Feb. 27, 2020
Hirshhorn Presents Groundbreaking Artist Laurie Anderson’s Largest US Exhibition to Date
“Laurie Anderson: The Weather” Surveys Pioneering Videos and Large-Scale Commissions Opening 2020
The Hirshhorn Museum and Sculpture Garden will present the largest-ever U.S. exhibition of artwork by celebrated multimedia artist Laurie Anderson, opening in 2020. Spanning her groundbreaking video and performance works from the 1970s to recent years, “Laurie Anderson: The Weather” will guide visitors through an immersive audiovisual experience in the museum’s second-floor galleries. This dynamic survey will showcase the artist’s boundless creative process by highlighting time-based media, as well as the largest exhibition of her paintings to date. The exhibition is organized by Hirshhorn Chief Curator Stéphane Aquin, Deputy Director Jaya Kaveeshwar and the museum’s former Robert and Arlene Kogod Secretarial Scholar, Curator of Media and Performance Art, Mark Beasley.
Using the museum’s prominent location on the National Mall, “The Weather” encourages viewers to reconsider the sociopolitical landscape. For more than four decades, Anderson has investigated pressing issues such as national identity, the climate crisis and the effects of technology on human relationships, often inventing new ways of interacting with technology. The Hirshhorn’s exhibition will include landmark artworks that address these topics, including “Habeas Corpus” (2015), a video-sculpture that examines the experience of Mohammed el Gharani, who was detained at Guantánamo Bay throughout his adolescence, via multimedia storytelling.
“Anderson pushes the limits of contemporary art, from instrument-making to pioneering new and creative applications for emerging technologies,” said Hirshhorn Director Melissa Chiu. “We are honored to present this monumental exhibition, which provides a platform for the artist’s newest innovations, situated within decades of artistic output that have defied categorization.”
Drawing on the Hirshhorn’s distinctive cylindrical architecture, the exhibition will be laid out as an ongoing narrative. Guiding visitors on an intimate and personal journey through her work, Anderson will intervene at points throughout the exhibition space by painting and writing directly onto the gallery walls.
Upon entering the exhibition, viewers will encounter “Red Flags” (2020), a new installation featuring eight flags waved by robotic “arms,” a reference to Anderson’s song “O Superman” (1981), which broadened her following from the downtown New York art world to the MTV generation. Also making its premiere is “Four Talks” (2020), an installation of four large sculptures and related texts—all created with Anderson’s unique blend of the personal, the theoretical and the political—that link her singular approach to storytelling through music and stories to her installations and created objects.
Demonstrating the range of Anderson’s multimedia practice, “The Weather” will feature a selection of videos of her early musical performances, including “Songs for Lines, Songs for Waves” (1977) and “Drum Dance” (1985), as well as several of the violins that she has designed and altered. In addition, the exhibition will survey her narrative video works, including “From the Air” (2008), a miniature video-sculpture portraying Anderson and her dog, “Sidewalk,” a film projected onto the gallery floor that features a story from her documentary “Heart of a Dog” (2015) and the artist’s personal spin on PSAs (public service announcements) in which she addresses topics—from the lyrics of the National Anthem to women’s relationships to money—that speak to contemporary audiences.
The exhibition will be accompanied by performances by Anderson.
About the Artist
As a Grammy Award-winning musician, performer, writer and artist, Anderson has an international reputation as an artist who combines the traditions of the avant-garde with popular culture. Anderson’s theatrical works combine a variety of media, including performance, music, poetry, sculpture, opera, anthropological investigations and linguistic games, to elicit emotional reactions. As a visual artist, Anderson has been shown at the Guggenheim Museum, SoHo and extensively in Europe, including the Centre Georges Pompidou in Paris. She has also released seven albums for Warner Brothers, including “Big Science,” featuring the song “O Superman,” which rose to No. 2 on the British pop charts. In 1999, Anderson staged “Songs and Stories from Moby Dick,” an interpretation of Herman Melville’s 1851 novel.
About the Hirshhorn
The Hirshhorn Museum and Sculpture Garden is the national museum of modern and contemporary art and a leading voice for 21st-century art and culture. Part of the Smithsonian, the Hirshhorn is located prominently on the National Mall in Washington, D.C. Its holdings encompass one of the most important collections of postwar American and European art in the world. The Hirshhorn presents diverse exhibitions and offers an array of public programs on the art of our time—free to all, 364 days a year (closed Dec. 25). For more information, visit hirshhorn.si.edu.
Image: Portrait of Laurie Anderson. Photo by Ebru Yildiz