MUSEUM OF ART, Atlanta. "Salvador Dali Retrospective," 7 August 2010-2 January 2011.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
OFFIN, CHARLES Z. "Gallery Previews in New York," Pictures on Exhibit 26, no. 2 (November 1962): 12.
UNSIGNED. "Art News," The Philadelphia Inquirer (11 November 1962): ill.
UNSIGNED. Bulletin of the Allentown Art Museum (Allentown, Pennsylvania) 5, no. 8 (November 1964): cover ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974): 676, colorplate p. 509.
SALVADOR DALI MUSEUM. A Guide to Works by Salvador Dalí in Public Museum Collections (Cleveland: Salvador Dalí Museum, 1974): addendum insert, ill.
MUSSEM, PAUL H. and MARK R. ROSENZWEIG. Psychology: An Introduction, 2nd ed. (Lexington, Massachusetts: D.C. Heath, 1977): 434-35.
MOORHOUSE, PAUL. Dalí (London: Bison Books, 1990): 104, ill.
UNSIGNED. "Exhibition of Dalí is Serious Business," North County Times (San Diego) (19 April 2000): n.p.
RICHARD, PAUL. "Dalí's Flip Side," The Washington Post (20 April 2000): ill, C1.
UNSIGNED. "Hello, Dalí," Times (Watertown, New York) (21 April 2000): n.p., ill.
SOUZA, PATRICIA. "Las ilusiones de Dalí," El Nuevo Dia (San Juan, Puerto Rico) (23 April 2000): n.p., ill.
UNSIGNED. "Dallying with Dalí," Telegraph (Nashua, New Hampshire) (23 April 2000): n.p., ill.
UNSIGNED. no title Times Republican (Marshalltown, Iowa) (24 April 2000): n.p., ill.
YOUNG, AISHA RUSSELL. "Two Shows, Two Views," Young DC (May 2000): ill. p. 8.
SNOW, MICHAEL. "Salvador Dalí vs. Norman Rockwell," Museums, Washington Post Advertising Supplement (1 May 2000): n.p, ill.
UNSIGNED. "Doors to Close on Dalí," Washington Times (10 June 2000): n.p., ill.
WHITFIELD, SARAH. "Hartford, Washington, and Edinburgh: Dalí's Optical Illusions," Burlington Magazine (August 2000): 518-19, fig. 34.

Provenance:
Xavier Fourcade Gallery, New York, to 27 October 1976
Joseph H. Hirshhorn, New York, 27 October 1976-31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
GREENWICH ARTS COUNCIL, Connecticut. "Sculpture 76," to 29 October 1976.
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning: Sculptures, lithographies, peintures," cat. no. sc 15, ill. p. 5. TOUR: CABINET DES ESTAMPES, MUSEE D'ART ET D'HISTOIRE, Geneva, 17 March-24 April 1977; MUSEE DE PEINTURE ET DE SCULPTURE, Grnoble, 23 June-20 September 1977.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Selections from the Joseph H. Hirshhorn Bequest," 7 August-16 November 1986, no. 32 (unpublished checklist).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, no. 45, p. 141. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April; HIGH MUSEUM OF ART, Atlanta, 13 September-27 November; MUSEUM OF FINE ARTS, Boston, 10 December-19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March-28 May.
MATTHEW MARKS GALLERY, New York. "Willem de Kooning: Sculpture," 1996, ill. checklist, no. 17, p. 56.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Published References:
UNSIGNED. "Willem de Kooning: Hirshhorn Museum," Journal of the Print World (fall 1993).
UNSIGNED. Panorama (November 1993).
CARNEGIE, MD. "Insides Out," Washington City Paper (10 December 1993): p. 52.
ZILCZER, JUDITH. "L'artiste et le mecene: l'origine de la formation de la collection de Kooning du Hirshhorn Museum," El Guia (February 1994).
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994): p. 9.
UNSIGNED. Art (April 1994): p. 28.
SPRECHER, MARY. "An abstract look at Kooning," Southern Flair (September 1994).
UNSIGNED. "De Kooning Retrospective honors Artist's Birthday," Antiques and the Arts Weekly (4 November 1994): p. 99.
UNSIGNED. "Willem de Kooning at the Museum of Fine Arts, Boston," Journal of the Print World (Winter 1995).
CHADWICK, SUSAN. "Willem de Kooning: MFA show not as abstract as artist's vision," The Houston Post (23 March 1995): D1, D8.
KUTNER, JANET. "Canvassing de Kooning's lifetime of art," The Dallas Morning News (9 April 1995): 1C, 8C.
ZILCZER, JUDTIH. "Artist and patron: the formation of the Hirshhorn Museum's Willem de Kooning collection," Journal of the History of Collections 8/1 (1996): p. 117-125.
RICHARD, PAUL. "A Life's Strong Currents," Washington Post (20 March 1997): p. B1, B4.
BARNES, BART. "Abstract Expressionist Willem de Kooning Dies," Washington Post (20 March 1997): A1.
PATERSON, JIM. "Stop and See the Sculpture," The Washington Post Weekend (15 August 1997): p. 6.
FLETCHER, VALERIE J.. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Smithsonian Institute, 1998): p. 58.
MORRIS, CATHERINE. The Essential Willem de Kooning (Wonderland Press, 1999): p. 96.

Provenance:
Hanover Gallery, London, to 25 March 1957
Joseph H. Hirshhorn, New York, 25 March 1957-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
HANOVER GALLERY, London. "Francis Bacon," 8 June-16 July 1954, no cat.
GALERIE RIVE DROITE, Paris. "Francis Bacon," 12 February-10 March 1957, no. 7.
HANOVER GALLERY, London. "Francis Bacon," 21 March-26 April 1957 (not in catalogue but included in show--see label on verso).
TATE GALLERY, London. "Francis Bacon Retrospective," 24 May-1 July 1962, no. 37, ill. TOUR: KUNSTHALLE MANNHEIM, Germany, 18 July-26 August, no. 28; MUSEO CIVICO DI TORINO, 11 September-14 October, no. 31, ill.; KUNSTHAUS, Zurich, 27 October-25 November, no. 26, ill; STEDELIJK MUSEUM, Amsterdam, 11 January-18 February 1963, no. 24.
MUSEO D'ARTE MODERNA, Lugano, Switzerland. "Francis Bacon," 7 March-30 May 1993, no. 20, ill. p. 143, color ill. p. 48.
TRUST FOR MUSEUM EXHIBITIONS, Washington, DC (organizer). "Francis Bacon: A Retrospective Exhibition," no. 24, p. 98, ill. p. 99. TOUR: YALE CENTER FOR BRITISH ART, New Haven, 25 January-21 March 1999; MINNEAPOLIS INSTITUTE OF ARTS, 8 April-27 May; FINE ARTS MUSEUMS OF SAN FRANCISCO, 13 June-2 August; MODERN ART MUSEUM OF FORT WORTH, 20 August-15 October.
SAINSBURY CENTRE FOR VISUAL ARTS, Norwich, England. "Francis Bacon: Paintings from the 1950's," 26 September-10 December 2006. TOUR: MILWAUKEE ART MUSEUM, 29 January-15 April 2007; ALBRIGHT-KNOX ART GALLERY, Buffalo, 5 May-30 July 2007.
NATIONAL MUSEUM OF MODERN ART, Tokyo. “Francis Bacon,” 8 March-26 May 2013, no. 14, p. 48, color ill. p. 49; p. 185. TOUR: TOYOTA MUNICIPAL MUSEUM OF ART, 8 June-1 September 2013.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.

Published References:
UNSIGNED. "Apparitions of Evil: Mr. Francis Bacon's New Paintings," The Times, London, (14 June 1954): p. 5.
HARRISON, JANE. "Dissent on Francis Bacon," Arts Magazine 38/3 (December 1963): p. 22.
ALLEY, RONALD. Francis Bacon, Catalogue Raisone (London: Thames & Hudson, 1964): no. 88.
MARLBOROUGH-GERSON GALLERY, INC. Francis Bacon: Recent Paintings (1968): p. 62.
TRUCCHI, LORENZA. Francis Bacon (Milan: Fratelli Fabbri Editori, 1975): 37-38.
SOLLERS, PHILIPPE. Les Passions de Francis Bacon (Paris: Monographies Gallimard, 1996): pp. 76-77, 177.

Provenance:
Joseph H. Hirshhorn Bequest and Purchase Funds, 2008

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution. Installed in Sculpture Garden, 30 May 2008- .

Provenance:
Elizabeth Dee Gallery, New York, to 16 July 2009
Joseph H. Hirshhorn Purchase Fund, 2009

Exhibition History:
ART INSTITUTE OF CHICAGO. "Light Years: Conceptual Art and the Photograph, 1955-1977," 11 December 2011-11 March 2012.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Provenance:
Jh Purchased From Artist, St. Ives, Cornwall, Through Gimpel Fils, London 16 June 1965
Gift of JHH, 1966

Exhibition History:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 630, ill.
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. "Barbara Hepworth from the Museum Collection," 23 April - 19 July 1981 (no catalog).

Published References:
Alley, Ronald. Barbara Hepworth (London: Tate Gallery, 1968), p. 58.
Hammacher, A.M. The Sculpture of Barbara Hepworth (New York: Harry N. Abrams, 1968), p. 207.
Jacobs, Jay. "Collector: Joseph H. Hirshhorn," Art in America 57 (July - August 1969), ill. p. 9.
Hepworth, Barbara. A Pictorial Autobiography (New York and Washington, DC: Praeger, 1970), ill. 304, p. 110.
Jacobs, Jay. "Quality as Well as Quantity: Joseph H. Hirshhorn." The Collector in America (New York: Viking, 1971), color pl. p. 82.
Bowness, Alan. The Sculpture of Barbara Hepworth 1960-69 (New York and Washington, DC: Praeger, 1971), no. 287/2, p. 30.
Merillat, Herbert. Modern Sculpture: The New Old Masters (New York: Dodd, Mead, and Co., 1974) p. 113, ill. 2.
Lerner, Abram et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 702, ill. p. 435.
Valentien, Imke K. 'The Inspiration of the Studio." Museum International 191 (Vol 48, No. 3, 1996) p. 34, ill.
Fletcher, Valerie J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden, 1998) pp. 60, 68, no. 38, ill.

Provenance:
Otto Gerson Gallery, New York, to 27 December 1961
Joseph H. Hirshhorn, New York, 27 December 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 241, ill. p. 101.
LOS ANGELES COUNTY MUSEUM OF ART. "Inaugural Loan Exhibition," April-July 1965.
EXPO '67 MONTREAL. "International Exhibition of Contemporary Sculpture," 28 April-27 October 1967, p. 119, ill. p. 92.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HENRY MOORE INSTITUTE, Leeds, England. "The Sculptors Studio in Britain and France 1900-1950," 20 September 2001-6 June 2002.

Published References:
UNSIGNED. "The Hirshhorn Approach," Time 80 (5 October 1962), ill. p. 75.
UNSIGNED. "Art Lone Wolf," Newsweek 60 (15 October 1962), ill. p. 110.
RUDIKOFF, SONYA. "New York Letter," Art International 6 (November 1962), p. 62.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 79, p. 296, ill. p. 77.
SWEENEY, JAMES JOHNSON. "A Living Frame for Sculpture," House and Garden 126 (August 1964), ill. p. 113.
UNSIGNED. "A Look into the Future--the Joseph H. Hirshhorn Sculpture Garden," Washington Post (22 May 1966), colorpl. sec. K, p. 1.
HAMILTON, GEORGE HEARD. Painting and Sculpture in Europe: 1880-1940 (Baltimore: Penguin, 1967), pl. 104.
COLTON, JOEL. Great Ages of Man: Twentieth Century (New York: Time-Life Books, 1968), colorpl. p. 46.
BOWNESS, ALAN. Modern European Art (New York: Harcourt Brace Jovanovich, 1972) (Thames & Hudson copyright), p. 82, no. 174, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 714, colorpl. 391.
MERILIAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 104, no. 65, ill.
ALEXANDER, JASON. Why Johnny Can't Run, Swim, Pull, Dig, Slither, etc. (San Francisco: Sitnalta Press, 1978), p. 20, no. 195, ill.
ELSEN, ALBERT E. Modern European Sculpture 1918-1945 (New York: Braziller, 1979), fig. 19, pp. 30-31.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 132.
QUANTRILL, MALCOLM. "London Letter," Art International 22/9 (February 1979), p. 38.
KELLY, JAMES J. The Sculptural Idea, third edition (Minneapolis, Minnesota: Burgess Publishing, 1981), fig. 5, p. 16.
RICHARDSON, DAN, and MARGIE RICHARDSON. Journal of the Center for the Arts (Vero Beach, Florida, 1984), n.p., ill.
BERGMAN, EDWARD F. and TOM L. MCKNIGHT. Introduction to Georgraphy (Englewood Cliffs, NJ: Prentice Hall, 1993), fig. 5-37, p. 164.
WILKINSON, ALAN G. The Sculpture of Jacques Lipchitz (London ; New York: Thames and Hudson, 1996), no. 206, ill. pp. 77, 220.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 31, ill. p. 62.
See file for further info.

Provenance:
Jh Purchased From Park International, New York 1962

Exhibition History:
THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. "Sculpture from Washington Collections," 4 October 1996-30 September 1997, brochure, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
GIMENEZ, CARMEN. David Smith: A Centennial (New York: S. R. Guggenheim Museum, 2006), ill. p. 82.

Jh Purchased From Gimpel Fils, London 1957

Jh Purchased From Moore, Henry, Much Hadham, England 1965

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.

Provenance:
Jh Purchased From Diamond, Harold, New York 1962

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Provenance:
Estate of the artist, Rome
Galleria dell'Obelisco, Rome, to 25 June 1968
Joseph H. Hirshhorn, New York, 25 June 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
GALLERIA DELL'OBELISCO, Rome. "Balla sculpture: 1913-15," May-June 1968, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 249.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
[ADVERTISEMENT (Galleria dell'Obelisco). Art International 2/6 (Summer 1968), ill.]
GALLERIA DELL'OBELISCO. Balla 1871-1958: tutte le sculture (Rome, 1971), no. 1, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 661, ill.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 38.
HANHISALO, JUDITH EVANS. Enjoying Art (Englewood Cliffs, New Jersey: Prentice-Hall, 1983), no. 95, p. 140.
LE NORMAND-ROMAIN, ANTOINETTE, et al. Sculpture (New York: Skira/ Rizzoli, 1986), ill.

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
GRYNSZTEJN, MADELEINE. Alfredo Jaar (La Jolla Museum of Art, 1990), ill. (detail) and ref. p. 28, ill. (detail) [p. 6]
JAAR, ALFREDO. It is difficult. Ten years... (Barcelona, Spain: Actar, 1998), ref. p. 64, ill. pp. 72-73
BALKEN, DEBRA BRICKER. Alfredo Jaar: Lament of the Images (Boston: List Visual Arts Center, Massachusetts Institute of Techonology, 1999), ref. pp. 32, 36, ill. p. 34

Provenance:
Jh Purchased From Gimpel Fils, London 1959

Exhibition History:
SANTA BARBARA MUSEUM OF ART, California. "Pasadena to Santa Barbara: A Selected History of Art in Southern California, 1951-1969," 11 February-6 May 2012.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 52.

Provenance:
Mr. Decagne, Belgium
[Galerie Europe, Brussels]
Galerie Rosengart, Lucerne, Switzerland, 1958-August 1960 (acquired through Galerie Europe)*
Philippe Dotremont, Brussels, August 1960-April 1965 (Parke-Bernet Galleries, New York, sale 2345, 14 April 1965, no. 18, colorpl.)
Pierre Matisse Gallery, New York, 14 April 1965-10 June 1968
Joseph H. Hirshhorn, New York, 10 June 1968-1972
Gift of the Joseph H. Hirshhorn Foundation, 1972
*Information from Angela Rosengart, telefax to J. Zilczer at HMSG, 27 August 2002

Exhibition History:
KUNSTHALLE DUSSELDORF. "Aktuelle Kunst: Bilder und Plastiken aus der Sammlung Dotremont," 3 March-9 April 1961, no. 51, colorplate (as Le Cirque).
KUNSTHALLE BASEL. "Malerie seit 1945 aus der Sammlung Dotremont," 22 April-28 May 1961, no. 45.
MUSEE NATIONAL D'ART MODERNE, Paris. "Joan Miró," June-November 1962, no. 45.
TATE GALLERY, London. "Joan Miró," 27 August-11 October 1964, no. 67, pl. 14a. TOUR: KUNSTHAUS ZURICH, 31 October-6 December.
MUSEUM OF MODERN ART, New York. "Dada, Surrealism, and Their Heritage," 27 March-9 June 1968, no. 232. TOUR: LOS ANGELES COUNTY MUSEUM OF ART, 16 July-8 September; ART INSTITUTE OF CHICAGO, 19 October-8 December.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Joan Miró: Magnetic Fields," 26 October 1972-14 January 1973, no. 34, pp. 37, 124, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 Septetember 1975, no. 399.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Joan Miró: Selected Paintings," 20 March-8 June 1980, no. 17, ill. TOUR: ALBRIGHT-KNOX GALLERY, Buffalo, New York, 27 June-17 August.
KUNSTHAUS ZURICH. "Joan Miró: A Retrospective," 21 November 1986-1 February 1987, no. 54, ill. TOUR: STADTISCHE KUNSTHALLE DUSSELDORF, 14 February-20 April; SOLOMON R. GUGGENHEIM MUSEUM, New York, 15 May-23 August 23.
FONDATION MAEGHT, Saint-Paul, France. "Joan Miró: Rétrospective de l'oeuvre peint," 4 July-7 October 1990, no. 32, pp. 76-77, ill.
MUSEUM OF MODERN ART, New York (organizer). "Joan Miró." TOUR: CENTRO DE ARTE REINA SOFIA, Madrid, 19 January-22 March 1993, no. 18, p. 150, ill. p. 75; FUNDACION JOAN MIRO, Barcelona, 20 April-5 September; MUSEUM OF MODERN ART, New York, 13 October-18 January 1994.
CENTRE GEORGES POMPIDOU, Paris. "La Révolution surréaliste," 27 February-24 June 2002.
SETAGAWA ART MUSEUM, Tokyo. "Joan Miró 1918-1945," 27 July-23 September 2002. TOUR: AICHI PREFECTURAL MUSEUM, Nagoya, 4 October-1 December.
FONDATION BEYLER, Basel, Switzerland. "Calder/Miró," 2 May-5 September 2004. TOUR: PHILLIPS COLLECTION, Washington, DC, 9 October-23 January 2005.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 20, color ill. p. 31; p. 186.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
[See Curatorial Remarks by V. Fletcher]
GASCH, SEBASTIA. "Joan Miro," Cahiers de Belgique 2 no. 6 (Brussels, 1929), ill. p. 204 (as "Peinture," 1927, no collection given).
LAWDER, S.D. "Exhibitions in Germany," Pictures on Exhibit 24 (April 1961), p. 64.
NETTER, MARIA. "Ausstellungen: Basel, Moderne Malerie seit 1945, Sammlung Dotremont," Werk 48 (June 1961), p. 135 (as Cirque).
FRIGERIO, SIMONE. "Les expositions a l'etranger: Bale; La Collection Dotremont," Aujourd'hui 6 (July 1961), p. 55 (as Cirque).
DUPIN, JACQUES. Joan Miro: Life and Work (New York: Harry N. Abrams, 1962), no. 206, ill. p. 517.
BARO, GENE. "Miro: A Leap in the Air," Arts Magazine 39 (October 1964), p. 41.
PARKE-BERNET GALLERIES, New York. Art News 64 (March 1965), p. 26 (advertisement).
PARKE-BERNET GALLERIES, New York. Art International 9 (March 1965), back cover (advertisement).
PARKE-BERNET GALLERIES, New York. Apollo 81 (March 1965), ill. p. ciii (advertisement).
PARKE-BERNET GALLERIES, New York. Arts Magazine 39 (March 1965), p. 11.
UNSIGNED. "Mercato d'Arte," La Medusa 51 (June 1965), n.p. (back page).
NEUGASS, FRITZ. "Top Quality Brings Record Prices," Art Voices 4 (Summer 1965), p. 20.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden: 1968 Annual Report," Smithsonian Year 1968 (Washington, D.C.: Smithsonian Institution, 1969), p. 222.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 723, colorpl. pp. 286-87.
HUDSON, ANDREW. "Washington Letter," Art International 19 (15 June 1975), p. 100.
ROWELL, MARGIT. Joan Miro: Peinture=Poesie (Paris: Editions de la difference, 1976), ill. p. 56.
BURNETT, DAVID. "The Poetics of the Paintings of Miro," Arts Canada 238/239 (December 1980 / January 1981), pp. 10, 11, ill.
WEIL, ERIC. "A Horse at the Hirshhorn," The American Scholar (Phi Beta Kappa publication) (Summer 1981), p. 354.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
ROSENFELD, LUCY DAVIDSON. What's in a Painting (Portland, Maine: J. Weston Walch, 1986), p. 58, pl. 76.
UNSIGNED. "Miro," Bulletin of the Philadelphia Museum of Art 85 (Fall 1987), p. 15.
DOEPEL, R.T. "Miro's Circus Horse (Hirshhorn collection)," South African Journal of Culture and Art History 2 no. 2 (1988), pp. 135-141, ill. p. 136.
GASSNER, HUBERTUS. Joan Miró : der magische Gärtner (Köln: DuMont, 1994), no. 57, ill. p. 220.
MCALLISTER, JANE, ed. The Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill.
CHRISTIE'S. Fine and Decorative Arts: The Maurice & Margo Cohen Collection (New York: Sale catalogue, 13 & 14 May 1999), fig. 4, p. 49.
SOTHEBY'S. Impressionist & Modern Art, Part One (New York: sale catalogue, 9 November 2000), fig. 2, p. 150.
SOTHEBY'S. Impressionist & Modern Art, Part One (New York: sale catalogue, 10 May 2001), fig. 2, p. 104.

Provenance:
The artist, New Windsor, MD, to 1965
Marlborough-Gerson Gallery, New York, to 1969
Joseph H. Hirshhorn, New York, 1969-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
CLYFFORD STILL STUDIO, New York. Private Showing, 1950.
INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PENNSYLVANIA,
Philadelphia. "Clyfford Still," 18 October-15 December 1963, no. 13.
LOS ANGELES COUNTY MUSEUM OF ART. "New York School: The
First Generation: Paintings of the 1940s and 1950s," 16 June-1 August 1965, no. 111, p. 194.
MARLBOROUGH-GERSON GALLERY, New York. "Clyfford Still," October-November 1969, no. 21, p. 41.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution,
Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 710, p. 488.
HAUS DER KUNST, Munich (organized by Whitney Museum of American Art). "American Painting 1930-1980," 14 November 1981-31 January 1982, no. 194.
BALTIMORE MUSEUM OF ART. "Grace Hartigan, Morris Louis, Clyfford Still, Anne Truitt," 14 October-5 December 1982.
MARTIN-GROPIUS-BAU, Berlin. "American Art in the Twentieth Century: Painting and Sculpture 1913-1993," 8 May-25 July 1993, no. 103, ill. pg. 177. Tour: ROYAL ACADEMY, London, 17 September-12 December 1993.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Clyfford Still: Paintings 1944-1960," 21 June-16 September 2001, no. 20.
ART GALLERY OF ONTARIO, Toronto. "The Shape of Colour: Excursions in Colour Field Art, 1950-2005," 1 June-7 August 2005, no. 2, ill. p. 41.
THE JEWISH MUSEUM, New York. "Action/Abstraction: Abstract Expressionism and Postwar America," 2 May-21 September 2008. Tour: SAINT LOUIS ART MUSEUM, 17 October-25 January 2009; ALBRIGHT-KNOX ART GALLERY, Buffalo, 27 February-31 May.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
TUCHMAN, MAURICE. New York School: The First Generation (Greenwich, Connecticut: New York Graphic Society, 1971), pp. 119, 149.
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 488, 752.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), sec. 2.
SANDLER, IRVING. The New York School: The Painters and Sculptors of the Fifties (New York: Harper & Row, 1978), pl. 6.
O'NEILL, JOHN P. Clyfford Still (New York: The Metropolitan Museum of Art, 1979), fig. 15, pp. 31, 190-191.
SHERMAN, MARILYN. Reading Literature: Orange Level (Evanston, IL: McDougal, Littell & Company, 1985), p. 393.
WALDMAN, DIANE. Jack Youngerman (New York: Solomon R. Guggenheim Museum, 1986) fig. 8, pp. 18-19.
ATHEARN, ROBERT G. and MEDIA PROJECTS INC. American Heritage Illustrated
History of the United States Volume 16: Decades of Cold War (New York: Choice Publishing Inc., 1988), p. 1369.
HALL, LEE. Betty Parsons: Artist, Dealer, Collector (New York: Harry N. Abrams Inc., 1991), ill.
KINGSLEY, APRIL. The Turning Point (New York: Simon & Schuster, 1992), p. 149.
SHAW-EAGLE, JOANNA. "Calendar: Top Picks," Washington Times (21 June 2001), ill.
UNSIGNED. "Weekends' Best: Our Picks," Washington Post (22 June 2001), ill.
RATCLIFF, CARTER. "The Idea of Order in the Art of Clyfford Still," Art in America (December 2001), cover ill.
KUSPIT, DONALD. "Unconscious and Self-Conscious in 'American-Type' Painting," The Rebirth of Painting in the Late Twentieth Century (Cambridge, U.K.: Cambridge University Press, 2000), fig. 21, p. 95.

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Provenance:
[Almine Rech Gallery, 5 October 2012]
Adam Singer, Scottsdale, Arizona, to 29 December 2016
Gift of Iris and Adam Singer, 2016

Provenance:
[Almine Rech Gallery, 5 October 2012]
Adam Singer, Scottsdale, Arizona, to 29 December 2016
Gift of Iris and Adam Singer, 2016

Provenance:
[Almine Rech Gallery, 5 October 2012]
Adam Singer, Scottsdale, Arizona, to 29 December 2016
Gift of Iris and Adam Singer, 2016

Provenance:
[Almine Rech Gallery, 5 October 2012]
Adam Singer, Scottsdale, Arizona, to 29 December 2016
Gift of Iris and Adam Singer, 2016