Paper Craft Time Lapse

2014-02-26T21:06:13.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
Paper Craft Time Lapse

Description:
Watch the beginning pieces of Lincoln's head come together in 3D paper craft. Head created from http://www.paper-kit.com/en/.

Views:
234

Video Duration:
55 sec

hirshhornARTLAB

Artlab Minute 4-3-13

2013-04-05T20:58:59.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
Artlab Minute 4-3-13

Description:
This video is about Artlab Minute 4-3-13

Views:
63

Video Duration:
1 min 42 sec

hirshhornARTLAB

ArtLab with Hooliganship-Washington Monument

2008-10-23T14:58:18.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
ArtLab with Hooliganship-Washington Monument

Description:
Several teens participating in Hirshhorn's ArtLab program created "Washington Monument" during an animation workshop with veteran After Hours performers Hooliganship.

Views:
275

Video Duration:
7 sec

hirshhornmuseum

ARTLAB+ Underground: November 2015

2015-11-24T18:16:55.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
ARTLAB+ Underground: November 2015

Description:
Michael and Blane talk about what they're into and why they come to ARTLAB+!

Views:
83

Video Duration:
1 min 58 sec

hirshhornARTLAB

A Day in the Life of an ARTLAB+ Teen

2016-04-07T18:15:26.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
A Day in the Life of an ARTLAB+ Teen

Description:
This video was created by teens who attended the 2016 Spring Break Video workshop. In just 2 hours a day for 5 days, they wrote the script, planned the shoot, filmed, and edited this video! This edit was done by Alexis.

Views:
202

Video Duration:
2 min 10 sec

hirshhornARTLAB

ARTLAB+ Underground: June 2015

2015-06-25T20:45:03.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
ARTLAB+ Underground: June 2015

Description:
We went underground with Isaiah, Janae, and Marquise to talk about creativity, ARTLAB+, and GIFs or is it GIFs...?

Views:
107

Video Duration:
2 min 4 sec

hirshhornARTLAB

ArtLab with Hooliganship-Balloon

2008-10-23T14:57:20.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
ArtLab with Hooliganship-Balloon

Description:
Several teens participating in Hirshhorn's ArtLab program created "Balloon" during an animation workshop with veteran After Hours performers Hooliganship.

Views:
527

Video Duration:
4 sec

hirshhornmuseum

A Day In The Garden

2012-02-14T19:40:45.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
A Day In The Garden

Description:
An animation created by Karlton and Lily (April 2011). This video features the artworks: "The Drummer" by Barry Flanagan (1989-1990), "Monumental Head" by Alberto Giacometti (1960), "Crouching Woman" by Auguste Rodin (1880-1882, enlarged 1907-11, cast 1962), "King and Queen" by Henry Moore (1952-1953, cast June 1953), "Self-Portrait with Model at Bergamo" by Giacomo Manzu (1942, probably cast 1948-61), "The Great Warrior of Montauban" by Emile-Antoine Bourdelle (1898-1900)/cast 1956), and "Seated Yucatan Woman" by Francisco Zúñiga (1973).

Views:
98

Video Duration:
2 min 32 sec

hirshhornARTLAB

ARTLAB+ Underground Ep.01

2015-02-04T18:45:27.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
ARTLAB+ Underground Ep.01

Description:
Get to know a few ARTLAB+ teens as they talk about what they are into and why they come to ARTLAB+. This is the first installment of our series ARTLAB+ Underground! http://artlabplus.si.edu/ @artlabplus

Views:
172

Video Duration:
1 min 58 sec

hirshhornARTLAB

Your Average Day

2011-07-19T16:16:01.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
Your Average Day

Description:
This was made by one of our teens as part of the ARTLAB+video workshop. This video is a mixture of games and real life of what people do everyday.

Views:
213

Video Duration:
7 min 22 sec

hirshhornARTLAB

ARTLAB+ Video Production Team at Smithsonian Heritage Family Festivals

2011-05-16T21:31:41.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
ARTLAB+ Video Production Team at Smithsonian Heritage Family Festivals

Description:
Smithsonian has joined with the Pearson Foundation to train ARTLAB+ teens to document personal stories at Smithsonian Heritage Month Family Festivals. ARTLAB+ is a design studio for teens based out of the ArtLab space in the Hirshhorn Museum's Sculpture Garden. To find out more about ARTLAB+ programs visit artlabplus.si.edu.

Views:
1,223

Video Duration:
4 min 42 sec

hirshhornmuseum

Friday Gallery Talk: Kenjiro Okazaki with Katsuyoshi Tsujita

2015-05-07T21:31:32.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
Friday Gallery Talk: Kenjiro Okazaki with Katsuyoshi Tsujita

Description:
Smithsonian Artist Research Fellow Kenjiro Okazaki and Katsuyoshi Tsujita discuss Okazaki’s research with robotics engineer, Katsuyoshi Tsujita. Okazaki has been researching the gestural movement of artist’s hands by examining drawings and archival records in the collections of the Archives of American Art, the Hirshhorn Museum and Sculpture Garden and Smithsonian Folkways, as well as through live-action studies. Using digital technology, Okazaki analyzes and reproduces the character of the artist based on these gestures.

Views:
583

Video Duration:
1 hr 7 min 8 sec

hirshhornmuseum

Virtual Hirshhorn

2014-12-09T18:08:18.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
Virtual Hirshhorn

Description:
Take a virtual peek inside the Hirshhorn Museum!

Views:
159

Video Duration:
3 min 17 sec

hirshhornARTLAB

7 Minutes with Alison Klayman

2012-11-13T18:16:12.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
7 Minutes with Alison Klayman

Description:
Recorded at the Hirshhorn Museum and Sculpture Garden Thursday, November 8, 2012. Given unprecedented access to the artist during the most eventful years of his life, first-time director Alison Klayman produced an indispensable document of the life and work of Ai Weiwei. Her debut feature, "Ai Weiwei: Never Sorry," won a Special Jury Prize at the 2012 Sundance Film Festival. She'll share the details, introduce the film, and answer questions. For more information about the film, visit http:// www.aiweiweineversorry.com

Views:
1,089

Video Duration:
7 min 16 sec

hirshhornmuseum

Koto Ezawa

2013-05-08T22:09:03.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
Koto Ezawa

Description:
This video is about Koto Ezawa

Views:
36

Video Duration:
7 min 4 sec

hirshhornARTLAB

ARTLAB Minute 07-15-14

2014-07-15T22:04:46.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
ARTLAB Minute 07-15-14

Description:
The Teens and Mentors of the ARTLAB+ talk about the most important things coming up! Made & Edited by Emani

Views:
88

Video Duration:
1 min 24 sec

hirshhornARTLAB

Emilia Kabakov on The Utopian Projects- Hirshhorn Museum

2018-04-19T20:42:06.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
Emilia Kabakov on The Utopian Projects- Hirshhorn Museum

Description:
Acclaimed Russian-born American artists Ilya and Emilia Kabakov have been working collaboratively for nearly thirty years. Although built with unbridled imagination and optimism, their installation-based works are directly inspired by the hardships, surveillance, and suspicion they endured while living in the Soviet Union. Spanning the years between 1985 and the present day, "The Utopian Projects" features more than twenty of the Kabakovs’ maquettes and whimsical models. Engaging projects both realized and unrealized, this exhibition includes monuments, allegorical narratives, architectural structures, and commissioned outdoor works. Ilya and Emilia Kabakov: The Utopian Projects September 7, 2017 through April 29, 2018

Views:
119

Video Duration:
2 min 5 sec

hirshhornmuseum

In Conversation: Awareness, Action and Dissent (Part I)

2018-03-01T21:59:39.000Z

Hirshhorn Museum and Sculpture Garden

Video Title:
In Conversation: Awareness, Action and Dissent (Part I)

Description:
In the spirit of Ai Weiwei’s commitment to driving social and political change, explore the first installment of “In Conversation: Awareness, Action and Dissent,” an exploration into the power of art to raise awareness and inspire action amid politically and culturally tumultuous times. Nato Thompson, artistic director of Creative Time, will lead a wide-ranging conversation with headline-making artists Laurie Jo Reynolds, Pedro Reyes, and Paul Ramírez Jonas on how their art directly confronts legislative and social issues, and engages contemporary audiences.

Views:
78

Video Duration:
1 hr 2 min 36 sec

hirshhornmuseum

The Phoenix #2

(n.d.)

Arnold Mesches, American, b. The Bronx, New York, 1923

Ink on paper, 11 3/4 X 19 1/2 IN. (29.8 X 49.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3547

Video Title:
In Conversation: Awareness, Action and Dissent (Part I)

Description:
In the spirit of Ai Weiwei’s commitment to driving social and political change, explore the first installment of “In Conversation: Awareness, Action and Dissent,” an exploration into the power of art to raise awareness and inspire action amid politically and culturally tumultuous times. Nato Thompson, artistic director of Creative Time, will lead a wide-ranging conversation with headline-making artists Laurie Jo Reynolds, Pedro Reyes, and Paul Ramírez Jonas on how their art directly confronts legislative and social issues, and engages contemporary audiences.

Views:
78

Video Duration:
1 hr 2 min 36 sec

Hirshhorn Museum and Sculpture Garden Collection

Woman in a Swing

(1952)

Luciano Minguzzi, Italian, b. Bologna, 1911–2004

Bronze on marble base, 18 1/4 X 13 X 5 IN. (46.3 X 32.9 X 12.7 CM.) INCL. BASE: 2 X 13 X 5 IN. (5.1 X 32.9 X 12.7 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3567

Video Title:
In Conversation: Awareness, Action and Dissent (Part I)

Description:
In the spirit of Ai Weiwei’s commitment to driving social and political change, explore the first installment of “In Conversation: Awareness, Action and Dissent,” an exploration into the power of art to raise awareness and inspire action amid politically and culturally tumultuous times. Nato Thompson, artistic director of Creative Time, will lead a wide-ranging conversation with headline-making artists Laurie Jo Reynolds, Pedro Reyes, and Paul Ramírez Jonas on how their art directly confronts legislative and social issues, and engages contemporary audiences.

Views:
78

Video Duration:
1 hr 2 min 36 sec

Hirshhorn Museum and Sculpture Garden Collection

Idolo Cupo

1956

Mirko (Basaldella), Italian, b. Udine, 1910–1969

Bronze on limestone base, 69 1/2 x 13 x 13 3/4 in. (176.5 x 33 x 34.9 cm) base: 6 x 12 3/4 x 10 3/4in. (15.2 x 32.4 x 27.3cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3572

Video Title:
In Conversation: Awareness, Action and Dissent (Part I)

Description:
In the spirit of Ai Weiwei’s commitment to driving social and political change, explore the first installment of “In Conversation: Awareness, Action and Dissent,” an exploration into the power of art to raise awareness and inspire action amid politically and culturally tumultuous times. Nato Thompson, artistic director of Creative Time, will lead a wide-ranging conversation with headline-making artists Laurie Jo Reynolds, Pedro Reyes, and Paul Ramírez Jonas on how their art directly confronts legislative and social issues, and engages contemporary audiences.

Views:
78

Video Duration:
1 hr 2 min 36 sec

Hirshhorn Museum and Sculpture Garden Collection

Female Head

(1920) - Printed 1951/Published 1952

Elie Nadelman, American, b. Warsaw, Poland, 1882–1946

Drypoint on paper, SHEET: 6 X 9 IN. (15.2 X 22.7 CM.) PLATE: 2 3/4 X 4 3/16 IN. (6.9 X 10.6 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1977

Accession Number: 77.44

Video Title:
In Conversation: Awareness, Action and Dissent (Part I)

Description:
In the spirit of Ai Weiwei’s commitment to driving social and political change, explore the first installment of “In Conversation: Awareness, Action and Dissent,” an exploration into the power of art to raise awareness and inspire action amid politically and culturally tumultuous times. Nato Thompson, artistic director of Creative Time, will lead a wide-ranging conversation with headline-making artists Laurie Jo Reynolds, Pedro Reyes, and Paul Ramírez Jonas on how their art directly confronts legislative and social issues, and engages contemporary audiences.

Views:
78

Video Duration:
1 hr 2 min 36 sec

Hirshhorn Museum and Sculpture Garden Collection

Abstract

1963

Giuseppe Napoli

Felt tip pen and ink and pencil on paper, 7 3/16 x 4 3/4 in. (18.3 x 12 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3317

Video Title:
In Conversation: Awareness, Action and Dissent (Part I)

Description:
In the spirit of Ai Weiwei’s commitment to driving social and political change, explore the first installment of “In Conversation: Awareness, Action and Dissent,” an exploration into the power of art to raise awareness and inspire action amid politically and culturally tumultuous times. Nato Thompson, artistic director of Creative Time, will lead a wide-ranging conversation with headline-making artists Laurie Jo Reynolds, Pedro Reyes, and Paul Ramírez Jonas on how their art directly confronts legislative and social issues, and engages contemporary audiences.

Views:
78

Video Duration:
1 hr 2 min 36 sec

Hirshhorn Museum and Sculpture Garden Collection

American Garden

(1964)

Louise Nevelson, American, b. Kiev, Ukraine, 1899–1988

Wood, paint, wood laminate, and plexiglass, 18 X 10 5/8 X 9 1/2 IN. (45.7 X 26.8 X 24.1 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3827

Video Title:
In Conversation: Awareness, Action and Dissent (Part I)

Description:
In the spirit of Ai Weiwei’s commitment to driving social and political change, explore the first installment of “In Conversation: Awareness, Action and Dissent,” an exploration into the power of art to raise awareness and inspire action amid politically and culturally tumultuous times. Nato Thompson, artistic director of Creative Time, will lead a wide-ranging conversation with headline-making artists Laurie Jo Reynolds, Pedro Reyes, and Paul Ramírez Jonas on how their art directly confronts legislative and social issues, and engages contemporary audiences.

Views:
78

Video Duration:
1 hr 2 min 36 sec

Hirshhorn Museum and Sculpture Garden Collection, American Eccentrics

Painting

1937

Ben Nicholson, British, b. Denham, England, 1894–1982

Oil on canvas, 16 3/8 X 22 IN. (41.5 X 56.0 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.214

Provenance:
Jh Purchased From Sotheby & Co., London 1967

Exhibition History:
THE MUSEUM OF MODERN ART, HAYAMA, Japan. "Ben Nicholson," 7 February - 28 March 2004, no. 42. ill. p. 96. TOUR: AICHI PREFECTURAL MUSEUM OF ART, Nagoya, 9 April - 23 May 2004; TOKYO STATION GALLERY, 29 May - 25 July 2004.

Hirshhorn Museum and Sculpture Garden Collection, British Postwar Abstraction

Landscape

1966

Chiara (Claire) Nivola, American, b. New York City, 1947

Watercolor on paper, image: 10 9/16 × 15 7/8 in. (26.9 × 40.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3419

Provenance:
Jh Purchased From Sotheby & Co., London 1967

Exhibition History:
THE MUSEUM OF MODERN ART, HAYAMA, Japan. "Ben Nicholson," 7 February - 28 March 2004, no. 42. ill. p. 96. TOUR: AICHI PREFECTURAL MUSEUM OF ART, Nagoya, 9 April - 23 May 2004; TOKYO STATION GALLERY, 29 May - 25 July 2004.

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Alessandro And Adrian

1965

Chiara (Claire) Nivola, American, b. New York City, 1947

Watercolor on paper, image: 10 11/16 × 15 13/16 in. (27.3 × 40.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3423

Provenance:
Jh Purchased From Sotheby & Co., London 1967

Exhibition History:
THE MUSEUM OF MODERN ART, HAYAMA, Japan. "Ben Nicholson," 7 February - 28 March 2004, no. 42. ill. p. 96. TOUR: AICHI PREFECTURAL MUSEUM OF ART, Nagoya, 9 April - 23 May 2004; TOKYO STATION GALLERY, 29 May - 25 July 2004.

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Lekythos

1958

Isamu Noguchi, American, b. Los Angeles, California, 1904–1988

Marble, 13 X 4 3/8 X 4 3/8 IN. (33.0 X 11.0 X 11.1 CM.) WT. 21 LB. (9.5 KG.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3864

Provenance:
Stable Gallery, New York, to 20 May 1959
Joseph H. Hirshhorn, New York, 20 May 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
STABLE GALLERY, New York. Isamu Noguchi, 29 April-30 May 1959, no. 34.
SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from the Joseph H. Hirshhorn Collection, 3 October 1962-6 January 1963, no. 354, ill. p. 180.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Direct Carving in Modern Sculpture: Selections from the Museum's Collection, 6 October-27 November 1983, no. 33.
JANE VOORHEES ZIMMERLI ART MUSEUM, Rutgers University, New Brunswick, New Jersey. Asian Traditions/Modern Expressions, 23 March-31 July 1997. Tour: CHICAGO CULTURAL CENTER, Chicago,Illinois, 6 September-2 November 1997; JAPANESE-AMERICAN NATIONAL MUSEUM, Los Angeles, California, 10 December 1997-14 February 1998; ?, Walnut Creek, California, 16 April-4 June 1998. (Tour extended to: KAOHSIUNG MUSEUM OF FINE ARTS, Taiwan, 1998; ?, Taipei, 19 December 1998-21 March 1999; MARUGAME GENICHIRO INOKUMA MUSEUM, Japan, 10 April-30 May 1999; AKITA SENSHU MUSUEM, Japan, 12 August-30 September; FUKUOKA ASIAN ART MUSEUM, Japan, 23 October-5 December.)
ARTHUR M. SACKLER GALLERY, SMITHSONIAN INSTITUTION, Washington, D.C. "Isamu Noguchi and Modern Japanese Ceramics," 4 May - 7 September 2003. TOUR: JAPANESE AMERICAN NATIONAL MUSEUM, Los Angeles, CA, February - 30 May 2004.

Published References:
TILLIM, SIDNEY. "In the Galleries," Isamu Noguchi," Arts 33 (June 1959): 55.
SCHWARTZ, MARVIN D. "News and Views from New York," Apollo 70 (August 1959): 34.
NOGUCHI, ISAMU. A Sculptor's World (New York: Harper & Row, 1968): ill. 88 (installation view of Stable Gallery exhibition).
GROVE, NANCY, and DIANE BOTNICK. The Sculpture of Isamu Noguchi, 1924-1979: A Catalogue. (New York and London: Garland Publishing, 1980): no. 443, p. 78.
SWEENEY, JAMES. "Hirshhorn Sculpture Show Cuts Fine Figures," The Journal (8 November 1983): n.p., ill.

Hirshhorn Museum and Sculpture Garden Collection

Feeding Chickens

(n.d.)

M. M. Obin, Haitian, b. 1949

Synthetic polymer on fiberboard, 20 x 24 1/8 in. (50.7 x 61.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3474

Provenance:
Stable Gallery, New York, to 20 May 1959
Joseph H. Hirshhorn, New York, 20 May 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
STABLE GALLERY, New York. Isamu Noguchi, 29 April-30 May 1959, no. 34.
SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from the Joseph H. Hirshhorn Collection, 3 October 1962-6 January 1963, no. 354, ill. p. 180.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Direct Carving in Modern Sculpture: Selections from the Museum's Collection, 6 October-27 November 1983, no. 33.
JANE VOORHEES ZIMMERLI ART MUSEUM, Rutgers University, New Brunswick, New Jersey. Asian Traditions/Modern Expressions, 23 March-31 July 1997. Tour: CHICAGO CULTURAL CENTER, Chicago,Illinois, 6 September-2 November 1997; JAPANESE-AMERICAN NATIONAL MUSEUM, Los Angeles, California, 10 December 1997-14 February 1998; ?, Walnut Creek, California, 16 April-4 June 1998. (Tour extended to: KAOHSIUNG MUSEUM OF FINE ARTS, Taiwan, 1998; ?, Taipei, 19 December 1998-21 March 1999; MARUGAME GENICHIRO INOKUMA MUSEUM, Japan, 10 April-30 May 1999; AKITA SENSHU MUSUEM, Japan, 12 August-30 September; FUKUOKA ASIAN ART MUSEUM, Japan, 23 October-5 December.)
ARTHUR M. SACKLER GALLERY, SMITHSONIAN INSTITUTION, Washington, D.C. "Isamu Noguchi and Modern Japanese Ceramics," 4 May - 7 September 2003. TOUR: JAPANESE AMERICAN NATIONAL MUSEUM, Los Angeles, CA, February - 30 May 2004.

Published References:
TILLIM, SIDNEY. "In the Galleries," Isamu Noguchi," Arts 33 (June 1959): 55.
SCHWARTZ, MARVIN D. "News and Views from New York," Apollo 70 (August 1959): 34.
NOGUCHI, ISAMU. A Sculptor's World (New York: Harper & Row, 1968): ill. 88 (installation view of Stable Gallery exhibition).
GROVE, NANCY, and DIANE BOTNICK. The Sculpture of Isamu Noguchi, 1924-1979: A Catalogue. (New York and London: Garland Publishing, 1980): no. 443, p. 78.
SWEENEY, JAMES. "Hirshhorn Sculpture Show Cuts Fine Figures," The Journal (8 November 1983): n.p., ill.

Hirshhorn Museum and Sculpture Garden Collection

Metamorphosis Of Nature

1961

Jerry Okimoto, American, b. Waianae, Hawaii, 1924–1998

Oil on linen, 50 x 40 in. (127 x 101.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3897

Provenance:
Stable Gallery, New York, to 20 May 1959
Joseph H. Hirshhorn, New York, 20 May 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
STABLE GALLERY, New York. Isamu Noguchi, 29 April-30 May 1959, no. 34.
SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from the Joseph H. Hirshhorn Collection, 3 October 1962-6 January 1963, no. 354, ill. p. 180.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Direct Carving in Modern Sculpture: Selections from the Museum's Collection, 6 October-27 November 1983, no. 33.
JANE VOORHEES ZIMMERLI ART MUSEUM, Rutgers University, New Brunswick, New Jersey. Asian Traditions/Modern Expressions, 23 March-31 July 1997. Tour: CHICAGO CULTURAL CENTER, Chicago,Illinois, 6 September-2 November 1997; JAPANESE-AMERICAN NATIONAL MUSEUM, Los Angeles, California, 10 December 1997-14 February 1998; ?, Walnut Creek, California, 16 April-4 June 1998. (Tour extended to: KAOHSIUNG MUSEUM OF FINE ARTS, Taiwan, 1998; ?, Taipei, 19 December 1998-21 March 1999; MARUGAME GENICHIRO INOKUMA MUSEUM, Japan, 10 April-30 May 1999; AKITA SENSHU MUSUEM, Japan, 12 August-30 September; FUKUOKA ASIAN ART MUSEUM, Japan, 23 October-5 December.)
ARTHUR M. SACKLER GALLERY, SMITHSONIAN INSTITUTION, Washington, D.C. "Isamu Noguchi and Modern Japanese Ceramics," 4 May - 7 September 2003. TOUR: JAPANESE AMERICAN NATIONAL MUSEUM, Los Angeles, CA, February - 30 May 2004.

Published References:
TILLIM, SIDNEY. "In the Galleries," Isamu Noguchi," Arts 33 (June 1959): 55.
SCHWARTZ, MARVIN D. "News and Views from New York," Apollo 70 (August 1959): 34.
NOGUCHI, ISAMU. A Sculptor's World (New York: Harper & Row, 1968): ill. 88 (installation view of Stable Gallery exhibition).
GROVE, NANCY, and DIANE BOTNICK. The Sculpture of Isamu Noguchi, 1924-1979: A Catalogue. (New York and London: Garland Publishing, 1980): no. 443, p. 78.
SWEENEY, JAMES. "Hirshhorn Sculpture Show Cuts Fine Figures," The Journal (8 November 1983): n.p., ill.

Hirshhorn Museum and Sculpture Garden Collection

Full Moon Harvest

1979

John Okulick, American, b. New York City, 1947

Wood, paint, and aluminum, 52 1/2 X 65 1/4 X 7 1/4 IN. (133.4 X 165.8 X 18.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Sydney and Frances Lewis Foundation, 1985

Accession Number: 85.20

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Relief Sculpture: Selections from the Museum's Collection," 26 January-13 April 1986, no cat; checklist no. 46.

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

A

1963

Jules Olitski, American, b. Snovsk, Russia, 1922–2007

Magna acrylic on canvas, 90 1/8 x 80 1/4 in. (228.7 x 204 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3491

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Relief Sculpture: Selections from the Museum's Collection," 26 January-13 April 1986, no cat; checklist no. 46.

Hirshhorn Museum and Sculpture Garden Collection, Formalist Abstraction

Woman Standing in Open Box

1960

Nathan Oliveira, American, b. Oakland, California, 1928–2010

Bronze, 14 3/8 X 9 7/8 X 4 1/4 IN. (36.4 X 25.0 X 10.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3929

Provenance:
The Alan Gallery, New York, to 20 February 1961
Joseph H. Hirshhorn, New York, 20 February 1961-17 May 1966

Exhibition History:
THE SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from The Collection of Joseph H. Hirshhorn, 3 October 1962-6 January 1963, no. 357, ill. p. 201.
SAN JOSE MUSEUM OF ART, San Jose, CA. "Nathan Oliveira," 10 February - 12 May 2002. TOUR: NEUBERGER MUSEUM OF ART, PURCHASE COLLEGE, Purchase New York, 16 June - 8 September 2002; PALM SPRINGS DESERT MUSEUM, Palm Springs, CA, 5 October 2002 - 5 January 2003; ORANGE COUNTY MUSEUM OF ART, Newport Beach, CA, 12 April - 29 June 2003; TACOMA ART MUSEUM, Tacoma, WA: 26 August - 30 November 2003.

Hirshhorn Museum and Sculpture Garden Collection, Bay Area Figuration

Print Portfolio (6 Lithographs)

1970

Philip Pearlstein, American, b. Pittsburgh, Pennsylvania, 1924

6 lithographs on paper, cover page, and fabric-covered portfolio, portfolio: 31 3/8 x 23 1/4 x 1/2 in. (80 x 59.2 x 1 cm) cover sheet: 30 x 22 7/16 in. (76.2 x 57.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3566.1-6

Provenance:
The Alan Gallery, New York, to 20 February 1961
Joseph H. Hirshhorn, New York, 20 February 1961-17 May 1966

Exhibition History:
THE SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from The Collection of Joseph H. Hirshhorn, 3 October 1962-6 January 1963, no. 357, ill. p. 201.
SAN JOSE MUSEUM OF ART, San Jose, CA. "Nathan Oliveira," 10 February - 12 May 2002. TOUR: NEUBERGER MUSEUM OF ART, PURCHASE COLLEGE, Purchase New York, 16 June - 8 September 2002; PALM SPRINGS DESERT MUSEUM, Palm Springs, CA, 5 October 2002 - 5 January 2003; ORANGE COUNTY MUSEUM OF ART, Newport Beach, CA, 12 April - 29 June 2003; TACOMA ART MUSEUM, Tacoma, WA: 26 August - 30 November 2003.

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary Realism

The Painter And His Model III (Le Peintre Et Son Modele III)

December 7, 1963

Pablo Picasso, Spanish, b. Málaga, 1881–1973

Aquatint and etching on paper, sheet: 20 1/4 x 23 1/2 in. (51.5 x 59.7 cm) [irreg.] image: 13 9/16 x 16 9/16 in. (34.5 x 42.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3754

Provenance:
The Alan Gallery, New York, to 20 February 1961
Joseph H. Hirshhorn, New York, 20 February 1961-17 May 1966

Exhibition History:
THE SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from The Collection of Joseph H. Hirshhorn, 3 October 1962-6 January 1963, no. 357, ill. p. 201.
SAN JOSE MUSEUM OF ART, San Jose, CA. "Nathan Oliveira," 10 February - 12 May 2002. TOUR: NEUBERGER MUSEUM OF ART, PURCHASE COLLEGE, Purchase New York, 16 June - 8 September 2002; PALM SPRINGS DESERT MUSEUM, Palm Springs, CA, 5 October 2002 - 5 January 2003; ORANGE COUNTY MUSEUM OF ART, Newport Beach, CA, 12 April - 29 June 2003; TACOMA ART MUSEUM, Tacoma, WA: 26 August - 30 November 2003.

Hirshhorn Museum and Sculpture Garden Collection, Spanish Modernism

Untitled (Bloch 1516)

April 13, 1968

Pablo Picasso, Spanish, b. Málaga, 1881–1973

Aquatint and etching on paper, SHEET: 17 7/8 X 22 3/16 IN. (45.4 X 56.4 CM.) IMAGE: 12 5/16 X 16 5/16 IN. (31.3 X 41.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3762

Provenance:
The Alan Gallery, New York, to 20 February 1961
Joseph H. Hirshhorn, New York, 20 February 1961-17 May 1966

Exhibition History:
THE SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from The Collection of Joseph H. Hirshhorn, 3 October 1962-6 January 1963, no. 357, ill. p. 201.
SAN JOSE MUSEUM OF ART, San Jose, CA. "Nathan Oliveira," 10 February - 12 May 2002. TOUR: NEUBERGER MUSEUM OF ART, PURCHASE COLLEGE, Purchase New York, 16 June - 8 September 2002; PALM SPRINGS DESERT MUSEUM, Palm Springs, CA, 5 October 2002 - 5 January 2003; ORANGE COUNTY MUSEUM OF ART, Newport Beach, CA, 12 April - 29 June 2003; TACOMA ART MUSEUM, Tacoma, WA: 26 August - 30 November 2003.

Hirshhorn Museum and Sculpture Garden Collection, Spanish Modernism

Untitled

(n.d.)

Pablo Picasso, Spanish, b. Málaga, 1881–1973

Color lithograph on paper, sheet: 26 1/16 x 19 13/16 in. (66.1 x 50.4 cm) image: 15 7/8 x 12 13/16 in. (40.4 x 32.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3774

Provenance:
The Alan Gallery, New York, to 20 February 1961
Joseph H. Hirshhorn, New York, 20 February 1961-17 May 1966

Exhibition History:
THE SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from The Collection of Joseph H. Hirshhorn, 3 October 1962-6 January 1963, no. 357, ill. p. 201.
SAN JOSE MUSEUM OF ART, San Jose, CA. "Nathan Oliveira," 10 February - 12 May 2002. TOUR: NEUBERGER MUSEUM OF ART, PURCHASE COLLEGE, Purchase New York, 16 June - 8 September 2002; PALM SPRINGS DESERT MUSEUM, Palm Springs, CA, 5 October 2002 - 5 January 2003; ORANGE COUNTY MUSEUM OF ART, Newport Beach, CA, 12 April - 29 June 2003; TACOMA ART MUSEUM, Tacoma, WA: 26 August - 30 November 2003.

Hirshhorn Museum and Sculpture Garden Collection, Spanish Modernism

Venus and Cupid (After Lucas Cranach, 3 Variations)

1949

Pablo Picasso, Spanish, b. Málaga, 1881–1973

Lithograph on paper, 31 1/2 x 22 7/8 in. (80 x 58 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3797

Provenance:
The Alan Gallery, New York, to 20 February 1961
Joseph H. Hirshhorn, New York, 20 February 1961-17 May 1966

Exhibition History:
THE SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from The Collection of Joseph H. Hirshhorn, 3 October 1962-6 January 1963, no. 357, ill. p. 201.
SAN JOSE MUSEUM OF ART, San Jose, CA. "Nathan Oliveira," 10 February - 12 May 2002. TOUR: NEUBERGER MUSEUM OF ART, PURCHASE COLLEGE, Purchase New York, 16 June - 8 September 2002; PALM SPRINGS DESERT MUSEUM, Palm Springs, CA, 5 October 2002 - 5 January 2003; ORANGE COUNTY MUSEUM OF ART, Newport Beach, CA, 12 April - 29 June 2003; TACOMA ART MUSEUM, Tacoma, WA: 26 August - 30 November 2003.

Hirshhorn Museum and Sculpture Garden Collection, Spanish Modernism

Three Women (Trois Femmes)

March 2, 1965

Pablo Picasso, Spanish, b. Málaga, 1881–1973

Drypoint on paper, SHEET: 13 1/8 X 17 7/8 IN. (33.3 X 45.4 CM.) IMAGE: 9 1/8 X 13 1/16 IN. (23.3 X 33.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3831

Provenance:
The Alan Gallery, New York, to 20 February 1961
Joseph H. Hirshhorn, New York, 20 February 1961-17 May 1966

Exhibition History:
THE SOLOMON R. GUGGENHEIM MUSEUM, New York. Modern Sculpture from The Collection of Joseph H. Hirshhorn, 3 October 1962-6 January 1963, no. 357, ill. p. 201.
SAN JOSE MUSEUM OF ART, San Jose, CA. "Nathan Oliveira," 10 February - 12 May 2002. TOUR: NEUBERGER MUSEUM OF ART, PURCHASE COLLEGE, Purchase New York, 16 June - 8 September 2002; PALM SPRINGS DESERT MUSEUM, Palm Springs, CA, 5 October 2002 - 5 January 2003; ORANGE COUNTY MUSEUM OF ART, Newport Beach, CA, 12 April - 29 June 2003; TACOMA ART MUSEUM, Tacoma, WA: 26 August - 30 November 2003.

Hirshhorn Museum and Sculpture Garden Collection, Spanish Modernism

Untitled

1943

Jackson Pollock, American, b. Cody, Wyoming, 1912–1956

Ink on colored paper mounted on paperboard, 11 1/2 × 12 5/8 in. (29.2 × 32.1 cm) on artist's mount: 12 13/16 × 15 3/16 in. (32.5 × 38.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4083

Provenance:
Howard Putzel **
James Daniels (supposedly acquired from the artist)
Harold Diamond, New York, to 15 October 1961
Joseph H. Hirshhorn, New York, 15 October 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
** Source: O'Connor/Thaw Catalogue Raisonne
The drawing was reproduced on a Christmas card by Howard Putzel in c. 1944.

Exhibition History:
JUSTER GALLERY, New York. "American Watercolors and Drawings from 1900," 23 April-12 May 1962, no. 53.
WASHINGTON PROJECT FOR THE ARTS, Washington, DC. "The Blues Aesthetic: Black Culture and Modernism," 14 September-9 December 1989, fig. 9, cat. no. 68, p. 29, 31. TOUR: STUDIO MUSEUM IN HARLEM, New York, 16 September-30 December 1990.
MUSEO DI ARTE MODERNA E CONTEMPORANEA DI TRENTO E ROVERETO, Italy. "Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat," 15 November 2008-15 February 2009, color ill. p. 226. TOUR: MUSEE DU QUAI BRANLY, Paris, 17 March-28 June; CENTRE DE CULTURA CONTEMPORANIA DE BARCELONA, 21 July-18 October. [Bacelona Venue only]

Published References:
O'CONNOR, FRANCIS VALENTINE and EUGENE VICTOR THAW. Jackson
Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works Vol. 3 (New Haven, CT: Yale University Press, 1978) no. 666.
POWELL, RICHARD J. The Blues Aesthetic: Black Culture and Modernism (Washington D.C.: Washington Project for the Arts, 1989) fig. 9, p. 29, 31.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation)

Three Fixed, Three Moving Lines

1970

George Rickey, American, b. South Bend, Indiana, 1907–2002

Bronze, copper, and stainless steel, 40 5/8 x 33 3/4 x 6 in. (103.2 x 85.7 x 15.2 cm) base with armature: 36 7/8 x 28 3/4 x 6 in. (93.7 x 73 x 15.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3941

Provenance:
Howard Putzel **
James Daniels (supposedly acquired from the artist)
Harold Diamond, New York, to 15 October 1961
Joseph H. Hirshhorn, New York, 15 October 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
** Source: O'Connor/Thaw Catalogue Raisonne
The drawing was reproduced on a Christmas card by Howard Putzel in c. 1944.

Exhibition History:
JUSTER GALLERY, New York. "American Watercolors and Drawings from 1900," 23 April-12 May 1962, no. 53.
WASHINGTON PROJECT FOR THE ARTS, Washington, DC. "The Blues Aesthetic: Black Culture and Modernism," 14 September-9 December 1989, fig. 9, cat. no. 68, p. 29, 31. TOUR: STUDIO MUSEUM IN HARLEM, New York, 16 September-30 December 1990.
MUSEO DI ARTE MODERNA E CONTEMPORANEA DI TRENTO E ROVERETO, Italy. "Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat," 15 November 2008-15 February 2009, color ill. p. 226. TOUR: MUSEE DU QUAI BRANLY, Paris, 17 March-28 June; CENTRE DE CULTURA CONTEMPORANIA DE BARCELONA, 21 July-18 October. [Bacelona Venue only]

Published References:
O'CONNOR, FRANCIS VALENTINE and EUGENE VICTOR THAW. Jackson
Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works Vol. 3 (New Haven, CT: Yale University Press, 1978) no. 666.
POWELL, RICHARD J. The Blues Aesthetic: Black Culture and Modernism (Washington D.C.: Washington Project for the Arts, 1989) fig. 9, p. 29, 31.

Hirshhorn Museum and Sculpture Garden Collection

Stones: To the Entertainment of Patsy and Mike Goldberg

1958

Larry Rivers, American, b. Bronx, New York, 1925–2002

Lithograph on paper, sheet: 19 1/4 x 23 3/4 in. (48.9 x 60.3 cm) [irreg.] image: 13 5/8 x 17 7/8 in. (34.7 x 45.5 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Mr. and Mrs. Samuel Efron, 1981

Accession Number: 81.243.8

Provenance:
Howard Putzel **
James Daniels (supposedly acquired from the artist)
Harold Diamond, New York, to 15 October 1961
Joseph H. Hirshhorn, New York, 15 October 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
** Source: O'Connor/Thaw Catalogue Raisonne
The drawing was reproduced on a Christmas card by Howard Putzel in c. 1944.

Exhibition History:
JUSTER GALLERY, New York. "American Watercolors and Drawings from 1900," 23 April-12 May 1962, no. 53.
WASHINGTON PROJECT FOR THE ARTS, Washington, DC. "The Blues Aesthetic: Black Culture and Modernism," 14 September-9 December 1989, fig. 9, cat. no. 68, p. 29, 31. TOUR: STUDIO MUSEUM IN HARLEM, New York, 16 September-30 December 1990.
MUSEO DI ARTE MODERNA E CONTEMPORANEA DI TRENTO E ROVERETO, Italy. "Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat," 15 November 2008-15 February 2009, color ill. p. 226. TOUR: MUSEE DU QUAI BRANLY, Paris, 17 March-28 June; CENTRE DE CULTURA CONTEMPORANIA DE BARCELONA, 21 July-18 October. [Bacelona Venue only]

Published References:
O'CONNOR, FRANCIS VALENTINE and EUGENE VICTOR THAW. Jackson
Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works Vol. 3 (New Haven, CT: Yale University Press, 1978) no. 666.
POWELL, RICHARD J. The Blues Aesthetic: Black Culture and Modernism (Washington D.C.: Washington Project for the Arts, 1989) fig. 9, p. 29, 31.

Hirshhorn Museum and Sculpture Garden Collection, Pop Precursors

Leviathan School

1967

Sheila W. Ross

Collage on paper, 11 1/2 X 18 IN.

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4045

Provenance:
Howard Putzel **
James Daniels (supposedly acquired from the artist)
Harold Diamond, New York, to 15 October 1961
Joseph H. Hirshhorn, New York, 15 October 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
** Source: O'Connor/Thaw Catalogue Raisonne
The drawing was reproduced on a Christmas card by Howard Putzel in c. 1944.

Exhibition History:
JUSTER GALLERY, New York. "American Watercolors and Drawings from 1900," 23 April-12 May 1962, no. 53.
WASHINGTON PROJECT FOR THE ARTS, Washington, DC. "The Blues Aesthetic: Black Culture and Modernism," 14 September-9 December 1989, fig. 9, cat. no. 68, p. 29, 31. TOUR: STUDIO MUSEUM IN HARLEM, New York, 16 September-30 December 1990.
MUSEO DI ARTE MODERNA E CONTEMPORANEA DI TRENTO E ROVERETO, Italy. "Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat," 15 November 2008-15 February 2009, color ill. p. 226. TOUR: MUSEE DU QUAI BRANLY, Paris, 17 March-28 June; CENTRE DE CULTURA CONTEMPORANIA DE BARCELONA, 21 July-18 October. [Bacelona Venue only]

Published References:
O'CONNOR, FRANCIS VALENTINE and EUGENE VICTOR THAW. Jackson
Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works Vol. 3 (New Haven, CT: Yale University Press, 1978) no. 666.
POWELL, RICHARD J. The Blues Aesthetic: Black Culture and Modernism (Washington D.C.: Washington Project for the Arts, 1989) fig. 9, p. 29, 31.

Hirshhorn Museum and Sculpture Garden Collection

Juggler (Jongleur)

1934

Georges Rouault, French, 1871–1958

Aquatint on paper, sheet: 16 7/8 x 13 1/16 in. (42.9 x 33.2 cm) image: 12 1/8 x 7 7/8 in. (30.8 x 20 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4067

Provenance:
Howard Putzel **
James Daniels (supposedly acquired from the artist)
Harold Diamond, New York, to 15 October 1961
Joseph H. Hirshhorn, New York, 15 October 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
** Source: O'Connor/Thaw Catalogue Raisonne
The drawing was reproduced on a Christmas card by Howard Putzel in c. 1944.

Exhibition History:
JUSTER GALLERY, New York. "American Watercolors and Drawings from 1900," 23 April-12 May 1962, no. 53.
WASHINGTON PROJECT FOR THE ARTS, Washington, DC. "The Blues Aesthetic: Black Culture and Modernism," 14 September-9 December 1989, fig. 9, cat. no. 68, p. 29, 31. TOUR: STUDIO MUSEUM IN HARLEM, New York, 16 September-30 December 1990.
MUSEO DI ARTE MODERNA E CONTEMPORANEA DI TRENTO E ROVERETO, Italy. "Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat," 15 November 2008-15 February 2009, color ill. p. 226. TOUR: MUSEE DU QUAI BRANLY, Paris, 17 March-28 June; CENTRE DE CULTURA CONTEMPORANIA DE BARCELONA, 21 July-18 October. [Bacelona Venue only]

Published References:
O'CONNOR, FRANCIS VALENTINE and EUGENE VICTOR THAW. Jackson
Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works Vol. 3 (New Haven, CT: Yale University Press, 1978) no. 666.
POWELL, RICHARD J. The Blues Aesthetic: Black Culture and Modernism (Washington D.C.: Washington Project for the Arts, 1989) fig. 9, p. 29, 31.

Hirshhorn Museum and Sculpture Garden Collection

It's Only A Matter Of Time

1974

Betye Saar, American, b. Los Angeles, California, 1926

Plastic, paper, wood, tin buttons, lead, decal, photomechanical reproduction, watermelon seeds, and paint on plywood, 15 5/8 X 12 1/8 X 1 1/4 IN. (39.8 X 30.8 X 3.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4105

Provenance:
Howard Putzel **
James Daniels (supposedly acquired from the artist)
Harold Diamond, New York, to 15 October 1961
Joseph H. Hirshhorn, New York, 15 October 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
** Source: O'Connor/Thaw Catalogue Raisonne
The drawing was reproduced on a Christmas card by Howard Putzel in c. 1944.

Exhibition History:
JUSTER GALLERY, New York. "American Watercolors and Drawings from 1900," 23 April-12 May 1962, no. 53.
WASHINGTON PROJECT FOR THE ARTS, Washington, DC. "The Blues Aesthetic: Black Culture and Modernism," 14 September-9 December 1989, fig. 9, cat. no. 68, p. 29, 31. TOUR: STUDIO MUSEUM IN HARLEM, New York, 16 September-30 December 1990.
MUSEO DI ARTE MODERNA E CONTEMPORANEA DI TRENTO E ROVERETO, Italy. "Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat," 15 November 2008-15 February 2009, color ill. p. 226. TOUR: MUSEE DU QUAI BRANLY, Paris, 17 March-28 June; CENTRE DE CULTURA CONTEMPORANIA DE BARCELONA, 21 July-18 October. [Bacelona Venue only]

Published References:
O'CONNOR, FRANCIS VALENTINE and EUGENE VICTOR THAW. Jackson
Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works Vol. 3 (New Haven, CT: Yale University Press, 1978) no. 666.
POWELL, RICHARD J. The Blues Aesthetic: Black Culture and Modernism (Washington D.C.: Washington Project for the Arts, 1989) fig. 9, p. 29, 31.

Hirshhorn Museum and Sculpture Garden Collection, African-American Figuration

Study for Head of Joyce

1962

Lee Savage, American, b. Charleston, West Virginia, 1928–1998

Oil on canvasboard, 21 7/8 x 18 in. (55.6 x 45.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4472

Provenance:
Howard Putzel **
James Daniels (supposedly acquired from the artist)
Harold Diamond, New York, to 15 October 1961
Joseph H. Hirshhorn, New York, 15 October 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
** Source: O'Connor/Thaw Catalogue Raisonne
The drawing was reproduced on a Christmas card by Howard Putzel in c. 1944.

Exhibition History:
JUSTER GALLERY, New York. "American Watercolors and Drawings from 1900," 23 April-12 May 1962, no. 53.
WASHINGTON PROJECT FOR THE ARTS, Washington, DC. "The Blues Aesthetic: Black Culture and Modernism," 14 September-9 December 1989, fig. 9, cat. no. 68, p. 29, 31. TOUR: STUDIO MUSEUM IN HARLEM, New York, 16 September-30 December 1990.
MUSEO DI ARTE MODERNA E CONTEMPORANEA DI TRENTO E ROVERETO, Italy. "Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat," 15 November 2008-15 February 2009, color ill. p. 226. TOUR: MUSEE DU QUAI BRANLY, Paris, 17 March-28 June; CENTRE DE CULTURA CONTEMPORANIA DE BARCELONA, 21 July-18 October. [Bacelona Venue only]

Published References:
O'CONNOR, FRANCIS VALENTINE and EUGENE VICTOR THAW. Jackson
Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works Vol. 3 (New Haven, CT: Yale University Press, 1978) no. 666.
POWELL, RICHARD J. The Blues Aesthetic: Black Culture and Modernism (Washington D.C.: Washington Project for the Arts, 1989) fig. 9, p. 29, 31.

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Bus Riders

(1962)

George Segal, American, b. New York City, 1924–2000

Plaster, cotton gauze, leather, vinyl, steel, and wood, 70 x 42 3/8 x 90 3/4 in. (177.8 x 107.6 x 230.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4506

Provenance:
Jh Purchased From Green Gallery, New York 1964

Published References:
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 2, p. 4. [exhibition brochure]

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (American)

Icy Nude

(by 1966)

George Segal, American, b. New York City, 1924–2000

Oil on canvas, 42 5/8 x 27 7/8 in. (108.1 x 70.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4154

Provenance:
Jh Purchased From Green Gallery, New York 1964

Published References:
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 2, p. 4. [exhibition brochure]

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (American)

Un Tambour-Maître

(n.d.)

Seko-Daty

Gouache over pencil on heavy paper, 10 9/16 x 6 5/8 in. (26.8 x 16.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4179

Provenance:
Jh Purchased From Green Gallery, New York 1964

Published References:
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 2, p. 4. [exhibition brochure]

Hirshhorn Museum and Sculpture Garden Collection

Landscape And Street Scene

1959-1960

Francis Sellers

Ink and watercolor on paper

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4189

Provenance:
Jh Purchased From Green Gallery, New York 1964

Published References:
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 2, p. 4. [exhibition brochure]

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

(Untitled)

Jack Siegel, Canadian, b. 1911

Ink on paper, 7 1/8 x 4 15/16 in. (18 x 12.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4317

Provenance:
Jh Purchased From Green Gallery, New York 1964

Published References:
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 2, p. 4. [exhibition brochure]

Hirshhorn Museum and Sculpture Garden Collection

Untitled

Jack Siegel, Canadian, b. 1911

Mixed media on paper

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4364

Provenance:
Jh Purchased From Green Gallery, New York 1964

Published References:
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 2, p. 4. [exhibition brochure]

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Raven IV

March 14, 1957

David Smith, American, b. Decatur, Indiana, 1906–1965

Steel, 28 1/8 X 32 3/8 X 13 1/4 IN. (71.4 X 82.2 X 33.5 CM.) INCL. BASE H: 1 IN. (2.4 CM.) WT. 80 LB. (36.0 KG.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4639

Provenance:
Parke-Bernet Galleries, New York, to 1964

Exhibition History:
STORM KING ART CENTER, Mountainville, New York. "The Fields of David Smith," 18 May-15 November 1998.

Published References:
ELLEGOOD, ANNE and JOANNA BURTON. The Uncertainty of Objects and Ideas: Recent Sculpture (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006), ill. p. 69.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation)

Landscape of Talking Earth

1971

Alan Sonfist, American, b. New York City, 1946

Pastel, bark, twigs, leaves, feathers and rocks on canvas and silk, 3 PANELS, EACH: 72 X 36 IN. (182.9 X 91.4 CM.) OVERALL: 72 X 108 IN. (182.9 X 274.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Allan Frumkin, 1987

Accession Number: 87.37

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1988," 15 March-14 May 1989, unpublished checklist, no. 74.

Hirshhorn Museum and Sculpture Garden Collection

In A Jewish Cafe

1925

Raphael Soyer, American, b. Borisoglebsk, Russia, 1899–1987

Watercolor and pencil on paper, 21 3/4 X 19 3/8 IN. (55.3 X 49.1 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4717

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1988," 15 March-14 May 1989, unpublished checklist, no. 74.

Hirshhorn Museum and Sculpture Garden Collection, American Realism (Mid-20th Century)

Dancer

(1980)

Raphael Soyer, American, b. Borisoglebsk, Russia, 1899–1987

Color lithograph on paper, SHEET: 29 1/2 X 21 3/8 IN. (75.0 X 54.4 CM.) IMAGE: 19 1/4 X 9 7/8 IN. (48.8 X 25.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Raphael and Rebecca Soyer in Honor of the Museum's Founding Director, Abram Lerner, 1981

Accession Number: 81.219

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1988," 15 March-14 May 1989, unpublished checklist, no. 74.

Hirshhorn Museum and Sculpture Garden Collection, American Realism (Mid-20th Century)

Untitled

(n.d.)

Raphael Soyer, American, b. Borisoglebsk, Russia, 1899–1987

Etching on paper, SHEET: 18 X 15 1/16 IN. (45.6 X 38.3 CM.) PLATE: 10 1/8 X 7 3/4 IN. (25.7 X 19.7 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Artist, 1982

Accession Number: 82.129

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1988," 15 March-14 May 1989, unpublished checklist, no. 74.

Hirshhorn Museum and Sculpture Garden Collection, American Realism (Mid-20th Century)

Vertical

1967

Jan Peter Stern, American, 1926-2004

Chromed stainless steel, 108 3/4 x 11 x 11 in. (276.7 x 28.0 x 28.0 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.47

Jh Purchased From Ankrum Gallery, Los Angeles Feb 22, 1967

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Untitled

(c. 1950)

Myron Stout, American, b. Denton, Texas, 1908–1987

Charcoal and chalk on paper, 19 1/8 X 25 IN. (48.4 X 63.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4826

Jh Purchased From Ankrum Gallery, Los Angeles Feb 22, 1967

Hirshhorn Museum and Sculpture Garden Collection, American Abstraction (Mid-Century)/Geometric Abstraction

Cynocephalus (from the portfolio "A Bestiary and Some Correspondences")

(1965-1968)

Graham Sutherland, British, 1903–1980

Color lithograph on paper, 26 x 19 11/16 in. (66 x 50 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1977

Accession Number: 77.55.12

Jh Purchased From Ankrum Gallery, Los Angeles Feb 22, 1967

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)

Image not available.

Sheet Of Studies - Heads (from the portfolio "A Bestiary and Some Correspondences")

April 10, 1968

Graham Sutherland, British, 1903–1980

Color lithograph on paper, 26 X 19 3/4 IN. (65.9 X 50.1 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1977

Accession Number: 77.55.16

Jh Purchased From Ankrum Gallery, Los Angeles Feb 22, 1967

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)

Image not available.

Hybrid (from the portfolio "A Bestiary and Some Correspondences")

APRIL 3, 1968

Graham Sutherland, British, 1903–1980

Color lithograph on paper, 26 X 19 3/4 IN. (66.0 X 50.1 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1977

Accession Number: 77.55.26

Jh Purchased From Ankrum Gallery, Los Angeles Feb 22, 1967

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)

Image not available.

Tachygraphic Landscape

1958

Takao Tanabe, Canadian, b. Prince Rupert, British Columbia, 1926

Oil on paper, 22 9/16 X 28 7/8 in. (57.3 X 73.4 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4875

Jh Purchased From Ankrum Gallery, Los Angeles Feb 22, 1967

Hirshhorn Museum and Sculpture Garden Collection

No. 17

1956

Stanley Twardowicz, American, b. Detroit, Michigan, 1917–2008

Oil on linen, 41 7/8 x 36 in. (106.6 x 91.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5026

Jh Purchased From Ankrum Gallery, Los Angeles Feb 22, 1967

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Formes Groupees Blanches

1960

Raoul Ubac, Belgian, b. Malmedy, Wallonia, 1910–1985

Gouache on paper, 25 3/4 X 20 IN. (65.4 X 50.7 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.302

Jh Purchased From Ankrum Gallery, Los Angeles Feb 22, 1967

Hirshhorn Museum and Sculpture Garden Collection

Untitled

Ugene

Gouache on paper, 25 3/4 X 20 IN. (65.4 X 50.7 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4713

Jh Purchased From Ankrum Gallery, Los Angeles Feb 22, 1967

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Sailing Boats Loosdrecht

(n.d.)

Annemarie Van Zanten, Dutch, b. 1933

Lithograph on paper, SHEET: 12 3/4 X 20 1/16 in. (32.4 X 50.9 cm) IMAGE: 10 1/8 X 14 1/4 IN. IRREG. (25.8 X 36.0 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5383

Provenance:
E.J. van Wisselingh, Amsterdam, to 24 November 1960
Joseph H. Hirshhorn, New York, 24 November 1960-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Hirshhorn Museum and Sculpture Garden Collection

Cailloux-3

1952-1958

Victor Vasarely, French, b. Pécs, Hungary, 1908–1997

Oil on paperboard, mounted on wood, 17 7/8 X 36 5/8 IN. (45.4 X 92.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5393

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection, Op Art

Image not available.

Seascape No. 2

1955

Tony Vevers, American, b. London, England, 1926–2008

Watercolor on paper, 11 3/4 X 17 13/16 IN. (29.8 X 45.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5400

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection

(Untitled) (Female Nude Standing)

1961

Tony Vevers, American, b. London, England, 1926–2008

Charcoal and watercolor wash, SHEET: 29 15/16 X 22 1/16 IN.

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5405

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection

Untitled

1967

Paul Waldman, American, b. 1936

Wood, 10 x 10 x 2 7/8 in. (25.4 x 25.4 x 7.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5328

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Head

Abraham Walkowitz, American, b. Tyumen, Russia, 1878–1965

Ink and pencil on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5381

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection, Early American Modernism

Image not available.

Head

Abraham Walkowitz, American, b. Tyumen, Russia, 1878–1965

Ink and pencil on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5407

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection, Early American Modernism

Image not available.

New York Abstract

1910

Abraham Walkowitz, American, b. Tyumen, Russia, 1878–1965

Ink on paper, 12 1/2 x 9 5/8 in. (31.8 x 24.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5596

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection, Early American Modernism

Study of Skyscrapers (Metropolis)

1910

Abraham Walkowitz, American, b. Tyumen, Russia, 1878–1965

Watercolor and pencil on paper mounted to paper, 19 13/16 x 11 9/16 in. (50.3 x 29.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5600

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection, Early American Modernism

House On Coast

(by July 1945)

Sol Wilson, American, 1896–1974

Gouache on paperboard, 15 X 20 IN. (38.1 X 50.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5541

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection

Eclipse

1961

James Wines, American, b. 1932

Bronze, 19 1/4 × 19 × 16 in. (48.9 × 48.3 × 40.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5546

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

(Untitled)

Joseph Winter, American, b. 1921

Ink, watercolor, and casein on paper

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5702

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Joanna

1968

Paul Wunderlich, German, b. Eberswalde, 1927–2010

Oil and pencil on linen, 63 x 50 3/4 in. (160 x 128.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5783

Jh Purchased From Rene, Galerie Denis, Paris Oct. 15, 1964

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)

Composition No. 250

1941

Jean Xceron, American, 1890–1967

Oil on paperboard, 27 3/4 X 19 5/8 IN. (70.5 X 49.9 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5595

Provenance:
The Artist, New York, to 25 April 1963
Joseph H. Hirshhorn, New York, 25 April 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
AMERICAN FEDERATION OF ARTS, New York (organizer). "Purist Painting," no. 37. TOUR: J.B. SPEED ART MUSEUM, Louisville, Kentucky, 1-22 October 1960; COLUMBUS GALLERY OF FINE ARTS, Ohio, 5-25 November; LAYTON SCHOOL OF ART, Milwaukee, 9-24 December; WALKER ART CENTER, Minneapolis, 12 January-19 February 1961; CARELTON COLLEGE, Northfield, Minnesota, 1-22 March; EVERSON MUSEUM OF ART, Syracuse, New York, 21 April-28 May; NORTH CAROLINA MUSEUM OF ART, Raleigh, 6-26 September; WHITE ART MUSEUM, Cornell University, Ithaca, New York, 10-31 October.
ROSE FRIED GALLERY, New York. "Selection: Paintings 1929-1962," 16 April-19 May 1962, no. 8, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Jean Xceron," September-October 1965, no. 16. TOUR: MUSEUM OF ART, Rhode Island School of Design, Providence, 7 April-1 May 1966; SAPPEION PALACE MUSEUM, Athens, Greece, 3-30 October.
MUSEUM OF CONTEMPORARY ART, Chicago. "Post-Mondrian Abstraction in America," 31 March-13 May 1973, cat. (no number).
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Abstract Painting and Sculpture in America 1927-1944," 29 October-31 December 1983, cat. by Lane and Larsen, no. 145, ill. p. 234. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 26 January-25 March 1984; WHITNEY MUSEUM OF AMERICAN ART, New York, 28 June-2 September.

Hirshhorn Museum and Sculpture Garden Collection, Geometric Abstraction

Image not available.

Green Moss and Water

(1950)

Jack Butler Yeats, Irish, b. London, England, 1871–1957

Oil on linen, 18 1/8 X 24 IN. (46.1 X 61.1 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5834

Provenance:
The Artist, New York, to 25 April 1963
Joseph H. Hirshhorn, New York, 25 April 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
AMERICAN FEDERATION OF ARTS, New York (organizer). "Purist Painting," no. 37. TOUR: J.B. SPEED ART MUSEUM, Louisville, Kentucky, 1-22 October 1960; COLUMBUS GALLERY OF FINE ARTS, Ohio, 5-25 November; LAYTON SCHOOL OF ART, Milwaukee, 9-24 December; WALKER ART CENTER, Minneapolis, 12 January-19 February 1961; CARELTON COLLEGE, Northfield, Minnesota, 1-22 March; EVERSON MUSEUM OF ART, Syracuse, New York, 21 April-28 May; NORTH CAROLINA MUSEUM OF ART, Raleigh, 6-26 September; WHITE ART MUSEUM, Cornell University, Ithaca, New York, 10-31 October.
ROSE FRIED GALLERY, New York. "Selection: Paintings 1929-1962," 16 April-19 May 1962, no. 8, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Jean Xceron," September-October 1965, no. 16. TOUR: MUSEUM OF ART, Rhode Island School of Design, Providence, 7 April-1 May 1966; SAPPEION PALACE MUSEUM, Athens, Greece, 3-30 October.
MUSEUM OF CONTEMPORARY ART, Chicago. "Post-Mondrian Abstraction in America," 31 March-13 May 1973, cat. (no number).
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Abstract Painting and Sculpture in America 1927-1944," 29 October-31 December 1983, cat. by Lane and Larsen, no. 145, ill. p. 234. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 26 January-25 March 1984; WHITNEY MUSEUM OF AMERICAN ART, New York, 28 June-2 September.

Hirshhorn Museum and Sculpture Garden Collection

Young Girl With Folded Hands

(ca 1956)

Laura Ziegler, American, b. Columbus, Ohio,1927

Bronze, 8 3/8 x 3 9/16 x 2 3/8 in. (21.3 x 9 x 6.1 cm) BASE: 3/4 x 3 9/16 x 1 13/16 in. (1.9 x 9 x 4.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5663

Provenance:
The Artist, New York, to 25 April 1963
Joseph H. Hirshhorn, New York, 25 April 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
AMERICAN FEDERATION OF ARTS, New York (organizer). "Purist Painting," no. 37. TOUR: J.B. SPEED ART MUSEUM, Louisville, Kentucky, 1-22 October 1960; COLUMBUS GALLERY OF FINE ARTS, Ohio, 5-25 November; LAYTON SCHOOL OF ART, Milwaukee, 9-24 December; WALKER ART CENTER, Minneapolis, 12 January-19 February 1961; CARELTON COLLEGE, Northfield, Minnesota, 1-22 March; EVERSON MUSEUM OF ART, Syracuse, New York, 21 April-28 May; NORTH CAROLINA MUSEUM OF ART, Raleigh, 6-26 September; WHITE ART MUSEUM, Cornell University, Ithaca, New York, 10-31 October.
ROSE FRIED GALLERY, New York. "Selection: Paintings 1929-1962," 16 April-19 May 1962, no. 8, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Jean Xceron," September-October 1965, no. 16. TOUR: MUSEUM OF ART, Rhode Island School of Design, Providence, 7 April-1 May 1966; SAPPEION PALACE MUSEUM, Athens, Greece, 3-30 October.
MUSEUM OF CONTEMPORARY ART, Chicago. "Post-Mondrian Abstraction in America," 31 March-13 May 1973, cat. (no number).
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Abstract Painting and Sculpture in America 1927-1944," 29 October-31 December 1983, cat. by Lane and Larsen, no. 145, ill. p. 234. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 26 January-25 March 1984; WHITNEY MUSEUM OF AMERICAN ART, New York, 28 June-2 September.

Hirshhorn Museum and Sculpture Garden Collection

Squatting Nude with Crossed Arms

1975

Francisco Zúñiga, Mexican, b. San José, Costa Rica, 1912–1998

Bistre crayon on paper, 19 3/8 × 26 7/8 in. (49.4 × 68.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5873

Provenance:
The Artist, New York, to 25 April 1963
Joseph H. Hirshhorn, New York, 25 April 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
AMERICAN FEDERATION OF ARTS, New York (organizer). "Purist Painting," no. 37. TOUR: J.B. SPEED ART MUSEUM, Louisville, Kentucky, 1-22 October 1960; COLUMBUS GALLERY OF FINE ARTS, Ohio, 5-25 November; LAYTON SCHOOL OF ART, Milwaukee, 9-24 December; WALKER ART CENTER, Minneapolis, 12 January-19 February 1961; CARELTON COLLEGE, Northfield, Minnesota, 1-22 March; EVERSON MUSEUM OF ART, Syracuse, New York, 21 April-28 May; NORTH CAROLINA MUSEUM OF ART, Raleigh, 6-26 September; WHITE ART MUSEUM, Cornell University, Ithaca, New York, 10-31 October.
ROSE FRIED GALLERY, New York. "Selection: Paintings 1929-1962," 16 April-19 May 1962, no. 8, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Jean Xceron," September-October 1965, no. 16. TOUR: MUSEUM OF ART, Rhode Island School of Design, Providence, 7 April-1 May 1966; SAPPEION PALACE MUSEUM, Athens, Greece, 3-30 October.
MUSEUM OF CONTEMPORARY ART, Chicago. "Post-Mondrian Abstraction in America," 31 March-13 May 1973, cat. (no number).
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Abstract Painting and Sculpture in America 1927-1944," 29 October-31 December 1983, cat. by Lane and Larsen, no. 145, ill. p. 234. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 26 January-25 March 1984; WHITNEY MUSEUM OF AMERICAN ART, New York, 28 June-2 September.

Hirshhorn Museum and Sculpture Garden Collection

Untitled ABS 12

1966

John Altoon, American, b. Los Angeles, California, 1925–1969

Ink, watercolor, and airbrush on paperboard, 60 1/16 x 40 1/16 in. (152.6 x 101.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest Fund, 1998

Accession Number: 98.4

Provenance:
The Artist, New York, to 25 April 1963
Joseph H. Hirshhorn, New York, 25 April 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
AMERICAN FEDERATION OF ARTS, New York (organizer). "Purist Painting," no. 37. TOUR: J.B. SPEED ART MUSEUM, Louisville, Kentucky, 1-22 October 1960; COLUMBUS GALLERY OF FINE ARTS, Ohio, 5-25 November; LAYTON SCHOOL OF ART, Milwaukee, 9-24 December; WALKER ART CENTER, Minneapolis, 12 January-19 February 1961; CARELTON COLLEGE, Northfield, Minnesota, 1-22 March; EVERSON MUSEUM OF ART, Syracuse, New York, 21 April-28 May; NORTH CAROLINA MUSEUM OF ART, Raleigh, 6-26 September; WHITE ART MUSEUM, Cornell University, Ithaca, New York, 10-31 October.
ROSE FRIED GALLERY, New York. "Selection: Paintings 1929-1962," 16 April-19 May 1962, no. 8, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Jean Xceron," September-October 1965, no. 16. TOUR: MUSEUM OF ART, Rhode Island School of Design, Providence, 7 April-1 May 1966; SAPPEION PALACE MUSEUM, Athens, Greece, 3-30 October.
MUSEUM OF CONTEMPORARY ART, Chicago. "Post-Mondrian Abstraction in America," 31 March-13 May 1973, cat. (no number).
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Abstract Painting and Sculpture in America 1927-1944," 29 October-31 December 1983, cat. by Lane and Larsen, no. 145, ill. p. 234. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 26 January-25 March 1984; WHITNEY MUSEUM OF AMERICAN ART, New York, 28 June-2 September.

Hirshhorn Museum and Sculpture Garden Collection, Formalist Abstraction

Image not available.

It Would Be Better to Fly

1996

Ignacio Iturria, Uruguayan, b. Montevideo, 1949

Oil on linen, 39 1/4 x 77 3/4 in. (99.5 x 197.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1999

Accession Number: 99.1

Provenance:
The Artist, New York, to 25 April 1963
Joseph H. Hirshhorn, New York, 25 April 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
AMERICAN FEDERATION OF ARTS, New York (organizer). "Purist Painting," no. 37. TOUR: J.B. SPEED ART MUSEUM, Louisville, Kentucky, 1-22 October 1960; COLUMBUS GALLERY OF FINE ARTS, Ohio, 5-25 November; LAYTON SCHOOL OF ART, Milwaukee, 9-24 December; WALKER ART CENTER, Minneapolis, 12 January-19 February 1961; CARELTON COLLEGE, Northfield, Minnesota, 1-22 March; EVERSON MUSEUM OF ART, Syracuse, New York, 21 April-28 May; NORTH CAROLINA MUSEUM OF ART, Raleigh, 6-26 September; WHITE ART MUSEUM, Cornell University, Ithaca, New York, 10-31 October.
ROSE FRIED GALLERY, New York. "Selection: Paintings 1929-1962," 16 April-19 May 1962, no. 8, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Jean Xceron," September-October 1965, no. 16. TOUR: MUSEUM OF ART, Rhode Island School of Design, Providence, 7 April-1 May 1966; SAPPEION PALACE MUSEUM, Athens, Greece, 3-30 October.
MUSEUM OF CONTEMPORARY ART, Chicago. "Post-Mondrian Abstraction in America," 31 March-13 May 1973, cat. (no number).
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Abstract Painting and Sculpture in America 1927-1944," 29 October-31 December 1983, cat. by Lane and Larsen, no. 145, ill. p. 234. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 26 January-25 March 1984; WHITNEY MUSEUM OF AMERICAN ART, New York, 28 June-2 September.

Hirshhorn Museum and Sculpture Garden Collection, Hispanic Contemporary

Image not available.

Stereoscope

(1999)

William Kentridge, South African, b. Johannesburg, 1955

Film transferred to video, color, sound, running time: 00:08:22

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1999

Accession Number: 99.17

Provenance:
Marian Goodman Gallery, New York, to 28 May 1999
Joseph H. Hirshhorn Purchase Fund, 1999

Hirshhorn Museum and Sculpture Garden Collection, International Contemporary

Image not available.

Puppet Drawing

2000

William Kentridge, South African, b. Johannesburg, 1955

Paper, wire, pins, and tape on printed paper, 13 11/16 x 18 7/8 in. (34.7 x 47.9 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2000

Accession Number: 00.11

Provenance:
Marian Goodman Gallery, New York, to 16 June 2000
Joseph H. Hirshhorn Purchase Fund, 2000

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.

Hirshhorn Museum and Sculpture Garden Collection, International Contemporary

Icarus's Tears I

1952

Jirí Kolár, Czechoslovakian, b. Protivín, 1914–2002

Photomechanical reproductions on paper, 11 3/4 x 8 1/4 in. (29.9 x 21.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, and Museum purchase, 2006

Accession Number: 06.28

Provenance:
Beluse Kolarova, Prague, to 9 November 2006
Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, and Museum Purchase, 2006

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.

Hirshhorn Museum and Sculpture Garden Collection

Eye Body: 36 Transformative Actions

(1963-1973)

Carolee Schneemann, American, b. Fox Chase, Pennsylvania, 1939–2019

Gelatin silver prints, framed (each): 14 1/8 x 11 1/8 in. and 11 1/8 x 14 1/8 in.

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest and Purchase Funds and Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 2007

Accession Number: 07.23

Provenance:
PPOW Gallery, New York, to 17 May 2007
Joseph H. Hirshhorn Bequest and Purchase Funds and Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 2007

Hirshhorn Museum and Sculpture Garden Collection

'Titled (Art as Idea as Idea) [ultimate]'

1967

Joseph Kosuth, American, b. Toledo, Ohio, 1945

Ink on paper mounted on cardboard in wood frame, original: 57 x 57 in. (144.8 x 144.8 cm) exh. copy: 60 x 60 in. (152.4 x 152.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2007. The Panza Collection.

Accession Number: 07.64

Provenance:
Dr. Giuseppe Panza, Massagno, Switzerland, to 27 September 2007
Joseph H. Hirshhorn Purchase Fund, 2007. The Panza Collection.

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Panza Collection," 23 October 2008-11 January 2009, cat. by Evelyn C. Hankins and Giuseppe Panza with a forward by Kerry Brougher, p. 22; ill. p. 41.

Published References:
UNSIGNED. The Panza Collection (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2008). [exhibition brochure]

Hirshhorn Museum and Sculpture Garden Collection, Conceptual Art

8 Ball

2007

Robin Rhode, South African, b. Cape Town, 1976

Inkjet prints on paper mounted on mat board, 16 prints, 13 3/4 x 20 7/8 in. (35.1 x 53 cm) each (unframed); overall: 61 x 90 in. (155 x 228.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 2007

Accession Number: 07.91

Provenance:
Perry Rubenstein Gallery, New York, to 17 November 2007
Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Holenia Purchase Fund, in Memory of Joseph H. Hirshhorn, 2007

Hirshhorn Museum and Sculpture Garden Collection

Mirror Sequences

1969-1970

AA Bronson, Canadian, b. Vancouver, British Columbia, 1946

Gelatin silver print, each: 7 3/4 x 5 in. (19.7 x 12.7 cm) mount (each): 18 1/8 x 14 1/8 in. (46 x 35.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest Fund, 2008

Accession Number: 08.8

Provenance:
John Connelly Presents, New York, to 22 April 2008
Joseph H. Hirshhorn Bequest Fund, 2008

Exhibition History:
JOHN CONNELLY PRESENTS, New York. "AA Bronson’s School for Young Shamans," 10 January-16 February 2008.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.

Published References:
COTTER, HOLLAND. "A. A. Bronson's School for Young Shamans," New York Times (18 January 2008), Art Listings section, online edition.

Hirshhorn Museum and Sculpture Garden Collection

Setpiece 1 (from the portfolio "Struggle in the West - The Bombing of London")

1967-1969

R. B. Kitaj, American, b. Chagrin Falls, Ohio, 1932–2007

Color serigraph, 16 15/16 x 29 7/16 in. (43 x 74.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Mr. Donald S. Powers, 1979

Accession Number: 79.167.4

Provenance:
John Connelly Presents, New York, to 22 April 2008
Joseph H. Hirshhorn Bequest Fund, 2008

Exhibition History:
JOHN CONNELLY PRESENTS, New York. "AA Bronson’s School for Young Shamans," 10 January-16 February 2008.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.

Published References:
COTTER, HOLLAND. "A. A. Bronson's School for Young Shamans," New York Times (18 January 2008), Art Listings section, online edition.

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (British)/School of London

Do.I

1973

Anni Albers, American, b. Berlin, Germany, 1899–1994

Screenprint on paper, sheet: 25 5/8 x 25 5/8 in. (65 x 65 cm) image: 17 x 17 in. (43.2 x 43.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.26.1

(no invoice)

Hirshhorn Museum and Sculpture Garden Collection, Geometric Abstraction

Chariots of the Gods

2009

Matthew Weinstein, American, b. New York City, 1964

3-D animation with dialogue and music, video: 17 minutes

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Theodor and Isabella Dalenson, 2013

Accession Number: 13.12

Provenance:
Theodor Dalenson, New York, to 19 December 2013
Gift of Theodor and Isabella Dalenson, 2013

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Untitled #10 (from the "Inauguration" series)

2009

Catherine Opie, American, b. Sandusky, Ohio, 1961

Archival pigment print, sheet: 19 15/16 x 16 1/16 in. (50.6 x 40.8 cm) image: 18 x 12 1/16 in. (45.7 x 30.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Opie, 2014

Accession Number: 14.3.10

Provenance:
Regen Projects, Los Angeles, to 20 March 2014
Gift of Catherine Opie, 2014

Hirshhorn Museum and Sculpture Garden Collection