Installation view of What Absence is Made Of

The Hirshhorn continues to enrich the collection works with significant additions across a diverse range of media, from painting, photography, and mixed-media assemblage to cinema in the round and immersive Light and Space environments.

 

5 Nights (from the series "The Weight of History")

2014

Reynier Leyva Novo, Cuban, b. Havana, 1983

Printing press ink, variable

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2016

Accession Number: 16.12

Provenance:
The artist, to 16 September 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor, Lerner Room

 

Spatial Concept: Nature (59-60 N33)

(1959-1960)/(cast 1965)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 33 3/4 in. (85.7 cm); diameter: 41 1/4 in. (104.7 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.21

Provenance:
The artist, to 16 September 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Figure in the Wind

1943

André Masson, French, b. Balagny–sur–Thérain, 1896–1987

Oil on canvas, 39 7/8 X 30 IN. (101.3 X 76.0 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3428

Provenance:
Buchholz Gallery, New York
Curt Valentin Gallery, New York
William Rubin, New York, to 1 July 1963
Joseph H. Hirshhorn, New York, 1 July 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
[BUCHHOLZ GALLERY, New York. "Andre Masson," February 1947.]
SMITHSONIAN INSTITUTION TRAVELING EXHIBITION SERVICE, Washington, DC (organizer). "Surrealist Art: Selections from the Hirshhorn Museum and Sculpture Garden," no. 4, ill. p. 15. Tour: JOSLYN ART MUSEUM, Omaha, 22 March-4 May 1986; FINE ARTS CENTER AT CHEEKWOOD, Nashville, 26 June-7 September; MONTGOMERY MUSEUM OF FINE ART, Alabama, 27 September-9 November; VASSAR COLLEGE ART GALLERY, Poughkeepsie, New York, 29 November-11 January 1987; SOCIETY OF THE FOUR ARTS, Palm Beach, Florida, 31 January-15 March; IBM GALLERY OF SCIENCE AND ART, New York City, 4 April-17 May.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
[(?)Unsigned. "Reviews and Previews: Andre Masson," Art News, XLV/12 (February 1947) p. 42]
RUBIN, WILLIAM. Andre Masson. New York: Museum of Modern Art, 1976, p. 168 (not ill.)
FLETCHER, VALERIE J. "Wifredo Lam: Art of Pride and Anger," in Wifredo Lam in North America (Milwaukee: Marquette University, 2007), p. 50, ill. p. 51.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Untitled #11 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 20 x 16 1/16 in. (50.8 x 40.8 cm) image: 18 x 12 1/16 in. (45.7 x 30.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.11

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Sculptural Construction of Noise and Speed

(1914-1915)/(reconstructed 1968)

Giacomo Balla, Italian, b. Turin, 1871–1958

Aluminum and steel on painted wood mount, 40 1/8 x 46 1/2 x 7 7/8 in. (101.8 x 118 x 20 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.21

Provenance:
Estate of the artist, Rome
Galleria dell'Obelisco, Rome, to 25 June 1968
Joseph H. Hirshhorn, New York, 25 June 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
GALLERIA DELL'OBELISCO, Rome. "Balla sculpture: 1913-15," May-June 1968, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 248.
WESTFALISCHES LANDESMUSEUM FUR KUNST UND KULTURGESCHICHTE, Munster, Germany. "Reliefs: Formprobleme zwischen Malerei und Skulptur im 20. Jahrhundert," 1 June-3 August 1980, no. 19, ill. p. 120.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dreams and Nightmares," 8 December 1983-12 February 1984, checklist no. 7, ill. p. 41.
MUSEUM OF CONTEMPORARY ART, Los Angeles. "Automobile and Culture," 21 July 1984-6 January 1985. TOUR: DETROIT INSTITUTE OF ARTS, Michigan, 8 April-23 June 1985.
[SOLOMON R. GUGGENHEIM MUSEUM, New York. "Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline," 9 February-12 May 1996, no. 49, ill. p. 50.]
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Collection in Context: Metropolis in the Machine Age," 28 February-2 September 2002, no cat.
CORCORAN GALLERY OF ART, Washington, DC. "Modernism: Designing a New World," 17 March-29 July 2007.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC [w/support of the Embassy of Italy, Washington, DC]. "Le Onde: Waves of Italian Influence, 1914-1971," 16 September 2015-3 January 2016, color ill. p. 30; p. 80.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
DORAZIO, VIRGINIA DORTCH. Giacomo Balla: An Album of His Life and Work (New York: Wittenborn, 1970), no. 164, ill.
GALLERIA DELL'OBELISCO. Balla 1871-1958: tutte le sculture (Rome: 1971), no. 2, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 661, ill. p. 191.
GOLDSTEIN, ERNEST, et al. Understanding and Creating Art (Dallas, Texas: Garrard Pub. Textbook Division, 1986 ; revised, 1992), fig. 172.

Hirshhorn Museum and Sculpture Garden Collection, Futurism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Pittsburgh Landscape

1954

David Smith, American, b. Decatur, Indiana, 1906–1965

Steel and paint, 30 × 116 1/4 × 5 1/2 in. (76 × 295.2 × 14 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.266

Jh Purchased From Diamond, Harold, New York 1967

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Six White Forms and One Gray Make a Constellation on a Blue Ground

1953

Jean Arp, French, b. Strasbourg, Alsace, 1886-1966

Wood and paint, 37 5/8 x 31 7/16 x 2 in. (95.6 x 79.9 x 5.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.110

Provenance:
Jh Purchased From Diamond, Harold, New York 1962

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Ex Cathedra

(1967)

Beverly Pepper, American, b. New York CIty, 1922

Stainless steel and paint, 101 1/2 x 90 x 83 in. (257.8 x 228.6 x 210.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.37

FREDERIK MEIJER GARDENS & SCULPTURE PARK, Grand Rapids, Michigan. "Beverly Pepper: Palingenesis 1962-2012," 25 May-26 August 2012, color ill. p. 25.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Toilet paper and cigarettes black and pink

2016

Katherine Bernhardt, American, b. Clayton, Missouri, 1975

Acrylic on canvas, 96 × 120 in. (243.8 × 304.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase with funds provided by The Basil Alkazzi Purchase Fund, 2018

Accession Number: 2018.012

FREDERIK MEIJER GARDENS & SCULPTURE PARK, Grand Rapids, Michigan. "Beverly Pepper: Palingenesis 1962-2012," 25 May-26 August 2012, color ill. p. 25.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Still Life with Spirit and Xitle

2007

Jimmie Durham, American, b. Washington, Arkansas, 1940

Basalt stone, 1992 Chrysler Spirit, and acrylic paint, 82 × 175 1/2 × 96 in. (208.3 × 445.8 × 243.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2016

Accession Number: 16.8

Provenance:
Peter Freeman, Inc., New York, to 25 July 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installation on plaza, 6 August 2016-ongoing.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza

no image
 

Dust Storm (Dalhart, Texas)

2007

John Gerrard, Irish, b. Dublin, 1974

Monitor, custom-built computer, Corian, 60 1/2 × 46 1/8 × 21 1/4 in. (153.7 × 117.2 × 54 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Elizabeth Miller and Daniel Sallick, 2017

Accession Number: 2017.029

Provenance:
Peter Freeman, Inc., New York, to 25 July 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installation on plaza, 6 August 2016-ongoing.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Painting

1958

Zao Wou-Ki, French, b. Beijing, China, 1920–2013

Oil on canvas, 63 3/4 × 51 1/8 in. (162 × 130 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5652

Provenance:
Samuel M. Kootz Gallery, New York, to 24 January 1959
Joseph H. Hirshhorn, New York, 24 January 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
KOOTZ GALLERY, New York. February-May 1959.
GALERIES NATIONALES DU GRAND PALAIS, Paris. "Zao Wou-Ki: Peintures, Encres de Chine," 12 June-10 August 1981, ill. Tour: FUKUOKA CITY MUSEUM, Japan, 6-21 October; TOKYO NIHONBASHI ART GALLERY, 13 November-25 December; FUKUI PREFECTURAL MUSEUM, 27 February-22 March 1982; KYOTO NATIONAL MUSEUM OF MODERN ART, 30 March-9 May; KANAGAWA PREFECTURAL MUSEUM OF MODERN ART, Kamakura, 16 May-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
BOURDAIS, GILDAS. Les Modernes et les Autres: Cent Ans d'Art Moderne dans le Monde (Lausanne, Switzerland: Livre Total, 1990), ill. p. 221.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionisn (Intl.), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

July 25, 2011. Radioactive Lilies, litate Village, Fukushima

2011

Takashi Arai, Japanese, b. Kawasaki, 1978

Daguerrotype, image: 9 15/16 × 7 5/8 in. (25.2 × 19.3 cm) frame: 21 5/8 × 17 9/16 × 1 3/4 in. (54.9 × 44.6 × 4.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2018

Accession Number: 2018.025

Provenance:
Samuel M. Kootz Gallery, New York, to 24 January 1959
Joseph H. Hirshhorn, New York, 24 January 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
KOOTZ GALLERY, New York. February-May 1959.
GALERIES NATIONALES DU GRAND PALAIS, Paris. "Zao Wou-Ki: Peintures, Encres de Chine," 12 June-10 August 1981, ill. Tour: FUKUOKA CITY MUSEUM, Japan, 6-21 October; TOKYO NIHONBASHI ART GALLERY, 13 November-25 December; FUKUI PREFECTURAL MUSEUM, 27 February-22 March 1982; KYOTO NATIONAL MUSEUM OF MODERN ART, 30 March-9 May; KANAGAWA PREFECTURAL MUSEUM OF MODERN ART, Kamakura, 16 May-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
BOURDAIS, GILDAS. Les Modernes et les Autres: Cent Ans d'Art Moderne dans le Monde (Lausanne, Switzerland: Livre Total, 1990), ill. p. 221.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Revolving Doors

1916-1917, printed 1926

Man Ray, American, b. Philadelphia, Pennsylvania, 1890–1976

Pochoir print on paper, Overall: 22 1/2 x 15 1/4 in. (57.2 x 38.7cm) (See Individual Records)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3122.6

Provenance:
Samuel M. Kootz Gallery, New York, to 24 January 1959
Joseph H. Hirshhorn, New York, 24 January 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
KOOTZ GALLERY, New York. February-May 1959.
GALERIES NATIONALES DU GRAND PALAIS, Paris. "Zao Wou-Ki: Peintures, Encres de Chine," 12 June-10 August 1981, ill. Tour: FUKUOKA CITY MUSEUM, Japan, 6-21 October; TOKYO NIHONBASHI ART GALLERY, 13 November-25 December; FUKUI PREFECTURAL MUSEUM, 27 February-22 March 1982; KYOTO NATIONAL MUSEUM OF MODERN ART, 30 March-9 May; KANAGAWA PREFECTURAL MUSEUM OF MODERN ART, Kamakura, 16 May-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
BOURDAIS, GILDAS. Les Modernes et les Autres: Cent Ans d'Art Moderne dans le Monde (Lausanne, Switzerland: Livre Total, 1990), ill. p. 221.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Spatial Concept: Nature (59-60 N30)

(1959-1960/cast 1965)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 36 1/4 in. (92.0 cm); diameter: 43 3/8 in. (110.1 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.163

Provenance:
Samuel M. Kootz Gallery, New York, to 24 January 1959
Joseph H. Hirshhorn, New York, 24 January 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
KOOTZ GALLERY, New York. February-May 1959.
GALERIES NATIONALES DU GRAND PALAIS, Paris. "Zao Wou-Ki: Peintures, Encres de Chine," 12 June-10 August 1981, ill. Tour: FUKUOKA CITY MUSEUM, Japan, 6-21 October; TOKYO NIHONBASHI ART GALLERY, 13 November-25 December; FUKUI PREFECTURAL MUSEUM, 27 February-22 March 1982; KYOTO NATIONAL MUSEUM OF MODERN ART, 30 March-9 May; KANAGAWA PREFECTURAL MUSEUM OF MODERN ART, Kamakura, 16 May-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
BOURDAIS, GILDAS. Les Modernes et les Autres: Cent Ans d'Art Moderne dans le Monde (Lausanne, Switzerland: Livre Total, 1990), ill. p. 221.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Naked Water

1942

Yves Tanguy, American, b. Paris, France, 1900–1955

Oil on canvas, 35 7/8 x 28 in. (91.1 x 71.1cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.286

Provenance:
Pierre Matisse Gallery, New York, by May 1943 to Nov 1959
Mrs. Harold Weinstein, Chicago, acquired Nov 1959
B.C. Holland Gallery, Chicago, acquired at unknown date (possibly 1966)
Harold Diamond, New York, to 14 February 1967
Joseph H. Hirshhorn, New York, 14 February 1967- 6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
PIERRE MATISSE GALLERY, New York. "Yves Tanguy: Recent Paintings," 18 May-5 June 1943, no. 4
PIERRE MATISSE GALLERY, New York. "Yves Tanguy," 5-30 November 1946, no. 14, ill. p. 80.
UNIVERSITY GALLERY, University of Minnesota, Minneapolis. "40 American Painters, 1940-1950," 4 June-30 August 1951, no. 73, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no 484, ill. p. 343.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artist-Immigrants of America, 1876-1976," 20 May-20 October 1976, no. 159, colorplate p. 330.
UNIVERSITY ART MUSEUM, Berkeley. "Anxious Visions-Surrealist Art," 3 October 1990-6 January 1991, p. 95, plate 119, p. 94.
BRUCE MUSEUM, Greenwich, Connecticut. "The Surrealist Vision: Europe and the Americas," 17 January-15 April 1998, no. cat.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA, Madrid. "The Surrealists in Exile and the Origin of the New York School," 21 December 1999-27 February 2000. Tour: MUSEE D'ART MODERNE ET CONTEMPORAIN, Strasbourg, France, 12 May- 27 August.
STAATSGALERIE STUTTGART, Germany. "Yves Tanguy and Surrealism," 9 December 2000-29 April 2001. Tour: MENIL COLLECTION, Houston, 31 May-16 September 2001.
NATIONAL ACADEMY OF DESIGN, New York. "Surrealism USA," 10 February-8 May 2005. Tour: PHOENIX ART MUSEUM, 3 June-25 September 2005; TOLEDO MUSEUM OF ART, October 2005-January 2006.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
UNSIGNED. Yves Tanguy: A Summary of His Works (New York: Pierre Matisse, 1963): no. 290, ill. p. 131.
GOLDSTEIN, NATHAN. Painting: Visual and Technical Fundamentals (Englewood Cliffs, New Jersey: Prentice-Hall, 1979): fig. 5.18, p. 135, ill. p. 136.
CURTISS, DEBORAH. Introduction to Visual Literacy: A Guide to the Visual Arts and Communication (Englewood Cliffs, New Jersey: Prentice-Hall, 1987): no. 3-63, ill. p. 33.
FELDMAN, EDMUND BURKE. Practical Art Criticism (Englewood Cliffs, New Jersey: Prentice-Hall, 1994): ill. p. 54.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Untitled

2016

Avery Singer, American, b. New York City, 1987

Acrylic on canvas, 80 × 90 1/2 × 2 3/8 in. (203.2 × 229.9 × 6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase with funds provided by the Basil Alkazzi Purchase Fund, 2019.

Accession Number: 2019.006

Provenance:
Pierre Matisse Gallery, New York, by May 1943 to Nov 1959
Mrs. Harold Weinstein, Chicago, acquired Nov 1959
B.C. Holland Gallery, Chicago, acquired at unknown date (possibly 1966)
Harold Diamond, New York, to 14 February 1967
Joseph H. Hirshhorn, New York, 14 February 1967- 6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
PIERRE MATISSE GALLERY, New York. "Yves Tanguy: Recent Paintings," 18 May-5 June 1943, no. 4
PIERRE MATISSE GALLERY, New York. "Yves Tanguy," 5-30 November 1946, no. 14, ill. p. 80.
UNIVERSITY GALLERY, University of Minnesota, Minneapolis. "40 American Painters, 1940-1950," 4 June-30 August 1951, no. 73, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no 484, ill. p. 343.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artist-Immigrants of America, 1876-1976," 20 May-20 October 1976, no. 159, colorplate p. 330.
UNIVERSITY ART MUSEUM, Berkeley. "Anxious Visions-Surrealist Art," 3 October 1990-6 January 1991, p. 95, plate 119, p. 94.
BRUCE MUSEUM, Greenwich, Connecticut. "The Surrealist Vision: Europe and the Americas," 17 January-15 April 1998, no. cat.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA, Madrid. "The Surrealists in Exile and the Origin of the New York School," 21 December 1999-27 February 2000. Tour: MUSEE D'ART MODERNE ET CONTEMPORAIN, Strasbourg, France, 12 May- 27 August.
STAATSGALERIE STUTTGART, Germany. "Yves Tanguy and Surrealism," 9 December 2000-29 April 2001. Tour: MENIL COLLECTION, Houston, 31 May-16 September 2001.
NATIONAL ACADEMY OF DESIGN, New York. "Surrealism USA," 10 February-8 May 2005. Tour: PHOENIX ART MUSEUM, 3 June-25 September 2005; TOLEDO MUSEUM OF ART, October 2005-January 2006.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
UNSIGNED. Yves Tanguy: A Summary of His Works (New York: Pierre Matisse, 1963): no. 290, ill. p. 131.
GOLDSTEIN, NATHAN. Painting: Visual and Technical Fundamentals (Englewood Cliffs, New Jersey: Prentice-Hall, 1979): fig. 5.18, p. 135, ill. p. 136.
CURTISS, DEBORAH. Introduction to Visual Literacy: A Guide to the Visual Arts and Communication (Englewood Cliffs, New Jersey: Prentice-Hall, 1987): no. 3-63, ill. p. 33.
FELDMAN, EDMUND BURKE. Practical Art Criticism (Englewood Cliffs, New Jersey: Prentice-Hall, 1994): ill. p. 54.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Cries and Whispers

1988

Alfredo Jaar, Chilean, b. Santiago, 1956

Two lightboxes with color transparencies, 96 1/2 x 18 1/2 x 6 3/4 in. (245.1 x 47 x 17.1 cm) each

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1997

Accession Number: 97.3

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
GRYNSZTEJN, MADELEINE. Alfredo Jaar (La Jolla Museum of Art, 1990), ill. (detail) and ref. p. 28, ill. (detail) [p. 6]
JAAR, ALFREDO. It is difficult. Ten years... (Barcelona, Spain: Actar, 1998), ref. p. 64, ill. pp. 72-73
BALKEN, DEBRA BRICKER. Alfredo Jaar: Lament of the Images (Boston: List Visual Arts Center, Massachusetts Institute of Techonology, 1999), ref. pp. 32, 36, ill. p. 34

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Sirens of Chrome

2010

Jesper Just, Danish, b. Copenhagen, 1974

Single-channel video Color. 2.1 stereo audio, running time: 12:38 minutes

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Heather and Tony Podesta Collection, 2016

Accession Number: 16.19

Provenance:
Heather and Tony Podesta, Washington, DC, to 29 December 2016
Gift of Heather and Tony Podesta Collection, 2016

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Nakanishi Natsuyuki’s Clothespins Assert Churning Action (Street performance for Hi Red Center’s event, 6th Mixer Plan, in Tokyo, May 28, 1963)

1963, printed 2015

Minoru Hirata, Japanese, b. Tokyo, 1930

Gelatin silver print, paper: 14 1/16 × 10 15/16 in. (35.7 × 27.8 cm) image: 13 3/16 × 8 3/4 in. (33.5 × 22.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2017

Accession Number: 2017.021

Provenance:
Heather and Tony Podesta, Washington, DC, to 29 December 2016
Gift of Heather and Tony Podesta Collection, 2016

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Boccioni's Fist--Lines of Force II

(1916-1917/reconstructed 1956-1958/cast 1968)

Giacomo Balla, Italian, b. Turin, 1871–1958

Brass and paint, 33 x 31 1/2 x 13 in. (83.8 x 80 x 33 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.19

Provenance:
Estate of the artist, Rome
Galleria dell'Obelisco, Rome, to 25 June 1968
Joseph H. Hirshhorn, New York, 25 June 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
GALLERIA DELL'OBELISCO, Rome. "Balla sculpture: 1913-15," May-June 1968, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 249.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
[ADVERTISEMENT (Galleria dell'Obelisco). Art International 2/6 (Summer 1968), ill.]
GALLERIA DELL'OBELISCO. Balla 1871-1958: tutte le sculture (Rome, 1971), no. 1, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 661, ill.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 38.
HANHISALO, JUDITH EVANS. Enjoying Art (Englewood Cliffs, New Jersey: Prentice-Hall, 1983), no. 95, p. 140.
LE NORMAND-ROMAIN, ANTOINETTE, et al. Sculpture (New York: Skira/ Rizzoli, 1986), ill.

Hirshhorn Museum and Sculpture Garden Collection, Futurism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Engine

2014

Mary Weatherford, American, b. Ojai, California, 1963

Vinyl paint on linen with neon, 117 x 104 in.

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2016

Accession Number: 16.9

Provenance:
Brennan & Griffin, LLC, New York, to 9 November 2015
Joseph H. Hirshhorn Purchase Fund, 2016

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Revolving Doors

1916-1917, printed 1926

Man Ray, American, b. Philadelphia, Pennsylvania, 1890–1976

Pochoir print on paper, Overall: 22 1/2 x 15 1/4 in. (57.2 x 38.7cm) (See Individual Records)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3122.2

Provenance:
Brennan & Griffin, LLC, New York, to 9 November 2015
Joseph H. Hirshhorn Purchase Fund, 2016

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Revolving Doors

1916-1917, printed 1926

Man Ray, American, b. Philadelphia, Pennsylvania, 1890–1976

Pochoir print on paper, Overall: 22 1/2 x 15 1/4 in. (57.2 x 38.7cm) (See Individual Records)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3122.7

Provenance:
Brennan & Griffin, LLC, New York, to 9 November 2015
Joseph H. Hirshhorn Purchase Fund, 2016

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Untitled #26 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 19 15/16 x 16 in. (50.6 x 40.6 cm) image: 18 x 12 1/16 in. (45.7 x 30.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.26

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

no image
 

May 21, 2012. Annular Eclipse at 7:42 am, Onahama, Fukushima No. 1

2012

Takashi Arai, Japanese, b. Kawasaki, 1978

Daguerrotype, image: 9 15/16 × 7 5/8 in. (25.2 × 19.3 cm) framed: 21 5/8 × 17 9/16 × 1 3/4 in. (54.9 × 44.6 × 4.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2018

Accession Number: 2018.024

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Agricola I

1951-1952

David Smith, American, b. Decatur, Indiana, 1906–1965

Steel and paint, 73 1/2 x 55 1/4 x 24 5/8 in. (186.5 x 140.3 x 62.5 cm); including base height: 1 in. (2.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4638

Provenance:
Jh Purchased From Park International, New York 1962

Exhibition History:
THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. "Sculpture from Washington Collections," 4 October 1996-30 September 1997, brochure, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
GIMENEZ, CARMEN. David Smith: A Centennial (New York: S. R. Guggenheim Museum, 2006), ill. p. 82.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Upright Motive No. 1: Glenkiln Cross

(1955/cast 1956-1957)

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 131 3/8 × 38 3/8 × 38 in. (333.6 × 97.4 × 96.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3629

Jh Purchased From Gimpel Fils, London 1957

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Untitled #18 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 16 x 20 in. (40.6 x 50.8 cm) image: 12 1/16 x 18 1/16 in. (30.6 x 45.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.18

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Revolving Doors

1916-1917, printed 1926

Man Ray, American, b. Philadelphia, Pennsylvania, 1890–1976

Pochoir print on paper, Overall: 22 1/2 x 15 1/4 in. (57.2 x 38.7cm) (See Individual Records)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3122.5

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Daydreams

1970

Philip Guston, American, b. Montreal, Canada, 1913–1980

Oil on linen, 72 1/8 x 80 1/8 in. (183 x 203.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Bequest of Musa Guston, 1992

Accession Number: 92.18

Provenance:
Musa Guston, New York, to 29 October 1992
Bequest of Musa Guston, 1992

Exhibition History:
MARLBOROUGH GALLERY, New York. "Philip Guston," October 1970, no. 30, ill. p. 35.
VIRGINIA MUSEUM OF FINE ARTS, Richmond. "Philip Guston," 8 October 1994-5 February 1995.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Ways of Seeing: John Baldessari Explores the Collection," 26 July 2006-23 September 2007, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.

Published References:
None recorded

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation)/American Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor

 

Crouching Woman

(1880-1882/enlarged 1907-1911, cast 1962)

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 37 1/2 × 27 5/8 × 24 1/4 in. (95.1 × 70.2 × 61.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4342

Provenance:
Musée Rodin, Paris, 1962 (Inventory No. I.489)
Galerie Claude Bernard, Paris, to 28 February 1963
Joseph H. Hirshhorn, New York, 28 February 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
GALERIE CLAUDE BERNARD, Paris. "August Rodin," January-February 1963, no. 14, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June 1981-2 May 1982, no. 281 (as 1908 (?) enlargement from 1880-81 work).

Published References:
JIANOU, IONEL and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1967), p. 89.
UNSIGNED. "Sculpture: Fresh-Air Fun," Time 90 (8 September 1967), colorpl. p. 75, p. 77.
ARNASON, H. HARVARD. History of Modern Art (New York: Abrams, 1968), p. 60, ill. 78.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 740, ill. 89.
TANCOCK, JOHN L. The Sculpture of Auguste Rodin (Philadelphia Museum of Art, 1976), no. 6, other casts, p. 140.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 1. ill. p. 38, fig. 28, p. 30.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Café

1915

George Grosz, American, b. Berlin, Germany, 1893–1959

Oil and charcoal on canvas, 24 × 15 7/8 in. (61 × 40.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.2282

Provenance:
Otto Schmalhausen
Galerie van Diemen, Berlin, by 1922
Curt Valentin Gallery, New York, to 30 October 1954
Joseph H. Hirshhorn, New York, 30 October 1954-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
FORUM GALLERY AND E. V. THAW, New York. "George Grosz 1893-1959," 24 September-12 October 1963, cat. no. 6.
LOS ANGELES COUNTY MUSEUM OF ART. "German Expressionism after the Great War: the Second Generation," 9 October-31 December 1988. TOUR: FORT WORTH ART MUSEUM, Texas, 2 February-9 April 1989; KUNST MUSEUM DUSSELDORF, Germany, May-July; STAATLICHE GALERIE MORITZBURG, Halle, Germany, August- September.
NEUE NATIONALGALERIE, Berlin, Germany. "George Grosz: Berlin-New York," 21 December 1994-17 April 1995, no. IX.4, p. 318, colorpl. p. 319. TOUR: KUNSTSAMMLUNG NORDRHEIN WESTFALEN, Dusseldorf, 6 May-30 July; STAATSGALERIE STUTTGART, September-December.
ZEITGEIST-GESELLSCHAFT, Berlin (organizer); MARTIN-GROPIUS-BAU, Berlin (venue). "The Age of Modernism: Art in the 20th Century," 7 May-27 July 1997, no. 221, colorpl., n.p.
MUSEUM OF MODERN ART, Kamakura, Japan. "George Grosz: Berlin-New York," 8 April-21 May 2000, no. I-3, p. 172, colorpl., p. 31. TOUR: ITAMI CITY MUSEUM OF ART, Itami, 10 June-30 July, ill. on leaflet, postcard; TOCHIGI PREFECTURAL MUSEUM OF FINE ARTS, Tochigi, 6 August-24 September, ill. on leaflet.
CASTELLO DI RIVOLI MUSEO D'ARTE CONTEMPORANEA, Rivoli, Italy. "Faces in a Crowd: The Modern Figure and Avant-Garde Realism," 4 April - 10 July 2005. TOUR: WHITECHAPEL ART GALLERY, London, 3 December 2004 - 27 February 2005.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
FRIEDLAENDER, SALOMO [Myrona, pseud.]. George Grosz (Dresden: Rudolph Kaemmerer, 1922), ill. p. 88.
SCHISGALL, JANE. "The Arts in Two Societies: Some Implications for Student Education," Social Education (October 1983), ill. p. 411.
UNSIGNED. "Berlin," The Wilson Quarterly (Summer 1988), ill. p. 103.
WOLFF, JANET. Feminine Sentences: Essays on Women and Culture (Oxford: Polity, 1990), no. 4, ill. n.p.
JENTSCH, RALPH. George Grosz: The Berlin Years (Milan: Electra, 1997), no. 159, ill. p. 62.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Nakanishi Natsuyuki’s Clothespins Assert Churning Action (Clothespins on a model at the artist’s studio for Hi Red Center’s event, 6th Mixer Plan, in Tokyo, May 28, 1963)

1963/2015

Minoru Hirata, Japanese, b. Tokyo, 1930

Gelatin silver print, paper: 14 1/16 × 10 15/16 in. (35.7 × 27.8 cm) image: 13 3/16 × 8 3/4 in. (33.5 × 22.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2017

Accession Number: 2017.022

Provenance:
Otto Schmalhausen
Galerie van Diemen, Berlin, by 1922
Curt Valentin Gallery, New York, to 30 October 1954
Joseph H. Hirshhorn, New York, 30 October 1954-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
FORUM GALLERY AND E. V. THAW, New York. "George Grosz 1893-1959," 24 September-12 October 1963, cat. no. 6.
LOS ANGELES COUNTY MUSEUM OF ART. "German Expressionism after the Great War: the Second Generation," 9 October-31 December 1988. TOUR: FORT WORTH ART MUSEUM, Texas, 2 February-9 April 1989; KUNST MUSEUM DUSSELDORF, Germany, May-July; STAATLICHE GALERIE MORITZBURG, Halle, Germany, August- September.
NEUE NATIONALGALERIE, Berlin, Germany. "George Grosz: Berlin-New York," 21 December 1994-17 April 1995, no. IX.4, p. 318, colorpl. p. 319. TOUR: KUNSTSAMMLUNG NORDRHEIN WESTFALEN, Dusseldorf, 6 May-30 July; STAATSGALERIE STUTTGART, September-December.
ZEITGEIST-GESELLSCHAFT, Berlin (organizer); MARTIN-GROPIUS-BAU, Berlin (venue). "The Age of Modernism: Art in the 20th Century," 7 May-27 July 1997, no. 221, colorpl., n.p.
MUSEUM OF MODERN ART, Kamakura, Japan. "George Grosz: Berlin-New York," 8 April-21 May 2000, no. I-3, p. 172, colorpl., p. 31. TOUR: ITAMI CITY MUSEUM OF ART, Itami, 10 June-30 July, ill. on leaflet, postcard; TOCHIGI PREFECTURAL MUSEUM OF FINE ARTS, Tochigi, 6 August-24 September, ill. on leaflet.
CASTELLO DI RIVOLI MUSEO D'ARTE CONTEMPORANEA, Rivoli, Italy. "Faces in a Crowd: The Modern Figure and Avant-Garde Realism," 4 April - 10 July 2005. TOUR: WHITECHAPEL ART GALLERY, London, 3 December 2004 - 27 February 2005.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
FRIEDLAENDER, SALOMO [Myrona, pseud.]. George Grosz (Dresden: Rudolph Kaemmerer, 1922), ill. p. 88.
SCHISGALL, JANE. "The Arts in Two Societies: Some Implications for Student Education," Social Education (October 1983), ill. p. 411.
UNSIGNED. "Berlin," The Wilson Quarterly (Summer 1988), ill. p. 103.
WOLFF, JANET. Feminine Sentences: Essays on Women and Culture (Oxford: Polity, 1990), no. 4, ill. n.p.
JENTSCH, RALPH. George Grosz: The Berlin Years (Milan: Electra, 1997), no. 159, ill. p. 62.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Painted on 21st Street

(1950-1951)

Helen Frankenthaler, American, b. New York City, 1928–2011

Oil, sand, plaster of paris, and coffee grounds on sized and primed canvas, 69 1/8 x 97 in. (175.6 x 246.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1980

Accession Number: 80.153

Provenance:
The artist, New York, 1951-13 November 1980
Museum Purchase, 1980

Exhibition History:
TIBOR DE NAGY GALLERY, New York. "Helen Frankenthaler," 12 November-3 December 1951.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Fifties: Aspects of Painting in New York," 22 May-21 September 1980.
THE WHITE HOUSE, Washington, DC. Extended loan to President and Mrs. Bush for display in the residence, August 2001-December 2008.
GAGOSIAN GALLERY, New York. “Helen Frankenthaler,” March-April 2013 [exact dates TBD].
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
[HOLLIDAY, BETTY]. "Reviews and Previews: Helen Frankenthaler," Art News, vol. 50 (November 1951), p. 48.
[BRACH, PAUL]. "Fifty-Seventh Street in Review: Helen Frankenthaler," Art Digest, vol. 26 (1 December 1951), p. 18.
LANDAU, ELLEN. "Aspects of the Fifties," Art Journal 40 (Fall/Winter 1980), fig. 16, p. 388.
SWEENY, LOUISE. "Light fantastic: Artist pours moods on canvas," Arlington Heights Herald (5 October 1980), n. p.
SMITH, ROBERTA. "Report from Washington: The '50 Revisited, Not Revised," Art in America 68/9 (November 1980), p. 47, colorpl. p. 48.
ELDERFELD, JOHN. Frankenthaler (New York: Harry N. Abrams, 1989), ill. p. 32.
After "Mountains and Sea": Frankenthaler 1956-1959 (New York: Guggenheim, 1998).

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (Second Generation)/Formalist Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Moonmad

1944, cast 1956

Max Ernst, French, b. Brühl, Germany, 1891–1976

Bronze, 36 3/4 x 13 x 12 3/8 in. (93.3 x 33 x 31.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1802

Provenance:
Alexandre Iolas Gallery, New York (cast edition)
[Constantin Xenakis, Athens]
Harold Diamond, New York, to 26 January 1961
Joseph H. Hirshhorn, New York, 26 January 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculptures from the Joseph H. Hirshhorn Collection," 2 October 1962-6 January 1963, no. 150, ill. p. 118.
DALLAS MUSEUM OF FINE ARTS. "Sculpture Twentieth Century," 12 May-13 June 1965, no. 24.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 480.
LOS ANGELES COUNTY MUSEUM OF ART. "Exiles and Emigres: 1933-1945," 20 February-11 May 1997. Tour: MONTREAL MUSEUM OF FINE ARTS, 19 June-7 September; STAATLICHE MUSEEN ZU BERLIN, 16 October-4 January 1998.
CENTRE GEORGES POMPIDOU, Paris. "Max Ernst: Sculptures, Maisons et Paysages," 5 May-27 July 1998. Tour: KUNSTSAMMLUNG NORDRHEIN-WESTFALEN, Dusseldorf, 5 September-29 November.
NEUE NATIONALGALERIE, Berlin. "Max Ernst: Die Retrospektive," 5 March-30 May 1999, no. 136, p. 194, ill. p. 195. Tour: HAUS DER KUNST, Munich, 11 June-19 September.
METROPOLITAN MUSEUM OF ART, New York. "Max Ernst," 4 April-10 July 2005.
CENTRE GEORGES POMPIDOU, Paris. "Surrealism and the Object," 30 October 2013-3 March 2014.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 78, color ill. p. 78; p. 185.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), pp. 162, 292, no. 144, ill. p. 146.
VISUAL PUBLICATIONS. Educational film strip (England, 1970), no. 144, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), pp. 690-691, ill. p. 340.
FAIRFAX COUNTY PUBLIC SCHOOLS. A Guide to Teaching Art in the Primary Grades K-3 (Fairfax, VA: Fairfax County Public Schools, Department of Instructional Services, 1983), p. 228, ill.
PARK, EDWARDS. Treasures of the Smithsonian (Washington, DC: Smithsonian Books, 1983), ill.
OTTINGER, DIDIER, ed. Dictionnaire de l’objet surréaliste (Éditions Gallimard/Centre
Pompidou, Paris, 2013), p. 309.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Eros, Inside Eros

(1986)

Arman, American, b. Nice, France, 1928–2005

Bronze, 33 5/8 x 17 1/4 x 20 1/8 in. (85.4 x 43.8 x 51.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest, by Exchange, 1987

Accession Number: 87.10

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1989," 15 March-14 May 1989, unpublished checklist, no. 2.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Evocation of a Form: Human, Lunar, Spectral

(1950/enlarged and cast 1957)

Jean Arp, French, b. Strasbourg, Alsace, 1886-1966

Bronze, 45 1/2 × 32 3/8 × 33 1/2 in. (115.5 × 82.3 × 85 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.107

JHH Purchased From Castelli Gallery, Leo, New York 12 April 1961

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

1950-A No. 2

1950

Clyfford Still, American, b. Grandin, North Dakota, 1904–1980

Oil on canvas, 108 3/4 × 92 in. (276.2 × 233.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.282

Provenance:
The artist, New Windsor, MD, to 1965
Marlborough-Gerson Gallery, New York, to 1969
Joseph H. Hirshhorn, New York, 1969-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
CLYFFORD STILL STUDIO, New York. Private Showing, 1950.
INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PENNSYLVANIA,
Philadelphia. "Clyfford Still," 18 October-15 December 1963, no. 13.
LOS ANGELES COUNTY MUSEUM OF ART. "New York School: The
First Generation: Paintings of the 1940s and 1950s," 16 June-1 August 1965, no. 111, p. 194.
MARLBOROUGH-GERSON GALLERY, New York. "Clyfford Still," October-November 1969, no. 21, p. 41.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution,
Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 710, p. 488.
HAUS DER KUNST, Munich (organized by Whitney Museum of American Art). "American Painting 1930-1980," 14 November 1981-31 January 1982, no. 194.
BALTIMORE MUSEUM OF ART. "Grace Hartigan, Morris Louis, Clyfford Still, Anne Truitt," 14 October-5 December 1982.
MARTIN-GROPIUS-BAU, Berlin. "American Art in the Twentieth Century: Painting and Sculpture 1913-1993," 8 May-25 July 1993, no. 103, ill. pg. 177. Tour: ROYAL ACADEMY, London, 17 September-12 December 1993.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Clyfford Still: Paintings 1944-1960," 21 June-16 September 2001, no. 20.
ART GALLERY OF ONTARIO, Toronto. "The Shape of Colour: Excursions in Colour Field Art, 1950-2005," 1 June-7 August 2005, no. 2, ill. p. 41.
THE JEWISH MUSEUM, New York. "Action/Abstraction: Abstract Expressionism and Postwar America," 2 May-21 September 2008. Tour: SAINT LOUIS ART MUSEUM, 17 October-25 January 2009; ALBRIGHT-KNOX ART GALLERY, Buffalo, 27 February-31 May.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
TUCHMAN, MAURICE. New York School: The First Generation (Greenwich, Connecticut: New York Graphic Society, 1971), pp. 119, 149.
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 488, 752.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), sec. 2.
SANDLER, IRVING. The New York School: The Painters and Sculptors of the Fifties (New York: Harper & Row, 1978), pl. 6.
O'NEILL, JOHN P. Clyfford Still (New York: The Metropolitan Museum of Art, 1979), fig. 15, pp. 31, 190-191.
SHERMAN, MARILYN. Reading Literature: Orange Level (Evanston, IL: McDougal, Littell & Company, 1985), p. 393.
WALDMAN, DIANE. Jack Youngerman (New York: Solomon R. Guggenheim Museum, 1986) fig. 8, pp. 18-19.
ATHEARN, ROBERT G. and MEDIA PROJECTS INC. American Heritage Illustrated
History of the United States Volume 16: Decades of Cold War (New York: Choice Publishing Inc., 1988), p. 1369.
HALL, LEE. Betty Parsons: Artist, Dealer, Collector (New York: Harry N. Abrams Inc., 1991), ill.
KINGSLEY, APRIL. The Turning Point (New York: Simon & Schuster, 1992), p. 149.
SHAW-EAGLE, JOANNA. "Calendar: Top Picks," Washington Times (21 June 2001), ill.
UNSIGNED. "Weekends' Best: Our Picks," Washington Post (22 June 2001), ill.
RATCLIFF, CARTER. "The Idea of Order in the Art of Clyfford Still," Art in America (December 2001), cover ill.
KUSPIT, DONALD. "Unconscious and Self-Conscious in 'American-Type' Painting," The Rebirth of Painting in the Late Twentieth Century (Cambridge, U.K.: Cambridge University Press, 2000), fig. 21, p. 95.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Symptom--Sea, Body (P.W. No. 40)

1972

Koji Enokura, Japanese, b. Tokyo, 1942–1995

Gelatin silver print, 13 1/16 × 16 9/16 in. (33.2 × 42 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2017

Accession Number: 2017.017

Provenance:
The artist, New Windsor, MD, to 1965
Marlborough-Gerson Gallery, New York, to 1969
Joseph H. Hirshhorn, New York, 1969-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
CLYFFORD STILL STUDIO, New York. Private Showing, 1950.
INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PENNSYLVANIA,
Philadelphia. "Clyfford Still," 18 October-15 December 1963, no. 13.
LOS ANGELES COUNTY MUSEUM OF ART. "New York School: The
First Generation: Paintings of the 1940s and 1950s," 16 June-1 August 1965, no. 111, p. 194.
MARLBOROUGH-GERSON GALLERY, New York. "Clyfford Still," October-November 1969, no. 21, p. 41.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution,
Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 710, p. 488.
HAUS DER KUNST, Munich (organized by Whitney Museum of American Art). "American Painting 1930-1980," 14 November 1981-31 January 1982, no. 194.
BALTIMORE MUSEUM OF ART. "Grace Hartigan, Morris Louis, Clyfford Still, Anne Truitt," 14 October-5 December 1982.
MARTIN-GROPIUS-BAU, Berlin. "American Art in the Twentieth Century: Painting and Sculpture 1913-1993," 8 May-25 July 1993, no. 103, ill. pg. 177. Tour: ROYAL ACADEMY, London, 17 September-12 December 1993.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Clyfford Still: Paintings 1944-1960," 21 June-16 September 2001, no. 20.
ART GALLERY OF ONTARIO, Toronto. "The Shape of Colour: Excursions in Colour Field Art, 1950-2005," 1 June-7 August 2005, no. 2, ill. p. 41.
THE JEWISH MUSEUM, New York. "Action/Abstraction: Abstract Expressionism and Postwar America," 2 May-21 September 2008. Tour: SAINT LOUIS ART MUSEUM, 17 October-25 January 2009; ALBRIGHT-KNOX ART GALLERY, Buffalo, 27 February-31 May.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
TUCHMAN, MAURICE. New York School: The First Generation (Greenwich, Connecticut: New York Graphic Society, 1971), pp. 119, 149.
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 488, 752.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), sec. 2.
SANDLER, IRVING. The New York School: The Painters and Sculptors of the Fifties (New York: Harper & Row, 1978), pl. 6.
O'NEILL, JOHN P. Clyfford Still (New York: The Metropolitan Museum of Art, 1979), fig. 15, pp. 31, 190-191.
SHERMAN, MARILYN. Reading Literature: Orange Level (Evanston, IL: McDougal, Littell & Company, 1985), p. 393.
WALDMAN, DIANE. Jack Youngerman (New York: Solomon R. Guggenheim Museum, 1986) fig. 8, pp. 18-19.
ATHEARN, ROBERT G. and MEDIA PROJECTS INC. American Heritage Illustrated
History of the United States Volume 16: Decades of Cold War (New York: Choice Publishing Inc., 1988), p. 1369.
HALL, LEE. Betty Parsons: Artist, Dealer, Collector (New York: Harry N. Abrams Inc., 1991), ill.
KINGSLEY, APRIL. The Turning Point (New York: Simon & Schuster, 1992), p. 149.
SHAW-EAGLE, JOANNA. "Calendar: Top Picks," Washington Times (21 June 2001), ill.
UNSIGNED. "Weekends' Best: Our Picks," Washington Post (22 June 2001), ill.
RATCLIFF, CARTER. "The Idea of Order in the Art of Clyfford Still," Art in America (December 2001), cover ill.
KUSPIT, DONALD. "Unconscious and Self-Conscious in 'American-Type' Painting," The Rebirth of Painting in the Late Twentieth Century (Cambridge, U.K.: Cambridge University Press, 2000), fig. 21, p. 95.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Spatial Concept: Nature (59-60 N28)

(1959-1960/cast 1965)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 36 5/8 in. (93 cm); diameter: 37 1/2 in. (95.4 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.162

Provenance:
The artist, New Windsor, MD, to 1965
Marlborough-Gerson Gallery, New York, to 1969
Joseph H. Hirshhorn, New York, 1969-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
CLYFFORD STILL STUDIO, New York. Private Showing, 1950.
INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PENNSYLVANIA,
Philadelphia. "Clyfford Still," 18 October-15 December 1963, no. 13.
LOS ANGELES COUNTY MUSEUM OF ART. "New York School: The
First Generation: Paintings of the 1940s and 1950s," 16 June-1 August 1965, no. 111, p. 194.
MARLBOROUGH-GERSON GALLERY, New York. "Clyfford Still," October-November 1969, no. 21, p. 41.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution,
Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 710, p. 488.
HAUS DER KUNST, Munich (organized by Whitney Museum of American Art). "American Painting 1930-1980," 14 November 1981-31 January 1982, no. 194.
BALTIMORE MUSEUM OF ART. "Grace Hartigan, Morris Louis, Clyfford Still, Anne Truitt," 14 October-5 December 1982.
MARTIN-GROPIUS-BAU, Berlin. "American Art in the Twentieth Century: Painting and Sculpture 1913-1993," 8 May-25 July 1993, no. 103, ill. pg. 177. Tour: ROYAL ACADEMY, London, 17 September-12 December 1993.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Clyfford Still: Paintings 1944-1960," 21 June-16 September 2001, no. 20.
ART GALLERY OF ONTARIO, Toronto. "The Shape of Colour: Excursions in Colour Field Art, 1950-2005," 1 June-7 August 2005, no. 2, ill. p. 41.
THE JEWISH MUSEUM, New York. "Action/Abstraction: Abstract Expressionism and Postwar America," 2 May-21 September 2008. Tour: SAINT LOUIS ART MUSEUM, 17 October-25 January 2009; ALBRIGHT-KNOX ART GALLERY, Buffalo, 27 February-31 May.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
TUCHMAN, MAURICE. New York School: The First Generation (Greenwich, Connecticut: New York Graphic Society, 1971), pp. 119, 149.
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 488, 752.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), sec. 2.
SANDLER, IRVING. The New York School: The Painters and Sculptors of the Fifties (New York: Harper & Row, 1978), pl. 6.
O'NEILL, JOHN P. Clyfford Still (New York: The Metropolitan Museum of Art, 1979), fig. 15, pp. 31, 190-191.
SHERMAN, MARILYN. Reading Literature: Orange Level (Evanston, IL: McDougal, Littell & Company, 1985), p. 393.
WALDMAN, DIANE. Jack Youngerman (New York: Solomon R. Guggenheim Museum, 1986) fig. 8, pp. 18-19.
ATHEARN, ROBERT G. and MEDIA PROJECTS INC. American Heritage Illustrated
History of the United States Volume 16: Decades of Cold War (New York: Choice Publishing Inc., 1988), p. 1369.
HALL, LEE. Betty Parsons: Artist, Dealer, Collector (New York: Harry N. Abrams Inc., 1991), ill.
KINGSLEY, APRIL. The Turning Point (New York: Simon & Schuster, 1992), p. 149.
SHAW-EAGLE, JOANNA. "Calendar: Top Picks," Washington Times (21 June 2001), ill.
UNSIGNED. "Weekends' Best: Our Picks," Washington Post (22 June 2001), ill.
RATCLIFF, CARTER. "The Idea of Order in the Art of Clyfford Still," Art in America (December 2001), cover ill.
KUSPIT, DONALD. "Unconscious and Self-Conscious in 'American-Type' Painting," The Rebirth of Painting in the Late Twentieth Century (Cambridge, U.K.: Cambridge University Press, 2000), fig. 21, p. 95.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Sphinx III

(1954)

Francis Bacon, British, b. Dublin, Ireland, 1909–1992

Oil on canvas, 78 1/4 × 54 in. (198.7 × 137.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.182

Provenance:
Hanover Gallery, London, to 25 March 1957
Joseph H. Hirshhorn, New York, 25 March 1957-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
HANOVER GALLERY, London. "Francis Bacon," 8 June-16 July 1954, no cat.
GALERIE RIVE DROITE, Paris. "Francis Bacon," 12 February-10 March 1957, no. 7.
HANOVER GALLERY, London. "Francis Bacon," 21 March-26 April 1957 (not in catalogue but included in show--see label on verso).
TATE GALLERY, London. "Francis Bacon Retrospective," 24 May-1 July 1962, no. 37, ill. TOUR: KUNSTHALLE MANNHEIM, Germany, 18 July-26 August, no. 28; MUSEO CIVICO DI TORINO, 11 September-14 October, no. 31, ill.; KUNSTHAUS, Zurich, 27 October-25 November, no. 26, ill; STEDELIJK MUSEUM, Amsterdam, 11 January-18 February 1963, no. 24.
MUSEO D'ARTE MODERNA, Lugano, Switzerland. "Francis Bacon," 7 March-30 May 1993, no. 20, ill. p. 143, color ill. p. 48.
TRUST FOR MUSEUM EXHIBITIONS, Washington, DC (organizer). "Francis Bacon: A Retrospective Exhibition," no. 24, p. 98, ill. p. 99. TOUR: YALE CENTER FOR BRITISH ART, New Haven, 25 January-21 March 1999; MINNEAPOLIS INSTITUTE OF ARTS, 8 April-27 May; FINE ARTS MUSEUMS OF SAN FRANCISCO, 13 June-2 August; MODERN ART MUSEUM OF FORT WORTH, 20 August-15 October.
SAINSBURY CENTRE FOR VISUAL ARTS, Norwich, England. "Francis Bacon: Paintings from the 1950's," 26 September-10 December 2006. TOUR: MILWAUKEE ART MUSEUM, 29 January-15 April 2007; ALBRIGHT-KNOX ART GALLERY, Buffalo, 5 May-30 July 2007.
NATIONAL MUSEUM OF MODERN ART, Tokyo. “Francis Bacon,” 8 March-26 May 2013, no. 14, p. 48, color ill. p. 49; p. 185. TOUR: TOYOTA MUNICIPAL MUSEUM OF ART, 8 June-1 September 2013.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.

Published References:
UNSIGNED. "Apparitions of Evil: Mr. Francis Bacon's New Paintings," The Times, London, (14 June 1954): p. 5.
HARRISON, JANE. "Dissent on Francis Bacon," Arts Magazine 38/3 (December 1963): p. 22.
ALLEY, RONALD. Francis Bacon, Catalogue Raisone (London: Thames & Hudson, 1964): no. 88.
MARLBOROUGH-GERSON GALLERY, INC. Francis Bacon: Recent Paintings (1968): p. 62.
TRUCCHI, LORENZA. Francis Bacon (Milan: Fratelli Fabbri Editori, 1975): 37-38.
SOLLERS, PHILIPPE. Les Passions de Francis Bacon (Paris: Monographies Gallimard, 1996): pp. 76-77, 177.

Hirshhorn Museum and Sculpture Garden Collection, School of London, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor

 

Composition with Blue and Yellow (Composition Bleu-Jaune)

1935

Piet Mondrian, Dutch, b. Amersfoort, 1872–1944

Oil on canvas, 28 3/4 x 27 1/4 in. (73 x 69.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972

Accession Number: 72.205

Provenance:
The Artist, Paris, 1935-c. 1937
Mrs. Nan Roberts, London (Ben Nicholson's sister-in-law), c. 1937-1956 (acquired from the artist for £25)
[V. Fletcher: see catalogue raisonne which lists Winifred Nicholson (wife of Ben) as the original owner.]
Harold Diamond, New York, 1956
G. David Thompson, Pittsburgh, 1956-1960
Galerie Beyeler, Basel, 1960-1961
Harold Diamond, New York, 1961-1962
Mr. and Mrs. Frederick R. Weisman, Los Angeles, 1962-1968
Harold Diamond, New York, to 24 May 1968
Joseph H. Hirshhorn, New York, 24 May 1968-1972
Gift of the Joseph H. Hirshhorn Foundation, 1972

Exhibition History:
KUNSTHAUS, Zurich. "Thompson Pittsburgh: Aus einer Amerikanischen Privatsammlung," 15 October-27 November 1960, no. 149, colorpl. (as Komposition Blau-Gelb). Tour: KUNST MUSEUM, Dusseldorf, "Sammlung G. David Thompson," 14 December 1960-29 January 1961; HAAGS GEMEENTEMUSEUM, The Hague, "Collectie Thomson Uit Pittsburgh," 12 February-9 April, no. 143, colorpl.; SOLOMON R. GUGGENHEIM MUSEUM, New York, "One Hundred Paintings from the G. David Thompson Collection," May-August; GALLERIA CIVICA D'ARTE MODERNA, Turin, "Collezione G. David Thompson Pittsburgh," October-November.
PASADENA ART MUSEUM. "A View of this Century," 24 November-19 December 1964, no. 44, ill. (as Composition Blue-Yellow, lent by Mr. and Mrs. Frederick Weisman).
GALERIE BEYELER, Basel. "Mondrian," December 1964-January 1965 (lent by Private Collection).
SOLOMON R GUGGENHEIM MUSEUM, New York. "Piet Mondrian Centennial Exhibition," 7 October-12 December 1971, no. 116, colorpl. (did not tour).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 503.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Instiution, Washington, DC. "Dreams and Nightmares: Utopian Visions in Modern Art," 8 December 1983-12 February 1984, no. 58, ill. p. 93 and frontispiece.
CENTRE GEORGES POMPIDOU, Paris. "Mondrian in Paris," 1 December 2010-21 March 2011.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
SEUPHOR, MICHEL. Piet Mondrian: Life and Work (New York: Harry N. Abrams, 1956; Cologne: Du Mont, 1957; Paris, 1970), no. 531, p. 429, cc. 379, ill. p. 390 (as Composition, 1932/36, no. collection or size given).
F.S. "Les expositions a l'etranger: Dusseldorf-Klee et la collection G. David Thompson," Aujourd'hui 5 (February 1961), p. 52.
NORDLAND, GERALD. "Collecting in Los Angeles," Artforum 2 (Summer 1964), p. 18, ill. (in situ in Weisman collection).
SCHMIDT, GEORGE (intro.). Piet Mondrian (Basel: Galerie Beyeler, n.d. [after January 1965]), colorplate 53 (cropped). Listed as Seuphor ill. 381, Private Collection.
MARMER, NANCY. "Los Angeles Letter," Art International 9 (February 1965), p. 32.
IVES-STILLMAN, INC. Announcemnet offering portfolio (New Haven, 1965-66), colorplate.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden," Smithsonian Year 1968 (Washington, DC, 1969), p. 222, ill. p. 223.
ROBERTSON, NAN. "Hirshhorn Gives Museum 326 Works," New York Times (March 10, 1972).
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden, (New York: Harry N. Abrams, 1974), p. 724, colorplate 503.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 68.
OTTOLENGHI, MARIA GRAZIA. L'Opera Completa di Mondrian (Milan: Rizzdi, 1974), no. 422, ill.
CHAMPA, KERMIT. "Piet Mondrian's 'Composition with Blue and Yellow'," Arts Magazine 53 (January 1979), pp. 137-39, color ill. p. 138.
CARMEAN, E.A. Mondrian: The Diamond Compositions (Washington, DC: National Gallery of Art, 1979), ill. 45, p. 54 (not in exhibition).
UNSIGNED. A Guide to Teaching Art in the Primary Grades K-3 (Fairfax, Virginia: Fairfax County Public Schools, 1983), pp. 278, 279, ill.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), p. 387, ill.
CHAMPA, KERMIT SWILER. Mondrian Studies (Chicago and London: University of Chicago Press, 1985), pl. 20.
WOLF, ALINE. Mommy, It's a Renoir!: Child-Size Masterpieces (Altoona, Pennsylvania: Parent Child Press, 1986), ill.
BATES, SUSAN, and ANNE FICKLEN, eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 39.
WHITFORD, FRANK. Understanding Abstract Art (London: Barrie & Jenkins, 1987), ill. pp. 13, 118, 129.
BERGER, ARTHUR ASA. Seeing Is Believing (Mountain View, California: Mayfield Publishing, 1989), ill. p. 5 (fig. 0.6).
VARNEDOE, KIRK. A Fine Disregard (New York: Harry N. Abrams, 1989), no. 160, p. 158.
INDURKHYA, BIPIN. Studies in Cognitive Systems, vol. 13: Metaphor and Cognition (Boston: Kluwer Academic Publishers, 1992), pl. 3, p. 43.
GIBSON, ERIC. "Museum pursues new look," Washington Times (20 December 1992).
APPEL, ALFRED, JR. The Art of Celebration (New York: Alfred A. Knopf, Inc., 1993), ill. p. 7.
BLOTKAMP, CAREL. Mondrian: The Art of Destruction (London: Reaktion Book, 1994), colorpl. 163, p. 217.
SAYRE, HENRY M. A World of Art, second edition (New Jersey: Prentice Hall, 1997), fig. 277, p. 161.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Geometric Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Spatial Concept: Nature (59-60 N29)

(1959-1960/cast 1965)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 29 in. (73.7 cm); diameter: 35 in. (88.9 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.161

Provenance:
The Artist, Paris, 1935-c. 1937
Mrs. Nan Roberts, London (Ben Nicholson's sister-in-law), c. 1937-1956 (acquired from the artist for £25)
[V. Fletcher: see catalogue raisonne which lists Winifred Nicholson (wife of Ben) as the original owner.]
Harold Diamond, New York, 1956
G. David Thompson, Pittsburgh, 1956-1960
Galerie Beyeler, Basel, 1960-1961
Harold Diamond, New York, 1961-1962
Mr. and Mrs. Frederick R. Weisman, Los Angeles, 1962-1968
Harold Diamond, New York, to 24 May 1968
Joseph H. Hirshhorn, New York, 24 May 1968-1972
Gift of the Joseph H. Hirshhorn Foundation, 1972

Exhibition History:
KUNSTHAUS, Zurich. "Thompson Pittsburgh: Aus einer Amerikanischen Privatsammlung," 15 October-27 November 1960, no. 149, colorpl. (as Komposition Blau-Gelb). Tour: KUNST MUSEUM, Dusseldorf, "Sammlung G. David Thompson," 14 December 1960-29 January 1961; HAAGS GEMEENTEMUSEUM, The Hague, "Collectie Thomson Uit Pittsburgh," 12 February-9 April, no. 143, colorpl.; SOLOMON R. GUGGENHEIM MUSEUM, New York, "One Hundred Paintings from the G. David Thompson Collection," May-August; GALLERIA CIVICA D'ARTE MODERNA, Turin, "Collezione G. David Thompson Pittsburgh," October-November.
PASADENA ART MUSEUM. "A View of this Century," 24 November-19 December 1964, no. 44, ill. (as Composition Blue-Yellow, lent by Mr. and Mrs. Frederick Weisman).
GALERIE BEYELER, Basel. "Mondrian," December 1964-January 1965 (lent by Private Collection).
SOLOMON R GUGGENHEIM MUSEUM, New York. "Piet Mondrian Centennial Exhibition," 7 October-12 December 1971, no. 116, colorpl. (did not tour).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 503.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Instiution, Washington, DC. "Dreams and Nightmares: Utopian Visions in Modern Art," 8 December 1983-12 February 1984, no. 58, ill. p. 93 and frontispiece.
CENTRE GEORGES POMPIDOU, Paris. "Mondrian in Paris," 1 December 2010-21 March 2011.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
SEUPHOR, MICHEL. Piet Mondrian: Life and Work (New York: Harry N. Abrams, 1956; Cologne: Du Mont, 1957; Paris, 1970), no. 531, p. 429, cc. 379, ill. p. 390 (as Composition, 1932/36, no. collection or size given).
F.S. "Les expositions a l'etranger: Dusseldorf-Klee et la collection G. David Thompson," Aujourd'hui 5 (February 1961), p. 52.
NORDLAND, GERALD. "Collecting in Los Angeles," Artforum 2 (Summer 1964), p. 18, ill. (in situ in Weisman collection).
SCHMIDT, GEORGE (intro.). Piet Mondrian (Basel: Galerie Beyeler, n.d. [after January 1965]), colorplate 53 (cropped). Listed as Seuphor ill. 381, Private Collection.
MARMER, NANCY. "Los Angeles Letter," Art International 9 (February 1965), p. 32.
IVES-STILLMAN, INC. Announcemnet offering portfolio (New Haven, 1965-66), colorplate.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden," Smithsonian Year 1968 (Washington, DC, 1969), p. 222, ill. p. 223.
ROBERTSON, NAN. "Hirshhorn Gives Museum 326 Works," New York Times (March 10, 1972).
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden, (New York: Harry N. Abrams, 1974), p. 724, colorplate 503.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 68.
OTTOLENGHI, MARIA GRAZIA. L'Opera Completa di Mondrian (Milan: Rizzdi, 1974), no. 422, ill.
CHAMPA, KERMIT. "Piet Mondrian's 'Composition with Blue and Yellow'," Arts Magazine 53 (January 1979), pp. 137-39, color ill. p. 138.
CARMEAN, E.A. Mondrian: The Diamond Compositions (Washington, DC: National Gallery of Art, 1979), ill. 45, p. 54 (not in exhibition).
UNSIGNED. A Guide to Teaching Art in the Primary Grades K-3 (Fairfax, Virginia: Fairfax County Public Schools, 1983), pp. 278, 279, ill.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), p. 387, ill.
CHAMPA, KERMIT SWILER. Mondrian Studies (Chicago and London: University of Chicago Press, 1985), pl. 20.
WOLF, ALINE. Mommy, It's a Renoir!: Child-Size Masterpieces (Altoona, Pennsylvania: Parent Child Press, 1986), ill.
BATES, SUSAN, and ANNE FICKLEN, eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 39.
WHITFORD, FRANK. Understanding Abstract Art (London: Barrie & Jenkins, 1987), ill. pp. 13, 118, 129.
BERGER, ARTHUR ASA. Seeing Is Believing (Mountain View, California: Mayfield Publishing, 1989), ill. p. 5 (fig. 0.6).
VARNEDOE, KIRK. A Fine Disregard (New York: Harry N. Abrams, 1989), no. 160, p. 158.
INDURKHYA, BIPIN. Studies in Cognitive Systems, vol. 13: Metaphor and Cognition (Boston: Kluwer Academic Publishers, 1992), pl. 3, p. 43.
GIBSON, ERIC. "Museum pursues new look," Washington Times (20 December 1992).
APPEL, ALFRED, JR. The Art of Celebration (New York: Alfred A. Knopf, Inc., 1993), ill. p. 7.
BLOTKAMP, CAREL. Mondrian: The Art of Destruction (London: Reaktion Book, 1994), colorpl. 163, p. 217.
SAYRE, HENRY M. A World of Art, second edition (New Jersey: Prentice Hall, 1997), fig. 277, p. 161.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Revolving Doors, 1916-17 (10 Prints)

1926

Man Ray, American, b. Philadelphia, Pennsylvania, 1890–1976

Pochoir print on paper, Overall: 22 1/2 x 15 1/4 in. (57.2 x 38.7cm) (See Individual Records)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3122.8

Provenance:
The Artist, Paris, 1935-c. 1937
Mrs. Nan Roberts, London (Ben Nicholson's sister-in-law), c. 1937-1956 (acquired from the artist for £25)
[V. Fletcher: see catalogue raisonne which lists Winifred Nicholson (wife of Ben) as the original owner.]
Harold Diamond, New York, 1956
G. David Thompson, Pittsburgh, 1956-1960
Galerie Beyeler, Basel, 1960-1961
Harold Diamond, New York, 1961-1962
Mr. and Mrs. Frederick R. Weisman, Los Angeles, 1962-1968
Harold Diamond, New York, to 24 May 1968
Joseph H. Hirshhorn, New York, 24 May 1968-1972
Gift of the Joseph H. Hirshhorn Foundation, 1972

Exhibition History:
KUNSTHAUS, Zurich. "Thompson Pittsburgh: Aus einer Amerikanischen Privatsammlung," 15 October-27 November 1960, no. 149, colorpl. (as Komposition Blau-Gelb). Tour: KUNST MUSEUM, Dusseldorf, "Sammlung G. David Thompson," 14 December 1960-29 January 1961; HAAGS GEMEENTEMUSEUM, The Hague, "Collectie Thomson Uit Pittsburgh," 12 February-9 April, no. 143, colorpl.; SOLOMON R. GUGGENHEIM MUSEUM, New York, "One Hundred Paintings from the G. David Thompson Collection," May-August; GALLERIA CIVICA D'ARTE MODERNA, Turin, "Collezione G. David Thompson Pittsburgh," October-November.
PASADENA ART MUSEUM. "A View of this Century," 24 November-19 December 1964, no. 44, ill. (as Composition Blue-Yellow, lent by Mr. and Mrs. Frederick Weisman).
GALERIE BEYELER, Basel. "Mondrian," December 1964-January 1965 (lent by Private Collection).
SOLOMON R GUGGENHEIM MUSEUM, New York. "Piet Mondrian Centennial Exhibition," 7 October-12 December 1971, no. 116, colorpl. (did not tour).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 503.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Instiution, Washington, DC. "Dreams and Nightmares: Utopian Visions in Modern Art," 8 December 1983-12 February 1984, no. 58, ill. p. 93 and frontispiece.
CENTRE GEORGES POMPIDOU, Paris. "Mondrian in Paris," 1 December 2010-21 March 2011.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
SEUPHOR, MICHEL. Piet Mondrian: Life and Work (New York: Harry N. Abrams, 1956; Cologne: Du Mont, 1957; Paris, 1970), no. 531, p. 429, cc. 379, ill. p. 390 (as Composition, 1932/36, no. collection or size given).
F.S. "Les expositions a l'etranger: Dusseldorf-Klee et la collection G. David Thompson," Aujourd'hui 5 (February 1961), p. 52.
NORDLAND, GERALD. "Collecting in Los Angeles," Artforum 2 (Summer 1964), p. 18, ill. (in situ in Weisman collection).
SCHMIDT, GEORGE (intro.). Piet Mondrian (Basel: Galerie Beyeler, n.d. [after January 1965]), colorplate 53 (cropped). Listed as Seuphor ill. 381, Private Collection.
MARMER, NANCY. "Los Angeles Letter," Art International 9 (February 1965), p. 32.
IVES-STILLMAN, INC. Announcemnet offering portfolio (New Haven, 1965-66), colorplate.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden," Smithsonian Year 1968 (Washington, DC, 1969), p. 222, ill. p. 223.
ROBERTSON, NAN. "Hirshhorn Gives Museum 326 Works," New York Times (March 10, 1972).
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden, (New York: Harry N. Abrams, 1974), p. 724, colorplate 503.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 68.
OTTOLENGHI, MARIA GRAZIA. L'Opera Completa di Mondrian (Milan: Rizzdi, 1974), no. 422, ill.
CHAMPA, KERMIT. "Piet Mondrian's 'Composition with Blue and Yellow'," Arts Magazine 53 (January 1979), pp. 137-39, color ill. p. 138.
CARMEAN, E.A. Mondrian: The Diamond Compositions (Washington, DC: National Gallery of Art, 1979), ill. 45, p. 54 (not in exhibition).
UNSIGNED. A Guide to Teaching Art in the Primary Grades K-3 (Fairfax, Virginia: Fairfax County Public Schools, 1983), pp. 278, 279, ill.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), p. 387, ill.
CHAMPA, KERMIT SWILER. Mondrian Studies (Chicago and London: University of Chicago Press, 1985), pl. 20.
WOLF, ALINE. Mommy, It's a Renoir!: Child-Size Masterpieces (Altoona, Pennsylvania: Parent Child Press, 1986), ill.
BATES, SUSAN, and ANNE FICKLEN, eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 39.
WHITFORD, FRANK. Understanding Abstract Art (London: Barrie & Jenkins, 1987), ill. pp. 13, 118, 129.
BERGER, ARTHUR ASA. Seeing Is Believing (Mountain View, California: Mayfield Publishing, 1989), ill. p. 5 (fig. 0.6).
VARNEDOE, KIRK. A Fine Disregard (New York: Harry N. Abrams, 1989), no. 160, p. 158.
INDURKHYA, BIPIN. Studies in Cognitive Systems, vol. 13: Metaphor and Cognition (Boston: Kluwer Academic Publishers, 1992), pl. 3, p. 43.
GIBSON, ERIC. "Museum pursues new look," Washington Times (20 December 1992).
APPEL, ALFRED, JR. The Art of Celebration (New York: Alfred A. Knopf, Inc., 1993), ill. p. 7.
BLOTKAMP, CAREL. Mondrian: The Art of Destruction (London: Reaktion Book, 1994), colorpl. 163, p. 217.
SAYRE, HENRY M. A World of Art, second edition (New Jersey: Prentice Hall, 1997), fig. 277, p. 161.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Video Flag

(1985-1996)

Nam June Paik, American, b. Seoul, Korea, 1932–2006

70 video monitors, 4 laser disc players, computer, timers, electrical devices, wood and metal housing on rubber wheels, 94 3/8 x 139 3/4 x 47 3/4 in. (239.6 x 354.8 x 119.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 1996, The ongoing preservation of Video Flag is supported by the Hakuta Family Conservation Fund

Accession Number: 96.4

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
SAYRE, HENRY M. A World of Art, 8th ed. (London: Pearson, 2015), fig. 11-35 (color), p. 262.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Untitled (Flat)

2012

Alex Israel, American, b. Los Angeles, California, 1982

Acrylic on stucco with wood and aluminum frame, 96 × 72 in. (243.8 × 182.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Iris and Adam Singer, 2016

Accession Number: 16.23

Provenance:
[Almine Rech Gallery, 5 October 2012]
Adam Singer, Scottsdale, Arizona, to 29 December 2016
Gift of Iris and Adam Singer, 2016

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Symptom--Floor, Hand (P.W. No. 51)

1974

Koji Enokura, Japanese, b. Tokyo, 1942–1995

Gelatin silver print, 7 3/8 × 7 15/16 in. (18.8 × 20.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2017

Accession Number: 2017.018

Provenance:
[Almine Rech Gallery, 5 October 2012]
Adam Singer, Scottsdale, Arizona, to 29 December 2016
Gift of Iris and Adam Singer, 2016

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

 

Untitled #23 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 19 15/16 x 16 1/16 in. (50.6 x 40.8 cm) image: 18 x 12 1/16 in. (45.7 x 30.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.23

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

no image
 

Futurist Flower

(1918-1925/reconstructed 1968)

Giacomo Balla, Italian, b. Turin, 1871–1958

Wood and paint, 23 1/8 x 15 x 15 in. (58.6 x 37.8 x 37.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.222.9

Provenance:
Galleria dell'Obelisco, Rome, to 26 June 1968
Joseph H. Hirshhorn, New York and Washington, DC, 26 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dreams and Nightmares," 8 December 1983-12 February 1984, no. 11, p. 178, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Futurism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Amelia Boynton

2008

Bradley McCallum and Jacqueline Tarry, Bradley McCallum, American, b. Green Bay, Wisconsin, 1966, Jacqueline Tarry, American, b. Buffalo, New York, 1963

Oil on canvas and toner on silk, 47 1/4 x 37 3/4 in. (120 x 95.8 cm) in artist's frame

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2009

Accession Number: 09.11

Provenance:
Galerie Nordine Zidoun, Paris, to 9 May 2009
Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2009

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Evolving Space (Study for "Against You, Dove Assassins")

(1949-1951)

Matta, French, b. Santiago, Chile, 1911–2002

Oil on canvas, 42 1/8 X 43 in. (107.0 X 109.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3471

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Untitled #28 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 16 x 20 in. (40.6 x 50.8 cm) image: 12 1/16 x 18 1/16 in. (30.6 x 45.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.28

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Study for Portrait V

(1953)

Francis Bacon, British, b. Dublin, Ireland, 1909–1992

Oil on canvas, 60 1/8 × 46 1/8 in. (152.7 × 117.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.183

Provenance:
Hanover Gallery, London
Durlacher Brothers, New York, from 31 March 1953
Mr. and Mrs. Stanley Wolf, Great Neck, New York
Alan Gallery, New York, 9 March 1955
Joseph H. Hirshhorn, New York, 9 March 1955-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
DURLACHER BROTHERS, New York."Francis Bacon," 20 October-14 November 1953, no. 3.
BRANDEIS UNIVERSITY, Waltham, Massachusetts. "Three Collections," 1-17 June 1955, no. 2.
TATE GALLERY, London. "Francis Bacon Retrospective," 24 May-1 July 1962, no. 28, ill. TOUR: KUNSTHALLE MANNHEIM, Germany, 18 July-26 August, no. 22; MUSEO CIVICO DI TORINO, 11 September-14 October, no. 29, ill.; KUNSTHAUS, Zurich, 27 October-25 November; STEDELIJK MUSEUM, Amsterdam, 11 January-18 February 1963, no. 19, ill.
AMERICAN FEDERATION OF ARTS, New York (organizer). "Paintings from the Joseph H. Hirshhorn Foundation Collection: A View of the Protean Century," no. 76. TOUR: M. KNOEDLER, New York, 31 October-24 November 1962; CURRIER GALLERY OF ART, Manchester, New Hampshire, 16 December-12 January 1963; CARNEGIE INSTITUTE, Pittsburgh, 30 January-26 February; EVANSVILLE MUSEUM OF ARTS AND SCIENCE, Indiana, 16 March-12 April; MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York, 30 April-27 May; J.B. SPEED ART MUSEUM, Louisville,13 June-10 July; MINNEAPOLIS INSTITUTE OF THE ARTS, 30 July-25 August; SEATTLE ART MUSEUM, 11 September-8 October; SAN FRANCISCO MUSEUM OF ART, 26 October-23 November; COLORADO SPRINGS FINE ARTS CENTER, 11 December-7 January 1964; DALLAS MUSEUM OF FINE ARTS, 26 January-23 February; ATLANTA ART ASSOCIATION, 10 June-7 July; SAGINAW ART MUSEUM, Michigan, 25 July-22 August; MONTREAL MUSEUM OF FINE ARTS, 8 September-6 October; ALLENTOWN ART MUSEUM, Pennsylvania, 24 October-21 November; MUSEUM OF FINE ARTS, Boston, 9 December-10 January 1965; BROOKLYN MUSEUM, 8 February-5 April.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, fig. 632, p. 437; p. 660.
ALDRICH MUSEUM OF CONTEMPORARY ART, Ridgefield, Connecticut. "Homo Sapiens: The Many Images," 9 May-16 September 1982, ill. p. 9.
MUSEUM OF CONTEMPORARY ART SAN DIEGO. "Francis Bacon: The Papal Portraits of 1953," 17 January-28 March 1999, ill. p. 49; p. 71.
KUNSTHISTORISCHES MUSEUM, Vienna. "Francis Bacon and the Tradition of Art," 15 October 2003-18 January 2004, no. 6, ill. p. 126. TOUR: FONDATION BEYELER, Riehen/Basel, 8 February-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.

Published References:
HUNTER, SAM. "Francis Bacon: An Acute Sense of Impasse," Art Digest 28 (15 October 1953): p. 16, ill.
UNSIGNED. "Snapshots from Hell," Time 62 (19 October 1953) ill., p. 63.
SECKLER, DOROTHY GEES. "Reviews and Previews: Francis Bacon," Art News 52, part 1 (November 1953): p. 43.
SPENDER, STEPHEN. "English Artists vs. English Painting," Art News 52 (November 1953) p. 48, ill. p. 14.
FITZSIMMONS, JAMES. "Art Paintings of Apes and Madmen," Arts and Architecture 71 (January 1954) p. 30, ill.
ROTHENSTEIN, JOHN and RONALD ALLEY. Francis Bacon (London: Thames and Hudson, 1964): no. 63.
BROOKLYN MUSEUM. "Exhibitions: Paintings from the Hirshhorn Foundation," Museum News (February 1965).
PRESTON, STUART. "A Collectors Eye-View," The New York Times (28 February 1965) sec. 2, p. 19.
MENNA, F. "Modern European Art," New Catholic Encuclopedia I (New York: McGraw Hill, 1967): p. 911, ill. p. 907.
MARLBOROUGH-GERSON GALLERY, INC. Francis Bacon: Recent Paintings (1968): cat., ill. p. 62.
LERNER, ABRAM. Selected Paintings and Sculpture from the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, Inc., 1974): no. 632, p. 660.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," The New York Times (14 July 1974) section 2.
TRUCCHI, LORENZA. Francis Bacon (Milan: Fratelli Fabbri Editori, 1975): no. 29, ill.
DAVIES, HUGH M.. Francis Bacon: The Early and Middle Years, 1928-1958 (New York and London: Garland Publishing, 1978) no. 73, ill.
SCHMIED, WIELAND. Francis Bacon: Vier Studien zu einem Portrat (Berlin: Frolich & Kaufmann, 1985): p. 13.
DAVIES, HUGH and SALLY YARD. Francis Bacon (New York: Abbeville Press, 1986): p. 27.
KULTERMANN, VON UDO. "Inkunabeln kunstlerischer Appropriation: Zur Interpretation von Bacons Velazquez-Variationen," Neue Burcher Beitung no. 241 (17-18 October 1987): p. 69.
SINCLAIR, ANDREW. Francis Bacon: His Life and Violent Times (London: Sinclair-Stevenson, 1993): p. 122.
CENTRE GEORGES POMPIDOU. Francis Bacon (Paris: Centre Georges Pompidou, 1996): p. 258.
MUSEUM OF CONTEMPORARY ART SAN DIEGO. "Exhibitions: Francis Bacon," Museum of Contemporary Art San Diego Newsletter (1999).
DAVIES, HUGH. Francis Bacon: The Papal Portraits of 1953 (Museum of Contemporary Art San Diego, 1999).
UNSIGNED. "Gyroscope: Fall 2005," (Hirshhorn Museum and Sculpture Garden, 2005), fig. 4. [exhibition brochure]

Hirshhorn Museum and Sculpture Garden Collection, School of London, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor

 

Untitled #16 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 16 1/16 x 20 in. (40.8 x 50.8 cm) image: 12 1/16 x 18 in. (30.6 x 45.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.16

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Futurist Flower

(1918-1925/reconstructed 1968)

Giacomo Balla, Italian, b. Turin, 1871–1958

Wood and paint, 12 3/4 x 12 x 12 in. (32.2 x 30.5 x 30.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.222.4

Provenance:
Galleria dell'Obelisco, Rome, to 26 June 1968
Joseph H. Hirshhorn, New York and Washington, DC, 26 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dreams and Nightmares," 8 December 1983-12 February 1984, no. 11, p. 178, ill.
ALDRICH CONTEMPORARY ART MUSEUM, Ridgefield, Virginia. "Virginia Poundstone: Flower Mutations," 3 May-25 October 2015, brochure, pp. 1-2, 6.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Futurism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Revolving Doors

1916-1917, printed 1926

Man Ray, American, b. Philadelphia, Pennsylvania, 1890–1976

Pochoir print on paper, Overall: 22 1/2 x 15 1/4 in. (57.2 x 38.7cm) (See Individual Records)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3122.9

Provenance:
Galleria dell'Obelisco, Rome, to 26 June 1968
Joseph H. Hirshhorn, New York and Washington, DC, 26 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dreams and Nightmares," 8 December 1983-12 February 1984, no. 11, p. 178, ill.
ALDRICH CONTEMPORARY ART MUSEUM, Ridgefield, Virginia. "Virginia Poundstone: Flower Mutations," 3 May-25 October 2015, brochure, pp. 1-2, 6.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Cercando un Ago

1959

Joan Mitchell, American, b. Chicago, Illinois, 1926–1992

Oil on canvas, 63 × 67 in. (160 × 170.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3577

Provenance:
Galleria dell'Ariete, Milan, to 22 February 1962
Joseph H. Hirshhhorn, New York, 22 February 1962-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
DUKE UNIVERSITY MUSEUM OF ART, Durham, North Carolina. "Paintings of the 50s: Another Look, a loan of twenty-one paintings from the Hirshhorn Museum and Sculpture Garden," 3 October-27 November 1983, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
UNSIGNED. “Expositions et informations,” Aujourd’hui 6 (December 1961), p. 100.
SANDLER, IRVING, et al. Abstract Art Since 1945 (London: Thames and Hudson, 1971), p. 62; pl. 43, p. 69 (misidentified as a Robert Motherwell in text; see correction on p. 62).

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (Second Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

The Gray Drape

2008

Martha Rosler, American, b. Brooklyn, New York, 1943

Inkjet print on paper, sheet: 39 1/2 x 29 1/2 in. (100.3 x 74.9 cm) image: 37 1/2 x 29 in. (95.3 x 73.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2009

Accession Number: 09.3

Provenance:
Mitchell-Innes & Nash, New York, to 26 February 2009
Joseph H. Hirshhorn Purchase Fund, 2009

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
Commission for cover of Modern Painters ("Art and War" issue, April 2008).

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Untitled #12 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 16 x 20 in. (40.6 x 50.8 cm) image: 12 1/16 x 18 in. (30.6 x 45.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.12

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Monsoon Drift

(1975)

Anthony Caro, British, b. New Malden, England, 1924–2013

Steel, 123 1/4 x 207 x 41 in. (312.9 x 525.7 x 104.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1976

Accession Number: 76.94

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Formalist Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Untitled #3 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 16 x 20 in. (40.6 x 50.8 cm) image: 12 x 18 in. (30.5 x 45.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.3

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Three-Piece Reclining Figure No. 2: Bridge Prop

(1963/cast 1964)

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 49 1/2 X 78 7/8 X 51 7/8 IN. (115.2 X 251.5 X 131.7 CM.) INCL. BASE H: 4 3/8 IN. (11.0 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3656

Jh Purchased From Moore, Henry, Much Hadham, England 1965

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

The Great Warrior of Montauban

(1898-1900/cast 1956)

Emile-Antoine Bourdelle, French, b. Montauban, 1861–1929

Bronze, 73 1/4 × 62 × 24 1/8 in. (186 × 157.2 × 61.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.593

Provenance:
World House Galleries, New York, to 16 April 1959
Joseph H. Hirshhorn, New York, 16 April 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
WORLD HOUSE GALLERIES, New York. "Bourdelle," 19 May-29 June 1957, no. 18, cover ill.
UNIVERSITY OF MINNESOTA ART GALLERIES, Minneapolis. "Antoine Bourdelle," 8 November-8 December 1957, no. 2. TOUR: WALKER ART CENTER, 12 January-9 February 1958.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 37, ill. p. 33.

Published References:
JIANOU, IONEL, and MICHEL DUFET. Bourdelle, trans. Kathleen Muston and Bryan Richardson (Paris: Arted, 1965), p. 77, pl. 7; 2nd edition, 1975, p. 80, no. 161.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 56, ill.
HALE, WILLIAM H. The World of Rodin 1840-1917 (New York; Time Life Books, 1969), p. 175, caption on p. 174.
UNSIGNED. Apollo, vol. 96 (August 1972), p. 102, no. 19, ill. p. 103.
GOODE, JAMES E. "Outdoor Sculpture: Washington's Overlooked Monuments," Historic Preservation (January-March 1973), p. 6, ill.
BUTLER, JOSEPH T. "America: The Hirshhorn Museum and Sculpture Garden Opens in Washington, DC," Connoisseur 187/753 (November 1974), ill. no. 5.
YOUNG, MAHONRI SHARP. "Letter from the U.S.A. : Hirshhorn on the Mall," Apollo 100/153 (November 1974), p. 419.
MUESSIG, RAYMOND H. ed. "Controversial Issues in the Social Studies" (Washington, DC: National Council for the Social Studies, 1975), ill. p. 196.
UNSIGNED. SMITHSONIAN TORCH (December 1978), ill. p. 8.
UNSIGNED. "Care for Outdoor Sculpture," Washington Post (30 June 1994), Washington Home, ill. p. 20.
UNSIGNED. "Gallery Listings," Intowner (May 1996), ill.
FLETCHER, VALERIE J. A Garden for Art (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), no. 4, ill. p. 41.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

For Gordon Bunshaft

(2006/fabricated 2007-2008)

Dan Graham, American, b. Urbana, Illinois, 1942

Two-way mirror, stainless steel, wood, and stone, 92 1/8 x 196 1/4 x 196 1/8 in. (234 x 498.4 x 498.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest and Purchase Funds, 2008

Accession Number: 08.7

Provenance:
Joseph H. Hirshhorn Bequest and Purchase Funds, 2008

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution. Installed in Sculpture Garden, 30 May 2008- .

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

1938 White Relief (Large Version)

1938

Ben Nicholson, British, b. Denham, England, 1894–1982

Wood and paint, 44 1/2 x 69 in. (113 x 175.2 cm) weight: 84 lb. (38.1 kg) integral artist's frame: 47 1/2 x 72 3/8 x 2 3/4 in. (120.7 x 183.8 x 7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.215

Provenance:
Jh Purchased From Diamond, Harold, New York 1969

Exhibition History:
IVAM CENTRE JULIO GONZALEZ, Valencia, Spain. "Ben Nicholson," 25 April-7 July 2002.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, British Postwar Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Seated Woman

(1956-1957/cast 1962)

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 62 x 56 1/4 x 41 3/8 in. (157.5 x 142.9 x 105.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3277

Joseph Hirshhorn purchased from Mr and Mrs. Samuel J. Holtzman, Baltimore 15 October 1977

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Wish Tree for Washington, DC

2007

Yoko Ono, American, b. Tokyo, Japan, 1933

Live tree and mixed media, dimensions variable

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the artist, 2007

Accession Number: 07.6

Provenance:
The artist, New York, to 15 February 1007
Gift of the artist, 2007

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed in sculpture garden, 2 April 2007-present.

Published References:
DAWSON, JESSICA. "Yoko Ono's Peaceful Message Takes Root," Washington Post (3 April 2007), online edition.
KELLY, JOHN. "Every Week is Harvest Season for the Hirshhorn's Wish Tree," Washington Post (25 August 2011), Metro section, p. B2.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

King and Queen

(1952-1953/cast June 1953)

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 64 3/4 × 59 1/8 × 37 3/8 in. (164.5 × 150 × 94.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3635

Jh Purchased From Valentin Gallery, Curt, New York Dec 07, 1954

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Untitled #5 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 16 x 20 in. (40.6 x 50.8 cm) image: 12 1/16 x 18 1/16 in. (30.6 x 45.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.5

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Untitled #14 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 20 x 16 1/16 in. (50.8 x 40.8 cm) image: 18 x 12 1/16 in. (45.7 x 30.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.14

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Are Years What? (for Marianne Moore)

(1967)

Mark di Suvero, American, b. Shanghai, China, 1933

Steel and paint, 480 × 480 × 360 in., 18725 lb. (1219.2 × 1219.2 × 914.4 cm, 8493.6 kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Gift of the Institute of Scrap Recycling Industries, by exchange, 1999

Accession Number: 99.19

Provenance:
The artist
Enrico Martignoni, Winnemucca, Nevada, to 25 August 1999
Joseph H. Hirshhorn Purchase Fund and Gift of the Institute of Scrap Recycling Industries, by exchange, 1999

Exhibition History:
ALBRIGHT-KNOX ART GALLERY, Buffalo. "Plus by Minus," 1968.
GRAND RAPIDS ART MUSEUM, Michigan (organizer). "Sculpture off the Pedestal," 8 September-3 December 1973, cat. (Citywide exhibition of large-scale outdoor sculpture by thirteen American artists.)
WHITNEY MUSEUM OF AMERICAN ART, New York. "Mark di Suvero," 13 November 1975-8 February 1976, no. 38, p. 87. (Installed in Prospect Park, Brooklyn, New York.)
WURTTEMBERGISCHER KUNSTVEREIN, Stuttgart. "Mark di Suvero," 11 May-10 July 1988, p. 217, ill. pp. 86-87.
MUSEE D'ART MODERNE ET D'ART CONTEMPORAIN, Nice. "Mark di Suvero Retrospective," 1991, p. 14, p. 140, ill. pp. 13, 16, 20.
IVAM CENTRE JULIO GONZALEZ, Valencia. "Mark di Suvero," 16 December 1994-19 March 1995, p. 24, 36, ill.
XLVI INTERNATIONAL ART EXHIBITION, VENICE BIENNALE. "Mark di Suvero," 11 June-15 October 1995, no. 5, ill.
STORM KING ART CENTER, Mountainville, New York. "Mark di Suvero at Storm King Art Center," 13 May-15 November 1995 and 1 April-15 November 1996, ills., p. 31, 128.
GALERIE JEANNE-BUCHER, Paris. "Mark di Suvero," 1997, p. 8, ill.
SAN FRANCISCO MUSEUM OF MODERN ART (organizer only). “Mark di Suvero.” Tour: CRISSY FIELD, San Francisco, 22 May 2013-26 May 2014. (Exhibition of eight large-scale outdoor sculptures.)

Published References:
UNSIGNED. Advertisement, "Mark Di Suvero: 25 Years of Sculpture and Drawings, Storm King Art Center," Art in America 73 (June 1985), n.p.
UNSIGNED. Advertisement, "Mark Di Suvero: 25 Years of Sculpture and Drawings, Storm King Art Center," Artforum 23 (Summer 1985), n.p.
KARDON, JANET. 1967 at the Crossroads (Institute of Contemporary Art, University of Pennsylvania, 1987), ill., n.p.
UNSIGNED. Advertisement, "Richard Bellamy/Oil & Steel Gallery and Gagosian Gallery," Art in America, 85 (November 1997), n.p.
UNSIGNED. "Mark di Suvero: Mairie de Paris," Artforum (January 1998), p. 109.
RUBINSTEIN, RAPHAEL. "A Season of Steel in the City of Light," Art in America (July 1998), p. 69, ill. p. 68.
UNSIGNED. "Hirshhorn's Mall Sculpture Steels the Show," Washington Times (26 August 1999), P. C7.
RICHARD, PAUL. "Here and Now," Washington Post (29 August 1999), p. G3.
FORGEY, BENJAMIN. "Cityscape: Splendor on the Grass," Washington Post (15 October 1999), p. C1, color ill.
GARRELS, GARY, ed. Celebrating Modern Art: The Anderson Collection (Berkeley: University of California Press, 2000), ill., n.p.
ESKIN, BLAKE. "Man of Steel," Art News 100, no. 6 (June 2001), p. 91.
ELLEGOOD, ANNE and JOANNA BURTON. The Uncertainty of Objects and Ideas: Recent Sculpture (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006), ill. p. 61.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Untitled #17 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 16 x 20 in. (40.6 x 50.8 cm) image: 12 1/8 x 18 in. (30.8 x 45.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.17

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

The Drummer

(1989-1990)

Barry Flanagan, British, b. Prestatyn, Wales, 1941–2009

Bronze, 96 x 68 x 36 in. (243.8 x 172.7 x 91.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest and Purchase Funds, 1995

Accession Number: 95.4

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, British Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Painting (Circus Horse)

1927

Joan Miró, Spanish, b. Barcelona, 1893–1983

Oil and pencil on burlap, 76 3/4 x 110 3/8 in. (195 x 280.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972

Accession Number: 72.202

Provenance:
Mr. Decagne, Belgium
[Galerie Europe, Brussels]
Galerie Rosengart, Lucerne, Switzerland, 1958-August 1960 (acquired through Galerie Europe)*
Philippe Dotremont, Brussels, August 1960-April 1965 (Parke-Bernet Galleries, New York, sale 2345, 14 April 1965, no. 18, colorpl.)
Pierre Matisse Gallery, New York, 14 April 1965-10 June 1968
Joseph H. Hirshhorn, New York, 10 June 1968-1972
Gift of the Joseph H. Hirshhorn Foundation, 1972
*Information from Angela Rosengart, telefax to J. Zilczer at HMSG, 27 August 2002

Exhibition History:
KUNSTHALLE DUSSELDORF. "Aktuelle Kunst: Bilder und Plastiken aus der Sammlung Dotremont," 3 March-9 April 1961, no. 51, colorplate (as Le Cirque).
KUNSTHALLE BASEL. "Malerie seit 1945 aus der Sammlung Dotremont," 22 April-28 May 1961, no. 45.
MUSEE NATIONAL D'ART MODERNE, Paris. "Joan Miró," June-November 1962, no. 45.
TATE GALLERY, London. "Joan Miró," 27 August-11 October 1964, no. 67, pl. 14a. TOUR: KUNSTHAUS ZURICH, 31 October-6 December.
MUSEUM OF MODERN ART, New York. "Dada, Surrealism, and Their Heritage," 27 March-9 June 1968, no. 232. TOUR: LOS ANGELES COUNTY MUSEUM OF ART, 16 July-8 September; ART INSTITUTE OF CHICAGO, 19 October-8 December.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Joan Miró: Magnetic Fields," 26 October 1972-14 January 1973, no. 34, pp. 37, 124, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 Septetember 1975, no. 399.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Joan Miró: Selected Paintings," 20 March-8 June 1980, no. 17, ill. TOUR: ALBRIGHT-KNOX GALLERY, Buffalo, New York, 27 June-17 August.
KUNSTHAUS ZURICH. "Joan Miró: A Retrospective," 21 November 1986-1 February 1987, no. 54, ill. TOUR: STADTISCHE KUNSTHALLE DUSSELDORF, 14 February-20 April; SOLOMON R. GUGGENHEIM MUSEUM, New York, 15 May-23 August 23.
FONDATION MAEGHT, Saint-Paul, France. "Joan Miró: Rétrospective de l'oeuvre peint," 4 July-7 October 1990, no. 32, pp. 76-77, ill.
MUSEUM OF MODERN ART, New York (organizer). "Joan Miró." TOUR: CENTRO DE ARTE REINA SOFIA, Madrid, 19 January-22 March 1993, no. 18, p. 150, ill. p. 75; FUNDACION JOAN MIRO, Barcelona, 20 April-5 September; MUSEUM OF MODERN ART, New York, 13 October-18 January 1994.
CENTRE GEORGES POMPIDOU, Paris. "La Révolution surréaliste," 27 February-24 June 2002.
SETAGAWA ART MUSEUM, Tokyo. "Joan Miró 1918-1945," 27 July-23 September 2002. TOUR: AICHI PREFECTURAL MUSEUM, Nagoya, 4 October-1 December.
FONDATION BEYLER, Basel, Switzerland. "Calder/Miró," 2 May-5 September 2004. TOUR: PHILLIPS COLLECTION, Washington, DC, 9 October-23 January 2005.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 20, color ill. p. 31; p. 186.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
[See Curatorial Remarks by V. Fletcher]
GASCH, SEBASTIA. "Joan Miro," Cahiers de Belgique 2 no. 6 (Brussels, 1929), ill. p. 204 (as "Peinture," 1927, no collection given).
LAWDER, S.D. "Exhibitions in Germany," Pictures on Exhibit 24 (April 1961), p. 64.
NETTER, MARIA. "Ausstellungen: Basel, Moderne Malerie seit 1945, Sammlung Dotremont," Werk 48 (June 1961), p. 135 (as Cirque).
FRIGERIO, SIMONE. "Les expositions a l'etranger: Bale; La Collection Dotremont," Aujourd'hui 6 (July 1961), p. 55 (as Cirque).
DUPIN, JACQUES. Joan Miro: Life and Work (New York: Harry N. Abrams, 1962), no. 206, ill. p. 517.
BARO, GENE. "Miro: A Leap in the Air," Arts Magazine 39 (October 1964), p. 41.
PARKE-BERNET GALLERIES, New York. Art News 64 (March 1965), p. 26 (advertisement).
PARKE-BERNET GALLERIES, New York. Art International 9 (March 1965), back cover (advertisement).
PARKE-BERNET GALLERIES, New York. Apollo 81 (March 1965), ill. p. ciii (advertisement).
PARKE-BERNET GALLERIES, New York. Arts Magazine 39 (March 1965), p. 11.
UNSIGNED. "Mercato d'Arte," La Medusa 51 (June 1965), n.p. (back page).
NEUGASS, FRITZ. "Top Quality Brings Record Prices," Art Voices 4 (Summer 1965), p. 20.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden: 1968 Annual Report," Smithsonian Year 1968 (Washington, D.C.: Smithsonian Institution, 1969), p. 222.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 723, colorpl. pp. 286-87.
HUDSON, ANDREW. "Washington Letter," Art International 19 (15 June 1975), p. 100.
ROWELL, MARGIT. Joan Miro: Peinture=Poesie (Paris: Editions de la difference, 1976), ill. p. 56.
BURNETT, DAVID. "The Poetics of the Paintings of Miro," Arts Canada 238/239 (December 1980 / January 1981), pp. 10, 11, ill.
WEIL, ERIC. "A Horse at the Hirshhorn," The American Scholar (Phi Beta Kappa publication) (Summer 1981), p. 354.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
ROSENFELD, LUCY DAVIDSON. What's in a Painting (Portland, Maine: J. Weston Walch, 1986), p. 58, pl. 76.
UNSIGNED. "Miro," Bulletin of the Philadelphia Museum of Art 85 (Fall 1987), p. 15.
DOEPEL, R.T. "Miro's Circus Horse (Hirshhorn collection)," South African Journal of Culture and Art History 2 no. 2 (1988), pp. 135-141, ill. p. 136.
GASSNER, HUBERTUS. Joan Miró : der magische Gärtner (Köln: DuMont, 1994), no. 57, ill. p. 220.
MCALLISTER, JANE, ed. The Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill.
CHRISTIE'S. Fine and Decorative Arts: The Maurice & Margo Cohen Collection (New York: Sale catalogue, 13 & 14 May 1999), fig. 4, p. 49.
SOTHEBY'S. Impressionist & Modern Art, Part One (New York: sale catalogue, 9 November 2000), fig. 2, p. 150.
SOTHEBY'S. Impressionist & Modern Art, Part One (New York: sale catalogue, 10 May 2001), fig. 2, p. 104.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

no image
 

Futurist Flower

(1918-1925/reconstructed 1968)

Giacomo Balla, Italian, b. Turin, 1871–1958

Wood and paint, 17 x 9 3/8 x 9 3/8 in. (43.0 x 23.8 x 23.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.222.5

Provenance:
Galleria dell'Obelisco, Rome, to 26 June 1968
Joseph H. Hirshhorn, New York and Washington, DC, 26 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dreams and Nightmares," 8 December 1983-12 February 1984, no. 11, p. 178, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Futurism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Oceanic

1958

Hans Hofmann, American, b. Weissenburg, Germany, 1880–1966

Oil on canvas, 60 1/4 x 48 in. (152.7 x 121.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.2480

Provenance:
Samuel M. Kootz Gallery, New York, to 24 January 1959
Joseph H. Hirshhorn, New York, 24 January 1959-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
KOOTZ GALLERY, New York. "Hans Hofmann: Paintings of 1958," 6-31 January 1959, cat., ill.
CONTEMPORARY ARTS MUSEUM, Houston. "The Romantic Agony: From Goya to De Kooning," 23 April-31 May 1959, ill. p. 21.
FRANKISCHE GALERIE AM MARIENTOR, Nuremberg. "Hans Hofmann Retrospective," 8 April-6 May 1962, no. 59. TOUR: KUNSTVEREIN, Cologne, 26 May-July; KONGRESSEHALLE, Berlin, October-November; STADTISCHE GALERIE, Munich, December-January 1963.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, colorpl. 739, p. 501; p. 702.
THE WHITE HOUSE, Washington, DC. Extended temporary loan, from 18 May 1981. Returned [date unknown].
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
SAWIN, MARTICA. "In the Galleries: Hans Hofmann," Arts XXXIII/5 (February 1959), p. 56.
HUNTER, SAM. Hans Hoffman (New York: Abrams, 1963), colorpl. 86.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), colorpl. 739, p. 501; p. 702.
HANHISALO, JUDITH EVANS. Enjoying Art: Painting, Sculpture, Architecture and the Decorative Arts (Englewood Cliffs, NJ: Prentice-Hall, 1983), fig. 120, p. 165.
UNSIGNED. Invitation, Fifth Annual Beaux Arts Masked Ball "Fire and Ice," John's Island Beach Club, Vero Beach (Washington, DC: Center for the Arts, 1984), ill.
SMITHSONIAN INSTITUTION. The Sea: The Smithsonian Engagement Calendar for 1985 (New York: Universe, 1984), in "May."
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, NJ: Prentice-Hall, 1985), fig. 16-29, p. 419.
GOODMAN, CYNTHIA. Hans Hofmann (New York: Abbeville Press, 1986).

Hirshhorn Museum and Sculpture Garden Collection, Formalist Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Untitled #1 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 16 1/16 x 20 in. (40.8 x 50.8 cm) image: 12 x 18 1/16 in. (30.5 x 45.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.1

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Angola II

(1967)

Isaac Witkin, American, b. Johannesburg, South Africa, 1936–2006

Steel, 102 1/2 x 100 x 45 3/8 in. (260.4 x 254 x 115.3 cm) WT (approx, includes pallet): 600lb. (272.2kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.51

WILKIN, Karen. "Isaac Witkin." New York: Hudson Hills Press, 1998, ill. p. 32.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

no image
 

The Cyclist (Le Cycliste)

(c. 1930)

Auguste Herbin, French, b. Quievy, 1882–1960

Oil on canvas, 51 1/8 X 63 1/2 IN. (129.8 X 161.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2528

Provenance:
Galerie l'Effort Moderne (Leonce Rosenberg), Paris
Parke-Bernet Galleries, New York, 20 October 1966, lot 108.
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Gift of Joseph H. Hirshhorn, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Joseph H. Hirshhorn Bequest," 7 August-16 November 1986, checklist no. 47.
SIDNEY JANIS GALLERY, New York. "Herbin: Paintings and Gouaches," 5-28 November 1987.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
CLAISSE, GENEVIEVE. Herbin: Catalogue Raisonne de L'Œuvre Peint (Lausanne: Editions du Grand-Pont; Paris: Bibliothèque des arts, 1993), no. 644, ill. p. 393.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Revolving Doors

1916-1917, printed 1926

Man Ray, American, b. Philadelphia, Pennsylvania, 1890–1976

Pochoir print on paper, Overall: 22 1/2 x 15 1/4 in. (57.2 x 38.7cm) (See Individual Records)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3122.3

Provenance:
Galerie l'Effort Moderne (Leonce Rosenberg), Paris
Parke-Bernet Galleries, New York, 20 October 1966, lot 108.
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Gift of Joseph H. Hirshhorn, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Joseph H. Hirshhorn Bequest," 7 August-16 November 1986, checklist no. 47.
SIDNEY JANIS GALLERY, New York. "Herbin: Paintings and Gouaches," 5-28 November 1987.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
CLAISSE, GENEVIEVE. Herbin: Catalogue Raisonne de L'Œuvre Peint (Lausanne: Editions du Grand-Pont; Paris: Bibliothèque des arts, 1993), no. 644, ill. p. 393.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Two-Piece Reclining Figure: Points

(1969-1970/cast 1973)

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 89 3/8 × 147 1/8 × 72 7/8 in. (227 × 373.7 × 185.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1974

Accession Number: 74.1

Jh Purchased From Artist 17 July 1973

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Vertical Constellation with Yellow Bone

1943

Alexander Calder, American, b. Lawnton, Pennsylvania, 1898–1976

Wood, paint, and wire, 22 5/8 x 28 5/8 x 25 5/8 in. (57.4 x 72.5 x 65 cm.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.55

Provenance:
Jh Purchased From Diamond, Harold, New York 1968

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, American Abstraction (Mid-Century), Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Linear Construction No. 1 (Small Version)

(1942-1943)

Naum Gabo, American, b. Briansk, Russia, 1890–1977

Plastic with nylon thread on plastic base, 12 1/4 x 12 1/4 x 2 3/4 in. (30.9 x 30.8 x 6.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1976

Provenance:
Jh Purchased From Diamond, Harold, New York 1958

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Geometric Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Eiffel Tower and Gardens, Champ de Mars (La Tour Eiffel et Jardin du Champ de Mars)

(1922)

Robert Delaunay, French, b. Paris, 1885–1941

Oil on canvas, 70 1/8 x 67 1/8 in. (178.1 x 170.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1421

Provenance:
[Dr. Viard, Paris, (Delaunay's doctor)]
Mme. Sonia Delaunay, Paris to at least 1957
Fine Arts Association, New York
M. Knoedler & Co., New York, December 1958-4 June 1969
Joseph H. Hirshhorn, New York and Washington, DC, 4 June 1969-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Robert Delaunay," 23 March-22 May 1955.
STADTISCHES MUSEUM MORSBROICH, Leverkusen, Germany. "Robert Delaunay," 7 June-15 July 1956, no. 48. Tour: KUNSTVEREIN, Freiburg im Breisgau, Germany, 22 July-19 August.
MUSEE MATIONAL D'ART MODERNE, Paris. "Robert Delaunay (1885-1941)," 25 May-30 September 1957, no. 64, pl. 21.
FINE ARTS ASSOCIATES, New York. "Robert Delaunay, Paintings," 13-31 January 1959, no. 10, ill.
KUNSTVEREIN, Hamburg. "Robert Delaunay," 26 January-11 March 1962, no. 40. Tour: WALLRAF-RICHARTZ MUSEUM, Cologne, 24 March-4 May; KUNSTVEREIN, Frankfurt, 18 May-24 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Collection in Context: Metropolis in the Machine Age," 28 February-2 September 2002, no cat.
NATIONAL AIR AND SPACE MUSEUM, Washington, DC. "The Wright Brothers and the Aerial Age," 11 October 2003-31 December 2012.
CENTRE POMPIDOU-METZ, France. “Vues d’en Haut (Views from Above),” 17 May-7 October 2013, no. 56, p. 80, color ill. p. 81; p. 416.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Published References:
Robert Delaunay: Photo Archives, New York, Museum of Modern Art, (S.D. 730 H. 197).
OZENFANT, AMEDEE. Art (Paris: 1928), p. 114.
OZENFANT, AMEDEE. Foundations of Modern Art (New York: Dover Books, 1931, reprint 1952), p. 109.
HABASQUE, GUY. "Catalogue de l'oeuvre de Robert Delaunay," in Pierre Francastel (ed.), Du Cubisme a l'Art Abstrait (Paris: S.E.V.P.E.N., 1957), no. 197, pl. 5.
[HECHT, AXEL?]. "Ohne Fotos keine Gemalde," Art. Das Kunstmagazin (January 1984), pp. 24, 25.
SCHUSTER, PETER-KLAUS, ed. Delaunay and Deutschland (Koln: DuMont Buchverlag, 1985), p. 378.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Mr. Zivic

1986

Garnett Puett, American, b. Hahira, Georgia, 1959

Beeswax, glass, wood and metal stand, 78 x 36 x 18 5/8 in. (198.1 x 91.4 x 47.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase with funds provided by the Lannan Foundation, 1989

Accession Number: 89.5

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 52.

Hirshhorn Museum and Sculpture Garden Collection, American Post-Minimal Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor

 

Futurist Flower

(1918-1925/reconstructed 1968)

Giacomo Balla, Italian, b. Turin, 1871–1958

Wood and paint, 18 3/4 x 10 5/8 x 11in. (47.7 x 26.8 x 27.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.222.2

Provenance:
Galleria dell'Obelisco, Rome, to 26 June 1968
Joseph H. Hirshhorn, New York and Washington, DC, 26 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dreams and Nightmares," 8 December 1983-12 February 1984, no. 11, p. 178, ill.
ALDRICH CONTEMPORARY ART MUSEUM, Ridgefield, Virginia. "Virginia Poundstone: Flower Mutations," 3 May-25 October 2015, brochure, pp. 1-2, 6.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Futurism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

The Burghers of Calais

(1884-1889/cast 1953-1959)

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 79 3/8 × 80 7/8 × 77 1/8 in., 6000 lb. (201.6 × 205.4 × 195.9 cm, 2721.6 kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4340

Provenance:
Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.

Exhibition History:
PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.

Published References:
****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Post-Balzac

1991

Judith Shea, American, b. Philadelphia, Pennsylvania, 1948

Bronze, 98 1/2 × 28 1/2 × 28 1/2 in. (250.3 × 72.9 × 72.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1991

Accession Number: 91.20

Provenance:
Max Protetch Gallery, New York, to 1 October 1991
Museum Purchase, 1991

Exhibition History:
THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. Sculpture from Washington Collections, 4 October 1996-30 September 1997, brochure, ill.

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

Monument to Balzac

(1891-1898/cast 1965-1966)

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 106 x 43 x 50 3/8in., 2100lb. (269.2 x 109.2 x 128cm, 952.6kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4344

Provenance:
Musée Rodin, Paris, to 2 August 1966 (Inventory No. 2.090)
Joseph H. Hirshhorn, New York, 2 August 1966-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.

Published References:
SPEAR, ATHENA TACHA. Rodin Sculpture in the Cleveland Museum of Art (Cleveland: Museum of Art, 1967), p. 93.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 104.
GENAUER, EMILY. "Art and the Artist," New York Post (18 May 1974), p. 14.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), section 2.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 59-60, 741, colorpl. 120.
LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), colorpl. p. 37.
MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), pp. 7-8, 63, 112, ill. 1.
COURTHION, PIERRE. "Le plus grand musée de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 72-76-15, see other casts, p. 459.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 16.
MILI, GJON. Photographs and Recollections (Boston: New York Graphic Society, 1980), ill.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (New York: Thames and Hudson in association with the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1998), fig. 2, p. 9, no. 3, ills. p. 40-41.
UNSIGNED. "August Rodin, Balzac," Washington Post (14 May 1998), p. C8.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

no image
 

Futurist Flower

(1918-1925/reconstructed 1968)

Giacomo Balla, Italian, b. Turin, 1871–1958

Wood and paint, 23 1/8 x 8 3/8 x 8 3/8 in. (58.4 x 21.2 x 21.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.222.8

Provenance:
Galleria dell'Obelisco, Rome, to 26 June 1968
Joseph H. Hirshhorn, New York and Washington, DC, 26 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dreams and Nightmares," 8 December 1983-12 February 1984, no. 11, p. 178, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Futurism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Untitled #21 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 16 1/16 x 20 in. (40.8 x 50.8 cm) image: 12 1/16 x 18 in. (30.6 x 45.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.21

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Apartment #9

1977-1978

Miyako Ishiuchi, Japanese, b. Nitta DIstrict, Gunma, 1947

Photograph, 40 1/2 × 29 15/16 in. (102.9 × 76 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2017

Accession Number: 2017.016

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Sitebound: Photography from the Collection," 16 June-1 September 2014, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level

no image
 

Futurist Flower

(1918-1925/reconstructed 1968)

Giacomo Balla, Italian, b. Turin, 1871–1958

Wood and paint, 12 7/8 x 7 1/2 x 7 7/8 in. (32.7 x 19 x 20 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.222.3

Provenance:
Galleria dell'Obelisco, Rome, to 26 June 1968
Joseph H. Hirshhorn, New York and Washington, DC, 26 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dreams and Nightmares," 8 December 1983-12 February 1984, no. 11, p. 178, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Manifesto: Art x Agency," 15 June 2019-5 January 2020.

Hirshhorn Museum and Sculpture Garden Collection, Futurism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

 

Figure

1926-1930/(cast 1958-1961)

Jacques Lipchitz, American, b. Druskieniki, Lithuania, 1891–1973

Bronze, 85 3/8 × 38 1/2 × 29 1/4 in. (216.8 × 97.7 × 74.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3101

Provenance:
Otto Gerson Gallery, New York, to 27 December 1961
Joseph H. Hirshhorn, New York, 27 December 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 241, ill. p. 101.
LOS ANGELES COUNTY MUSEUM OF ART. "Inaugural Loan Exhibition," April-July 1965.
EXPO '67 MONTREAL. "International Exhibition of Contemporary Sculpture," 28 April-27 October 1967, p. 119, ill. p. 92.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HENRY MOORE INSTITUTE, Leeds, England. "The Sculptors Studio in Britain and France 1900-1950," 20 September 2001-6 June 2002.

Published References:
UNSIGNED. "The Hirshhorn Approach," Time 80 (5 October 1962), ill. p. 75.
UNSIGNED. "Art Lone Wolf," Newsweek 60 (15 October 1962), ill. p. 110.
RUDIKOFF, SONYA. "New York Letter," Art International 6 (November 1962), p. 62.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 79, p. 296, ill. p. 77.
SWEENEY, JAMES JOHNSON. "A Living Frame for Sculpture," House and Garden 126 (August 1964), ill. p. 113.
UNSIGNED. "A Look into the Future--the Joseph H. Hirshhorn Sculpture Garden," Washington Post (22 May 1966), colorpl. sec. K, p. 1.
HAMILTON, GEORGE HEARD. Painting and Sculpture in Europe: 1880-1940 (Baltimore: Penguin, 1967), pl. 104.
COLTON, JOEL. Great Ages of Man: Twentieth Century (New York: Time-Life Books, 1968), colorpl. p. 46.
BOWNESS, ALAN. Modern European Art (New York: Harcourt Brace Jovanovich, 1972) (Thames & Hudson copyright), p. 82, no. 174, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 714, colorpl. 391.
MERILIAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 104, no. 65, ill.
ALEXANDER, JASON. Why Johnny Can't Run, Swim, Pull, Dig, Slither, etc. (San Francisco: Sitnalta Press, 1978), p. 20, no. 195, ill.
ELSEN, ALBERT E. Modern European Sculpture 1918-1945 (New York: Braziller, 1979), fig. 19, pp. 30-31.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 132.
QUANTRILL, MALCOLM. "London Letter," Art International 22/9 (February 1979), p. 38.
KELLY, JAMES J. The Sculptural Idea, third edition (Minneapolis, Minnesota: Burgess Publishing, 1981), fig. 5, p. 16.
RICHARDSON, DAN, and MARGIE RICHARDSON. Journal of the Center for the Arts (Vero Beach, Florida, 1984), n.p., ill.
BERGMAN, EDWARD F. and TOM L. MCKNIGHT. Introduction to Georgraphy (Englewood Cliffs, NJ: Prentice Hall, 1993), fig. 5-37, p. 164.
WILKINSON, ALAN G. The Sculpture of Jacques Lipchitz (London ; New York: Thames and Hudson, 1996), no. 206, ill. pp. 77, 220.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 31, ill. p. 62.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

 

"Man and Woman" #24

1960 (printed 1960s)

Eikoh Hosoe, Japanese, b. Yonezawa, Yamagata, 1933

Gelatin silver print, paper: 9 15/16 × 12 5/16 in. (25.3 × 31.2 cm) image: 6 5/8 × 11 13/16 in. (16.8 × 30 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2017

Accession Number: 2017.024

Provenance:
Otto Gerson Gallery, New York, to 27 December 1961
Joseph H. Hirshhorn, New York, 27 December 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 241, ill. p. 101.
LOS ANGELES COUNTY MUSEUM OF ART. "Inaugural Loan Exhibition," April-July 1965.
EXPO '67 MONTREAL. "International Exhibition of Contemporary Sculpture," 28 April-27 October 1967, p. 119, ill. p. 92.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HENRY MOORE INSTITUTE, Leeds, England. "The Sculptors Studio in Britain and France 1900-1950," 20 September 2001-6 June 2002.

Published References:
UNSIGNED. "The Hirshhorn Approach," Time 80 (5 October 1962), ill. p. 75.
UNSIGNED. "Art Lone Wolf," Newsweek 60 (15 October 1962), ill. p. 110.
RUDIKOFF, SONYA. "New York Letter," Art International 6 (November 1962), p. 62.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 79, p. 296, ill. p. 77.
SWEENEY, JAMES JOHNSON. "A Living Frame for Sculpture," House and Garden 126 (August 1964), ill. p. 113.
UNSIGNED. "A Look into the Future--the Joseph H. Hirshhorn Sculpture Garden," Washington Post (22 May 1966), colorpl. sec. K, p. 1.
HAMILTON, GEORGE HEARD. Painting and Sculpture in Europe: 1880-1940 (Baltimore: Penguin, 1967), pl. 104.
COLTON, JOEL. Great Ages of Man: Twentieth Century (New York: Time-Life Books, 1968), colorpl. p. 46.
BOWNESS, ALAN. Modern European Art (New York: Harcourt Brace Jovanovich, 1972) (Thames & Hudson copyright), p. 82, no. 174, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 714, colorpl. 391.
MERILIAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 104, no. 65, ill.
ALEXANDER, JASON. Why Johnny Can't Run, Swim, Pull, Dig, Slither, etc. (San Francisco: Sitnalta Press, 1978), p. 20, no. 195, ill.
ELSEN, ALBERT E. Modern European Sculpture 1918-1945 (New York: Braziller, 1979), fig. 19, pp. 30-31.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 132.
QUANTRILL, MALCOLM. "London Letter," Art International 22/9 (February 1979), p. 38.
KELLY, JAMES J. The Sculptural Idea, third edition (Minneapolis, Minnesota: Burgess Publishing, 1981), fig. 5, p. 16.
RICHARDSON, DAN, and MARGIE RICHARDSON. Journal of the Center for the Arts (Vero Beach, Florida, 1984), n.p., ill.
BERGMAN, EDWARD F. and TOM L. MCKNIGHT. Introduction to Georgraphy (Englewood Cliffs, NJ: Prentice Hall, 1993), fig. 5-37, p. 164.
WILKINSON, ALAN G. The Sculpture of Jacques Lipchitz (London ; New York: Thames and Hudson, 1996), no. 206, ill. pp. 77, 220.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 31, ill. p. 62.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Lower Level