Collection Works on View

Provenance:
Joseph H. Hirshhorn Bequest and Purchase Funds, 2008

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution. Installed in Sculpture Garden, 30 May 2008- .

Provenance:
Musee Rodin, Paris, 1962
Galerie Claude Bernard, Paris, January-4 March 1963*
Joseph H. Hirshhorn, New York, 4 March 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
*This cast was probably commissioned by JHH through Galerie Calude Bernard. See VJF memo of 25 October 1995 in file.

Exhibition History:
GALERIE CLAUDE BERNARD, Paris. "Auguste Rodin," January 1963, no. 1, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
SMITHSONIAN INSTITUTION, Washington, DC (organizer). "The America's Smithsonian: 150th Anniversary Exhibition," TOUR: Los Angeles, 9 February-7 March 1996; Kansas City, Missouri, 19 April-19 May; New York City, 11 June-24 July; Providence, 16 August-19 September; St. Paul, 11 October-14 November; Houston, 7 December-12 January 1997; Portland, 3 February-9 March; Birmingham, 1 April-11 May; San Jose, 3 June-11 July.

Published References:
WATT, ALEXANDER. "Rodin Unknown, Homage to Atlan. Paris Commentary," Studio 165/841 (May 1963), 216.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 57, 114, ill. 72.
JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), p. 69, colorpl.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 86.
JACOBS, JAY. "Quality as Well as Quantity: Joseph H. Hirshhorn," Collector in America, ed. by Jean Lipman (New York: Viking, 1971), p. 83, colorpl.
ZANINI, WALTER. Tendencias da escultura moderna (Sao Paolo: Cultrix, 1971), p. 27, no. 5.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 32, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 103, 741, colorpl. 221.
LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), p. 41, colorpl. p. 39.
MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 2-4, 64, ill. 4.
COURTHION, PIERRE. "Le plus grand musee de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 65, no. 65-1, see related works, p. 369.
FENTON, DEBORAH T. Paris and the American Avant-Garde, 1900-1925 (Detroit: Detroit Institute of Arts, 1980), fig. 14, p. 19.
SELZ, PETER. Art in our Times: A Pictorial History 1890-1980 (New York: Harcourt Brace Jovanovich and Harry N. Abrams, 1981), ill. p. 76, no. 167.
FICHNER-RATHUS, LOIS. Understanding Art, second ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1986), p. 133, ill., no. 6-11.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 6-17, ill. p. 134.
LEWIS, RICHARD, and SUSAN I. LEWIS. The Power of Art (New York: Harcourt Brace College Publishers, 1995), no. 7-13, ill. p. 115.
UNSIGNED. "Smithsonian Packs Up Its Show to Hit the Road," New York Times National (25 November 1995).
TRESCOTT, JACQUELINE. "Smithsonian Marks 150th With Biggest Exhibit Ever," Washington Post (14 December 1995), pp. A1, A19.
MOESER, VICKI. "Smithsonian packs travel bags," Torch, no. 96-1 (Washington DC: A Monthly Newspaper for Smithsonian Institution, January 1996), ill.
GOLDBERGER, PAUL. "An Attic Of Stuff, All Real," New York Times (14 June 1996), p. C1, C14.
TANSEY, RICHARD G. and FRED S. KLEINER. Gardner's Art Through The Ages, tenth ed. (New York: Harcourt Brace College Publishers, 1996), no. 26.91, p. 1012.
UNSIGNED. "America's Attic," USA Today (July 1996), ill. p. 26.
BAKER, KENNETH. "America Trophies," San Francisco Chronicle (31 July 1997), p. C1, ill. p. C3.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and
Hudson, 1998), no. 5, ill. p. 42.
TRESCOTT, JACQUELINE. "History Comes Home," Washington Post (12 February 1998), p. E2.
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 1, p. 3. [exhibition brochure]
See file for further info.

Jh Purchased From Valentin Gallery, Curt, New York Dec 07, 1954

Provenance:
The Artist to 1960
World House Galleries, New York, 1960-20 March 1962 (acquired from the Artist)
Joseph H. Hirshhorn, New York, 20 March 1962-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
WORLD HOUSE GALLERIES, New York. "Giacomo Manzu," 5 April-7 May 1960, cover ill.
WORLD HOUSE GALLERIES, New York. "Sculpture: Daumier to Picasso," 20 February-17 March 1962, no. 40.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection" 3 October 1962-6 January 1963, no. 253, ill. p. 133.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 455.

Published References:
LONGREN, LILLIAN. "Reviews and Previews: Giacomo Manzu," Art News 59 (May 1960), p. 13.
MELLOW, JAMES R. "In the Galleries: Giacomo Manzu," Arts 34 (May 1960), p. 57, ill.
REWALD, JOHN. "Giacomo Manzu" (Greenwich, Connecticut: New York Graphic Society, 1966), p. 75.
GOODE, JAMES M. "Outdoor Sculpture-Washington's Overlooked Monuments," Historic Preservation 25 (January-March 1973), ill. p. 6.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 717, ill. p. 455.
ELSEN, ALBERT E. Modern European Sculpture: unknown beings and other realities (New York: G. Braziller, 1979), fig. 105, pp. 104-105.
UNSIGNED. "Hommage a Manzu," XXe Siecle, no. 58 (January 1984), pp. 52-53. ill.
BOREL, FRANCE. Le Modele ou l'artiste seduit (Geneve: A. Skira, 1990), ill.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), p. 63, ill.
PATERSON, JIM. "Stop and See the Sculpture," Washington Post Weekend (15 August 1997), p. 7.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum in association with Thames and Hudson, 1998), no. 14, p. 47, ill.
See file for further info.

Provenance:
World House Galleries, New York, to 16 April 1959
Joseph H. Hirshhorn, New York, 16 April 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
WORLD HOUSE GALLERIES, New York. "Bourdelle," 19 May-29 June 1957, no. 18, cover ill.
UNIVERSITY OF MINNESOTA ART GALLERIES, Minneapolis. "Antoine Bourdelle," 8 November-8 December 1957, no. 2. TOUR: WALKER ART CENTER, 12 January-9 February 1958.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 37, ill. p. 33.

Published References:
JIANOU, IONEL, and MICHEL DUFET. Bourdelle, trans. Kathleen Muston and Bryan Richardson (Paris: Arted, 1965), p. 77, pl. 7; 2nd edition, 1975, p. 80, no. 161.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 56, ill.
HALE, WILLIAM H. The World of Rodin 1840-1917 (New York; Time Life Books, 1969), p. 175, caption on p. 174.
UNSIGNED. Apollo, vol. 96 (August 1972), p. 102, no. 19, ill. p. 103.
GOODE, JAMES E. "Outdoor Sculpture: Washington's Overlooked Monuments," Historic Preservation (January-March 1973), p. 6, ill.
BUTLER, JOSEPH T. "America: The Hirshhorn Museum and Sculpture Garden Opens in Washington, DC," Connoisseur 187/753 (November 1974), ill. no. 5.
YOUNG, MAHONRI SHARP. "Letter from the U.S.A. : Hirshhorn on the Mall," Apollo 100/153 (November 1974), p. 419.
MUESSIG, RAYMOND H. ed. "Controversial Issues in the Social Studies" (Washington, DC: National Council for the Social Studies, 1975), ill. p. 196.
UNSIGNED. SMITHSONIAN TORCH (December 1978), ill. p. 8.
UNSIGNED. "Care for Outdoor Sculpture," Washington Post (30 June 1994), Washington Home, ill. p. 20.
UNSIGNED. "Gallery Listings," Intowner (May 1996), ill.
FLETCHER, VALERIE J. A Garden for Art (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), no. 4, ill. p. 41.

Provenance:
Peter Freeman, Inc., New York, to 25 July 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installation on plaza, 6 August 2016-ongoing.

Exhibition History:
INSTITUT VALENCIA D'ART MODERN, Spain, "Charles Simonds," 18 September-30 November 2003, ill. p. 189 (color, with detail p. 188).
DUMBARTON OAKS, Washington DC. "Charles Simonds: Landscape/Body/Dwelling"
28 April 2009 - 25 October 2009.

Provenance:
The artist, to 1993
Anthony d'Offay Gallery, London, 1993-1997
Private collection, New York, 1997-1998
Richard Gray Gallery, Chicago,to 22 October 1998
Joseph H. Hirshhorn Purchase Fund and Smithsonian Collections Acquisition Program, 1998

Provenance:
The artist, to 1993
Anthony d'Offay Gallery, London, 1993-1997
Private collection, New York, 1997-1998
Richard Gray Gallery, Chicago,to 22 October 1998
Joseph H. Hirshhorn Purchase Fund and Smithsonian Collections Acquisition Program, 1998

Jh Purchased From Marlborough-Gerson Gallery, New York 1965

Provenance:
The artist, New York, to 15 February 1007
Gift of the artist, 2007

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed in sculpture garden, 2 April 2007-present.

Published References:
DAWSON, JESSICA. "Yoko Ono's Peaceful Message Takes Root," Washington Post (3 April 2007), online edition.
KELLY, JOHN. "Every Week is Harvest Season for the Hirshhorn's Wish Tree," Washington Post (25 August 2011), Metro section, p. B2.

Provenance:
The artist, to 16 September 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Jh Purchased From Artist 17 July 1973

Jh Purchased From Gimpel Fils, London 1957

Joseph Hirshhorn purchased from Mr and Mrs. Samuel J. Holtzman, Baltimore 15 October 1977

WILKIN, Karen. "Isaac Witkin." New York: Hudson Hills Press, 1998, ill. p. 32.

WILKIN, Karen. "Isaac Witkin." New York: Hudson Hills Press, 1998, ill. p. 32.

Provenance:
Tanya Bonakdar Gallery, New York, to 9 May 2009
Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2009

Exhibition History:
CARNEGIE MUSEUM OF ART, Pittsburgh. "55th Carnegie International," 3 May 2008-11 January 2009.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed in the Sculpture Garden, 10 July 2009- .

Published References:
GOPNIK, BLAKE. "Survey Says: Six is the Magic Number," Washington Post (8 June 2008), p. M05.
CHURNER, RACHEL. "55th Carnegie International," Artforum (September 2008), p. 455.

Provenance:
Musée Rodin, Paris, to 2 August 1966 (Inventory No. 2.090)
Joseph H. Hirshhorn, New York, 2 August 1966-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.

Published References:
SPEAR, ATHENA TACHA. Rodin Sculpture in the Cleveland Museum of Art (Cleveland: Museum of Art, 1967), p. 93.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 104.
GENAUER, EMILY. "Art and the Artist," New York Post (18 May 1974), p. 14.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), section 2.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 59-60, 741, colorpl. 120.
LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), colorpl. p. 37.
MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), pp. 7-8, 63, 112, ill. 1.
COURTHION, PIERRE. "Le plus grand musée de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 72-76-15, see other casts, p. 459.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 16.
MILI, GJON. Photographs and Recollections (Boston: New York Graphic Society, 1980), ill.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (New York: Thames and Hudson in association with the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1998), fig. 2, p. 9, no. 3, ills. p. 40-41.
UNSIGNED. "August Rodin, Balzac," Washington Post (14 May 1998), p. C8.

Provenance:
Musée Rodin, Paris, to 2 August 1966 (Inventory No. 2.090)
Joseph H. Hirshhorn, New York, 2 August 1966-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.

Published References:
SPEAR, ATHENA TACHA. Rodin Sculpture in the Cleveland Museum of Art (Cleveland: Museum of Art, 1967), p. 93.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 104.
GENAUER, EMILY. "Art and the Artist," New York Post (18 May 1974), p. 14.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), section 2.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 59-60, 741, colorpl. 120.
LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), colorpl. p. 37.
MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), pp. 7-8, 63, 112, ill. 1.
COURTHION, PIERRE. "Le plus grand musée de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 72-76-15, see other casts, p. 459.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 16.
MILI, GJON. Photographs and Recollections (Boston: New York Graphic Society, 1980), ill.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (New York: Thames and Hudson in association with the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1998), fig. 2, p. 9, no. 3, ills. p. 40-41.
UNSIGNED. "August Rodin, Balzac," Washington Post (14 May 1998), p. C8.

Provenance:
Jh Purchased From Artist, St. Ives, Cornwall, Through Gimpel Fils, London 16 June 1965
Gift of JHH, 1966

Exhibition History:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 630, ill.
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. "Barbara Hepworth from the Museum Collection," 23 April - 19 July 1981 (no catalog).

Published References:
Alley, Ronald. Barbara Hepworth (London: Tate Gallery, 1968), p. 58.
Hammacher, A.M. The Sculpture of Barbara Hepworth (New York: Harry N. Abrams, 1968), p. 207.
Jacobs, Jay. "Collector: Joseph H. Hirshhorn," Art in America 57 (July - August 1969), ill. p. 9.
Hepworth, Barbara. A Pictorial Autobiography (New York and Washington, DC: Praeger, 1970), ill. 304, p. 110.
Jacobs, Jay. "Quality as Well as Quantity: Joseph H. Hirshhorn." The Collector in America (New York: Viking, 1971), color pl. p. 82.
Bowness, Alan. The Sculpture of Barbara Hepworth 1960-69 (New York and Washington, DC: Praeger, 1971), no. 287/2, p. 30.
Merillat, Herbert. Modern Sculpture: The New Old Masters (New York: Dodd, Mead, and Co., 1974) p. 113, ill. 2.
Lerner, Abram et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 702, ill. p. 435.
Valentien, Imke K. 'The Inspiration of the Studio." Museum International 191 (Vol 48, No. 3, 1996) p. 34, ill.
Fletcher, Valerie J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden, 1998) pp. 60, 68, no. 38, ill.

Provenance:
Andrea Contini, Genoa, by 1984
Barbara Gladstone Gallery, New York, to 8 June 1994
Joseph H. Hirshhorn Purchase Fund, 1994

Exhibition History:
GALLERIA LA BERTESCA, Milan. "Gerhard Richter: Verkündigung nach Tizian," 5-31 December 1973, cat.
VENICE BIENNALE XLI. "Arte e Arti, Attualita` e Storia," 10 June-9 September 1984.
STADTISCHE KUNSTHALLE, Düsseldorf. "Gerhard Richter: Bilder 1962-1985," 18 January-23 March 1986, no. 343-1, ill. TOUR: NATIONAGALERIE, STAALICHE MUSEEN, Berlin, 25 April-1 June; KUNSTHALLE BERN, Switzerland, 14 June-20 July; MUSEUM MODERNER KUNST/MUSEUM DES 20. JAHRHUNDERTS, Vienna, 1 August-21 September.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, no. 132, color ill. p. 83.
CENTRO PER L'ARTE CONTEMPORANEA LUIGI PECCI, Prato, Italy. "Gerhard Richter," 10 October 1999-30 January 2000, ill. p. 100.
MUSEUM OF MODERN ART, New York. "Gerhard Richter: Forty Years of Painting," 14 February-21 May 2002, color ill. p. 183. TOUR: ART INSTITUTE OF CHICAGO, 22 June-15 September; SAN FRANCISCO MUSEUM OF MODERN ART, 11 October-14 January 2003; HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC, 20 February-18 May.
TATE MODERN, London. "Gerhard Richter: Panorama," 6 October 2011-8 January 2012, cat. TOUR: NEUE NATIONALGALERIE, Berlin, 12 February-13 May; CENTRE GEORGES POMPIDOU, Paris, 6 June-24 September 2012.
FONDATION BEYELER, Riehen/Basel, Switzerland. "Gerhard Richter: Pictures/Series," 18 May-7 September 2014, cat.

Published References:
LIVINGSTON, MARCO. Pop Art: A Continuing History (London: Thames & Hudson, 1990), ill. p. 210; pp. 150, 268.
Gerhard Richter, vol. III Catalogue Raisonné 1962-1993 (Bonn: Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, 1993), no. 343-1, color ill.; p. 165.
MCALLISTER, JANE (ed.). Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), pp. 126-127, color ill.

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1989," 15 March-14 May 1989, unpublished checklist, no. 2.

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.

Published References:
SAYRE, HENRY M. A World of Art, 8th ed. (London: Pearson, 2015), fig. 11-35 (color), p. 262.

Provenance:
The Artist
Galerie Nierendorf, Berlin, to c. 1965 (acquired from the Artist)
Marlborough Gallery, London, by 1967
Edwin A. and Elizabeth (Lindy) Bergman, Chicago, 1967
Skulima Gallery, Berlin & La Boetie, New York, 1981
Louise Rosenfield Noun, Des Moines, Iowa, 1981-2 January 1997
Gift of Louise R. Noun, 1997

Exhibition History:
GALERIE NIERENDORF, Berlin. "Hannah Höch," November 1964, p. 19, no. 38, ill.
MARLBOROUGH GALLERY, London. "Hannah Höch," January 1966, no. 1, ill.
ADADEMIE DER KÜNSTE, Berlin. "Hannah Höch, Collagen aus den Jahren 1916-1971," 1971, no. 8.
LOS ANGELES COUNTY MUSEUM OF ART. "Women Artists 1550-1950," 1977 (and Tour), cat. no. 141.
LA BOËTIE, New York. "Choice Dada Works," 1981-82.
DES MOINES ART CENTER, Iowa. "Iowa Collects," 1985, ill. p. 20.
UNIVERSITY OF IOWA and DES MOINES ART CENTER. "Louise Noun Collection: Art by Women," 1990, ill.
DES MOINES ART CENTER (Iowa) and ST. ETIENNE GALLERY, New York. "Three Berline Artists of the Weimar Era," cat. ill. p. 5.
WALKER ART CENTER, Minneapolis, Minnesota. "The Photomontages of Hannah Höch," 20 October 1996-2 February 1997, no. 13, p. 38, colorpl., p. 139. TOUR: MUSEUM OF MODERN ART, New York, 26 February-20 May 1997. Not included at the LOS ANGELES COUNTY MUSEUM OF ART venue.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, no. 67, p. 47, color ill. p. 49.
NATIONAL GALLERY OF ART, Washington, DC. "DADA," 19 February-14 May 2006, no. 121, ill. p. 145. TOUR: CENTRE POMPIDOU, Paris, 5 October 2005-9 January 2006; MUSEUM OF MODERN ART, New York, 18 June-11 September.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.

Published References:
SUTHERLAND HARRIS, ANN and LINDA NOCHLIN. Women Artists: 1550-1950 (New York: Alfred A. Knopf, 1977), p. 306, ill. p. 309.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.

Published References:
GRYNSZTEJN, MADELEINE. Alfredo Jaar (La Jolla Museum of Art, 1990), ill. (detail) and ref. p. 28, ill. (detail) [p. 6]
JAAR, ALFREDO. It is difficult. Ten years... (Barcelona, Spain: Actar, 1998), ref. p. 64, ill. pp. 72-73
BALKEN, DEBRA BRICKER. Alfredo Jaar: Lament of the Images (Boston: List Visual Arts Center, Massachusetts Institute of Techonology, 1999), ref. pp. 32, 36, ill. p. 34

Provenance:
Estate of the artist, Rome
Galleria dell'Obelisco, Rome, to 25 June 1968
Joseph H. Hirshhorn, New York, 25 June 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
GALLERIA DELL'OBELISCO, Rome. "Balla sculpture: 1913-15," May-June 1968, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 249.

Published References:
[ADVERTISEMENT (Galleria dell'Obelisco). Art International 2/6 (Summer 1968), ill.]
GALLERIA DELL'OBELISCO. Balla 1871-1958: tutte le sculture (Rome, 1971), no. 1, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 661, ill.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 38.
HANHISALO, JUDITH EVANS. Enjoying Art (Englewood Cliffs, New Jersey: Prentice-Hall, 1983), no. 95, p. 140.
LE NORMAND-ROMAIN, ANTOINETTE, et al. Sculpture (New York: Skira/ Rizzoli, 1986), ill.

Provenance:
Estate of the artist, Rome
Galleria dell'Obelisco, Rome, to 25 June 1968
Joseph H. Hirshhorn, New York, 25 June 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
GALLERIA DELL'OBELISCO, Rome. "Balla sculpture: 1913-15," May-June 1968, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 248.
WESTFALISCHES LANDESMUSEUM FUR KUNST UND KULTURGESCHICHTE, Munster, Germany. "Reliefs: Formprobleme zwischen Malerei und Skulptur im 20. Jahrhundert," 1 June-3 August 1980, no. 19, ill. p. 120.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dreams and Nightmares," 8 December 1983-12 February 1984, checklist no. 7, ill. p. 41.
MUSEUM OF CONTEMPORARY ART, Los Angeles. "Automobile and Culture," 21 July 1984-6 January 1985. TOUR: DETROIT INSTITUTE OF ARTS, Michigan, 8 April-23 June 1985.
[SOLOMON R. GUGGENHEIM MUSEUM, New York. "Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline," 9 February-12 May 1996, no. 49, ill. p. 50.]
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Collection in Context: Metropolis in the Machine Age," 28 February-2 September 2002, no cat.
CORCORAN GALLERY OF ART, Washington, DC. "Modernism: Designing a New World," 17 March-29 July 2007.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC [w/support of the Embassy of Italy, Washington, DC]. "Le Onde: Waves of Italian Influence, 1914-1971," 16 September 2015-3 January 2016, color ill. p. 30; p. 80.

Published References:
DORAZIO, VIRGINIA DORTCH. Giacomo Balla: An Album of His Life and Work (New York: Wittenborn, 1970), no. 164, ill.
GALLERIA DELL'OBELISCO. Balla 1871-1958: tutte le sculture (Rome: 1971), no. 2, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 661, ill. p. 191.
GOLDSTEIN, ERNEST, et al. Understanding and Creating Art (Dallas, Texas: Garrard Pub. Textbook Division, 1986 ; revised, 1992), fig. 172.

Provenance:
Jh Purchased From Diamond, Harold, New York 1968

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Provenance:
[Dr. Viard, Paris, (Delaunay's doctor)]
Mme. Sonia Delaunay, Paris to at least 1957
Fine Arts Association, New York
M. Knoedler & Co., New York, December 1958-4 June 1969
Joseph H. Hirshhorn, New York and Washington, DC, 4 June 1969-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Robert Delaunay," 23 March-22 May 1955.
STADTISCHES MUSEUM MORSBROICH, Leverkusen. "Robert Delaunay," 7 June-15 July 1956, no. 48. TOUR: KUNSTVEREIN, Freiburg im Breisgau, 22 July-19 August 1956.
MUSEE MATIONAL D'ART MODERNE, Paris. "Robert Delaunay (1885-1941)," 25 May-30 September 1957, no. 64, pl. 21.
FINE ARTS ASSOCIATES, New York. "Robert Delaunay, Paintings," 13-31 January 1959, no. 10, ill.
KUNSTVEREIN, Hamburg. "Robert Delaunay," 26 January-11 March 1962, no. 40. TOUR: WALLRAF-RICHARTZ MUSEUM, Cologne, 24 March-4 May 1962; KUNSTVEREIN, Frankfurter, 18 May-24 June 1962.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Collection in Context: Metropolis in the Machine Age," 28 February-2 September 2002, no cat.
NATIONAL AIR & SPACE MUSEUM, Washington, DC. "The Wright Brothers and the Aerial Age," 11 October 2003-31 December 2012.
CENTRE POMPIDOU-METZ, France. “Vues d’en Haut (Views from Above),” 17 May-7 October 2013, no. 56, p. 80, color ill. p. 81; p. 416.

Published References:
Robert Delaunay: Photo Archives, New York, Museum of Modern Art, (S.D. 730 H. 197).
OZENFANT, AMEDEE. Art (Paris: 1928), p. 114.
OZENFANT, AMEDEE. Foundations of Modern Art (New York: Dover Books, 1931, reprint 1952), p. 109.
HABASQUE, GUY. "Catalogue de l'oeuvre de Robert Delaunay," in Pierre Francastel (ed.), Du Cubisme a l'Art Abstrait (Paris: S.E.V.P.E.N., 1957), no. 197, pl. 5.
[HECHT, AXEL?]. "Ohne Fotos keine Gemalde," Art. Das Kunstmagazin (January 1984), pp. 24, 25.
SCHUSTER, PETER-KLAUS, ed. Delaunay and Deutschland (Koln: DuMont Buchverlag, 1985), p. 378.
See file for further info.

Provenance:
The artist, New York, 1951-13 November 1980
Museum Purchase, 1980

Exhibition History:
TIBOR DE NAGY GALLERY, New York. "Helen Frankenthaler," 12 November-3 December 1951.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Fifties: Aspects of Painting in New York," 22 May-21 September 1980.
THE WHITE HOUSE, Washington, DC. Extended loan to President and Mrs. Bush for display in the residence, August 2001-December 2008.
GAGOSIAN GALLERY, New York. “Helen Frankenthaler,” March-April 2013 [exact dates TBD].

Published References:
[HOLLIDAY, BETTY]. "Reviews and Previews: Helen Frankenthaler," Art News, vol. 50 (November 1951), p. 48.
[BRACH, PAUL]. "Fifty-Seventh Street in Review: Helen Frankenthaler," Art Digest, vol. 26 (1 December 1951), p. 18.
LANDAU, ELLEN. "Aspects of the Fifties," Art Journal 40 (Fall/Winter 1980), fig. 16, p. 388.
SWEENY, LOUISE. "Light fantastic: Artist pours moods on canvas," Arlington Heights Herald (5 October 1980), n. p.
SMITH, ROBERTA. "Report from Washington: The '50 Revisited, Not Revised," Art in America 68/9 (November 1980), p. 47, colorpl. p. 48.
ELDERFELD, JOHN. Frankenthaler (New York: Harry N. Abrams, 1989), ill. p. 32.
After "Mountains and Sea": Frankenthaler 1956-1959 (New York: Guggenheim, 1998).

Provenance:
Galerie l'Effort Moderne (Leonce Rosenberg), Paris
Parke-Bernet Galleries, New York, 20 October 1966, lot 108.
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Gift of Joseph H. Hirshhorn, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Joseph H. Hirshhorn Bequest," 7 August-16 November 1986, checklist no. 47.
SIDNEY JANIS GALLERY, New York. "Herbin: Paintings and Gouaches," 5-28 November 1987.

Published References:
CLAISSE, GENEVIEVE. Herbin: Catalogue Raisonne de L'Œuvre Peint (Lausanne: Editions du Grand-Pont; Paris: Bibliothèque des arts, 1993), no. 644, ill. p. 393.
See file for further info.

Provenance:
Mr. Decagne, Belgium
[Galerie Europe, Brussels]
Galerie Rosengart, Lucerne, Switzerland, 1958-August 1960 (acquired through Galerie Europe)*
Philippe Dotremont, Brussels, August 1960-April 1965 (Parke-Bernet Galleries, New York, sale 2345, 14 April 1965, no. 18, colorpl.)
Pierre Matisse Gallery, New York, 14 April 1965-10 June 1968
Joseph H. Hirshhorn, New York, 10 June 1968-1972
Gift of the Joseph H. Hirshhorn Foundation, 1972
*Information from Angela Rosengart, telefax to J. Zilczer at HMSG, 27 August 2002

Exhibition History:
KUNSTHALLE DUSSELDORF. "Aktuelle Kunst: Bilder und Plastiken aus der Sammlung Dotremont," 3 March-9 April 1961, no. 51, colorplate (as Le Cirque).
KUNSTHALLE BASEL. "Malerie seit 1945 aus der Sammlung Dotremont," 22 April-28 May 1961, no. 45.
MUSEE NATIONAL D'ART MODERNE, Paris. "Joan Miró," June-November 1962, no. 45.
TATE GALLERY, London. "Joan Miró," 27 August-11 October 1964, no. 67, pl. 14a. TOUR: KUNSTHAUS ZURICH, 31 October-6 December.
MUSEUM OF MODERN ART, New York. "Dada, Surrealism, and Their Heritage," 27 March-9 June 1968, no. 232. TOUR: LOS ANGELES COUNTY MUSEUM OF ART, 16 July-8 September; ART INSTITUTE OF CHICAGO, 19 October-8 December.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Joan Miró: Magnetic Fields," 26 October 1972-14 January 1973, no. 34, pp. 37, 124, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 Septetember 1975, no. 399.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Joan Miró: Selected Paintings," 20 March-8 June 1980, no. 17, ill. TOUR: ALBRIGHT-KNOX GALLERY, Buffalo, New York, 27 June-17 August.
KUNSTHAUS ZURICH. "Joan Miró: A Retrospective," 21 November 1986-1 February 1987, no. 54, ill. TOUR: STADTISCHE KUNSTHALLE DUSSELDORF, 14 February-20 April; SOLOMON R. GUGGENHEIM MUSEUM, New York, 15 May-23 August 23.
FONDATION MAEGHT, Saint-Paul, France. "Joan Miró: Rétrospective de l'oeuvre peint," 4 July-7 October 1990, no. 32, pp. 76-77, ill.
MUSEUM OF MODERN ART, New York (organizer). "Joan Miró." TOUR: CENTRO DE ARTE REINA SOFIA, Madrid, 19 January-22 March 1993, no. 18, p. 150, ill. p. 75; FUNDACION JOAN MIRO, Barcelona, 20 April-5 September; MUSEUM OF MODERN ART, New York, 13 October-18 January 1994.
CENTRE GEORGES POMPIDOU, Paris. "La Révolution surréaliste," 27 February-24 June 2002.
SETAGAWA ART MUSEUM, Tokyo. "Joan Miró 1918-1945," 27 July-23 September 2002. TOUR: AICHI PREFECTURAL MUSEUM, Nagoya, 4 October-1 December.
FONDATION BEYLER, Basel, Switzerland. "Calder/Miró," 2 May-5 September 2004. TOUR: PHILLIPS COLLECTION, Washington, DC, 9 October-23 January 2005.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 20, color ill. p. 31; p. 186.

Published References:
[See Curatorial Remarks by V. Fletcher]
GASCH, SEBASTIA. "Joan Miro," Cahiers de Belgique 2 no. 6 (Brussels, 1929), ill. p. 204 (as "Peinture," 1927, no collection given).
LAWDER, S.D. "Exhibitions in Germany," Pictures on Exhibit 24 (April 1961), p. 64.
NETTER, MARIA. "Ausstellungen: Basel, Moderne Malerie seit 1945, Sammlung Dotremont," Werk 48 (June 1961), p. 135 (as Cirque).
FRIGERIO, SIMONE. "Les expositions a l'etranger: Bale; La Collection Dotremont," Aujourd'hui 6 (July 1961), p. 55 (as Cirque).
DUPIN, JACQUES. Joan Miro: Life and Work (New York: Harry N. Abrams, 1962), no. 206, ill. p. 517.
BARO, GENE. "Miro: A Leap in the Air," Arts Magazine 39 (October 1964), p. 41.
PARKE-BERNET GALLERIES, New York. Art News 64 (March 1965), p. 26 (advertisement).
PARKE-BERNET GALLERIES, New York. Art International 9 (March 1965), back cover (advertisement).
PARKE-BERNET GALLERIES, New York. Apollo 81 (March 1965), ill. p. ciii (advertisement).
PARKE-BERNET GALLERIES, New York. Arts Magazine 39 (March 1965), p. 11.
UNSIGNED. "Mercato d'Arte," La Medusa 51 (June 1965), n.p. (back page).
NEUGASS, FRITZ. "Top Quality Brings Record Prices," Art Voices 4 (Summer 1965), p. 20.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden: 1968 Annual Report," Smithsonian Year 1968 (Washington, D.C.: Smithsonian Institution, 1969), p. 222.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 723, colorpl. pp. 286-87.
HUDSON, ANDREW. "Washington Letter," Art International 19 (15 June 1975), p. 100.
ROWELL, MARGIT. Joan Miro: Peinture=Poesie (Paris: Editions de la difference, 1976), ill. p. 56.
BURNETT, DAVID. "The Poetics of the Paintings of Miro," Arts Canada 238/239 (December 1980 / January 1981), pp. 10, 11, ill.
WEIL, ERIC. "A Horse at the Hirshhorn," The American Scholar (Phi Beta Kappa publication) (Summer 1981), p. 354.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
ROSENFELD, LUCY DAVIDSON. What's in a Painting (Portland, Maine: J. Weston Walch, 1986), p. 58, pl. 76.
UNSIGNED. "Miro," Bulletin of the Philadelphia Museum of Art 85 (Fall 1987), p. 15.
DOEPEL, R.T. "Miro's Circus Horse (Hirshhorn collection)," South African Journal of Culture and Art History 2 no. 2 (1988), pp. 135-141, ill. p. 136.
GASSNER, HUBERTUS. Joan Miró : der magische Gärtner (Köln: DuMont, 1994), no. 57, ill. p. 220.
MCALLISTER, JANE, ed. The Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill.
CHRISTIE'S. Fine and Decorative Arts: The Maurice & Margo Cohen Collection (New York: Sale catalogue, 13 & 14 May 1999), fig. 4, p. 49.
SOTHEBY'S. Impressionist & Modern Art, Part One (New York: sale catalogue, 9 November 2000), fig. 2, p. 150.
SOTHEBY'S. Impressionist & Modern Art, Part One (New York: sale catalogue, 10 May 2001), fig. 2, p. 104.

Provenance:
Galleria dell'Ariete, Milan, to 22 February 1962
Joseph H. Hirshhhorn, New York, 22 February 1962-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
DUKE UNIVERSITY MUSEUM OF ART, Durham, North Carolina. "Paintings of the 50s: Another Look, a loan of twenty-one paintings from the Hirshhorn Museum and Sculpture Garden," 3 October-27 November 1983, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.

Published References:
UNSIGNED. “Expositions et informations,” Aujourd’hui 6 (December 1961), p. 100.
SANDLER, IRVING, et al. Abstract Art Since 1945 (London: Thames and Hudson, 1971), p. 62; pl. 43, p. 69 (misidentified as a Robert Motherwell in text; see correction on p. 62).

Provenance:
The Artist, Paris, 1935-c. 1937
Mrs. Nan Roberts, London (Ben Nicholson's sister-in-law), c. 1937-1956 (acquired from the artist for £25)
[V. Fletcher: see catalogue raisonne which lists Winifred Nicholson (wife of Ben) as the original owner.]
Harold Diamond, New York, 1956
G. David Thompson, Pittsburgh, 1956-1960
Galerie Beyeler, Basel, 1960-1961
Harold Diamond, New York, 1961-1962
Mr. and Mrs. Frederick R. Weisman, Los Angeles, 1962-1968
Harold Diamond, New York, to 24 May 1968
Joseph H. Hirshhorn, New York, 24 May 1968-1972
Gift of the Joseph H. Hirshhorn Foundation, 1972

Exhibition History:
KUNSTHAUS, Zurich. "Thompson Pittsburgh: Aus einer Amerikanischen Privatsammlung," 15 October-27 November 1960, no. 149, colorpl. (as Komposition Blau-Gelb). TOUR: KUNST MUSEUM, Dusseldorf, "Sammlung G. David Thompson," 14 December 1960-29 January 1961; HAAGS GEMEENTEMUSEUM, The Hague, "Collectie Thomson Uit Pittsburgh," 12 February-9 April, no. 143, colorpl.; SOLOMON R. GUGGENHEIM MUSEUM, New York, "One Hundred Paintings from the G. David Thompson Collection," May-August; GALLERIA CIVICA D'ARTE MODERNA, Turin, "Collezione G. David Thompson Pittsburgh," October-November.
PASADENA ART MUSEUM. "A View of this Century," 24 November-19 December 1964, no. 44, ill. (as Composition Blue-Yellow, lent by Mr. and Mrs. Frederick Weisman).
GALERIE BEYELER, Basel. "Mondrian," December 1964-January 1965 (lent by Private Collection).
SOLOMON R GUGGENHEIM MUSEUM, New York. "Piet Mondrian Centennial Exhibition," 7 October-12 December 1971, no. 116, colorpl. (did not tour).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 503.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Instiution, Washington, D.C. "Dreams and Nightmares: Utopian Visions in Modern Art," 8 December 1983-12 February 1984, no. 58, ill. p. 93 and frontispiece.
CENTRE GEORGES POMPIDOU, France. "Mondrian in Paris," 1 December 2010-21 March 2011.

Published References:
SEUPHOR, MICHEL. Piet Mondrian: Life and Work (New York: Harry N. Abrams, 1956; Cologne: Du Mont, 1957; Paris, 1970), no. 531, p. 429, cc. 379, ill. p. 390 (as Composition, 1932/36, no. collection or size given).
F.S. "Les expositions a l'etranger: Dusseldorf-Klee et la collection G. David Thompson," Aujourd'hui 5 (February 1961), p. 52.
NORDLAND, GERALD. "Collecting in Los Angeles," Artforum 2 (Summer 1964), p. 18, ill. (in situ in Weisman collection).
SCHMIDT, GEORGE (intro.). Piet Mondrian (Basel: Galerie Beyeler, n.d. [after January 1965]), colorplate 53 (cropped). Listed as Seuphor ill. 381, Private Collection.
MARMER, NANCY. "Los Angeles Letter," Art International 9 (February 1965), p. 32.
IVES-STILLMAN, INC. Announcemnet offering portfolio (New Haven, 1965-66), colorplate.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden," Smithsonian Year 1968 (Washington, DC, 1969), p. 222, ill. p. 223.
ROBERTSON, NAN. "Hirshhorn Gives Museum 326 Works," New York Times (March 10, 1972).
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden, (New York: Harry N. Abrams, 1974), p. 724, colorplate 503.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 68.
OTTOLENGHI, MARIA GRAZIA. L'Opera Completa di Mondrian (Milan: Rizzdi, 1974), no. 422, ill.
CHAMPA, KERMIT. "Piet Mondrian's 'Composition with Blue and Yellow'," Arts Magazine 53 (January 1979), pp. 137-39, color ill. p. 138.
CARMEAN, E.A. Mondrian: The Diamond Compositions (Washington, DC: National Gallery of Art, 1979), ill. 45, p. 54 (not in exhibition).
UNSIGNED. A Guide to Teaching Art in the Primary Grades K-3 (Fairfax, Virginia: Fairfax County Public Schools, 1983), pp. 278, 279, ill.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), p. 387, ill.
CHAMPA, KERMIT SWILER. Mondrian Studies (Chicago and London: University of Chicago Press, 1985), pl. 20.
WOLF, ALINE. Mommy, It's a Renoir!: Child-Size Masterpieces (Altoona, Pennsylvania: Parent Child Press, 1986), ill.
BATES, SUSAN, and ANNE FICKLEN, eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 39.
WHITFORD, FRANK. Understanding Abstract Art (London: Barrie & Jenkins, 1987), ill. pp. 13, 118, 129.
BERGER, ARTHUR ASA. Seeing Is Believing (Mountain View, California: Mayfield Publishing, 1989), ill. p. 5 (fig. 0.6).
VARNEDOE, KIRK. A Fine Disregard (New York: Harry N. Abrams, 1989), no. 160, p. 158.
INDURKHYA, BIPIN. Studies in Cognitive Systems, vol. 13: Metaphor and Cognition (Boston: Kluwer Academic Publishers, 1992), pl. 3, p. 43.
GIBSON, ERIC. "Museum pursues new look," Washington Times (20 December 1992).
APPEL, ALFRED, JR. The Art of Celebration (New York: Alfred A. Knopf, Inc., 1993), ill. p. 7.
BLOTKAMP, CAREL. Mondrian: The Art of Destruction (London: Reaktion Book, 1994), colorpl. 163, p. 217.
SAYRE, HENRY M. A World of Art, second edition (New Jersey: Prentice Hall, 1997), fig. 277, p. 161.
See file for further info.

Provenance:
Jh Purchased From Diamond, Harold, New York 1969

Exhibition History:
IVAM CENTRE JULIO GONZALEZ, Valencia, Spain. "Ben Nicholson," 25 April - 7 July 2002.

Provenance:
The artist
Jeanne Reynal, New York, by March 1951 (possibly by 1945)
Harold Diamond, New York, to 17 December 1964
Joseph H. Hirshhorn, New York, 17 December 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
WHITNEY MUSEUM OF AMERICAN ART, New York. "1951 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings," 17 March-6 May 1951, no. 49. (Miss Jeanne Reynal, lender).
MUSEUM OF MODERN ART, New York. "Modern Relief," 20 June-15 July 1951 (circulating exhibition; photograph only).
WHITNEY MUSEUM OF AMERICAN ART, New York. "Isamu Noguchi," 16 April-16 June 1968, no. 11, ill. p. 21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, fig. 523, p. 373, p. 730.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Isamu Noguchi: Master Sculptor," 9 February-8 May 2005. TOUR: WHITNEY MUSEUM OF AMERICAN ART, New York, 28 October 2004-16 January 2005.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.

Published References:
NOWICKI, MATTHEW. "Composition in Modern Architecture," Magazine of Art 42 (March 1949): no. 5, ill. p. 109.
A.D. "Lighting Restudied," Interiors 110 (November 1950): ill. p. 121.
BIRD, PAUL. "Sculptures Provide Main Interest at Whitney Annual," Art Digest 25 (1 April 1951): 9.
MCBRIDE, HENRY. "Not Bad for These Times," Art News 50 (April 1951): 39.
UNSIGNED. "Relief Sculptures," Art Digest 25 (July 1951): 18.
UNSIGNED. "A Nation's Favor Rewarded," IPS Photo Bulletin 39 (April 19167): ill. p. 782.
NOGUCHI, ISAMU. Isamu Noguchi: A Sculptor's World (New York: Harper & Row, 1967): colorplate I.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974): fig. 523, p. 373, p. 730.
HUNTER, SAM. Isamu Noguchi (New York: Abbeville Press, 1978): 73, colorplate p. 74.
GROVE, NANCY, and DIANE BOTNICK. The Sculpture of Isamu Noguchi, 1924-1979: A Catalogue. (New York and London: Garland Publishing, 1980): no. 206, p. 36, ill.
WILSON, LAURIE. Louise Nevelson: Iconography and Sources (New York & London: Garland Publishing, 1981): fig. 130.
GROVE, NANCY. "Isamu Noguchi: A Study of the Sculpture" diss. (New York: City University, 1983): xi, 80-81, 82, ill. 48.
GROVE, NANCY. "Isamu Noguchi: The Image of Energy," Arts Magazine 60 (September 1985): 112.
LYNES, RUSSELL. "Art for Our Sake," Architectural Digest (July 1986): 30, color ill.
FLETCHER, VALERIE. "Isamu Noguchi, Lunar Landscape," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996): 67, colorplate p. 66.

Provenance:
Betty Parsons Gallery, New York, to 12 June 1951
Richard Romney, New York, acquired June 12, 1951
Betty Parsons Gallery, New York, 1961
Sotheby & Co., London, Sale, 6 December 1961, no. 42, ill. facing p. 27
Frank Perls Gallery, Beverly Hills, CA, 1961
Mr. and Mrs. David E. Bright, Beverly Hills, CA, 1964
Frank Perls Gallery, Beverly Hills, CA, to 28 October 1967
Joseph H. Hirshhorn, New York, 28 October 1967-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
BETTY PARSONS GALLERY, New York. Jackson Pollock, 21 November-10 December 1949.
YALE UNIVERSITY ART GALLERY, New Haven, Connecticut. Seventeen Modern American Painters: The School of New York, 22 February-19 March 1950, no. 22.
FRANK PERLS GALLERY, Beverly Hills, California. Seventeen Modern American Painters: The School of New York, 11 January-7 February 1951.
CALIFORNIA PALACE OF THE LEGION OF HONOR, San Francisco. Sixth Annual Exhibition of Contemporary American Painting, 25 November 1950-1 January 1951.
THE ART INSTITUTE OF CHICAGO, Chicago, IL. 60th Annual American Exhibition of Painting and Sculpture, 25 October-16 December 1951, no. 133.
LOS ANGELES COUNTY MUSEUM OF ART, Los Angeles. Contemporary American Art, 24 April-19 May 1963.
MARLBOROUGH-GERSON GALLERY, New York. Jackson Pollock, January-February 1964, no. 92 (lent by Mr. and Mrs. David E. Bright).
M. KNOEDLER & CO., Paris. Six Peintres Americains, 18 October-25 November 1967.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 698.
MUSEO DEL PALACIO DE BELLAS ARTES, Mexico City. Painting in the United States from Public Collections in Washington, DC, 18 November 1980-4 January 1981, no. 69, p. 178.
NASSAU COUNTY MUSEUM OF ART, Roslyn, NY. The Abstract Expressionists and Their Precursors, 12 January-22 March 1981, no. 66.
CENTRE GEORGES POMPIDOU, Musee National d'Art Moderne, Paris. Jackson Pollock, 19 January-19 April 1982, p. 169. TOUR: STADELESCHES KUNSTINSTITUT and STADTISCHE GALERIE, Frankfurt am Main, late May-31 July 1982.
STEDELIJK MUSEUM, Amsterdam. La Grande Parade: Painting After 1945, December 1984-15 April 1985.
ALBRIGHT-KNOX ART GALLERY, Buffalo, NY. Abstract Expressionism: The Critical Developments, 19 September-29 November 1987.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution,
Washington, DC. Comparisons: An Exercise in Looking, 11 December 1990-21 April 1991.
MUSEUM OF MODERN ART, New York. Jackson Pollock: A Retrospective, 1 November 1998-2 February 1999. TOUR: TATE GALLERY, London, 11 March-6 June 1999.
MUSEE D'ART AMERICAIN GIVERNY, Giverny, France. American Moderns 1900-1950, 25 July-31 October 2000, no. 21.
SMITHSONIAN AMERICAN ART MUSEUM, Smithsonian Institution, Washington, DC. Grand re-opening exhibition, 1 July 2006-4 July 2007.
TATE LIVERPOOL, Liverpool, England. "Jackson Pollock: Blind Spots," 30 June-18 October 2015, no. 250, color ill. pg. 138. TOUR: DALLAS MUSEUM OF ART, Dallas, TX, 20 November 2015-20 March 2016.

Published References:
ROBINSON, AMY. "Reviews and Previews: Jackson Pollock," Art News XLVIII/8 (December 1949) p. 43.
SORZANO, MARGO. "Seventeen American Painters," Arts and Architecture 68/1 (January 1951) p. 28.
UNSIGNED. Sotheby & Co., London, advertisement, Art International V/9 (20 November 1961) p. 73 (inside back cover).
O'CONNOR, FRANCIS V. Jackson Pollock (New York: Museum of Modern Art, 1967) p. 48.
UNSIGNED. "Joseph H. Hirshhorn and Sculpture Garden," Smithsonian Year 1968, 1969, p.222.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974) Sec. 2.
LERNER, ABRAM, ed. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) p. 734, pl. p. 482.
RICHARD, PAUL. "The Inspired Greed of Joe Hirshhorn," Potomac, The Washington Post Sunday Magazine (29 September 1974) p. 18.
CARMEAN, E.A. Jr. "Morris Louis and the Modern Tradition: I: Abstract Expressionism," Arts Magazine LI 1 (September 1976) p. 71.
UNSIGNED. "The Artist at Work in America," (Washington D.C.: International Communication Agency, 1979).
HUDSON, ANDREW. "Jackson Pollock and Lavender Mist," Galleries, Washington, DC, September 1978, p. 12.
O'CONNOR, FRANCIS VALENTINE and EUGENE VICTOR THAW. Jackson
Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works Vol. 2 (New Haven, CT: Yale University Press, 1978) no. 250.
UNSIGNED. "Piezas Admirables del Museo Hirshhorn se Expundran Aqui," Excelsior (20 October 1980) p. 4B.
BLESSING, MIRTA. "Cultiz Casas," El Universal (November 1980) p. 2.
UNSIGNED. "Exposicion: Pintura Actual de los Estados Unidos," El Sol de Mexico (4
November 1980) p. 6D.
RIDING, ALAN. "Major Show of U.S. Art Opens in Mexico," The New York Times
(20 November 1980).
UNSIGNED. "La Pintura Actual de los Estados Unidos," Novedas (23 November 1980), p. 26.
LAGE, MARIO. "Plastica Actual," El Universal (24 November 1980) p. 3.
DAVAL, JEAN-LUC. Oil Painting: From Van Eyck to Rothko (Geneva, Switzerland: Skira, 1985) p. 95, 98.
LUCIE-SMITH, EDWARD. "Isms," Connoisseur Magazine (April 1985).
MURAKAMI, RYU. Art Gallery 21: Pollock (Tokyo: Shueisha, 1985) fig. 157.
STEDELIJK MUSEUM. Joel Shapiro (Amsterdam: Stedelijk Museum, 1985) p. 10.
UNSIGNED. "Ausstellung: Ein unheimlich Starker Abgang," Stern (1985) p. 187.
UNSIGNED. "Genius or Fraud?" The Wilson Quarterly 1x. no. 2 (Spring 1985).
ROSENFELD, LUCY DAVIDSON. What's in a Painting? (Portland, ME: J. Weston Walch, 1986) pl. 41, p. 32.
STELLA, FRANK. Working Space (Cambridge, MA: Harvard University Press, 1986) fig. 18, p. 62.
ALLEN, JANE ADDAMS. "An Eclipsed Art Critic Shines Anew," Insight (13 April 1987) ill. P. 63.
TURNBULL, BETTY. "Karen Carson," Perpetual Motion: Karen Carson, Margaret
Nielsen, John Rogers, Tom Wudl (Los Angeles, CA: Fellows of Contemporary Art, 1987) p. 14.
HUDSON, ANDREW. "Disappearing Masterpieces," Museum & Arts Washington IV/3 (May/June 1988) p.63, 78.
BARTON, BRUCE and JAMES CRAIG. Thirty Centuries of Graphic Design (New York: Watson-Guptill, 1989) fig. 2, p. 171.
BOODRO, MICHAEL. "Art & Fashion: A Fine Romance," ArtNews 89/7 (September 1990) p.22 (reproduced sideways with no credit).
BURCHARD, HANK. "Now Everyone's a Critic," Washington Post Weekend (14 December 1990) p.55.
GIBSON, ERIC. "Hirshhorn Asks Right Questions," Washington Times (13 December 1990) p. E3.
PARK, EDWARDS. "Around the Mall and Beyond," Smithsonian 21/9 (December 1990) p. 18.
UNSIGNED. Hirshhorn Museum and Sculpture Garden: Winter/Spring 1991 Calendar (Washington D.C.: Smithsonian, 1991) ill. under "documentaries" heading.
HALL, LEE. Betty Parsons: Artist, Dealer, Collector (New York: Harry N. Abrams,1991) p. 78.
WELZENBACH, MICHAEL. "How to be an Art Critic," Washington Post (13 January 1991).
CROWTHER, PAUL. Critical Aesthetics and Postmodernism (Oxford: Clarendon Press, 1993) p. 98-99.
UNSIGNED. Contemporary Great Masters: Jackson Pollock (Tokyo: Kodansha, 1994) fig. 41.
MARTINEZ, BENJAMIN and JACQUELINE BLOCK. Visual Forces: An Introduction to Design 2nd ed. (New Jersey: Englewood Cliffs/Prentice Hall, 1995), fig. C, p. 223.
ROSENZWEIG, PHYLLIS. "Number 3, 1949: Tiger, 1949," in Hirshhorn Museum and
Sculpture Garden: 150 Works of Art (Washington D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1996) p. 80-81.
UNSIGNED. Family Guide Card (Washington D.C.: Smithsonian, 1996) ill.
HENNESSEY, MAUREEN HART and ANNE KNUTSON. Norman Rockwell: Pictures for the American People (New York: Harry N. Abrams, 1999) p. 84.
UNSIGNED. Poster and magazine advertisement for Jackson Pollock exhibition. (London: Tate Gallery, 1999).
HERSKOVIC, MARIKA. New York School abstract expressionists : artists choice by
artists : a complete documentation of the New York painting and sculpture annuals, 1951-1957 (Franklin Lakes, NJ: New York School Press, 2000).
MUSEE D'ART AMERICAIN. American Moderns 1900-1950 (Giverny, France: Musee d'Art Americain, 2000) fig. 21, p. 73.
HELLER, NANCY. Why a Painting is Like a Pizza? (Princeton, NJ: Princeton University Press, 2002).

Provenance:
Betty Parsons Gallery, New York, to 12 June 1951
Richard Romney, New York, acquired June 12, 1951
Betty Parsons Gallery, New York, 1961
Sotheby & Co., London, Sale, 6 December 1961, no. 42, ill. facing p. 27
Frank Perls Gallery, Beverly Hills, CA, 1961
Mr. and Mrs. David E. Bright, Beverly Hills, CA, 1964
Frank Perls Gallery, Beverly Hills, CA, to 28 October 1967
Joseph H. Hirshhorn, New York, 28 October 1967-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
BETTY PARSONS GALLERY, New York. Jackson Pollock, 21 November-10 December 1949.
YALE UNIVERSITY ART GALLERY, New Haven, Connecticut. Seventeen Modern American Painters: The School of New York, 22 February-19 March 1950, no. 22.
FRANK PERLS GALLERY, Beverly Hills, California. Seventeen Modern American Painters: The School of New York, 11 January-7 February 1951.
CALIFORNIA PALACE OF THE LEGION OF HONOR, San Francisco. Sixth Annual Exhibition of Contemporary American Painting, 25 November 1950-1 January 1951.
THE ART INSTITUTE OF CHICAGO, Chicago, IL. 60th Annual American Exhibition of Painting and Sculpture, 25 October-16 December 1951, no. 133.
LOS ANGELES COUNTY MUSEUM OF ART, Los Angeles. Contemporary American Art, 24 April-19 May 1963.
MARLBOROUGH-GERSON GALLERY, New York. Jackson Pollock, January-February 1964, no. 92 (lent by Mr. and Mrs. David E. Bright).
M. KNOEDLER & CO., Paris. Six Peintres Americains, 18 October-25 November 1967.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 698.
MUSEO DEL PALACIO DE BELLAS ARTES, Mexico City. Painting in the United States from Public Collections in Washington, DC, 18 November 1980-4 January 1981, no. 69, p. 178.
NASSAU COUNTY MUSEUM OF ART, Roslyn, NY. The Abstract Expressionists and Their Precursors, 12 January-22 March 1981, no. 66.
CENTRE GEORGES POMPIDOU, Musee National d'Art Moderne, Paris. Jackson Pollock, 19 January-19 April 1982, p. 169. TOUR: STADELESCHES KUNSTINSTITUT and STADTISCHE GALERIE, Frankfurt am Main, late May-31 July 1982.
STEDELIJK MUSEUM, Amsterdam. La Grande Parade: Painting After 1945, December 1984-15 April 1985.
ALBRIGHT-KNOX ART GALLERY, Buffalo, NY. Abstract Expressionism: The Critical Developments, 19 September-29 November 1987.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution,
Washington, DC. Comparisons: An Exercise in Looking, 11 December 1990-21 April 1991.
MUSEUM OF MODERN ART, New York. Jackson Pollock: A Retrospective, 1 November 1998-2 February 1999. TOUR: TATE GALLERY, London, 11 March-6 June 1999.
MUSEE D'ART AMERICAIN GIVERNY, Giverny, France. American Moderns 1900-1950, 25 July-31 October 2000, no. 21.
SMITHSONIAN AMERICAN ART MUSEUM, Smithsonian Institution, Washington, DC. Grand re-opening exhibition, 1 July 2006-4 July 2007.
TATE LIVERPOOL, Liverpool, England. "Jackson Pollock: Blind Spots," 30 June-18 October 2015, no. 250, color ill. pg. 138. TOUR: DALLAS MUSEUM OF ART, Dallas, TX, 20 November 2015-20 March 2016.

Published References:
ROBINSON, AMY. "Reviews and Previews: Jackson Pollock," Art News XLVIII/8 (December 1949) p. 43.
SORZANO, MARGO. "Seventeen American Painters," Arts and Architecture 68/1 (January 1951) p. 28.
UNSIGNED. Sotheby & Co., London, advertisement, Art International V/9 (20 November 1961) p. 73 (inside back cover).
O'CONNOR, FRANCIS V. Jackson Pollock (New York: Museum of Modern Art, 1967) p. 48.
UNSIGNED. "Joseph H. Hirshhorn and Sculpture Garden," Smithsonian Year 1968, 1969, p.222.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974) Sec. 2.
LERNER, ABRAM, ed. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) p. 734, pl. p. 482.
RICHARD, PAUL. "The Inspired Greed of Joe Hirshhorn," Potomac, The Washington Post Sunday Magazine (29 September 1974) p. 18.
CARMEAN, E.A. Jr. "Morris Louis and the Modern Tradition: I: Abstract Expressionism," Arts Magazine LI 1 (September 1976) p. 71.
UNSIGNED. "The Artist at Work in America," (Washington D.C.: International Communication Agency, 1979).
HUDSON, ANDREW. "Jackson Pollock and Lavender Mist," Galleries, Washington, DC, September 1978, p. 12.
O'CONNOR, FRANCIS VALENTINE and EUGENE VICTOR THAW. Jackson
Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works Vol. 2 (New Haven, CT: Yale University Press, 1978) no. 250.
UNSIGNED. "Piezas Admirables del Museo Hirshhorn se Expundran Aqui," Excelsior (20 October 1980) p. 4B.
BLESSING, MIRTA. "Cultiz Casas," El Universal (November 1980) p. 2.
UNSIGNED. "Exposicion: Pintura Actual de los Estados Unidos," El Sol de Mexico (4
November 1980) p. 6D.
RIDING, ALAN. "Major Show of U.S. Art Opens in Mexico," The New York Times
(20 November 1980).
UNSIGNED. "La Pintura Actual de los Estados Unidos," Novedas (23 November 1980), p. 26.
LAGE, MARIO. "Plastica Actual," El Universal (24 November 1980) p. 3.
DAVAL, JEAN-LUC. Oil Painting: From Van Eyck to Rothko (Geneva, Switzerland: Skira, 1985) p. 95, 98.
LUCIE-SMITH, EDWARD. "Isms," Connoisseur Magazine (April 1985).
MURAKAMI, RYU. Art Gallery 21: Pollock (Tokyo: Shueisha, 1985) fig. 157.
STEDELIJK MUSEUM. Joel Shapiro (Amsterdam: Stedelijk Museum, 1985) p. 10.
UNSIGNED. "Ausstellung: Ein unheimlich Starker Abgang," Stern (1985) p. 187.
UNSIGNED. "Genius or Fraud?" The Wilson Quarterly 1x. no. 2 (Spring 1985).
ROSENFELD, LUCY DAVIDSON. What's in a Painting? (Portland, ME: J. Weston Walch, 1986) pl. 41, p. 32.
STELLA, FRANK. Working Space (Cambridge, MA: Harvard University Press, 1986) fig. 18, p. 62.
ALLEN, JANE ADDAMS. "An Eclipsed Art Critic Shines Anew," Insight (13 April 1987) ill. P. 63.
TURNBULL, BETTY. "Karen Carson," Perpetual Motion: Karen Carson, Margaret
Nielsen, John Rogers, Tom Wudl (Los Angeles, CA: Fellows of Contemporary Art, 1987) p. 14.
HUDSON, ANDREW. "Disappearing Masterpieces," Museum & Arts Washington IV/3 (May/June 1988) p.63, 78.
BARTON, BRUCE and JAMES CRAIG. Thirty Centuries of Graphic Design (New York: Watson-Guptill, 1989) fig. 2, p. 171.
BOODRO, MICHAEL. "Art & Fashion: A Fine Romance," ArtNews 89/7 (September 1990) p.22 (reproduced sideways with no credit).
BURCHARD, HANK. "Now Everyone's a Critic," Washington Post Weekend (14 December 1990) p.55.
GIBSON, ERIC. "Hirshhorn Asks Right Questions," Washington Times (13 December 1990) p. E3.
PARK, EDWARDS. "Around the Mall and Beyond," Smithsonian 21/9 (December 1990) p. 18.
UNSIGNED. Hirshhorn Museum and Sculpture Garden: Winter/Spring 1991 Calendar (Washington D.C.: Smithsonian, 1991) ill. under "documentaries" heading.
HALL, LEE. Betty Parsons: Artist, Dealer, Collector (New York: Harry N. Abrams,1991) p. 78.
WELZENBACH, MICHAEL. "How to be an Art Critic," Washington Post (13 January 1991).
CROWTHER, PAUL. Critical Aesthetics and Postmodernism (Oxford: Clarendon Press, 1993) p. 98-99.
UNSIGNED. Contemporary Great Masters: Jackson Pollock (Tokyo: Kodansha, 1994) fig. 41.
MARTINEZ, BENJAMIN and JACQUELINE BLOCK. Visual Forces: An Introduction to Design 2nd ed. (New Jersey: Englewood Cliffs/Prentice Hall, 1995), fig. C, p. 223.
ROSENZWEIG, PHYLLIS. "Number 3, 1949: Tiger, 1949," in Hirshhorn Museum and
Sculpture Garden: 150 Works of Art (Washington D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1996) p. 80-81.
UNSIGNED. Family Guide Card (Washington D.C.: Smithsonian, 1996) ill.
HENNESSEY, MAUREEN HART and ANNE KNUTSON. Norman Rockwell: Pictures for the American People (New York: Harry N. Abrams, 1999) p. 84.
UNSIGNED. Poster and magazine advertisement for Jackson Pollock exhibition. (London: Tate Gallery, 1999).
HERSKOVIC, MARIKA. New York School abstract expressionists : artists choice by
artists : a complete documentation of the New York painting and sculpture annuals, 1951-1957 (Franklin Lakes, NJ: New York School Press, 2000).
MUSEE D'ART AMERICAIN. American Moderns 1900-1950 (Giverny, France: Musee d'Art Americain, 2000) fig. 21, p. 73.
HELLER, NANCY. Why a Painting is Like a Pizza? (Princeton, NJ: Princeton University Press, 2002).

Provenance:
Gimpel Fils, London, to March 1958
Joseph H. Hirshhorn, New York, March 1958-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Provenance:
Jh Purchased From Park International, New York 1962

Exhibition History:
THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. "Sculpture from Washington Collections," 4 October 1996-30 September 1997, brochure, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.

Published References:
GIMENEZ, CARMEN. David Smith: A Centennial (New York: S. R. Guggenheim Museum, 2006), ill. p. 82.

Provenance:
The artist, New Windsor, MD, to 1965
Marlborough-Gerson Gallery, New York, to 1969
Joseph H. Hirshhorn, New York, 1969-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
CLYFFORD STILL STUDIO, New York. Private Showing, 1950.
INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PENNSYLVANIA,
Philadelphia. "Clyfford Still," 18 October-15 December 1963, no. 13.
LOS ANGELES COUNTY MUSEUM OF ART. "New York School: The
First Generation: Paintings of the 1940s and 1950s," 16 June-1 August 1965, no. 111, p. 194.
MARLBOROUGH-GERSON GALLERY, New York. "Clyfford Still," October-November 1969, no. 21, p. 41.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution,
Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 710, p. 488.
HAUS DER KUNST, Munich (organized by Whitney Museum of American Art). "American Painting 1930-1980," 14 November 1981-31 January 1982, no. 194.
BALTIMORE MUSEUM OF ART. "Grace Hartigan, Morris Louis, Clyfford Still, Anne Truitt," 14 October-5 December 1982.
MARTIN-GROPIUS-BAU, Berlin. "American Art in the Twentieth Century: Painting and Sculpture 1913-1993," 8 May-25 July 1993, no. 103, ill. pg. 177. Tour: ROYAL ACADEMY, London, 17 September-12 December 1993.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Clyfford Still: Paintings 1944-1960," 21 June-16 September 2001, no. 20.
ART GALLERY OF ONTARIO, Toronto. "The Shape of Colour: Excursions in Colour Field Art, 1950-2005," 1 June-7 August 2005, no. 2, ill. p. 41.
THE JEWISH MUSEUM, New York. "Action/Abstraction: Abstract Expressionism and Postwar America," 2 May-21 September 2008. Tour: SAINT LOUIS ART MUSEUM, 17 October-25 January 2009; ALBRIGHT-KNOX ART GALLERY, Buffalo, 27 February-31 May.

Published References:
TUCHMAN, MAURICE. New York School: The First Generation (Greenwich, Connecticut: New York Graphic Society, 1971), pp. 119, 149.
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 488, 752.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), sec. 2.
SANDLER, IRVING. The New York School: The Painters and Sculptors of the Fifties (New York: Harper & Row, 1978), pl. 6.
O'NEILL, JOHN P. Clyfford Still (New York: The Metropolitan Museum of Art, 1979), fig. 15, pp. 31, 190-191.
SHERMAN, MARILYN. Reading Literature: Orange Level (Evanston, IL: McDougal, Littell & Company, 1985), p. 393.
WALDMAN, DIANE. Jack Youngerman (New York: Solomon R. Guggenheim Museum, 1986) fig. 8, pp. 18-19.
ATHEARN, ROBERT G. and MEDIA PROJECTS INC. American Heritage Illustrated
History of the United States Volume 16: Decades of Cold War (New York: Choice Publishing Inc., 1988), p. 1369.
HALL, LEE. Betty Parsons: Artist, Dealer, Collector (New York: Harry N. Abrams Inc., 1991), ill.
KINGSLEY, APRIL. The Turning Point (New York: Simon & Schuster, 1992), p. 149.
SHAW-EAGLE, JOANNA. "Calendar: Top Picks," Washington Times (21 June 2001), ill.
UNSIGNED. "Weekends' Best: Our Picks," Washington Post (22 June 2001), ill.
RATCLIFF, CARTER. "The Idea of Order in the Art of Clyfford Still," Art in America (December 2001), cover ill.
KUSPIT, DONALD. "Unconscious and Self-Conscious in 'American-Type' Painting," The Rebirth of Painting in the Late Twentieth Century (Cambridge, U.K.: Cambridge University Press, 2000), fig. 21, p. 95.

Provenance:
Pierre Matisse Gallery, New York, by May 1943 to Nov 1959
Mrs. Harold Weinstein, Chicago, acquired Nov 1959
B.C. Holland Gallery, Chicago, acquired at unknown date (possibly 1966)
Harold Diamond, New York, to 14 February 1967
Joseph H. Hirshhorn, New York, 14 February 1967- 6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
PIERRE MATISSE GALLERY, New York. "Yves Tanguy: Recent Paintings," 18 May-5 June 1943, no. 4
PIERRE MATISSE GALLERY, New York. "Yves Tanguy," 5-30 November 1946, no. 14, ill. p. 80.
UNIVERSITY GALLERY, University of Minnesota, Minneapolis. "40 American Painters, 1940-1950," 4 June-30 August 1951, no. 73, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no 484, ill. p. 343.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artist-Immigrants of America, 1876-1976," 20 May-20 October 1976, no. 159, colorplate p. 330.
UNIVERSITY ART MUSEUM, Berkeley, California. "Anxious Visions-Surrealist Art," 3 October 1990-6 January 1991, p. 95, plate 119, p. 94
BRUCE MUSEUM, Greenwich, Connecticut. "The Surrealist Vision: Europe and the Americas," 17 January-15 April 1998, no. cat.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA, Madrid, Spain. "The Surrealists in Exile and the Origin of the New York School," 21 December 1999 - 27 February 2000. TOUR: MUSEE D'ART MODERNE ET CONTEMPORAIN, Strasbourg, France: 12 May - 27 August 2000.
STAATSGALERIE STUTTGART, Germany. "Yves Tanguy and Surrealism," 9 December 2000-29 April 2001. TOUR: MENIL COLLECTION, Houston, Texas, 31 May-16 September 2001.
NATIONAL ACADEMY OF DESIGN, New York. "Surrealism USA," 10 February - 8 May 2005. TOUR: PHOENIX ART MUSEUM, AZ, 3 June - 25 September 2005; TOLEDO MUSEUM OF ART, OH, October 2005 - January 2006.

Published References:
UNSIGNED. Yves Tanguy: A Summary of His Works (New York: Pierre Matisse, 1963): no. 290, ill. p. 131.
GOLDSTEIN, NATHAN. Painting: Visual and Technical Fundamentals (Englewood Cliffs, New Jersey: Prentice-Hall, 1979): fig. 5.18, p. 135, ill. p. 136.
CURTISS, DEBORAH. Introduction to Visual Literacy: A Guide to the Visual Arts and Communication (Englewood Cliffs, New Jersey: Prentice-Hall, 1987): no. 3-63, ill. p. 33.
FELDMAN, EDMUND BURKE. Practical Art Criticism (Englewood Cliffs, New Jersey: Prentice-Hall, 1994): ill. p. 54.

Provenance:
Pierre Matisse Gallery, New York, by May 1943 to Nov 1959
Mrs. Harold Weinstein, Chicago, acquired Nov 1959
B.C. Holland Gallery, Chicago, acquired at unknown date (possibly 1966)
Harold Diamond, New York, to 14 February 1967
Joseph H. Hirshhorn, New York, 14 February 1967- 6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
PIERRE MATISSE GALLERY, New York. "Yves Tanguy: Recent Paintings," 18 May-5 June 1943, no. 4
PIERRE MATISSE GALLERY, New York. "Yves Tanguy," 5-30 November 1946, no. 14, ill. p. 80.
UNIVERSITY GALLERY, University of Minnesota, Minneapolis. "40 American Painters, 1940-1950," 4 June-30 August 1951, no. 73, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no 484, ill. p. 343.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artist-Immigrants of America, 1876-1976," 20 May-20 October 1976, no. 159, colorplate p. 330.
UNIVERSITY ART MUSEUM, Berkeley, California. "Anxious Visions-Surrealist Art," 3 October 1990-6 January 1991, p. 95, plate 119, p. 94
BRUCE MUSEUM, Greenwich, Connecticut. "The Surrealist Vision: Europe and the Americas," 17 January-15 April 1998, no. cat.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA, Madrid, Spain. "The Surrealists in Exile and the Origin of the New York School," 21 December 1999 - 27 February 2000. TOUR: MUSEE D'ART MODERNE ET CONTEMPORAIN, Strasbourg, France: 12 May - 27 August 2000.
STAATSGALERIE STUTTGART, Germany. "Yves Tanguy and Surrealism," 9 December 2000-29 April 2001. TOUR: MENIL COLLECTION, Houston, Texas, 31 May-16 September 2001.
NATIONAL ACADEMY OF DESIGN, New York. "Surrealism USA," 10 February - 8 May 2005. TOUR: PHOENIX ART MUSEUM, AZ, 3 June - 25 September 2005; TOLEDO MUSEUM OF ART, OH, October 2005 - January 2006.

Published References:
UNSIGNED. Yves Tanguy: A Summary of His Works (New York: Pierre Matisse, 1963): no. 290, ill. p. 131.
GOLDSTEIN, NATHAN. Painting: Visual and Technical Fundamentals (Englewood Cliffs, New Jersey: Prentice-Hall, 1979): fig. 5.18, p. 135, ill. p. 136.
CURTISS, DEBORAH. Introduction to Visual Literacy: A Guide to the Visual Arts and Communication (Englewood Cliffs, New Jersey: Prentice-Hall, 1987): no. 3-63, ill. p. 33.
FELDMAN, EDMUND BURKE. Practical Art Criticism (Englewood Cliffs, New Jersey: Prentice-Hall, 1994): ill. p. 54.

Provenance:
Samuel M. Kootz Gallery, New York, to 24 January 1959
Joseph H. Hirshhorn, New York, 24 January 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
KOOTZ GALLERY, New York. February-May 1959.
GALERIES NATIONALES DU GRAND PALAIS, Paris. "Zao Wou-Ki: Peintures, Encres de Chine," 12 June-10 August 1981, ill. Tour: FUKUOKA CITY MUSEUM, Japan, 6-21 October; TOKYO NIHONBASHI ART GALLERY, 13 November-25 December; FUKUI PREFECTURAL MUSEUM, 27 February-22 March 1982; KYOTO NATIONAL MUSEUM OF MODERN ART, 30 March-9 May; KANAGAWA PREFECTURAL MUSEUM OF MODERN ART, Kamakura, 16 May-20 June.

Published References:
BOURDAIS, GILDAS. Les Modernes et les Autres: Cent Ans d'Art Moderne dans le Monde (Lausanne, Switzerland: Livre Total, 1990), ill. p. 221.

Exhibition History:
“Hurvin Anderson: Dub Versions,” New Art Exchange, Nottingham, 2 July – 18 September 2016.
“Hurvin Anderson: Foreign Body,” Michael Werner Gallery, New York, 4 November 2016 – 14 January 2017.

Exhibition History:
“Hurvin Anderson: Dub Versions,” New Art Exchange, Nottingham, 2 July – 18 September 2016.
“Hurvin Anderson: Foreign Body,” Michael Werner Gallery, New York, 4 November 2016 – 14 January 2017.

Exhibition History:
“Hurvin Anderson: Dub Versions,” New Art Exchange, Nottingham, 2 July – 18 September 2016.
“Hurvin Anderson: Foreign Body,” Michael Werner Gallery, New York, 4 November 2016 – 14 January 2017.

Provenance:
Jh Purchased From Streep, Jon N., New York 1961

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 131, color ill. p. 116; p. 185.

Provenance:
The artist
Marlborough International Fine Art, Vaduz, Lichtenstein, to 28 June 1989
Gift of Marlborough International Fine Art and gift of the Joseph H. Hirshhorn Foundation, by exchange, 1989

Exhibition History:
GALERIE MAEGHT-LELONG, Paris. "Francis Bacon: Peintures Récentes," 18 January-25 February 1984, no. 11, ill.
MARLBOROUGH GALLERY, New York. "Francis Bacon: Recent Paintings," 5 May-5 June 1984, no. 11, ill. pp. 31-32. (combi9ne w/ above//)
TATE GALLERY, London. "Francis Bacon," 22 May-18 August 1985, no. 124, ill. TOUR: STAATSGALERIE STUTTGART, 19 October-5 January 1986; NATIONALGALERIE, Berlin, 7 February-31 March.
MARLBOROUGH GALLERIES, London. "Francis Bacon: Paintings of the Eighties," 7 May-31 July 1987, no. 3, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Francis Bacon," 12 October 1989-7 January 1990, no. 53, color ill. pp. 19-20. TOUR: LOS ANGELES COUNTY MUSEUM OF ART, 11 February-29 April; MUSEUM OF MODERN ART, New York, 24 May-28 August.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 4.
LOUISIANA MUSEUM OF MODERN ART, Humlebaek, Denmark. "Francis Bacon," 23 January-26 April 1998, no. 33, color ill. pp. 78-79.
TRUST FOR MUSEUM EXHIBITIONS, Washington, DC (organizer). "Francis Bacon: A Retrospective Exhibition," no. 65. TOUR: YALE CENTER FOR BRITISH ART, New Haven, 25 January-21 March 1999; MINNEAPOLIS INSTITUTE OF ARTS, 8 April-27 May; FINE ARTS MUSEUMS OF SAN FRANCISCO, 13 June-2 August; MODERN ART MUSEUM OF FORT WORTH, 20 August-15 October.
KUNSTHISTORISCHES MUSEUM, Vienna. "Francis Bacon and the Tradition of Art," 15 October 2003-18 January 2004, no. 102, color ill. pp. 256-257. TOUR: FONDATION BEYELER, Riehen/Basel, 8 February-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat. (only on view until 2015 due to Gagosian loan).
GAGOSIAN GALLERY, New York. "Francis Bacon: Late Paintings," 7 November-12 December 2015, color ill. on front and back cover, pp. 82-83, and p. 204; p. 206.

Published References:
DELEUZE, GILLES. "Francis Bacon: The Logic of Sensation," Flash Art (May 1983): p. 8-21.
SCHMIED, WIELAND. Francis Bacon: Vier Studien zu einem Portrat (Berlin: Frolich & Kaufman, 1985): p. 84.
FULLER, PETER. "London: Francis Bacon," The Burlington Magazine (August 1985): p. 553.
DAVIES, HUGH and SALLY YARD. Francis Bacon (New York: Abbeville Press, 1986): p. 106.
KUSPIT, DONALD. "Hysterical Painting," ArtForum (January 1986): p. 55, 58-60.
LESSOE, ROLF. "Francis Bacon's Crucifixions and Related Themes," Hafnia Copenhagen Papers in the History of Art 11 (1987[printed August 1988]): p. 33, 34.
WELZENBACH, MICHAEL. "Everyman's Scream," Museum & Arts Washington (September-October 1989): p. 66-67.
GOWING, LAWRENCE. "Francis Bacon: The human presence," The Journal of Art 2/3 (December 1989): 7, 8, 10.
UNSIGNED. "La Chronique des Arts: Principles Acquistions des Musees en 1989," Gazette des Beaux Arts 1454 (March 1990): p. 1, 64.
SOLLERS, PHILIPPE. "Francis Bacon dans le vif du sujet," Beaux Arts 80 (June 1990): pp. 94-107.
SOTHEBY'S NEW YORK. Old Master, 19th and 20th Century and Contemporary Prints; Auction 9 May 1991 (1991): lot 476.
WILSON, JANET. "Heavenly Hodgepodge," Washington Post (25 October 1991): p. B1.
SINCLAIR, ANDREW. Francis Bacon: His :Life and Violent Times (London: Sinclair-Stevenson, 1993): p. 279.
CENTRE GEORGES POMPIDOU. Francis Bacon (Paris: Centre Georges Pompidou, 1996): p. 238, 239, 309.
SOLLERS, PHILIPPE. Les Passions de Francis Bacon (Paris: Monographies: Gallimard, 1996): 168, 169, 177.
DAGEN, PHILIPPE. Bacon (Paris?: Reperes Contemporains, Cercle d'Art, 1996): right panel of dust jacket.
NOWAK, JEAN MCDUFFIE. "Yale's large collection of art earns high marks," Washington Times (7 March 1999): p. 21.
GALE, MATTHEW and CHRIS STEPHENS, eds. Francis Bacon (London: Tate Publishing, 2008), fig. 127, p. 247.

Provenance:
Hanover Gallery, London, to 25 March 1957
Joseph H. Hirshhorn, New York, 25 March 1957-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
HANOVER GALLERY, London. "Francis Bacon," 8 June-16 July 1954, no cat.
GALERIE RIVE DROITE, Paris. "Francis Bacon," 12 February-10 March 1957, no. 7.
HANOVER GALLERY, London. "Francis Bacon," 21 March-26 April 1957 (not in catalogue but included in show--see label on verso).
TATE GALLERY, London. "Francis Bacon Retrospective," 24 May-1 July 1962, no. 37, ill. TOUR: KUNSTHALLE MANNHEIM, Germany, 18 July-26 August, no. 28; MUSEO CIVICO DI TORINO, 11 September-14 October, no. 31, ill.; KUNSTHAUS, Zurich, 27 October-25 November, no. 26, ill; STEDELIJK MUSEUM, Amsterdam, 11 January-18 February 1963, no. 24.
MUSEO D'ARTE MODERNA, Lugano, Switzerland. "Francis Bacon," 7 March-30 May 1993, no. 20, ill. p. 143, color ill. p. 48.
TRUST FOR MUSEUM EXHIBITIONS, Washington, DC (organizer). "Francis Bacon: A Retrospective Exhibition," no. 24, p. 98, ill. p. 99. TOUR: YALE CENTER FOR BRITISH ART, New Haven, 25 January-21 March 1999; MINNEAPOLIS INSTITUTE OF ARTS, 8 April-27 May; FINE ARTS MUSEUMS OF SAN FRANCISCO, 13 June-2 August; MODERN ART MUSEUM OF FORT WORTH, 20 August-15 October.
SAINSBURY CENTRE FOR VISUAL ARTS, Norwich, England. "Francis Bacon: Paintings from the 1950's," 26 September-10 December 2006. TOUR: MILWAUKEE ART MUSEUM, 29 January-15 April 2007; ALBRIGHT-KNOX ART GALLERY, Buffalo, 5 May-30 July 2007.
NATIONAL MUSEUM OF MODERN ART, Tokyo. “Francis Bacon,” 8 March-26 May 2013, no. 14, p. 48, color ill. p. 49; p. 185. TOUR: TOYOTA MUNICIPAL MUSEUM OF ART, 8 June-1 September 2013.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.

Published References:
UNSIGNED. "Apparitions of Evil: Mr. Francis Bacon's New Paintings," The Times, London, (14 June 1954): p. 5.
HARRISON, JANE. "Dissent on Francis Bacon," Arts Magazine 38/3 (December 1963): p. 22.
ALLEY, RONALD. Francis Bacon, Catalogue Raisone (London: Thames & Hudson, 1964): no. 88.
MARLBOROUGH-GERSON GALLERY, INC. Francis Bacon: Recent Paintings (1968): p. 62.
TRUCCHI, LORENZA. Francis Bacon (Milan: Fratelli Fabbri Editori, 1975): 37-38.
SOLLERS, PHILIPPE. Les Passions de Francis Bacon (Paris: Monographies Gallimard, 1996): pp. 76-77, 177.

Provenance:
Musa Guston, New York, to 29 October 1992
Bequest of Musa Guston, 1992

Exhibition History:
MARLBOROUGH GALLERY, New York. "Philip Guston," October 1970, no. 30, ill. p. 35.
VIRGINIA MUSEUM OF FINE ARTS, Richmond. "Philip Guston," 8 October 1994-5 February 1995.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Ways of Seeing: John Baldessari Explores the Collection," 26 July 2006-23 September 2007, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.

Published References:
None recorded

Provenance:
Hanover Gallery, London
Durlacher Brothers, New York, from 31 March 1953
Mr. and Mrs. Stanley Wolf, Great Neck, New York
Alan Gallery, New York, 9 March 1955
Joseph H. Hirshhorn, New York, 9 March 1955-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
DURLACHER BROTHERS, New York."Francis Bacon," 20 October-14 November 1953, no. 3.
BRANDEIS UNIVERSITY, Waltham, Massachusetts. "Three Collections," 1-17 June 1955, no. 2.
TATE GALLERY, London. "Francis Bacon Retrospective," 24 May-1 July 1962, no. 28, ill. TOUR: KUNSTHALLE MANNHEIM, Germany, 18 July-26 August, no. 22; MUSEO CIVICO DI TORINO, 11 September-14 October, no. 29, ill.; KUNSTHAUS, Zurich, 27 October-25 November; STEDELIJK MUSEUM, Amsterdam, 11 January-18 February 1963, no. 19, ill.
AMERICAN FEDERATION OF ARTS, New York (organizer). "Paintings from the Joseph H. Hirshhorn Foundation Collection: A View of the Protean Century," no. 76. TOUR: M. KNOEDLER, New York, 31 October-24 November 1962; CURRIER GALLERY OF ART, Manchester, New Hampshire, 16 December-12 January 1963; CARNEGIE INSTITUTE, Pittsburgh, 30 January-26 February; EVANSVILLE MUSEUM OF ARTS AND SCIENCE, Indiana, 16 March-12 April; MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York, 30 April-27 May; J.B. SPEED ART MUSEUM, Louisville,13 June-10 July; MINNEAPOLIS INSTITUTE OF THE ARTS, 30 July-25 August; SEATTLE ART MUSEUM, 11 September-8 October; SAN FRANCISCO MUSEUM OF ART, 26 October-23 November; COLORADO SPRINGS FINE ARTS CENTER, 11 December-7 January 1964; DALLAS MUSEUM OF FINE ARTS, 26 January-23 February; ATLANTA ART ASSOCIATION, 10 June-7 July; SAGINAW ART MUSEUM, Michigan, 25 July-22 August; MONTREAL MUSEUM OF FINE ARTS, 8 September-6 October; ALLENTOWN ART MUSEUM, Pennsylvania, 24 October-21 November; MUSEUM OF FINE ARTS, Boston, 9 December-10 January 1965; BROOKLYN MUSEUM, 8 February-5 April.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, fig. 632, p. 437; p. 660.
ALDRICH MUSEUM OF CONTEMPORARY ART, Ridgefield, Connecticut. "Homo Sapiens: The Many Images," 9 May-16 September 1982, ill. p. 9.
MUSEUM OF CONTEMPORARY ART SAN DIEGO. "Francis Bacon: The Papal Portraits of 1953," 17 January-28 March 1999, ill. p. 49; p. 71.
KUNSTHISTORISCHES MUSEUM, Vienna. "Francis Bacon and the Tradition of Art," 15 October 2003-18 January 2004, no. 6, ill. p. 126. TOUR: FONDATION BEYELER, Riehen/Basel, 8 February-20 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.

Published References:
HUNTER, SAM. "Francis Bacon: An Acute Sense of Impasse," Art Digest 28 (15 October 1953): p. 16, ill.
UNSIGNED. "Snapshots from Hell," Time 62 (19 October 1953) ill., p. 63.
SECKLER, DOROTHY GEES. "Reviews and Previews: Francis Bacon," Art News 52, part 1 (November 1953): p. 43.
SPENDER, STEPHEN. "English Artists vs. English Painting," Art News 52 (November 1953) p. 48, ill. p. 14.
FITZSIMMONS, JAMES. "Art Paintings of Apes and Madmen," Arts and Architecture 71 (January 1954) p. 30, ill.
ROTHENSTEIN, JOHN and RONALD ALLEY. Francis Bacon (London: Thames and Hudson, 1964): no. 63.
BROOKLYN MUSEUM. "Exhibitions: Paintings from the Hirshhorn Foundation," Museum News (February 1965).
PRESTON, STUART. "A Collectors Eye-View," The New York Times (28 February 1965) sec. 2, p. 19.
MENNA, F. "Modern European Art," New Catholic Encuclopedia I (New York: McGraw Hill, 1967): p. 911, ill. p. 907.
MARLBOROUGH-GERSON GALLERY, INC. Francis Bacon: Recent Paintings (1968): cat., ill. p. 62.
LERNER, ABRAM. Selected Paintings and Sculpture from the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, Inc., 1974): no. 632, p. 660.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," The New York Times (14 July 1974) section 2.
TRUCCHI, LORENZA. Francis Bacon (Milan: Fratelli Fabbri Editori, 1975): no. 29, ill.
DAVIES, HUGH M.. Francis Bacon: The Early and Middle Years, 1928-1958 (New York and London: Garland Publishing, 1978) no. 73, ill.
SCHMIED, WIELAND. Francis Bacon: Vier Studien zu einem Portrat (Berlin: Frolich & Kaufmann, 1985): p. 13.
DAVIES, HUGH and SALLY YARD. Francis Bacon (New York: Abbeville Press, 1986): p. 27.
KULTERMANN, VON UDO. "Inkunabeln kunstlerischer Appropriation: Zur Interpretation von Bacons Velazquez-Variationen," Neue Burcher Beitung no. 241 (17-18 October 1987): p. 69.
SINCLAIR, ANDREW. Francis Bacon: His Life and Violent Times (London: Sinclair-Stevenson, 1993): p. 122.
CENTRE GEORGES POMPIDOU. Francis Bacon (Paris: Centre Georges Pompidou, 1996): p. 258.
MUSEUM OF CONTEMPORARY ART SAN DIEGO. "Exhibitions: Francis Bacon," Museum of Contemporary Art San Diego Newsletter (1999).
DAVIES, HUGH. Francis Bacon: The Papal Portraits of 1953 (Museum of Contemporary Art San Diego, 1999).
UNSIGNED. "Gyroscope: Fall 2005," (Hirshhorn Museum and Sculpture Garden, 2005), fig. 4. [exhibition brochure]

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.

Published References:
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.

Provenance:
Max Protetch Gallery, New York, to 1 October 1991
Museum Purchase, 1991

Exhibition History:
THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. Sculpture from Washington Collections, 4 October 1996-30 September 1997, brochure, ill.

Provenance:
Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.

Exhibition History:
PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.

Published References:
****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Provenance:
Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.

Exhibition History:
PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.

Published References:
****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Provenance:
Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.

Exhibition History:
PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.

Published References:
****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Provenance:
Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.

Exhibition History:
PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.

Published References:
****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Provenance:
Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.

Exhibition History:
PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.

Published References:
****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Provenance:
Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.

Exhibition History:
PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.

Published References:
****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Provenance:
Anthony D'Offay Gallery, London, to 14 February 2001
Museum Purchase with Funds Provided by the Joseph H. Hirshhorn Bequest and in Honor of Robert Lehrman, Chairman of the Board of Trustees, 1997--2004, for his extraordinary leadership and unstinting service to the Hirshhorn Museum and Sculpture Garden

Exhibition History:
ALBRIGHT-KNOX ART GALLERY, Buffalo. "Bodily Space: New Obsessions in Figurative Sculpture," 20 April-7 September 2004, no. 7, ill.
GALERIES NATIONALES DU GRAND PALAIS, Paris "Melancholy: Genius and Madness in Occident," 13 October 2005-16 January 2006, color ill. p. 20. Tour: NEUE NATIONALGALERIE, Berlin, 16 February-7 May.
BROOKLYN MUSEUM OF ART. "Ron Mueck Sculpture," 3 November 2006-4 February 2007. Tour: NATIONAL GALLERY OF CANADA, Ottawa, 2 March-6 May; MODERN ART MUSEUM OF FORT WORTH, 24 June-21 October.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
FLAG ART FOUNDATION, New York. "Size Does Matter," 5 February-27 May 2010.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Published References:
UNSIGNED. "Directions-Ron Mueck," Smithsonian Today (Spring 2002), p. 2.
HUNTINGTON, RICHARD. “Exhibits to Ponder,” Buffalo News (18 April 2004), ill. p. F1.
GARCIA, CAMILLE. “Albright-Knox Opens Renowned Sculpture Exhibition,” Buffalo Rocket (21 April 2004), ill. p. 1; p. 5.
JACKSON-FORSBERG, ERIC. “Just Think: Rodin and His Contemporary Counterparts at the Albright-Knox Art Gallery,” ArtVoice 3, no. 21 (20-26 May 2004), ill. p. 12.
UNSIGNED. What's Happening: November-December 2006 (Brooklyn Museum, 2006), cover. [events calendar]
UNSIGNED. Discover Magazine (February 2007), cover.
ROBINSON, GAILE. "Not Actual Size," Fort Worth Star-Telegram (24 June 2007), p. D1.
MITCHELL, CHARLES DEE. "Humanity Writ Large," Dallas Morning News (25 June 2007), ill. p. E4.
PRICE, MICHAEL H. "Mueck's Colossal Sculptures Dominate Modern Exhibit," Fort Worth Business Press (2 July 2007), p. 26.

Provenance:
Sotheby Parke-Bernet, Los Angeles, Sale Number 151, 3 February 1975, Lot 61
Museum Purchase, 1975

Exhibition History:
FOGG ART MUSEUM, Harvard University, Cambridge, Massachusetts. "The Discerning Eye," 9 October-24 November 1974, no. 134, ill. (anonymous lender).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Acquisitions: 1974-1977," 25 March-24 July 1977, unnumbered checklist (exhibited on Museum Plaza).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Animal in Art: Selections from the Hirshhorn Museum Collection," 17 November 1977-15 January 1978, no. 48, ill. p. 7.

Published References:
FRIEDMAN, MARTIN. Oldenburg: Six Themes (Minneapolis: Walker Art Center, 1975), p. 98.
GOLD, BARBARA. "Hirshhorn Museum Shows How It's Doing," Baltimore Sun (27 March 1977), n.p.
LAWRENCE, SIDNEY. "Three Hirshhorn Acquisitions Reveal Unusual Histories," Smithsonian Torch (May 1977), n.p., ill.
BATES, SUSAN and ANNE FICKLEN eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 40.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson, 1998), no. 55, ill. p. 86.
RICHARD, PAUL. "From the Collection: Washington's Prized Possessions," Washington Post (13 January 2002), n.p., ill.
HOCHDÖRFER, ACHIM, et al. "Claes Oldenburg: The Sixties," (New York: Prestel Publishing, 2012), color ill. p. 198.

Provenance:
Studio of the Artist; Michael Werner Gallery, New York and London

Exhibition History:
“Enrico David”, Michael Werner Gallery, London, 17 September – 16 November 2013

Published References:
Miles, Jonathan. “Enrico David.” New York and Cologne: Michael Werner, 2013. (ill. 1, p. 18)

Provenance:
Studio of the Artist; Michael Werner Gallery, New York and London

Exhibition History:
“Enrico David”, Michael Werner Gallery, London, 17 September – 16 November 2013

Published References:
Miles, Jonathan. “Enrico David.” New York and Cologne: Michael Werner, 2013. (ill. 1, p. 18)

JHH Purchased From Castelli Gallery, Leo, New York 12 April 1961

Provenance:
Xavier Fourcade Gallery, New York, to 27 October 1976
Joseph H. Hirshhorn, New York, 27 October 1976-31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
GREENWICH ARTS COUNCIL, Connecticut. "Sculpture 76," to 29 October 1976.
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning: Sculptures, lithographies, peintures," cat. no. sc 15, ill. p. 5. TOUR: CABINET DES ESTAMPES, MUSEE D'ART ET D'HISTOIRE, Geneva, 17 March-24 April 1977; MUSEE DE PEINTURE ET DE SCULPTURE, Grnoble, 23 June-20 September 1977.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Selections from the Joseph H. Hirshhorn Bequest," 7 August-16 November 1986, no. 32 (unpublished checklist).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, no. 45, p. 141. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April; HIGH MUSEUM OF ART, Atlanta, 13 September-27 November; MUSEUM OF FINE ARTS, Boston, 10 December-19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March-28 May.
MATTHEW MARKS GALLERY, New York. "Willem de Kooning: Sculpture," 1996, ill. checklist, no. 17, p. 56.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Published References:
UNSIGNED. "Willem de Kooning: Hirshhorn Museum," Journal of the Print World (fall 1993).
UNSIGNED. Panorama (November 1993).
CARNEGIE, MD. "Insides Out," Washington City Paper (10 December 1993): p. 52.
ZILCZER, JUDITH. "L'artiste et le mecene: l'origine de la formation de la collection de Kooning du Hirshhorn Museum," El Guia (February 1994).
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994): p. 9.
UNSIGNED. Art (April 1994): p. 28.
SPRECHER, MARY. "An abstract look at Kooning," Southern Flair (September 1994).
UNSIGNED. "De Kooning Retrospective honors Artist's Birthday," Antiques and the Arts Weekly (4 November 1994): p. 99.
UNSIGNED. "Willem de Kooning at the Museum of Fine Arts, Boston," Journal of the Print World (Winter 1995).
CHADWICK, SUSAN. "Willem de Kooning: MFA show not as abstract as artist's vision," The Houston Post (23 March 1995): D1, D8.
KUTNER, JANET. "Canvassing de Kooning's lifetime of art," The Dallas Morning News (9 April 1995): 1C, 8C.
ZILCZER, JUDTIH. "Artist and patron: the formation of the Hirshhorn Museum's Willem de Kooning collection," Journal of the History of Collections 8/1 (1996): p. 117-125.
RICHARD, PAUL. "A Life's Strong Currents," Washington Post (20 March 1997): p. B1, B4.
BARNES, BART. "Abstract Expressionist Willem de Kooning Dies," Washington Post (20 March 1997): A1.
PATERSON, JIM. "Stop and See the Sculpture," The Washington Post Weekend (15 August 1997): p. 6.
FLETCHER, VALERIE J.. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Smithsonian Institute, 1998): p. 58.
MORRIS, CATHERINE. The Essential Willem de Kooning (Wonderland Press, 1999): p. 96.

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.

Provenance:
Otto Gerson Gallery, New York, to 27 December 1961
Joseph H. Hirshhorn, New York, 27 December 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 241, ill. p. 101.
LOS ANGELES COUNTY MUSEUM OF ART. "Inaugural Loan Exhibition," April-July 1965.
EXPO '67 MONTREAL. "International Exhibition of Contemporary Sculpture," 28 April-27 October 1967, p. 119, ill. p. 92.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HENRY MOORE INSTITUTE, Leeds, England. "The Sculptors Studio in Britain and France 1900-1950," 20 September 2001-6 June 2002.

Published References:
UNSIGNED. "The Hirshhorn Approach," Time 80 (5 October 1962), ill. p. 75.
UNSIGNED. "Art Lone Wolf," Newsweek 60 (15 October 1962), ill. p. 110.
RUDIKOFF, SONYA. "New York Letter," Art International 6 (November 1962), p. 62.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 79, p. 296, ill. p. 77.
SWEENEY, JAMES JOHNSON. "A Living Frame for Sculpture," House and Garden 126 (August 1964), ill. p. 113.
UNSIGNED. "A Look into the Future--the Joseph H. Hirshhorn Sculpture Garden," Washington Post (22 May 1966), colorpl. sec. K, p. 1.
HAMILTON, GEORGE HEARD. Painting and Sculpture in Europe: 1880-1940 (Baltimore: Penguin, 1967), pl. 104.
COLTON, JOEL. Great Ages of Man: Twentieth Century (New York: Time-Life Books, 1968), colorpl. p. 46.
BOWNESS, ALAN. Modern European Art (New York: Harcourt Brace Jovanovich, 1972) (Thames & Hudson copyright), p. 82, no. 174, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 714, colorpl. 391.
MERILIAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 104, no. 65, ill.
ALEXANDER, JASON. Why Johnny Can't Run, Swim, Pull, Dig, Slither, etc. (San Francisco: Sitnalta Press, 1978), p. 20, no. 195, ill.
ELSEN, ALBERT E. Modern European Sculpture 1918-1945 (New York: Braziller, 1979), fig. 19, pp. 30-31.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 132.
QUANTRILL, MALCOLM. "London Letter," Art International 22/9 (February 1979), p. 38.
KELLY, JAMES J. The Sculptural Idea, third edition (Minneapolis, Minnesota: Burgess Publishing, 1981), fig. 5, p. 16.
RICHARDSON, DAN, and MARGIE RICHARDSON. Journal of the Center for the Arts (Vero Beach, Florida, 1984), n.p., ill.
BERGMAN, EDWARD F. and TOM L. MCKNIGHT. Introduction to Georgraphy (Englewood Cliffs, NJ: Prentice Hall, 1993), fig. 5-37, p. 164.
WILKINSON, ALAN G. The Sculpture of Jacques Lipchitz (London ; New York: Thames and Hudson, 1996), no. 206, ill. pp. 77, 220.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 31, ill. p. 62.
See file for further info.

Jh Purchased From Moore, Henry, Much Hadham, England 1965

FREDERIK MEIJER GARDENS & SCULPTURE PARK, Grand Rapids, Michigan. "Beverly Pepper: Palingenesis 1962-2012," 25 May-26 August 2012, color ill. p. 25.

Provenance:
Musée Rodin, Paris, 1962 (Inventory No. I.489)
Galerie Claude Bernard, Paris, to 28 February 1963
Joseph H. Hirshhorn, New York, 28 February 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
GALERIE CLAUDE BERNARD, Paris. "August Rodin," January-February 1963, no. 14, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June 1981-2 May 1982, no. 281 (as 1908 (?) enlargement from 1880-81 work).

Published References:
JIANOU, IONEL and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1967), p. 89.
UNSIGNED. "Sculpture: Fresh-Air Fun," Time 90 (8 September 1967), colorpl. p. 75, p. 77.
ARNASON, H. HARVARD. History of Modern Art (New York: Abrams, 1968), p. 60, ill. 78.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 740, ill. 89.
TANCOCK, JOHN L. The Sculpture of Auguste Rodin (Philadelphia Museum of Art, 1976), no. 6, other casts, p. 140.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 1. ill. p. 38, fig. 28, p. 30.
See file for further info.

Jh Purchased From Diamond, Harold, New York 1967

Provenance:
The artist
Enrico Martignoni, Winnemucca, Nevada, to 25 August 1999
Joseph H. Hirshhorn Purchase Fund and Gift of the Institute of Scrap Recycling Industries, by exchange, 1999

Exhibition History:
ALBRIGHT-KNOX ART GALLERY, Buffalo. "Plus by Minus," 1968.
GRAND RAPIDS ART MUSEUM, Michigan (organizer). "Sculpture off the Pedestal," 8 September-3 December 1973, cat. (Citywide exhibition of large-scale outdoor sculpture by thirteen American artists.)
WHITNEY MUSEUM OF AMERICAN ART, New York. "Mark di Suvero," 13 November 1975-8 February 1976, no. 38, p. 87. (Installed in Prospect Park, Brooklyn, New York.)
WURTTEMBERGISCHER KUNSTVEREIN, Stuttgart. "Mark di Suvero," 11 May-10 July 1988, p. 217, ill. pp. 86-87.
MUSEE D'ART MODERNE ET D'ART CONTEMPORAIN, Nice. "Mark di Suvero Retrospective," 1991, p. 14, p. 140, ill. pp. 13, 16, 20.
IVAM CENTRE JULIO GONZALEZ, Valencia. "Mark di Suvero," 16 December 1994-19 March 1995, p. 24, 36, ill.
XLVI INTERNATIONAL ART EXHIBITION, VENICE BIENNALE. "Mark di Suvero," 11 June-15 October 1995, no. 5, ill.
STORM KING ART CENTER, Mountainville, New York. "Mark di Suvero at Storm King Art Center," 13 May-15 November 1995 and 1 April-15 November 1996, ills., p. 31, 128.
GALERIE JEANNE-BUCHER, Paris. "Mark di Suvero," 1997, p. 8, ill.
SAN FRANCISCO MUSEUM OF MODERN ART (organizer only). “Mark di Suvero.” Tour: CRISSY FIELD, San Francisco, 22 May 2013-26 May 2014. (Exhibition of eight large-scale outdoor sculptures.)

Published References:
UNSIGNED. Advertisement, "Mark Di Suvero: 25 Years of Sculpture and Drawings, Storm King Art Center," Art in America 73 (June 1985), n.p.
UNSIGNED. Advertisement, "Mark Di Suvero: 25 Years of Sculpture and Drawings, Storm King Art Center," Artforum 23 (Summer 1985), n.p.
KARDON, JANET. 1967 at the Crossroads (Institute of Contemporary Art, University of Pennsylvania, 1987), ill., n.p.
UNSIGNED. Advertisement, "Richard Bellamy/Oil & Steel Gallery and Gagosian Gallery," Art in America, 85 (November 1997), n.p.
UNSIGNED. "Mark di Suvero: Mairie de Paris," Artforum (January 1998), p. 109.
RUBINSTEIN, RAPHAEL. "A Season of Steel in the City of Light," Art in America (July 1998), p. 69, ill. p. 68.
UNSIGNED. "Hirshhorn's Mall Sculpture Steels the Show," Washington Times (26 August 1999), P. C7.
RICHARD, PAUL. "Here and Now," Washington Post (29 August 1999), p. G3.
FORGEY, BENJAMIN. "Cityscape: Splendor on the Grass," Washington Post (15 October 1999), p. C1, color ill.
GARRELS, GARY, ed. Celebrating Modern Art: The Anderson Collection (Berkeley: University of California Press, 2000), ill., n.p.
ESKIN, BLAKE. "Man of Steel," Art News 100, no. 6 (June 2001), p. 91.
ELLEGOOD, ANNE and JOANNA BURTON. The Uncertainty of Objects and Ideas: Recent Sculpture (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006), ill. p. 61.

Provenance:
Dr. Giuseppe Panza, Massagno, Switzerland, to 27 September 2007
Joseph H. Hirshhorn Purchase Fund, 2007. The Panza Collection.

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Panza Collection," 23 October 2008-11 January 2009, cat. by Evelyn C. Hankins and Giuseppe Panza with a forward by Kerry Brougher, p. 22; ill. p. 40.

Provenance:
Rhona Hoffman Gallery, Chicago, to 26 February 2009
Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, with an anonymous gift in honor of the curators of the Hirshhorn, 2009

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "ColorForms," 11 March 2010-9 January 2012, no cat.

Provenance:
Christie's, New York, Sale Number 8906,12 May 1988, Lot 5
Joseph H. Hirshhorn Purchase Fund, 1998

Exhibition History:
PULITZER FOUNDATION FOR THE ARTS, St. Louis. "Water, Harmony and Angst," 20 July 2007-5 January 2008.
MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN, MUMOK, Vienna. Claes Oldenburg, 3 February-27 May 2012, color ill. p. 167. TOUR: MUSEUM LUDWIG, Cologne, 22 June-30 September 2012; GUGGENHEIM MUSEUM BILBAO, 30 October 2012-17 February 2013; MUSEUM OF MODERN ART, New York, 9 April-4 August 2013.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.

Published References:
FRANCIS, RICHARD et al. Painting, Object, Film, Concept: Works from the Herbig Collection (New York: Christie's, 1988), pp. 9, 170, ill. p. 172.
UNSIGNED. "Acquisitions," Museums Washington (May 1999), p. 45.
RICHARD, PAUL. "From the Collection: Washington's Prized Possessions," Washington Post (19 December 2004), ill. p. N6.

Provenance:
Barbara Gladstone Gallery, New York, to 13 September 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "What Absence Is Made Of," 18 October 2017-Spring 2020, no cat.

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 22.
WALKER ART CENTER, Minneapolis. "Robert Gober: Sculpture and Drawing," 14 February-9 May 1999. TOUR: ROOSEUM CENTER FOR CONTEMPORARY ART, Malmo, Sweden, 18 September-12 January 2000; HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Instution, Washington, DC, 17 February-23 April; SAN FRANCISCO MUSEUM OF MODERN ART, 21 May- 4 September.
ALBRIGHT-KNOX ART GALLERY, Buffalo, New York. "Bodily Space: New Obsessions in Figurative Sculpture," 20 April-7 September 2004.
LOS ANGELES COUNTY MUSEUM OF ART. "Magritte and Contemporary Art: The Treachery of Images," 19 November 2006-4 March 2007.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.

Published References:
UNSIGNED. Illustration in By George, the Newspaper of the George Washington University, 3 February 2000, p. 11.

Provenance:
Dr. Giuseppe Panza, Massagno, Switzerland, to 27 September 2007
Joseph H. Hirshhorn Purchase Fund, 2007. The Panza Collection.

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Panza Collection," 23 October 2008-11 January 2009, cat. by Evelyn C. Hankins and Giuseppe Panza with a forward by Kerry Brougher, p. 23; ill. cover and p. 47.

Published References:
UNSIGNED. The Panza Collection (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2008), ill. cover. [exhibition brochure]

Provenance:
White Cube, London, to 17 May 2007
Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 2007

Provenance:
Jh Purchased From Gimpel Fils, London 1959

Exhibition History:
SANTA BARBARA MUSEUM OF ART, California. "Pasadena to Santa Barbara: A Selected History of Art in Southern California, 1951-1969," 11 February - 6 May 2012.

Provenance:
Carstairs Gallery, New York, to 21 January 1957
Joseph H. Hirshhorn, New York, 21 January 1957-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
CARSTAIRS GALLERY, New York. Salvador Dalí, 4 December 1956-5 January 1957, no. 2.
AMERICAN FEDERATION OF ARTS, New York (organizer). "Paintings from the Joseph H. Hirshhorn Collection: A View of the Protean Century," no. 18, ill. TOUR: M. KNOEDLER, New York, 31 October-24 November 1962; CURRIER GALLERY OF ART, Manchester, New Hampshire, 16 December-12 January 1963; CARNEGIE INSTITUTE, Pittsburgh, 30 January-26 February; EVANSVILLE MUSEUM OF ARTS AND SCIENCE, INDIANA, 16 March-12 April; MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York, 30 April-27 May; J.B. SPEED ART MUSEUM, Louisville, Kentucky, 13 June-10 July; THE MINNEAPOLIS INSTITUTE OF ARTS, 30 July-25 August; SEATTLE ART MUSEUM, 11 September-8 October; SAN FRANCISCO MUSEUM OF ART, 26 October-23 November; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 11 December-7 January, 1964; DALLAS MUSEUM OF FINE ARTS, 26 January-23 February; OKLAHOMA ART CENTER, Oklahoma City, 12 March-8 April; BROOKS MEMORIAL ART GALLERY, Memphis, 25 April-23 May; ATLANTA ART ASSOCIATION, Georgia, 10 June-7 July; SAGINAW ART MUSEUM, Michigan, 25 July-22 August; MONTREAL MUSEUM OF FINE ARTS, 8 September-6 October; ALLENTOWN ART MUSEUM, Pennsylvania, 24 October-21 November; MUSEUM OF FINE ARTS, Boston, 9 December-10 January 1965; THE BROOKLYN MUSEUM, New York, 8 February-5 April.
GALLERY OF MODERN ART, New York. Salvador Dalí, 17 December 1965-11 September 1966, no. 146, ill. p. 127.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 754, ill. p. 509.
HAMBURGER KUNSTHALLE, West Germany. Luther and the Consequences on the Arts, 10 November 1983-8 January 1984.
STAATSGALERIE STUTTGART, Stuttgart, West Germany. Salvador Dalí Retrospective, 12 May-23 July 1989. Tour: KUNSTHAUS ZURICH, Zurich, Switzerland, 18 August-22 November 1989.
MARTIN-GROPIUS-BAU, Berlin. GegenwartEwigkeit, 6 April-24 June 1990, ill. p. 168, p. 320.
TOKYO SHIMBUN and CHUGOKU SHIMBUN, Japan, organizers. "Disguised Vision," 27 October 1994-23 April 1995, no. I-23, p. 49, color ill. Tour: ISETAN MUSEUM OF ART, Tokyo, 27 October-5 December 1994; HIROSHIMA MUSEUM OF ART, 20 December-5 February 1995; MUSEUM OF MODERN ART, Kamakura, 11 February-21 March; KORIYAMA CITY MUSEUM, 25 March-23 April.
WADSWORTH ATHENEUM, Hartford, Connecticut. "Dalí's Optical Illusions," 21 January-26 March 2000, no. 54, pp. 168-69. Tour: HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC, 19 April-18 June 2000; SCOTTISH NATIONAL GALLERY OF MODERN ART, Edinburgh, 23 July-1 October 2000.
PALAZZO GRASSI, Venice. "Salvador Dalí," 12 September 2004-16 January 2005, no. 231, ill. p. 383. TOUR: PHILADELPHIA MUSEUM OF ART, 16 February-15 May.
MUSEUM LUDWIG, Cologne, Germany. "Salvador Dalí: La Gare de Perpignan," 18 March-25 June 2006.
NAGOYA CITY ART MUSEUM, Japan. "Visual Deception," 11 April-7 June 2009, p. 141, fig. 108. TOUR: BUNKAMURA MUSEUM OF ART, 13 June-16 August; HYOGO PREFECTURAL MUSEUM OF ART, 26 August-3 November.
HIGH MUSEUM OF ART, Atlanta. "Salvador Dali Retrospective," 7 August 2010-2 January 2011.

Published References:
OFFIN, CHARLES Z. "Gallery Previews in New York," Pictures on Exhibit 26, no. 2 (November 1962): 12.
UNSIGNED. "Art News," The Philadelphia Inquirer (11 November 1962): ill.
UNSIGNED. Bulletin of the Allentown Art Museum (Allentown, Pennsylvania) 5, no. 8 (November 1964): cover ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974): 676, colorplate p. 509.
SALVADOR DALI MUSEUM. A Guide to Works by Salvador Dalí in Public Museum Collections (Cleveland: Salvador Dalí Museum, 1974): addendum insert, ill.
MUSSEM, PAUL H. and MARK R. ROSENZWEIG. Psychology: An Introduction, 2nd ed. (Lexington, Massachusetts: D.C. Heath, 1977): 434-35.
MOORHOUSE, PAUL. Dalí (London: Bison Books, 1990): 104, ill.
UNSIGNED. "Exhibition of Dalí is Serious Business," North County Times (San Diego) (19 April 2000): n.p.
RICHARD, PAUL. "Dalí's Flip Side," The Washington Post (20 April 2000): ill, C1.
UNSIGNED. "Hello, Dalí," Times (Watertown, New York) (21 April 2000): n.p., ill.
SOUZA, PATRICIA. "Las ilusiones de Dalí," El Nuevo Dia (San Juan, Puerto Rico) (23 April 2000): n.p., ill.
UNSIGNED. "Dallying with Dalí," Telegraph (Nashua, New Hampshire) (23 April 2000): n.p., ill.
UNSIGNED. no title Times Republican (Marshalltown, Iowa) (24 April 2000): n.p., ill.
YOUNG, AISHA RUSSELL. "Two Shows, Two Views," Young DC (May 2000): ill. p. 8.
SNOW, MICHAEL. "Salvador Dalí vs. Norman Rockwell," Museums, Washington Post Advertising Supplement (1 May 2000): n.p, ill.
UNSIGNED. "Doors to Close on Dalí," Washington Times (10 June 2000): n.p., ill.
WHITFIELD, SARAH. "Hartford, Washington, and Edinburgh: Dalí's Optical Illusions," Burlington Magazine (August 2000): 518-19, fig. 34.

Provenance:
Alexandre Iolas Gallery, New York (cast edition)
[Constantin Xenakis, Athens]
Harold Diamond, New York, to 26 January 1961
Joseph H. Hirshhorn, New York, 26 January 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculptures from the Joseph H. Hirshhorn Collection," 2 October 1962-6 January 1963, no. 150, ill. p. 118.
DALLAS MUSEUM OF FINE ARTS. "Sculpture Twentieth Century," 12 May-13 June 1965, no. 24.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 480.
LOS ANGELES COUNTY MUSEUM OF ART. "Exiles and Emigres: 1933-1945," 20 February-11 May 1997. Tour: MONTREAL MUSEUM OF FINE ARTS, 19 June-7 September; STAATLICHE MUSEEN ZU BERLIN, 16 October-4 January 1998.
CENTRE GEORGES POMPIDOU, Paris. "Max Ernst: Sculptures, Maisons et Paysages," 5 May-27 July 1998. Tour: KUNSTSAMMLUNG NORDRHEIN-WESTFALEN, Dusseldorf, 5 September-29 November.
NEUE NATIONALGALERIE, Berlin. "Max Ernst: Die Retrospektive," 5 March-30 May 1999, no. 136, p. 194, ill. p. 195. Tour: HAUS DER KUNST, Munich, 11 June-19 September.
METROPOLITAN MUSEUM OF ART, New York. "Max Ernst," 4 April-10 July 2005.
CENTRE GEORGES POMPIDOU, Paris. "Surrealism and the Object," 30 October 2013-3 March 2014.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 78, color ill. p. 78; p. 185.

Published References:
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), pp. 162, 292, no. 144, ill. p. 146.
VISUAL PUBLICATIONS. Educational film strip (England, 1970), no. 144, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), pp. 690-691, ill. p. 340.
FAIRFAX COUNTY PUBLIC SCHOOLS. A Guide to Teaching Art in the Primary Grades K-3 (Fairfax, VA: Fairfax County Public Schools, Department of Instructional Services, 1983), p. 228, ill.
PARK, EDWARDS. Treasures of the Smithsonian (Washington, DC: Smithsonian Books, 1983), ill.
OTTINGER, DIDIER, ed. Dictionnaire de l’objet surréaliste (Éditions Gallimard/Centre
Pompidou, Paris, 2013), p. 309.
See file for further info.

Provenance:
Martha Jackson Gallery, New York, to 22 November 1958
Joseph H. Hirshhorn, New York, 22 November 1958-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
MARTHA JACKSON GALLERY, New York. Sam Francis, 25 November-20 December 1958.
V BIENNALE DE SAO PAULO, Brazil. The United States Representation, 21 September-31 December 1959, no. 59, ill.
LAGUNA ART MUSEUM, Laguna Beach, California. San Francisco School of Abstract Expressionism, 26 January-21 April 1996. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 27 June-8 September.

Published References:
STILES, GEORGE. "Gallery Previews in New York," Pictures on Exhibit 4 (January 1959), p. 16.
BROWN, MILTON W. One Hundred Masterpieces of American Painting from Public Collections in Washington, DC (Washington, DC: Smithsonian Institution Press, 1983), p. 214, ill. p. 215.
ZELLMAN, MICHAEL DAVID. American Art Analog, Volume III, 1874-1930 (New York: Chelsea House Publishers, 1986), ill. p. 1024.