40 Plaster Surrogates

1982-1990

Allan McCollum, American, b. Los Angeles, California, 1944

Enamel on hydrocal, 85 3/4 × 147 1/4 in. (217.8 × 374 cm) [overall]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1990

Accession Number: 90.22

Provenance:
Tony Shafrazi Gallery, New York, to 28 November 1990
Joseph H. Hirshhorn Purchase Fund, 1990

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 38.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Brand New: Art and Commodity in the 1980s," 14 February-13 May 2018, color ill. pp. 54-55.

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary

Construction in Yellow, Black, Red and White

(c. 1949-1952)

José de Rivera, American, b. Baton Rouge, Louisiana, 1904–1985

Aluminum and paint, 19 X 27 5/8 X 15 IN. (48.2 X 70.2 X 38.1 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1412

Provenance:
Tony Shafrazi Gallery, New York, to 28 November 1990
Joseph H. Hirshhorn Purchase Fund, 1990

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 38.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Brand New: Art and Commodity in the 1980s," 14 February-13 May 2018, color ill. pp. 54-55.

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Three Figures

(c. 1975)

Mary Frank, American, b. London, England, 1933

Stoneware, 9 5/8 x 16 x 6 15/16 in. (24.5 x 40.1 x 17.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1877

Provenance:
Tony Shafrazi Gallery, New York, to 28 November 1990
Joseph H. Hirshhorn Purchase Fund, 1990

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 38.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Brand New: Art and Commodity in the 1980s," 14 February-13 May 2018, color ill. pp. 54-55.

Hirshhorn Museum and Sculpture Garden Collection

Bartering

(n.d.)

Eugene Higgins, American, b. Kansas City, Missouri, 1874–1958

Etching on paper, Sheet: 8 3/4 x 10 in. (22.2 x 25.4 cm) Image: 4 7/8 x 5 7/8 in. (12.3 x 14.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2544

Provenance:
Tony Shafrazi Gallery, New York, to 28 November 1990
Joseph H. Hirshhorn Purchase Fund, 1990

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 38.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Brand New: Art and Commodity in the 1980s," 14 February-13 May 2018, color ill. pp. 54-55.

Hirshhorn Museum and Sculpture Garden Collection

Buccaneer

(1963)

Philippe Hiquily, French, b. Paris, 1925–2013

Sheet metal (brass), 70 1/4 x 39 3/4 x 30 1/2 in. (178.5 x 101 x 77.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2464

Provenance:
Galerie Claude Bernard, Paris, to September 1963
Joseph H. Hirshhorn, New York, September 1963-7 May 1966
Gift of Joseph H. Hirshhorn, 1966

Published References:
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), fig. 903, p. 702.

Hirshhorn Museum and Sculpture Garden Collection

Crab and Bird

(1958)

Jean Ipousteguy, French, b. Dun-sur-Meuse, 1920–2006

Bronze, 25 1/4 X 60 1/2 X 23 5/8 IN. (63.9 X 153.4 X 59.9 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2549

Jh Purchased From Bernard, Galerie Claude, Paris 1963

Hirshhorn Museum and Sculpture Garden Collection

Portrait De Jean Martin

1963

Jean Ipousteguy, French, b. Dun-sur-Meuse, 1920–2006

Ink on paper, 19 1/8 x 25 3/4 in. (48.5 x 65.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2591

Jh Purchased From Bernard, Galerie Claude, Paris 1963

Hirshhorn Museum and Sculpture Garden Collection

Untitled (One of 8 Prints)

1970

Menashe Kadishman, Israeli, b. Tel Aviv, 1932-2015

Lithograph, serigraph, or serigraph and collage

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2673

Jh Purchased From Bernard, Galerie Claude, Paris 1963

Hirshhorn Museum and Sculpture Garden Collection

Bed

(1962)

Costantino Nivola, Italian, b. Orani, 1911–1988

Terra-cotta, 2 1/8 x 6 1/2 x 3 1/2 IN. (5.2 x 16.5 x 8.9 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3859

Provenance:
Byron Gallery, New York, to 29 April 1965
Joseph H. Hirshhorn, New York, 29 April 1965 to 17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
[BYRON GALLERY, New York, "Nivola," 6-30 January 1965, no cat.]?

Hirshhorn Museum and Sculpture Garden Collection

The First Family

(1970)

Olen Orr, American, b. Glenmora, Louisiana, 1939

Lucite and paper, 96 x 10 1/2 x 14 1/2 in. (243.8 x 26.7 x 36.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.220

Provenance:
Byron Gallery, New York, to 29 April 1965
Joseph H. Hirshhorn, New York, 29 April 1965 to 17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
[BYRON GALLERY, New York, "Nivola," 6-30 January 1965, no cat.]?

Hirshhorn Museum and Sculpture Garden Collection

Decorative Composition (Study for Promenade)

(1913-1915)

Maurice Prendergast, American, b. St. John's, Newfoundland, Canada, 1858–1924

Watercolor and pencil on paper, 12 3/4 × 20 7/8 in. (32.5 × 53 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4128

Provenance:
(The Artist, 1915)
Kraushaar Galleries, New York, 1927-1956
Dr. and Mrs. Theodore Leschner, Brooklyn, January 1956-1959
Harold Diamond, New York, to 28 March 1959
Joseph H. Hirshhorn, New York, 28 March 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
MUSEUM OF FINE ARTS, Boston. "Maurice Prendergast 1859-1924," 26 October-4 December 1960, no. 113. TOUR: WADSWORTH ATHENEUM, Hartford, 29 December 1960-5 February 1961; WHITNEY MUSEUM OF AMERICAN ART, New York, 29 February-2 April 1961; CALIFORNIA PALACE OF THE LEGION OF HONOR, San Francisco, 22 April-3 June 1961; CLEVELAND MUSEUM OF ART, 20 June-30 July 1961.
CONTEMPORARY PAINTINGS, Buffalo, New York, untitled exhibition, September-October 1961.
AMERICAN FEDERATION OF ARTS, New York (organizer). "American Masters of Watercolor," cat. TOUR: ROBERSON MEMORIAL CENTER, Binghamton, New York, 7-28 January 1962; WHITNEY MUSEUM OF AMERICAN ART, New York, 11 February-4 March; STATE ISLAND INSTITUTE OF ARTS AND SCIENCES, Staten Island, New York, 18 March-8 April; MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York, 27 May-17 June; ALBANY INSTITUTE OF HISTORY AND ART, New York, 1 July-26 August and 9-30 September; STATE UNIVERSITY TEACHERS COLLEGE, Oneonta, New York, 14 October-4 November; UNIVERSITY OF ROCHESTER, New York, 18 November-18 December; WELLS COLLEGE, Aurora, New York, 6-27 January 1963.
MUSEUM OF MODERN ART, New York, "The Eight," February 1964-May 1965. TOUR: QUINCY ART CENTER, Quincy, Illinois, 23 February-15 March 1964; COLUMBIA MUSEUM OF ART, Columbia, South Carolina, 2-23 April 1964; MERCER UNIVERSITY, Macon, Georgia, 8-29 May 1964; TENNESSEE FINE ARTS CENTER, Nashville, Tennessee, 15 June-27 July 1964; E.B. CROCKER ART GALLERY, Sacramento, California, 6-27 September 1964; CHARLES AND EMMA FRYE ART MUSEUM, Seattle, Washington, 18 October-8 November 1964; UNIVERSITY OF MINNESOTA, Minneapolis, Minnesota, 23 November-20 December 1964; CENTENNIAL ART MUSEUM, Corpus Christi, Texas, 6-27 Texas 1965; THEORDORE LYMAN WRIGHT ART CENTER, Beloit College, Beloit, Wisconsin, 11 February-3 March 1965; STATE UNIVERSITY COLLEGE, Oswego, New York, 7-28 April 1965; ROBERSON MEMORIAL CENTER, Binghamton, New York, 9-30 May 1965.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, SMITHSONIAN INSTITUTION, Washington, DC. "Aspects of Color: Works on Paper from the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution." TOUR: MUHLENBERG COLLEGE CENTER FOR THE ARTS, Allentown, Pennsylvania, 28 May-3 July 1983 and 23 July-28 August 1983; CHRYSLER MUSEUM, Norfolk, Virginia, 17 September-23 October; MUSEUM OF THE SOUTHWEST, Midland, Texas, 12 November-18 December and 7 January-12 February 1984; NEWCOMB COLLEGE, Tulane University, New Orleans, Louisiana, 3 March-8 April 1984; TELFAIR ACADEMY OF ARTS AND SCIENCES, Savannah, Georgia, 28 April-3 June; MONTERREY PENNINSULA MUSEUM OF ART, Monterrey, California, 23 June-29 July; LAGUNA BEACH MUSEUM OF ART, Laguna Beach, California, 18 August-23 September 1984; LOWE ART MUSEUM, Coral Gables, Florida, 13 October-18 November; LAUREN ROGERS LIBRARY AND MUSEUM OF ART, Laurel, Mississippi, 8 December- 13 January 1985; OKLAHOMA MUSEUM OF ART, Oklahoma City, Oklahoma, 2 February-9 March 1985; ALEXANDRIA MUSEUM, Alexandria, Louisiana, 29 March-4 May 1985.

Published References:
PETER A. JULEY ARCHIVE, National Museum of American Art, Smithsonian Institution, Washington, D.C., photograph.
ARCHIVES OF AMERICAN ART, Smithsonian Institution, Washington, D.C., Walt Kuhn Papers. Letters of April 8, 1939 and April 22, 1939, from Walt Kuhn to John D. Morse, Managing Editor of The Art Quarterly, Microfilm No. D-242B.
ARCHIVES OF AMERICAN ART, Smithsonian Institution, Washington, D.C., Whitney Museum Papers, American Art Research Council Notes, July, 1943, Microfilm no. 681.
RHYS, HEDLEY HOWELL. Maurice B. Prendergast (Cambridge: Harvard University Press, 1960): p. 98.
WICK, PETER. Catalogue. Maurice Prendergast 1859-1924. (Boston, MFA), 1960. [from Catalogue Raisonne.]
OLMSTED, ANNA W. "Everson Show Features Watercolors," Herald-American (Syracuse: New York), May 6, 1962.
WALRATH, JEAN. "UR to Show Fine Watercolors," Democrat & Chronicle (Rochester, New York), 18 November 1962.
NAWROCKI, DENNIS. "Prendergast and Davies: Two Approaches to a Mural Project," Bulletin of the Detroit Institute of Arts 56, no. 4 (1978), p. 249, fig. 6.
GENGARELLY, W. ANOTHONY et al. The Prendergasts and the Arts and Crafts Movement: the Art of American Decoration & Design 1890-1920 (Williamstown, MA: Williams College Museum of Art, 1989): p. 56, fig. 3.
CLARK, CAROL, et al. Maurice Brazil Prendergast, Charles Prendergast: A Catalogue Raisonne (Williamstown, MA: Williams College Museum of Art; Munich, Germany: Prestel, 1990): cat. no. 1214, p.506-7.

Hirshhorn Museum and Sculpture Garden Collection, American Impressionism

Tacka Tacka

1914

Hans Richter, American, b. Berlin, Germany, 1888–1976

Charcoal, ink, and gouache on paper, 12 x 9 9/16 in. (30.4 x 24.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Mr. Hans Ruppel and Ms. Ursula Lawder, 1982

Accession Number: 82.82

Provenance:
(The Artist, 1915)
Kraushaar Galleries, New York, 1927-1956
Dr. and Mrs. Theodore Leschner, Brooklyn, January 1956-1959
Harold Diamond, New York, to 28 March 1959
Joseph H. Hirshhorn, New York, 28 March 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
MUSEUM OF FINE ARTS, Boston. "Maurice Prendergast 1859-1924," 26 October-4 December 1960, no. 113. TOUR: WADSWORTH ATHENEUM, Hartford, 29 December 1960-5 February 1961; WHITNEY MUSEUM OF AMERICAN ART, New York, 29 February-2 April 1961; CALIFORNIA PALACE OF THE LEGION OF HONOR, San Francisco, 22 April-3 June 1961; CLEVELAND MUSEUM OF ART, 20 June-30 July 1961.
CONTEMPORARY PAINTINGS, Buffalo, New York, untitled exhibition, September-October 1961.
AMERICAN FEDERATION OF ARTS, New York (organizer). "American Masters of Watercolor," cat. TOUR: ROBERSON MEMORIAL CENTER, Binghamton, New York, 7-28 January 1962; WHITNEY MUSEUM OF AMERICAN ART, New York, 11 February-4 March; STATE ISLAND INSTITUTE OF ARTS AND SCIENCES, Staten Island, New York, 18 March-8 April; MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York, 27 May-17 June; ALBANY INSTITUTE OF HISTORY AND ART, New York, 1 July-26 August and 9-30 September; STATE UNIVERSITY TEACHERS COLLEGE, Oneonta, New York, 14 October-4 November; UNIVERSITY OF ROCHESTER, New York, 18 November-18 December; WELLS COLLEGE, Aurora, New York, 6-27 January 1963.
MUSEUM OF MODERN ART, New York, "The Eight," February 1964-May 1965. TOUR: QUINCY ART CENTER, Quincy, Illinois, 23 February-15 March 1964; COLUMBIA MUSEUM OF ART, Columbia, South Carolina, 2-23 April 1964; MERCER UNIVERSITY, Macon, Georgia, 8-29 May 1964; TENNESSEE FINE ARTS CENTER, Nashville, Tennessee, 15 June-27 July 1964; E.B. CROCKER ART GALLERY, Sacramento, California, 6-27 September 1964; CHARLES AND EMMA FRYE ART MUSEUM, Seattle, Washington, 18 October-8 November 1964; UNIVERSITY OF MINNESOTA, Minneapolis, Minnesota, 23 November-20 December 1964; CENTENNIAL ART MUSEUM, Corpus Christi, Texas, 6-27 Texas 1965; THEORDORE LYMAN WRIGHT ART CENTER, Beloit College, Beloit, Wisconsin, 11 February-3 March 1965; STATE UNIVERSITY COLLEGE, Oswego, New York, 7-28 April 1965; ROBERSON MEMORIAL CENTER, Binghamton, New York, 9-30 May 1965.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, SMITHSONIAN INSTITUTION, Washington, DC. "Aspects of Color: Works on Paper from the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution." TOUR: MUHLENBERG COLLEGE CENTER FOR THE ARTS, Allentown, Pennsylvania, 28 May-3 July 1983 and 23 July-28 August 1983; CHRYSLER MUSEUM, Norfolk, Virginia, 17 September-23 October; MUSEUM OF THE SOUTHWEST, Midland, Texas, 12 November-18 December and 7 January-12 February 1984; NEWCOMB COLLEGE, Tulane University, New Orleans, Louisiana, 3 March-8 April 1984; TELFAIR ACADEMY OF ARTS AND SCIENCES, Savannah, Georgia, 28 April-3 June; MONTERREY PENNINSULA MUSEUM OF ART, Monterrey, California, 23 June-29 July; LAGUNA BEACH MUSEUM OF ART, Laguna Beach, California, 18 August-23 September 1984; LOWE ART MUSEUM, Coral Gables, Florida, 13 October-18 November; LAUREN ROGERS LIBRARY AND MUSEUM OF ART, Laurel, Mississippi, 8 December- 13 January 1985; OKLAHOMA MUSEUM OF ART, Oklahoma City, Oklahoma, 2 February-9 March 1985; ALEXANDRIA MUSEUM, Alexandria, Louisiana, 29 March-4 May 1985.

Published References:
PETER A. JULEY ARCHIVE, National Museum of American Art, Smithsonian Institution, Washington, D.C., photograph.
ARCHIVES OF AMERICAN ART, Smithsonian Institution, Washington, D.C., Walt Kuhn Papers. Letters of April 8, 1939 and April 22, 1939, from Walt Kuhn to John D. Morse, Managing Editor of The Art Quarterly, Microfilm No. D-242B.
ARCHIVES OF AMERICAN ART, Smithsonian Institution, Washington, D.C., Whitney Museum Papers, American Art Research Council Notes, July, 1943, Microfilm no. 681.
RHYS, HEDLEY HOWELL. Maurice B. Prendergast (Cambridge: Harvard University Press, 1960): p. 98.
WICK, PETER. Catalogue. Maurice Prendergast 1859-1924. (Boston, MFA), 1960. [from Catalogue Raisonne.]
OLMSTED, ANNA W. "Everson Show Features Watercolors," Herald-American (Syracuse: New York), May 6, 1962.
WALRATH, JEAN. "UR to Show Fine Watercolors," Democrat & Chronicle (Rochester, New York), 18 November 1962.
NAWROCKI, DENNIS. "Prendergast and Davies: Two Approaches to a Mural Project," Bulletin of the Detroit Institute of Arts 56, no. 4 (1978), p. 249, fig. 6.
GENGARELLY, W. ANOTHONY et al. The Prendergasts and the Arts and Crafts Movement: the Art of American Decoration & Design 1890-1920 (Williamstown, MA: Williams College Museum of Art, 1989): p. 56, fig. 3.
CLARK, CAROL, et al. Maurice Brazil Prendergast, Charles Prendergast: A Catalogue Raisonne (Williamstown, MA: Williams College Museum of Art; Munich, Germany: Prestel, 1990): cat. no. 1214, p.506-7.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus

Hamadryad

1957-1958

James Rosati, American, 1912–1988

Marble, 35 1/8 x 8 3/8 x 6 3/4 in. (89.2 x 21.3 x 17.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4351

Jh Purchased From Fine Arts Associates, New York 1959

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Todos Vi[illeg]eron a Esperante

1970

Gaston Orellana, Chilean, b. Valparaíso, 1933

Gouache, ink, colored pencil, and charcoal on paper, 19 3/4 x 27 1/2 in. (50.2 x 69.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3503

Provenance:
The artist, Venice, to 25 June 1970
Joseph H. Hirshhorn, New York and Washington, DC, 25 June 1970-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986

Exhibition History:
XXXV Venice Biennale, 1970.

Hirshhorn Museum and Sculpture Garden Collection

Head of a Jester

(1905/cast 1910-1939)

Pablo Picasso, Spanish, b. Málaga, 1881–1973

Bronze, 16 1/8 x 14 7/8 x 9 5/16 in. (41 x 37.8 x 23.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4044

Provenance:
Ambroise Vollard, Paris, c. 1910-39
Curt Valentin Gallery, New York, probably 17 April 1952-12 April 1955
Joseph H. Hirshhorn, New York, 12 April 1955-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
*[CURT VALENTIN GALLERY, New York. "Sculpture by Painters," 20 November-15 December 1951, no. 61.]
*[CURT VALENTIN GALLERY, New York. "Pablo Picasso: Paintings, Sculpture, Drawings," 19 February-15 March 1952, no. 41, ill.]
-- V. Fletcher comment: *Valentin sold more than one cast of the Jester, so it is not clear if HMSG's cast or another was featured in the above exhibitions. Label in HMSG's cast "4.17.52 C-5" indicates that HMSG's was in this exhibition.
LEONID KIPNIS GALLERY, Westport, Connecticut. "Modern Sculpture," 18-30 November 1956 (sponsored by the Westport Community Art Association), no. 31.
FINE ARTS ASSOCIATES, New York. "Picasso Sculpture," 15 January 1956 - 9 February 1957, no. 2, ill.
NEW YORK SCHOOL OF SOCIAL WORK, COLUMBIA UNIVERSITY, New York. "19th and 20th Century French Painting and Sculpture," 27 March-1 May 1957.
DETROIT INSTITUTE OF ARTS. "Sculpture in Our Time: Collected by Joseph H. Hirshhorn," 5 May-23 August 1959, no. 187, ill. TOUR: MILWAUKEE ART CENTER, 10 September-11 October; WALKER ART CENTER, Minneapolis, 25 October-6 December; WILLIAM ROCKHILL NELSON GALLERY OF ART, Kansas City, Missouri, 20 December-31 January 1960; THE MUSEUM OF FINE ARTS, Houston, 1-27 March; LOS ANGELES COUNTY MUSEUM OF HISTORY, SCIENCE AND ART, 11 April-15 May; M. H. DE YOUNG MEMORIAL MUSEUM, San Francisco, 29 May-10 July; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 24 July-4 September; ART GALLERY OF TORONTO, 30 September-31 October.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 363, ill. p. 84.
ART GALLERY OF ONTARIO, Toronto. "Picasso and Man," 11 January-16 February 1964, no. 26, ill. TOUR: MONTREAL MUSEUM OF FINE ARTS, 28 February-31 March 1964.
DALLAS MUSEUM OF FINE ARTS, Texas. "Picasso," 8 February-26 March 1967, no. 87.
HOPKINS CENTER ART GALLERIES, DARTMOUTH COLLEGE, Hanover, New
Hampshire. "Sculpture in Our Century: Selections from the Joseph H. Hirshhorn Collection," 25 May-9 July 1967, no. 43, ill. p. 32.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Picasso: The Saltimbanques," 4 December 1980-20 January 1981.
NATIONAL GALLERY OF CANADA, Ottawa, Ontario. "The Great Parade: Portrait of the Artist as Clown," 25 June- 19 September 2004. TOUR: GALERIES NATIONALES DU GRAND PALAIS, Paris, 9 March- 31 May 2004.
METROPOLITAN MUSEUM OF ART, New York. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," 13 September 2006-7 January 2007, no. 161b, not illustrated. TOUR: ART INSTITUTE OF CHICAGO, 17 February-13 May; MUSEE D'ORSAY, Paris, 18 June-16 September 2007 [not included].
NAPLES MUSEUM OF ART, Florida. "Picasso: Preoccupations and Passions," 29 January-18 May 2008, fig. 6 (exh. brochure, color).

Published References:
[BEMESCH, OTTO, intro. Pablo Picasso Blaue et Rosa Periode (Munich: Kurt Desch, 1945), pl. 45 (lent by Curt Valentin)
-- See V.J.Fletcher's memo of 19 October 1995; Valentin sold several casts of work so this may not be HMSG's.
FITZSIMMONS, JAMES. "Picasso: Half-Century Survery," Art Digest 26/10 (15 February 1952), p. 16.
MELLOW, JAMES R. "In the Galleries: Picasso Sculpture," Arts 31 (February 1957), p. 54.
TYLER, PARKER. "Reviews and Previews: Picasso," Art News 55 (February 1957), p. 8.
KEY, DONALD. "Sculpture Show at Art Center Reflects Trends," Milwaukee Journal (13 September 1959), p. V6.
BOGGS, JEAN. "Picasso Comes to Toronto," Peterborough Examiner (9 Janaury 1964), p. 1, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 733, colorpl. 222.
JOHNSON, UNA E. Ambroise Vollard, Editeur (New York: Museum of Modern Art, 1977), p. 169.
[Picasso (Tokyo: Zauho Press, 1977), ill.]

Hirshhorn Museum and Sculpture Garden Collection, Spanish Modernism

Bathers

1965

Antonio Seguí, Argentinean, b. Córdoba, 1934

Color lithograph on paper, sheet: 13 1/16 x 10 1/16 in. (33.1 x 25.6 cm) image: 10 7/8 x 8 1/4 in. (27.6 x 21 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4175

Provenance:
Ambroise Vollard, Paris, c. 1910-39
Curt Valentin Gallery, New York, probably 17 April 1952-12 April 1955
Joseph H. Hirshhorn, New York, 12 April 1955-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
*[CURT VALENTIN GALLERY, New York. "Sculpture by Painters," 20 November-15 December 1951, no. 61.]
*[CURT VALENTIN GALLERY, New York. "Pablo Picasso: Paintings, Sculpture, Drawings," 19 February-15 March 1952, no. 41, ill.]
-- V. Fletcher comment: *Valentin sold more than one cast of the Jester, so it is not clear if HMSG's cast or another was featured in the above exhibitions. Label in HMSG's cast "4.17.52 C-5" indicates that HMSG's was in this exhibition.
LEONID KIPNIS GALLERY, Westport, Connecticut. "Modern Sculpture," 18-30 November 1956 (sponsored by the Westport Community Art Association), no. 31.
FINE ARTS ASSOCIATES, New York. "Picasso Sculpture," 15 January 1956 - 9 February 1957, no. 2, ill.
NEW YORK SCHOOL OF SOCIAL WORK, COLUMBIA UNIVERSITY, New York. "19th and 20th Century French Painting and Sculpture," 27 March-1 May 1957.
DETROIT INSTITUTE OF ARTS. "Sculpture in Our Time: Collected by Joseph H. Hirshhorn," 5 May-23 August 1959, no. 187, ill. TOUR: MILWAUKEE ART CENTER, 10 September-11 October; WALKER ART CENTER, Minneapolis, 25 October-6 December; WILLIAM ROCKHILL NELSON GALLERY OF ART, Kansas City, Missouri, 20 December-31 January 1960; THE MUSEUM OF FINE ARTS, Houston, 1-27 March; LOS ANGELES COUNTY MUSEUM OF HISTORY, SCIENCE AND ART, 11 April-15 May; M. H. DE YOUNG MEMORIAL MUSEUM, San Francisco, 29 May-10 July; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 24 July-4 September; ART GALLERY OF TORONTO, 30 September-31 October.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 363, ill. p. 84.
ART GALLERY OF ONTARIO, Toronto. "Picasso and Man," 11 January-16 February 1964, no. 26, ill. TOUR: MONTREAL MUSEUM OF FINE ARTS, 28 February-31 March 1964.
DALLAS MUSEUM OF FINE ARTS, Texas. "Picasso," 8 February-26 March 1967, no. 87.
HOPKINS CENTER ART GALLERIES, DARTMOUTH COLLEGE, Hanover, New
Hampshire. "Sculpture in Our Century: Selections from the Joseph H. Hirshhorn Collection," 25 May-9 July 1967, no. 43, ill. p. 32.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Picasso: The Saltimbanques," 4 December 1980-20 January 1981.
NATIONAL GALLERY OF CANADA, Ottawa, Ontario. "The Great Parade: Portrait of the Artist as Clown," 25 June- 19 September 2004. TOUR: GALERIES NATIONALES DU GRAND PALAIS, Paris, 9 March- 31 May 2004.
METROPOLITAN MUSEUM OF ART, New York. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," 13 September 2006-7 January 2007, no. 161b, not illustrated. TOUR: ART INSTITUTE OF CHICAGO, 17 February-13 May; MUSEE D'ORSAY, Paris, 18 June-16 September 2007 [not included].
NAPLES MUSEUM OF ART, Florida. "Picasso: Preoccupations and Passions," 29 January-18 May 2008, fig. 6 (exh. brochure, color).

Published References:
[BEMESCH, OTTO, intro. Pablo Picasso Blaue et Rosa Periode (Munich: Kurt Desch, 1945), pl. 45 (lent by Curt Valentin)
-- See V.J.Fletcher's memo of 19 October 1995; Valentin sold several casts of work so this may not be HMSG's.
FITZSIMMONS, JAMES. "Picasso: Half-Century Survery," Art Digest 26/10 (15 February 1952), p. 16.
MELLOW, JAMES R. "In the Galleries: Picasso Sculpture," Arts 31 (February 1957), p. 54.
TYLER, PARKER. "Reviews and Previews: Picasso," Art News 55 (February 1957), p. 8.
KEY, DONALD. "Sculpture Show at Art Center Reflects Trends," Milwaukee Journal (13 September 1959), p. V6.
BOGGS, JEAN. "Picasso Comes to Toronto," Peterborough Examiner (9 Janaury 1964), p. 1, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 733, colorpl. 222.
JOHNSON, UNA E. Ambroise Vollard, Editeur (New York: Museum of Modern Art, 1977), p. 169.
[Picasso (Tokyo: Zauho Press, 1977), ill.]

Hirshhorn Museum and Sculpture Garden Collection

Sing A Song Of Friendship

(1965-1966)

Raphael Soyer, American, b. Borisoglebsk, Russia, 1899–1987

Lithograph on paper, SHEET: 20 1/16 X 17 1/4 IN. (51.0 X 43.9 CM.) IMAGE: 14 X 12 3/4 IN. (35.6 X 32.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Raphael and Rebecca Soyer in Honor of the Museum's Founding Director, Abram Lerner, 1981

Accession Number: 81.192

Provenance:
Ambroise Vollard, Paris, c. 1910-39
Curt Valentin Gallery, New York, probably 17 April 1952-12 April 1955
Joseph H. Hirshhorn, New York, 12 April 1955-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
*[CURT VALENTIN GALLERY, New York. "Sculpture by Painters," 20 November-15 December 1951, no. 61.]
*[CURT VALENTIN GALLERY, New York. "Pablo Picasso: Paintings, Sculpture, Drawings," 19 February-15 March 1952, no. 41, ill.]
-- V. Fletcher comment: *Valentin sold more than one cast of the Jester, so it is not clear if HMSG's cast or another was featured in the above exhibitions. Label in HMSG's cast "4.17.52 C-5" indicates that HMSG's was in this exhibition.
LEONID KIPNIS GALLERY, Westport, Connecticut. "Modern Sculpture," 18-30 November 1956 (sponsored by the Westport Community Art Association), no. 31.
FINE ARTS ASSOCIATES, New York. "Picasso Sculpture," 15 January 1956 - 9 February 1957, no. 2, ill.
NEW YORK SCHOOL OF SOCIAL WORK, COLUMBIA UNIVERSITY, New York. "19th and 20th Century French Painting and Sculpture," 27 March-1 May 1957.
DETROIT INSTITUTE OF ARTS. "Sculpture in Our Time: Collected by Joseph H. Hirshhorn," 5 May-23 August 1959, no. 187, ill. TOUR: MILWAUKEE ART CENTER, 10 September-11 October; WALKER ART CENTER, Minneapolis, 25 October-6 December; WILLIAM ROCKHILL NELSON GALLERY OF ART, Kansas City, Missouri, 20 December-31 January 1960; THE MUSEUM OF FINE ARTS, Houston, 1-27 March; LOS ANGELES COUNTY MUSEUM OF HISTORY, SCIENCE AND ART, 11 April-15 May; M. H. DE YOUNG MEMORIAL MUSEUM, San Francisco, 29 May-10 July; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 24 July-4 September; ART GALLERY OF TORONTO, 30 September-31 October.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 363, ill. p. 84.
ART GALLERY OF ONTARIO, Toronto. "Picasso and Man," 11 January-16 February 1964, no. 26, ill. TOUR: MONTREAL MUSEUM OF FINE ARTS, 28 February-31 March 1964.
DALLAS MUSEUM OF FINE ARTS, Texas. "Picasso," 8 February-26 March 1967, no. 87.
HOPKINS CENTER ART GALLERIES, DARTMOUTH COLLEGE, Hanover, New
Hampshire. "Sculpture in Our Century: Selections from the Joseph H. Hirshhorn Collection," 25 May-9 July 1967, no. 43, ill. p. 32.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Picasso: The Saltimbanques," 4 December 1980-20 January 1981.
NATIONAL GALLERY OF CANADA, Ottawa, Ontario. "The Great Parade: Portrait of the Artist as Clown," 25 June- 19 September 2004. TOUR: GALERIES NATIONALES DU GRAND PALAIS, Paris, 9 March- 31 May 2004.
METROPOLITAN MUSEUM OF ART, New York. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," 13 September 2006-7 January 2007, no. 161b, not illustrated. TOUR: ART INSTITUTE OF CHICAGO, 17 February-13 May; MUSEE D'ORSAY, Paris, 18 June-16 September 2007 [not included].
NAPLES MUSEUM OF ART, Florida. "Picasso: Preoccupations and Passions," 29 January-18 May 2008, fig. 6 (exh. brochure, color).

Published References:
[BEMESCH, OTTO, intro. Pablo Picasso Blaue et Rosa Periode (Munich: Kurt Desch, 1945), pl. 45 (lent by Curt Valentin)
-- See V.J.Fletcher's memo of 19 October 1995; Valentin sold several casts of work so this may not be HMSG's.
FITZSIMMONS, JAMES. "Picasso: Half-Century Survery," Art Digest 26/10 (15 February 1952), p. 16.
MELLOW, JAMES R. "In the Galleries: Picasso Sculpture," Arts 31 (February 1957), p. 54.
TYLER, PARKER. "Reviews and Previews: Picasso," Art News 55 (February 1957), p. 8.
KEY, DONALD. "Sculpture Show at Art Center Reflects Trends," Milwaukee Journal (13 September 1959), p. V6.
BOGGS, JEAN. "Picasso Comes to Toronto," Peterborough Examiner (9 Janaury 1964), p. 1, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 733, colorpl. 222.
JOHNSON, UNA E. Ambroise Vollard, Editeur (New York: Museum of Modern Art, 1977), p. 169.
[Picasso (Tokyo: Zauho Press, 1977), ill.]

Hirshhorn Museum and Sculpture Garden Collection, American Realism (Mid-20th Century)

Still Life with Fruit

(n.d.)

Turku Trajan, American, 1927–1959

Watercolor on paper, 24 x 27 9/16 in. (61 x 70 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4642

Provenance:
Ambroise Vollard, Paris, c. 1910-39
Curt Valentin Gallery, New York, probably 17 April 1952-12 April 1955
Joseph H. Hirshhorn, New York, 12 April 1955-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
*[CURT VALENTIN GALLERY, New York. "Sculpture by Painters," 20 November-15 December 1951, no. 61.]
*[CURT VALENTIN GALLERY, New York. "Pablo Picasso: Paintings, Sculpture, Drawings," 19 February-15 March 1952, no. 41, ill.]
-- V. Fletcher comment: *Valentin sold more than one cast of the Jester, so it is not clear if HMSG's cast or another was featured in the above exhibitions. Label in HMSG's cast "4.17.52 C-5" indicates that HMSG's was in this exhibition.
LEONID KIPNIS GALLERY, Westport, Connecticut. "Modern Sculpture," 18-30 November 1956 (sponsored by the Westport Community Art Association), no. 31.
FINE ARTS ASSOCIATES, New York. "Picasso Sculpture," 15 January 1956 - 9 February 1957, no. 2, ill.
NEW YORK SCHOOL OF SOCIAL WORK, COLUMBIA UNIVERSITY, New York. "19th and 20th Century French Painting and Sculpture," 27 March-1 May 1957.
DETROIT INSTITUTE OF ARTS. "Sculpture in Our Time: Collected by Joseph H. Hirshhorn," 5 May-23 August 1959, no. 187, ill. TOUR: MILWAUKEE ART CENTER, 10 September-11 October; WALKER ART CENTER, Minneapolis, 25 October-6 December; WILLIAM ROCKHILL NELSON GALLERY OF ART, Kansas City, Missouri, 20 December-31 January 1960; THE MUSEUM OF FINE ARTS, Houston, 1-27 March; LOS ANGELES COUNTY MUSEUM OF HISTORY, SCIENCE AND ART, 11 April-15 May; M. H. DE YOUNG MEMORIAL MUSEUM, San Francisco, 29 May-10 July; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 24 July-4 September; ART GALLERY OF TORONTO, 30 September-31 October.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 363, ill. p. 84.
ART GALLERY OF ONTARIO, Toronto. "Picasso and Man," 11 January-16 February 1964, no. 26, ill. TOUR: MONTREAL MUSEUM OF FINE ARTS, 28 February-31 March 1964.
DALLAS MUSEUM OF FINE ARTS, Texas. "Picasso," 8 February-26 March 1967, no. 87.
HOPKINS CENTER ART GALLERIES, DARTMOUTH COLLEGE, Hanover, New
Hampshire. "Sculpture in Our Century: Selections from the Joseph H. Hirshhorn Collection," 25 May-9 July 1967, no. 43, ill. p. 32.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Picasso: The Saltimbanques," 4 December 1980-20 January 1981.
NATIONAL GALLERY OF CANADA, Ottawa, Ontario. "The Great Parade: Portrait of the Artist as Clown," 25 June- 19 September 2004. TOUR: GALERIES NATIONALES DU GRAND PALAIS, Paris, 9 March- 31 May 2004.
METROPOLITAN MUSEUM OF ART, New York. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," 13 September 2006-7 January 2007, no. 161b, not illustrated. TOUR: ART INSTITUTE OF CHICAGO, 17 February-13 May; MUSEE D'ORSAY, Paris, 18 June-16 September 2007 [not included].
NAPLES MUSEUM OF ART, Florida. "Picasso: Preoccupations and Passions," 29 January-18 May 2008, fig. 6 (exh. brochure, color).

Published References:
[BEMESCH, OTTO, intro. Pablo Picasso Blaue et Rosa Periode (Munich: Kurt Desch, 1945), pl. 45 (lent by Curt Valentin)
-- See V.J.Fletcher's memo of 19 October 1995; Valentin sold several casts of work so this may not be HMSG's.
FITZSIMMONS, JAMES. "Picasso: Half-Century Survery," Art Digest 26/10 (15 February 1952), p. 16.
MELLOW, JAMES R. "In the Galleries: Picasso Sculpture," Arts 31 (February 1957), p. 54.
TYLER, PARKER. "Reviews and Previews: Picasso," Art News 55 (February 1957), p. 8.
KEY, DONALD. "Sculpture Show at Art Center Reflects Trends," Milwaukee Journal (13 September 1959), p. V6.
BOGGS, JEAN. "Picasso Comes to Toronto," Peterborough Examiner (9 Janaury 1964), p. 1, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 733, colorpl. 222.
JOHNSON, UNA E. Ambroise Vollard, Editeur (New York: Museum of Modern Art, 1977), p. 169.
[Picasso (Tokyo: Zauho Press, 1977), ill.]

Hirshhorn Museum and Sculpture Garden Collection

Untitled (Rotating Eyes of the Falling Tree Monkey Face 43.35)

2011-2012

Mark Grotjahn, American, b. Pasadena, California, 1968

Oil on cardboard mounted on linen, 136 1/2 × 72 1/2 in. (346.7 × 184.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase with funds provided by Janine and J.Tomilson Hill, 2012

Accession Number: 12.3

Provenance:
Gagosian Gallery, New York, to 22 March 2012
Museum purchase with funds provided by Janine and J.Tomilson Hill, 2012

Hirshhorn Museum and Sculpture Garden Collection

ARTLAB+ Underground Ep.01

2015-02-04T18:45:27.000Z

Hirshhorn Museum and Sculpture Garden

Oil on cardboard mounted on linen, 136 1/2 × 72 1/2 in. (346.7 × 184.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase with funds provided by Janine and J.Tomilson Hill, 2012

Accession Number: 12.3

Video Title:
ARTLAB+ Underground Ep.01

Description:
Get to know a few ARTLAB+ teens as they talk about what they are into and why they come to ARTLAB+. This is the first installment of our series ARTLAB+ Underground! http://artlabplus.si.edu/ @artlabplus

Views:
172

Video Duration:
1 min 58 sec

hirshhornARTLAB

William Zorach

1943

Arnold Newman, American, b. New York City, 1918–2006

Silverprint on paper mounted on rag board, SHEET: 17 x 14 IN. (43.2 x 35.6 CM.) IMAGE: 8 9/16 x 7 11/16 IN. (22.7 x 19.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3345

Video Title:
ARTLAB+ Underground Ep.01

Description:
Get to know a few ARTLAB+ teens as they talk about what they are into and why they come to ARTLAB+. This is the first installment of our series ARTLAB+ Underground! http://artlabplus.si.edu/ @artlabplus

Views:
172

Video Duration:
1 min 58 sec

Hirshhorn Museum and Sculpture Garden Collection

Final Study for "K-Trio"

1932

Josef Albers, American, b. Bottrop, Germany, 1888–1976

Gouache and pencil on paper, 20 x 22 3/4 in. (50.8 x 57.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.63

Provenance:
The Artist, Orange, Connecticut, to 7 June 1968
Joseph H. Hirshhorn, New York and Washington DC, 7 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Geometric Abstraction

Untitled (Grey and Red)

(1980)

Batuz, American, b. Hungary, 1933

Oil on hand made paper mounted on fabric, 68 1/2 x 43 1/4 in. (174 x 109.8 cm) [irreg]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.256

Provenance:
The Artist, Orange, Connecticut, to 7 June 1968
Joseph H. Hirshhorn, New York and Washington DC, 7 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Woman in a Room

(n.d.)

Everett Shinn, American, 1876–1953

Sanguine on paper, 12 3/16 x 17 3/8 in. (31.8 x 45.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4570

Provenance:
The Artist, Orange, Connecticut, to 7 June 1968
Joseph H. Hirshhorn, New York and Washington DC, 7 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.

Hirshhorn Museum and Sculpture Garden Collection, American Realism (Ashcan School)

Drawing

(n.d.)

Domenick Turturro, American, b. 1936

Pencil and pastel on paper, 15 3/4 X 27 IN.

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4665

Provenance:
The Artist, Orange, Connecticut, to 7 June 1968
Joseph H. Hirshhorn, New York and Washington DC, 7 June 1968-31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.

Hirshhorn Museum and Sculpture Garden Collection

Figure Amid Turbulent Background

(n.d.)

Jack Zajac, American, b. Youngstown, Ohio, 1929

Bronze, 20 5/8 x 8 1/4 x 6 7/8 in. (52.4 x 21 x 17.5 cm) BASE: 1 1/4 x 6 3/4 x 6 1/8 in. (3.2 x 17.1 x 15.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5840

Provenance:
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection

Study for "The Semitic Garden Garden...Birth"

1972

Irving Petlin, American, b. Chicago, Illinois,1934

Pastel and charcoal on paper, 25 15/16 X 19 1/4 IN. (65.8 X 48.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1989

Accession Number: 89.32

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 49.

Hirshhorn Museum and Sculpture Garden Collection

Study for "General Nuke"

(1984)

Robert Arneson, American, b. Benecia, California, 1930–1992

Charcoal and pencil on paper, 35 3/4 x 14 3/16 in. (90.8 x 36 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the artist, 1986

Accession Number: 86.5893

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1989," 15 March-14 May 1989, unpublished checklist, no. 3.

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (West Coast)

Stevedore ("The City and the People")

(n.d.)

Saul Baizerman, American, b. Vitebsk, Belarus, 1889–1957

Plaster, 6 1/4 x 2 1/2 x 2 1/4 in. (15.8 x 6.3 x 5.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Saul Baizerman Memorial Collection: Gift of Joan H. Baizerman, 1979

Accession Number: 79.70

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1989," 15 March-14 May 1989, unpublished checklist, no. 3.

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Thomas Eakins

1960

Leonard Baskin, American, b. New Brunswick, New Jersey, 1922–2000

Carved wood, 27 x 8 3/8 x 8 3/4 in. (68.6 x 21.3 x 22.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.395

Provenance:
Grace Borgenicht Gallery, New York, to 1966
Joseph H. Hirshhorn, New York, to 17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Hirshhorn Museum and Sculpture Garden Collection

Who Knows Why/What to Paint Anymore

1966

Mary Bauermeister, German, b. Frankfurt, 1934

Glass lenses, wood, ink, and paint, 48 1/2 x 49 x 7 in. (123.2 x 124.5 x 17.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.266

SKROBANEK, KERSTIN, Reinhard Spieler et al. Worlds in a Box: Mary Bauermeister and the Experimental Art of the Sixties (Bielefeld, Germany: Kerber Verlag, 2010), p. 62, ill. p. 63.

Hirshhorn Museum and Sculpture Garden Collection

Floating Forms

1967

Glenn Berry, American, b. Glendale, California, 1929–2012

Synthetic polymer on fiberboard, 48 x 60 in. (121.9 x 152.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.354

SKROBANEK, KERSTIN, Reinhard Spieler et al. Worlds in a Box: Mary Bauermeister and the Experimental Art of the Sixties (Bielefeld, Germany: Kerber Verlag, 2010), p. 62, ill. p. 63.

Hirshhorn Museum and Sculpture Garden Collection

European Landscape

(c. 1856-1857)

Albert Bierstadt, American, b. Solingen, Germany, 1830–1902

Oil on paper mounted on canvas, 19 x 26 5/8 in. (48.3 x 67.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.507

Provenance:
Robert S. Sloan Gallery, New York, to 1964
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Hirshhorn Museum and Sculpture Garden Collection

Old House

1940

Sam Borenstein, Canadian, b. Poland, 1908–1969

Oil on canvas, 24 X 30 IN. (61.0 X 76.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.582

Provenance:
Robert S. Sloan Gallery, New York, to 1964
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Hirshhorn Museum and Sculpture Garden Collection

Figure Study #2

1962

Graham Coughtry, Canadian, b. 1931–1999

Oil on paper, Sight: 38 3/8 x 56 3/4 in. (97.5 x 144.0 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.997

Jh Purchased From Isaacs Gallery, Toronto 1962

Hirshhorn Museum and Sculpture Garden Collection

Charles-Leonard Gallois: The Ironic One

(c. 1832-1835)/(cast 1948-1952)

Honoré-Victorin Daumier, French, b. Marseilles, 1808–1879

Bronze, 8 3/8 X 5 1/4 X 4 3/8 IN. (21.3 X 13.3 X 11.0 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1055

Provenance:
Galerie Sagot-Le Garrec, Paris, to at least 1957
M. Knoedler, New York, to 25 June 1958
Joseph H. Hirshhorn, New York, 25 June 1958-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
GALERIE SAGOT-LE GARREC, Paris. "Daumier Sculpteur lithographe et dessinateur," 14 June-13 July 1957, no. 21.
DETROIT INSTITUTE OF ARTS. "Sculpture in Our Time: Collected by Joseph H. Hirshhorn," 5 May-23 August 1959, no. 7. TOUR: MILWAUKEE ART CENTER, 10 September-11 October; WALKER ART CENTER, Minneapolis, 25 October-6 December; WILLIAM ROCKHILL NELSON GALLERY OF ART, Kansas City, Missouri, 20 December-31 January 1960; MUSEUM OF FINE ARTS, Houston, 1-27 March; LOS ANGELES COUNTY MUSEUM OF HISTORY, SCIENCE AND ART, 11 April-15 May; M. H. DE YOUNG MEMORIAL MUSEUM, San Francisco, 29 May-10 July; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 24 July-4 September; ART GALLERY OF TORONTO, 30 September-31 October.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 70.
OKLAHOMA MUSEUM OF ART, Oklahoma City. "Sculpture from the Hirshhorn Museum and Sculpture Garden," 9 August 1984-9 August 1985.

Hirshhorn Museum and Sculpture Garden Collection

Three Heads

(by 1879, probably much earlier)

Honoré-Victorin Daumier, French, b. Marseilles, 1808–1879

Oil on wood panel, 10 1/2 X 13 3/4 IN. (26.8 X 34.9 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Catherine Hohenlohe Jacobus, 1979

Accession Number: 79.281

Provenance:
Ambrose Vollard, Paris, by 1901
Private Collection, France
Wildenstein, New York, to 1950s
Mrs. Hohenlohe, from 1950s (mother of Mrs. Jacobus, acquired from Wildenstein)
Mrs. Catherine Hohenlohe Jacobus, Delray, Florida, to 27 December 1979
Gift of Mrs. Catherine Hohenlohe Jacobus, 1979

Exhibition History:
ECOLE DES BEAUX-ARTS, Paris. "Daumier," May 1901, cat. no. 478, p. 2.
TATE GALLERY, London. "Daumier: Paintings and Drawings," 14 June-30 July 1961, pl. 22C, cat. no. 41.

Published References:
MAISON, K. E. Honore Daumier catalogue raisonne, vol 1: The Paintings (Greenwich, Connecticut: New York Graphic Society, 1968), no. I-232, p. 179, pl. 23.
BARZINI, LUIGI. L'opera pittorica completa di Daumier (Milano: Rizzoli, 1971), no. 294, ill. p. 113.
UNSIGNED. "La Chronique des Arts: Principales Acquisitions des Musees en 1980," (Paris: Gazette des Beaux-Arts, March 1981), p. 70.

Hirshhorn Museum and Sculpture Garden Collection

Women Spectators

(n.d.)

Randall Davey, American, b. East Orange, New Jersey, 1887–1964

Etching on paper, SHEET: 8 3/16 X 6 IN. (20.7 X 15.2 CM.) PLATE: 7 1/16 X 5 IN. (18.0 X 12.6 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1977

Accession Number: 77.193

Provenance:
Ambrose Vollard, Paris, by 1901
Private Collection, France
Wildenstein, New York, to 1950s
Mrs. Hohenlohe, from 1950s (mother of Mrs. Jacobus, acquired from Wildenstein)
Mrs. Catherine Hohenlohe Jacobus, Delray, Florida, to 27 December 1979
Gift of Mrs. Catherine Hohenlohe Jacobus, 1979

Exhibition History:
ECOLE DES BEAUX-ARTS, Paris. "Daumier," May 1901, cat. no. 478, p. 2.
TATE GALLERY, London. "Daumier: Paintings and Drawings," 14 June-30 July 1961, pl. 22C, cat. no. 41.

Published References:
MAISON, K. E. Honore Daumier catalogue raisonne, vol 1: The Paintings (Greenwich, Connecticut: New York Graphic Society, 1968), no. I-232, p. 179, pl. 23.
BARZINI, LUIGI. L'opera pittorica completa di Daumier (Milano: Rizzoli, 1971), no. 294, ill. p. 113.
UNSIGNED. "La Chronique des Arts: Principales Acquisitions des Musees en 1980," (Paris: Gazette des Beaux-Arts, March 1981), p. 70.

Hirshhorn Museum and Sculpture Garden Collection

Smithsonian Resident Associate Program Tenth Anniversary 1975

(1975)

Gene Davis, American, b. Washington, DC, 1920–1985

Silkscreen on paper, 39 15/16 x 29 7/8 in. (101.4 x 75.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Smithsonian Resident Associates, 1975

Accession Number: 75.16

Provenance:
Ambrose Vollard, Paris, by 1901
Private Collection, France
Wildenstein, New York, to 1950s
Mrs. Hohenlohe, from 1950s (mother of Mrs. Jacobus, acquired from Wildenstein)
Mrs. Catherine Hohenlohe Jacobus, Delray, Florida, to 27 December 1979
Gift of Mrs. Catherine Hohenlohe Jacobus, 1979

Exhibition History:
ECOLE DES BEAUX-ARTS, Paris. "Daumier," May 1901, cat. no. 478, p. 2.
TATE GALLERY, London. "Daumier: Paintings and Drawings," 14 June-30 July 1961, pl. 22C, cat. no. 41.

Published References:
MAISON, K. E. Honore Daumier catalogue raisonne, vol 1: The Paintings (Greenwich, Connecticut: New York Graphic Society, 1968), no. I-232, p. 179, pl. 23.
BARZINI, LUIGI. L'opera pittorica completa di Daumier (Milano: Rizzoli, 1971), no. 294, ill. p. 113.
UNSIGNED. "La Chronique des Arts: Principales Acquisitions des Musees en 1980," (Paris: Gazette des Beaux-Arts, March 1981), p. 70.

Hirshhorn Museum and Sculpture Garden Collection, Washington Color School

(Untitled)

1967

Roberto De Lamonica, Brazilian, b. Ponta Pora, 1933–1995

Inkless relief, etching, and aquatint on paper, irreg: 31 7/8 x 22 9/16 in. (81.1 x 57.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1974

Accession Number: 74.28

Provenance:
Ambrose Vollard, Paris, by 1901
Private Collection, France
Wildenstein, New York, to 1950s
Mrs. Hohenlohe, from 1950s (mother of Mrs. Jacobus, acquired from Wildenstein)
Mrs. Catherine Hohenlohe Jacobus, Delray, Florida, to 27 December 1979
Gift of Mrs. Catherine Hohenlohe Jacobus, 1979

Exhibition History:
ECOLE DES BEAUX-ARTS, Paris. "Daumier," May 1901, cat. no. 478, p. 2.
TATE GALLERY, London. "Daumier: Paintings and Drawings," 14 June-30 July 1961, pl. 22C, cat. no. 41.

Published References:
MAISON, K. E. Honore Daumier catalogue raisonne, vol 1: The Paintings (Greenwich, Connecticut: New York Graphic Society, 1968), no. I-232, p. 179, pl. 23.
BARZINI, LUIGI. L'opera pittorica completa di Daumier (Milano: Rizzoli, 1971), no. 294, ill. p. 113.
UNSIGNED. "La Chronique des Arts: Principales Acquisitions des Musees en 1980," (Paris: Gazette des Beaux-Arts, March 1981), p. 70.

Hirshhorn Museum and Sculpture Garden Collection

Thomas Eakins and Students

(c. 1883)

Thomas Eakins, American, b. Philadelphia, Pennsylvania, 1844–1916

Albumen print on paper, 3 3/16 x 3 7/8 in. irreg. (8.1 x 9.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 83.16

Provenance:
Ambrose Vollard, Paris, by 1901
Private Collection, France
Wildenstein, New York, to 1950s
Mrs. Hohenlohe, from 1950s (mother of Mrs. Jacobus, acquired from Wildenstein)
Mrs. Catherine Hohenlohe Jacobus, Delray, Florida, to 27 December 1979
Gift of Mrs. Catherine Hohenlohe Jacobus, 1979

Exhibition History:
ECOLE DES BEAUX-ARTS, Paris. "Daumier," May 1901, cat. no. 478, p. 2.
TATE GALLERY, London. "Daumier: Paintings and Drawings," 14 June-30 July 1961, pl. 22C, cat. no. 41.

Published References:
MAISON, K. E. Honore Daumier catalogue raisonne, vol 1: The Paintings (Greenwich, Connecticut: New York Graphic Society, 1968), no. I-232, p. 179, pl. 23.
BARZINI, LUIGI. L'opera pittorica completa di Daumier (Milano: Rizzoli, 1971), no. 294, ill. p. 113.
UNSIGNED. "La Chronique des Arts: Principales Acquisitions des Musees en 1980," (Paris: Gazette des Beaux-Arts, March 1981), p. 70.

Hirshhorn Museum and Sculpture Garden Collection

Portrait of Howard L. Coles

December, 1883

Louis Eilshemius, American, b. Arlington, New Jersey, 1864–1941

Charcoal on paper, 14 X 10 IN. (35.5 X 25.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1762

Florence Lewison Gallery, New York, to 1964

Hirshhorn Museum and Sculpture Garden Collection

Man

1929-1930

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Plaster and paint, 26 3/4 × 19 1/2 × 7 3/4 in. (68 × 49.4 × 19.7 cm) incl. wood base: 1 3/8 × 16 × 7 3/4 in. (3.4 × 40.5 × 19.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2043

Provenance:
Galerie Pierre [Loeb], Paris (agent for the Artist), 1929-15 June 1938
Saidie A. May, Baltimore, 15 June 1938-1951 (on loan to Baltimore Museum of Art, 9 August 1938-1951, Loan #L.38.166)
Baltimore Museum of Art, 1951-27 April 1957 (BMA 1951.381, Bequest of Saidie A. May)
M. Knoedler, New York, 27 April 1957-2 January 1963
Joseph H. Hirshhorn, New York, 2 January 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
BALTIMORE MUSEUM OF ART. "The Saidie A. May Collection of Modern Paintings and Sculpture," 17 March-16 April 1950, no. 119 (as "A Man").
PHILLIPS COLLECTION, Washington, DC. "Alberto Giacometti: A Loan Exhibition," 7 February-18 March 1963, no. 3 (as "Polychromed-A Man").
MUSEUM OF MODERN ART, New York. "Alberto Giacometti," 9 June-12 October 1965, catalogue by Peter Selz, no. 7. TOUR: ART INSTITUTE OF CHICAGO, 5 November-12 December 1965; LOS ANGELES COUNTY MUSEUM OF ART, 11 January-20 February 1966; SAN FRANCISCO MUSEUM OF ART, 10 March-24 April 1966.
M. KNOEDLER, New York. "Space and Dream," 5-29 December 1967, catalogue by Robert Goldwater (New York: Walker), ill. p. 46.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 14, p. 90, ill. p. 91. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 26, color ill. p. 37; p. 185.

Published References:
UNSIGNED. "Saidie A. May Collection of Modern Paintings and Sculpture," The Baltimore Museum of Art News (March 1950), p. 26, no. 119.
ASHBERY, JOHN. "They came from Inner Space," Art News 66/8 (December 1967), ill. p. 48.
BRENSON, MICHAEL. The Early Works of Alberto Giacometti 1925-1935 (Baltimore: Johns Hopkins University, unpublished Ph. D. dissertation, 1974), checklist no. 62.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), ill. 485, p. 345.
EVANS, TAMARA S. Alberto Giacometti and America (New York: The Graduate School and University Center, City University of New York, 1984), p. 104.
BONNEFOY, YVES. Alberto Giacometti: A Biography of His Work (Paris: Flammarion, 1991), fig. 140, p. 149.
CENTRE GEORGES POMPIDOU. Alberto Giacometti: La Collection du Centre Georges Pompidou, Musee national d'art moderne (Paris: Centre Georges Pompidou / Reunion des Musees Nationaux, 1999), ill. p. 46.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European

Two Discs

1963

Adolph Gottlieb, American, b. New York City, 1903–1974

Oil on canvas, 89 7/8 x 108 3/8 IN. (228.2 x 275.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966, Art © Adolph and Esther Gottlieb Foundation/Licensed by VAGA, New York, NY

Accession Number: 66.2165

Provenance:
Marlborough-Gerson Gallery, New York, to 7 January 1966
Joseph H. Hirshhorn, New York, 7 January 1966-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
MARLBOROUGH-GERSON GALLERY, New York. Adolph Gottlieb: 12 Paintings, 12 February-15 March 1966, no. 5, ill.
WHITNEY MUSEUM OF AMERICAN ART, New York. Adolph Gottlieb, 14 February-31 March 1968, no. 94, ill. p. 82.
CORCORAN GALLERY OF ART, Washington, DC. Adolph Gottlieb: A Retrospective, 24 April-6 June 1981, no. 93, ill., p. 168. Tour: TAMPA MUSEUM, Florida, 15 August-17 October; TOLEDO MUSEUM OF ART, Ohio, 7 November-19 December; ARTHUR M. HUNTINGTON ART GALLERY, University of Texas, Austin, 9 January-20 February 1982; FLINT INSTITUTE OF ART, DEWATERS ART CENTER, Michigan, 18 March-24 April; INDIANAPOLIS MUSEUM OF ART, 15 May-19 June; LOS ANGELES COUNTY MUSEUM OF ART, 10 July-21 August, ALBRIGHT-KNOX ART GALLERY, Buffalo, New York, 11 September-31 October.
INTERNATIONAL COMMUNICATION AGENCY, Washington, DC (organizer) for BELLAS ARTES MUSEUM, Mexico City. La Pintura de los Estados Unidos de Museos de la Ciudad de Washington, 18 November 1980-4 January 1981, p. 186, no. 73, ill.
NASSAU COUNTY MUSEUM OF ART. The Hamptons since Pollock: Art & Architecture, 4 April-28 May 2000.

Published References:
ROSENSTEIN, HARRIS. "Reviews and Previews: Adolph Gottlieb," Art News 64 (February 1966): 16.
ROSENSTEIN, HARRIS. "Gottlieb at the Summit," Art News 65 (April 1966): 42.
HUDSON, ANDREW. "Adolph gottlieb's Paintings at the Whitney," Art International 12 (20 April 1968): 24, ill.
HUDSON, ANDREW. "Washington Letter," Art International 19 (15 June 1975): 100.
HUDSON, ANDREW. "Adolph Gottlieb: An Artist who is Surviving," Artmagazine (March/April 1978): ill. p. 19, p. 22.
SECREST, MERYLE. "Piezas Admirables del Museo Hirshhon (sic) se Expondran Aqui," Excelsior (20 October 1980): 1B, 4B.
DESCHAMPS, MADELEINE. La Peinture Americaine: Les mythes et la matiere (Paris: Denoel, 1981): ill. p. 199.
BROWN, MILTON W. One Hundred Masterpieces of American Painting (Washington, DC: Smithsonian Institution Press, 1983): 196-97, ill.
HANHISALO, JUDITH EVANS. Enjoying Art (Englewood Cliffs, New Jersey: Prentice-Hall, 1983): fig. 134, p. 198.
HUDSON, ANDREW. "In My Opinion: Disappearing Masterpieces," Museum & Arts Washington 4 (May/June 1988): 63, ill.
SHAPIRO, DAVID, and CECILE SHAPIRO. Abstract Expressionism: A Critical Record (Cambridge and New York: Cambridge University Press, 1990: ill. p. 263.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation)

Untitled (One of 8 Prints)

1970

Menashe Kadishman, Israeli, b. Tel Aviv, 1932-2015

Lithograph, serigraph, or serigraph and collage

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2678

Provenance:
Marlborough-Gerson Gallery, New York, to 7 January 1966
Joseph H. Hirshhorn, New York, 7 January 1966-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
MARLBOROUGH-GERSON GALLERY, New York. Adolph Gottlieb: 12 Paintings, 12 February-15 March 1966, no. 5, ill.
WHITNEY MUSEUM OF AMERICAN ART, New York. Adolph Gottlieb, 14 February-31 March 1968, no. 94, ill. p. 82.
CORCORAN GALLERY OF ART, Washington, DC. Adolph Gottlieb: A Retrospective, 24 April-6 June 1981, no. 93, ill., p. 168. Tour: TAMPA MUSEUM, Florida, 15 August-17 October; TOLEDO MUSEUM OF ART, Ohio, 7 November-19 December; ARTHUR M. HUNTINGTON ART GALLERY, University of Texas, Austin, 9 January-20 February 1982; FLINT INSTITUTE OF ART, DEWATERS ART CENTER, Michigan, 18 March-24 April; INDIANAPOLIS MUSEUM OF ART, 15 May-19 June; LOS ANGELES COUNTY MUSEUM OF ART, 10 July-21 August, ALBRIGHT-KNOX ART GALLERY, Buffalo, New York, 11 September-31 October.
INTERNATIONAL COMMUNICATION AGENCY, Washington, DC (organizer) for BELLAS ARTES MUSEUM, Mexico City. La Pintura de los Estados Unidos de Museos de la Ciudad de Washington, 18 November 1980-4 January 1981, p. 186, no. 73, ill.
NASSAU COUNTY MUSEUM OF ART. The Hamptons since Pollock: Art & Architecture, 4 April-28 May 2000.

Published References:
ROSENSTEIN, HARRIS. "Reviews and Previews: Adolph Gottlieb," Art News 64 (February 1966): 16.
ROSENSTEIN, HARRIS. "Gottlieb at the Summit," Art News 65 (April 1966): 42.
HUDSON, ANDREW. "Adolph gottlieb's Paintings at the Whitney," Art International 12 (20 April 1968): 24, ill.
HUDSON, ANDREW. "Washington Letter," Art International 19 (15 June 1975): 100.
HUDSON, ANDREW. "Adolph Gottlieb: An Artist who is Surviving," Artmagazine (March/April 1978): ill. p. 19, p. 22.
SECREST, MERYLE. "Piezas Admirables del Museo Hirshhon (sic) se Expondran Aqui," Excelsior (20 October 1980): 1B, 4B.
DESCHAMPS, MADELEINE. La Peinture Americaine: Les mythes et la matiere (Paris: Denoel, 1981): ill. p. 199.
BROWN, MILTON W. One Hundred Masterpieces of American Painting (Washington, DC: Smithsonian Institution Press, 1983): 196-97, ill.
HANHISALO, JUDITH EVANS. Enjoying Art (Englewood Cliffs, New Jersey: Prentice-Hall, 1983): fig. 134, p. 198.
HUDSON, ANDREW. "In My Opinion: Disappearing Masterpieces," Museum & Arts Washington 4 (May/June 1988): 63, ill.
SHAPIRO, DAVID, and CECILE SHAPIRO. Abstract Expressionism: A Critical Record (Cambridge and New York: Cambridge University Press, 1990: ill. p. 263.

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Duncan, Robert

(n.d.)

R. B. Kitaj, American, b. Chagrin Falls, Ohio, 1932–2007

Etching on paper, SHEET: 20 9/16 X 16 IN. (IRREG) (52.2 X 40.6 CM.) IMAGE: 6 1/8 X 6 1/8 IN. (15.5 X 15.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Theodore W. Strauel, 1979

Accession Number: 79.169

Provenance:
Marlborough-Gerson Gallery, New York, to 7 January 1966
Joseph H. Hirshhorn, New York, 7 January 1966-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
MARLBOROUGH-GERSON GALLERY, New York. Adolph Gottlieb: 12 Paintings, 12 February-15 March 1966, no. 5, ill.
WHITNEY MUSEUM OF AMERICAN ART, New York. Adolph Gottlieb, 14 February-31 March 1968, no. 94, ill. p. 82.
CORCORAN GALLERY OF ART, Washington, DC. Adolph Gottlieb: A Retrospective, 24 April-6 June 1981, no. 93, ill., p. 168. Tour: TAMPA MUSEUM, Florida, 15 August-17 October; TOLEDO MUSEUM OF ART, Ohio, 7 November-19 December; ARTHUR M. HUNTINGTON ART GALLERY, University of Texas, Austin, 9 January-20 February 1982; FLINT INSTITUTE OF ART, DEWATERS ART CENTER, Michigan, 18 March-24 April; INDIANAPOLIS MUSEUM OF ART, 15 May-19 June; LOS ANGELES COUNTY MUSEUM OF ART, 10 July-21 August, ALBRIGHT-KNOX ART GALLERY, Buffalo, New York, 11 September-31 October.
INTERNATIONAL COMMUNICATION AGENCY, Washington, DC (organizer) for BELLAS ARTES MUSEUM, Mexico City. La Pintura de los Estados Unidos de Museos de la Ciudad de Washington, 18 November 1980-4 January 1981, p. 186, no. 73, ill.
NASSAU COUNTY MUSEUM OF ART. The Hamptons since Pollock: Art & Architecture, 4 April-28 May 2000.

Published References:
ROSENSTEIN, HARRIS. "Reviews and Previews: Adolph Gottlieb," Art News 64 (February 1966): 16.
ROSENSTEIN, HARRIS. "Gottlieb at the Summit," Art News 65 (April 1966): 42.
HUDSON, ANDREW. "Adolph gottlieb's Paintings at the Whitney," Art International 12 (20 April 1968): 24, ill.
HUDSON, ANDREW. "Washington Letter," Art International 19 (15 June 1975): 100.
HUDSON, ANDREW. "Adolph Gottlieb: An Artist who is Surviving," Artmagazine (March/April 1978): ill. p. 19, p. 22.
SECREST, MERYLE. "Piezas Admirables del Museo Hirshhon (sic) se Expondran Aqui," Excelsior (20 October 1980): 1B, 4B.
DESCHAMPS, MADELEINE. La Peinture Americaine: Les mythes et la matiere (Paris: Denoel, 1981): ill. p. 199.
BROWN, MILTON W. One Hundred Masterpieces of American Painting (Washington, DC: Smithsonian Institution Press, 1983): 196-97, ill.
HANHISALO, JUDITH EVANS. Enjoying Art (Englewood Cliffs, New Jersey: Prentice-Hall, 1983): fig. 134, p. 198.
HUDSON, ANDREW. "In My Opinion: Disappearing Masterpieces," Museum & Arts Washington 4 (May/June 1988): 63, ill.
SHAPIRO, DAVID, and CECILE SHAPIRO. Abstract Expressionism: A Critical Record (Cambridge and New York: Cambridge University Press, 1990: ill. p. 263.

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (British)/School of London

Still Life with White Mug

1978

Robert Kulicke, American, b. Philadelphia, Pennsylvania, 1924–2007

Oil on silk mounted on paperboard, 6 3/4 X 7 15/16 IN. (17.1 X 20.1 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase with Funds Donated by the Friends of Marion and Gustave Ring in Honor of their 50th Anniversary, 1979

Accession Number: 79.5

Provenance:
Marlborough-Gerson Gallery, New York, to 7 January 1966
Joseph H. Hirshhorn, New York, 7 January 1966-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
MARLBOROUGH-GERSON GALLERY, New York. Adolph Gottlieb: 12 Paintings, 12 February-15 March 1966, no. 5, ill.
WHITNEY MUSEUM OF AMERICAN ART, New York. Adolph Gottlieb, 14 February-31 March 1968, no. 94, ill. p. 82.
CORCORAN GALLERY OF ART, Washington, DC. Adolph Gottlieb: A Retrospective, 24 April-6 June 1981, no. 93, ill., p. 168. Tour: TAMPA MUSEUM, Florida, 15 August-17 October; TOLEDO MUSEUM OF ART, Ohio, 7 November-19 December; ARTHUR M. HUNTINGTON ART GALLERY, University of Texas, Austin, 9 January-20 February 1982; FLINT INSTITUTE OF ART, DEWATERS ART CENTER, Michigan, 18 March-24 April; INDIANAPOLIS MUSEUM OF ART, 15 May-19 June; LOS ANGELES COUNTY MUSEUM OF ART, 10 July-21 August, ALBRIGHT-KNOX ART GALLERY, Buffalo, New York, 11 September-31 October.
INTERNATIONAL COMMUNICATION AGENCY, Washington, DC (organizer) for BELLAS ARTES MUSEUM, Mexico City. La Pintura de los Estados Unidos de Museos de la Ciudad de Washington, 18 November 1980-4 January 1981, p. 186, no. 73, ill.
NASSAU COUNTY MUSEUM OF ART. The Hamptons since Pollock: Art & Architecture, 4 April-28 May 2000.

Published References:
ROSENSTEIN, HARRIS. "Reviews and Previews: Adolph Gottlieb," Art News 64 (February 1966): 16.
ROSENSTEIN, HARRIS. "Gottlieb at the Summit," Art News 65 (April 1966): 42.
HUDSON, ANDREW. "Adolph gottlieb's Paintings at the Whitney," Art International 12 (20 April 1968): 24, ill.
HUDSON, ANDREW. "Washington Letter," Art International 19 (15 June 1975): 100.
HUDSON, ANDREW. "Adolph Gottlieb: An Artist who is Surviving," Artmagazine (March/April 1978): ill. p. 19, p. 22.
SECREST, MERYLE. "Piezas Admirables del Museo Hirshhon (sic) se Expondran Aqui," Excelsior (20 October 1980): 1B, 4B.
DESCHAMPS, MADELEINE. La Peinture Americaine: Les mythes et la matiere (Paris: Denoel, 1981): ill. p. 199.
BROWN, MILTON W. One Hundred Masterpieces of American Painting (Washington, DC: Smithsonian Institution Press, 1983): 196-97, ill.
HANHISALO, JUDITH EVANS. Enjoying Art (Englewood Cliffs, New Jersey: Prentice-Hall, 1983): fig. 134, p. 198.
HUDSON, ANDREW. "In My Opinion: Disappearing Masterpieces," Museum & Arts Washington 4 (May/June 1988): 63, ill.
SHAPIRO, DAVID, and CECILE SHAPIRO. Abstract Expressionism: A Critical Record (Cambridge and New York: Cambridge University Press, 1990: ill. p. 263.

Hirshhorn Museum and Sculpture Garden Collection

Nude

1929

Yasuo Kuniyoshi, American, b. Okayama, Japan, 1893–1953

Oil on canvas, 30 1/8 X 40 1/8 IN. (76.4 X 101.9 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 72.167

Jh Purchased From Parke-bernet Galleries, New York 1970

Hirshhorn Museum and Sculpture Garden Collection

Gouache

1970-1971

Henriette Lambert, French, b. Bordeaux, 1925

Gouache on paper, 11 1/2 x 19 1/4 in. (29.2 x 49 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2836

Provenance:
Source unrecorded, by 1970
Joseph H. Hirshhorn, New York and Washington, DC, by 1970 to 31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection

Landforms: A Triptych

1966

Anne Madden, Irish, b. 1932

Oil on canvas, 45 5/8 × 95 3/4 in. (115.8 × 243.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3112

Provenance:
Source unrecorded, by 1970
Joseph H. Hirshhorn, New York and Washington, DC, by 1970 to 31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection

Still Life

1940

Martyl, American, b. St. Louis, Missouri, 1917–2013

Oil and casein on fiberboard, 24 x 29 15/16 in. (61 x 76 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3371

Provenance:
JHH acquired before the inventory of July 1945 (probably from or just after 1941 Carnegie International exh.)

Exhibition History:
Carnegie International, Pittsburgh. October 1941.

Hirshhorn Museum and Sculpture Garden Collection

Couple on Bench

(1964)

Costantino Nivola, Italian, b. Orani, 1911–1988

Terra-cotta, 3 7/8 x 5 3/4 x 2 1/2 IN. (9.7 x 14.5 x 6.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3847

Provenance:
Byron Gallery, New York, to 29 April 1965
Joseph H. Hirshhorn, New York, 29 April 1965 to 17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
[BYRON GALLERY, New York, "Nivola," 6-30 January 1965, no cat.]?

Hirshhorn Museum and Sculpture Garden Collection

Red and Black Bags

1967

Olen Orr, American, b. Glenmora, Louisiana, 1939

Polyurethene, Without base: 18 1/2 x 12 1/2 x 12 in. (47 x 31.7 x 30.5 cm) BASE: 1/2 x 9 1/2 x 8 in. (1.3 x 24.1 x 20.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3514

Provenance:
Byron Gallery, New York, to 29 April 1965
Joseph H. Hirshhorn, New York, 29 April 1965 to 17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
[BYRON GALLERY, New York, "Nivola," 6-30 January 1965, no cat.]?

Hirshhorn Museum and Sculpture Garden Collection

Head of a Woman

1923

Antoine Pevsner, French, b. Orel, Russia, 1886–1962

Nitrocellulose plastic on plastic-laminated wood panel, 14 3/8 X 9 1/4 X 4 5/8 IN. (36.3 X 23.4 X 11.7 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.231

Provenance:
Galerie Louise Leiris, Paris
André Lefèvre, Paris
Hôtel Drouot, Paris, Sale, Collection André Lefèvre, 24 November 1967, no. 73, ill. (as Le Clown)
Joseph H. Hirshhorn, New York, 24 November 1967-6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
MUSÉE NATIONAL D'ART MODERNE, Paris. "Antoine Pevsner," 21 December 1956-10 March 1957, no. 17 (collection A. Lefèvre)
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.

Published References:
MASSAT, RENÉ. Antoine Pevsner et le Constructivisme (Paris: Caractères, 1956), ill. 4.
PEISSI, PIERRE, and CAROLA GIEDION-WELCKER. Antoine Pevsner trans. Haakon Chevalier (Neuchâtel, Switzerland: Éditions du Griffon, 1961), ill. no. 38, p. 148.
PEVSNER, ALEXEI. A Biographical Sketch of My Brothers Naum Gabo and Antoine Pevsner trans. Michael Scammell and William Burke (Amsterdam: Augustin & Schoonman, 1964), p. 53, ill. p. 48.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 100, p. 109, ill. p. 98.
SMITHSONIAN INSTITUTION. Joseph H. Hirshhorn Museum and Sculpture Garden, 1968 Annual Report (Washington, DC, 1969), p. 220.
ZANINI, WALTER. Tendências da escultura moderna (São Paulo: Cultrix, 1971), ill. p. 225.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 732, colorplate, fig. 389, p. 278.

Hirshhorn Museum and Sculpture Garden Collection

Watergate

(1973)

Hans Richter, American, b. Berlin, Germany, 1888–1976

Oil and collage of newsprint on canvas, 30 1/8 X 40 1/8 IN. (76.4 X 101.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Mr. Hans Ruppel and Ms. Ursula Lawder, 1982

Accession Number: 82.119

Provenance:
Galerie Louise Leiris, Paris
André Lefèvre, Paris
Hôtel Drouot, Paris, Sale, Collection André Lefèvre, 24 November 1967, no. 73, ill. (as Le Clown)
Joseph H. Hirshhorn, New York, 24 November 1967-6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
MUSÉE NATIONAL D'ART MODERNE, Paris. "Antoine Pevsner," 21 December 1956-10 March 1957, no. 17 (collection A. Lefèvre)
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.

Published References:
MASSAT, RENÉ. Antoine Pevsner et le Constructivisme (Paris: Caractères, 1956), ill. 4.
PEISSI, PIERRE, and CAROLA GIEDION-WELCKER. Antoine Pevsner trans. Haakon Chevalier (Neuchâtel, Switzerland: Éditions du Griffon, 1961), ill. no. 38, p. 148.
PEVSNER, ALEXEI. A Biographical Sketch of My Brothers Naum Gabo and Antoine Pevsner trans. Michael Scammell and William Burke (Amsterdam: Augustin & Schoonman, 1964), p. 53, ill. p. 48.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 100, p. 109, ill. p. 98.
SMITHSONIAN INSTITUTION. Joseph H. Hirshhorn Museum and Sculpture Garden, 1968 Annual Report (Washington, DC, 1969), p. 220.
ZANINI, WALTER. Tendências da escultura moderna (São Paulo: Cultrix, 1971), ill. p. 225.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 732, colorplate, fig. 389, p. 278.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus

Portrait of the Artist and his Wife at Coney Island

1955-1956

Noel Rockmore, American, b. New York City, 1928–1995

Oil on canvas, 80 3/8 x 44 3/8 in. (204.2 x 112.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4310

Provenance:
Galerie Louise Leiris, Paris
André Lefèvre, Paris
Hôtel Drouot, Paris, Sale, Collection André Lefèvre, 24 November 1967, no. 73, ill. (as Le Clown)
Joseph H. Hirshhorn, New York, 24 November 1967-6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
MUSÉE NATIONAL D'ART MODERNE, Paris. "Antoine Pevsner," 21 December 1956-10 March 1957, no. 17 (collection A. Lefèvre)
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.

Published References:
MASSAT, RENÉ. Antoine Pevsner et le Constructivisme (Paris: Caractères, 1956), ill. 4.
PEISSI, PIERRE, and CAROLA GIEDION-WELCKER. Antoine Pevsner trans. Haakon Chevalier (Neuchâtel, Switzerland: Éditions du Griffon, 1961), ill. no. 38, p. 148.
PEVSNER, ALEXEI. A Biographical Sketch of My Brothers Naum Gabo and Antoine Pevsner trans. Michael Scammell and William Burke (Amsterdam: Augustin & Schoonman, 1964), p. 53, ill. p. 48.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 100, p. 109, ill. p. 98.
SMITHSONIAN INSTITUTION. Joseph H. Hirshhorn Museum and Sculpture Garden, 1968 Annual Report (Washington, DC, 1969), p. 220.
ZANINI, WALTER. Tendências da escultura moderna (São Paulo: Cultrix, 1971), ill. p. 225.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 732, colorplate, fig. 389, p. 278.

Hirshhorn Museum and Sculpture Garden Collection, American Eccentrics

Cowboy

(1957)

Noel Rockmore, American, b. New York City, 1928–1995

Gouache and ink on printed patterned paper, 17 1/2 x 13 in. (44.5 x 33 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4319

Provenance:
Galerie Louise Leiris, Paris
André Lefèvre, Paris
Hôtel Drouot, Paris, Sale, Collection André Lefèvre, 24 November 1967, no. 73, ill. (as Le Clown)
Joseph H. Hirshhorn, New York, 24 November 1967-6 March 1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
MUSÉE NATIONAL D'ART MODERNE, Paris. "Antoine Pevsner," 21 December 1956-10 March 1957, no. 17 (collection A. Lefèvre)
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.

Published References:
MASSAT, RENÉ. Antoine Pevsner et le Constructivisme (Paris: Caractères, 1956), ill. 4.
PEISSI, PIERRE, and CAROLA GIEDION-WELCKER. Antoine Pevsner trans. Haakon Chevalier (Neuchâtel, Switzerland: Éditions du Griffon, 1961), ill. no. 38, p. 148.
PEVSNER, ALEXEI. A Biographical Sketch of My Brothers Naum Gabo and Antoine Pevsner trans. Michael Scammell and William Burke (Amsterdam: Augustin & Schoonman, 1964), p. 53, ill. p. 48.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 100, p. 109, ill. p. 98.
SMITHSONIAN INSTITUTION. Joseph H. Hirshhorn Museum and Sculpture Garden, 1968 Annual Report (Washington, DC, 1969), p. 220.
ZANINI, WALTER. Tendências da escultura moderna (São Paulo: Cultrix, 1971), ill. p. 225.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 732, colorplate, fig. 389, p. 278.

Hirshhorn Museum and Sculpture Garden Collection, American Eccentrics

Strip of Central Park

(1966)

Herman Rose, American, b. Brooklyn, New York, 1909–2007

Etching on paper, 5 1/16 x 18 1/8 in. (12.9 x 46 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4021

Provenance:
Zabriskie Gallery, New York, to 6 June 1967
Joseph H. Hirshhorn, New York, 6 June 1967-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Hirshhorn Museum and Sculpture Garden Collection, American Realism (Mid-20th Century)

Inner Boundary

(n.d.)

Maria Simonds-Gooding, British, b. Quetta, India, 1939

Etching on paper, 22 X 30 IN. (55.9 X 76.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4392

Provenance:
Zabriskie Gallery, New York, to 6 June 1967
Joseph H. Hirshhorn, New York, 6 June 1967-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Hirshhorn Museum and Sculpture Garden Collection

Ferry Slip, Winter

1905-1906

John Sloan, American, b. Lock Haven, Pennsylvania, 1871–1951

Oil on canvas, 21 5/8 × 31 3/4 in. (55.1 × 80.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4607

Provenance:
Kraushaar Galleries, New York, to 7 September 1954
Joseph H. Hirshhorn, New York, 7 September 1954-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
C.W. KRAUSHAAR GALLERIES, New York. "Paintings by John Sloan," 11-30 April 1921, no. 9.
C. W. KRAUSHAAR GALLERIES, New York. "John Sloan," 15 February-5 March 1927, no. 1.
MONTANA STATE UNIVERSITY, Missoula. "Inaugural Exhibition," from 5 October 1937.
ADDISON GALLERY OF AMERICAN ART, Phillips Academy, Andover, Massachusetts. "John Sloan Retrospective Exhibition," 2 April-18 May 1938, no. 1, p. 13.
WARNER GALLERIES, Los Angeles. "John Sloan," May 1940.
DES MOINES ART CENTER. "The Artists' Vision," 27 February-23 March 1952, no. 67.
TERRA MUSEUM OF AMERICAN ART, Evanston, Illinois. "Treasures from the Hirshhorn: American Painting 1880-1930," 29 July-30 September 1980, no. 12.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "'The Eight' and the independent Tradition in American Art," 13 January-15 May 1983, no. 9.
MUSEUM OF THE BOROUGH OF BROOKLYN AT BROOKLYN COLLEGE, New York. Crossing Brooklyn Ferry, the River and the Bridge, 12 April-10 May 1983, no. 59.
TIMKEN ART GALLERY, San Diego, CA. Focus I: John Sloan's "The Wake of the Ferry," 2 October-2 December 1984, fig. 8.
SITES, Washington D.C. The America's Smithsonian 150th Anniversary Exhibition. TOUR: LOS ANGELES CONVENTION CENTER, Los Angeles, CA, 9 February-10 March 1996; KANSAS CITY CONVENTION CENTER, MO, 10 April-19 May 1996; NEW YORK COLISEUM, NY, 11 June-24 July 1996; RHODE ISLAND CONVENTION CENTER, Providence, RI, 17 August-19 September 1996; GEORGE R. BROWN CONVENTION CENTER, Houston, TX, 6 December 1996-12 January 1997.
DELAWARE ART MUSEUM, Wilmington. John Sloan's New York, 20 October 2007-20 January 2008, cat. [not included] TOUR: Westmoreland Museum of American Art, Greensburg, Pennsylvania, 10 February-27 April; DAVID AND ALFRED SMART MUSEUM OF ART, University of Chicago, 22 May-14 September; REYNOLDA HOUSE MUSEUM OF AMERICAN ART, Winston-Salem, North Carolina, 4 October-4 January 2009.

Published References:
ST. JOHN, BRUCE ed. John Sloan's New York Scene from the Diaries, Notes and Correspondence 1906-1913 (New York: Harper and Row, 1965) p. 88, 89 ill.
PACH, WALTER. "L'Art de John Sloan," L'art et les artistes XVIII (February 1914) p. 224.
JULEY, PETER. Photograph from John Sloan File, Peter Juley Archive, National Museum of American Art, Smithsonian Institution, Washington D.C.
CORTISSOZ, ROYAL. "Gari Melchers, John Noble and Diverse Others," New York Herald Tribune (20 february 1927) Section VI, p. 10, column 4.
UNSIGNED. "Notes on the Art World," New York American (27 february 1927) section M, p. 12, column 4.
UNSIGNED. "Art of John Sloan is Truly American," Philadelphia Public Ledger (15 March 1931), p. 16, column 4.
SLOAN, JOHN. Gist of Art (New York: American Artists' Group, 1939) p. 206.
GENAUER, EMILY. "Artist Insists Prize Painting Isn't Obscene," World Telegram (date?).
A.M. "Sloan Show Proves Why He Is 'The New York Painter," Los Angeles Times (5 May 1940).
HOLCOMB, GRANT. "A Catalogue Raisonne of the Paintings of John Sloan, 1900-1913," unpublished PhD dissertation, University of Delaware, 1972, p. 34-36, 140-191 no. 38.
DORSEY, JOHN. "America's rebel 'Eight' insisted on individuality," The Baltimore Sun (24 January 1983).
ELZEA, ROWLAND. John Sloan's Oil Paintings: A Catalogue Raisonne Part One (Newark, NJ: University of Delaware Press, 1991) no. 62, p. 66-67.

Hirshhorn Museum and Sculpture Garden Collection, American Realism (Ashcan School)

Flower Child

(1968)

Raphael Soyer, American, b. Borisoglebsk, Russia, 1899–1987

Lithograph on paper, SHEET: 21 3/8 X 17 1/2 IN. (54.3 X 44.5 CM.) IMAGE: 14 5/8 X 9 7/8 IN. (37.0 X 25.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Raphael and Rebecca Soyer in Honor of the Museum's Founding Director, Abram Lerner, 1981

Accession Number: 81.180

Provenance:
Kraushaar Galleries, New York, to 7 September 1954
Joseph H. Hirshhorn, New York, 7 September 1954-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
C.W. KRAUSHAAR GALLERIES, New York. "Paintings by John Sloan," 11-30 April 1921, no. 9.
C. W. KRAUSHAAR GALLERIES, New York. "John Sloan," 15 February-5 March 1927, no. 1.
MONTANA STATE UNIVERSITY, Missoula. "Inaugural Exhibition," from 5 October 1937.
ADDISON GALLERY OF AMERICAN ART, Phillips Academy, Andover, Massachusetts. "John Sloan Retrospective Exhibition," 2 April-18 May 1938, no. 1, p. 13.
WARNER GALLERIES, Los Angeles. "John Sloan," May 1940.
DES MOINES ART CENTER. "The Artists' Vision," 27 February-23 March 1952, no. 67.
TERRA MUSEUM OF AMERICAN ART, Evanston, Illinois. "Treasures from the Hirshhorn: American Painting 1880-1930," 29 July-30 September 1980, no. 12.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "'The Eight' and the independent Tradition in American Art," 13 January-15 May 1983, no. 9.
MUSEUM OF THE BOROUGH OF BROOKLYN AT BROOKLYN COLLEGE, New York. Crossing Brooklyn Ferry, the River and the Bridge, 12 April-10 May 1983, no. 59.
TIMKEN ART GALLERY, San Diego, CA. Focus I: John Sloan's "The Wake of the Ferry," 2 October-2 December 1984, fig. 8.
SITES, Washington D.C. The America's Smithsonian 150th Anniversary Exhibition. TOUR: LOS ANGELES CONVENTION CENTER, Los Angeles, CA, 9 February-10 March 1996; KANSAS CITY CONVENTION CENTER, MO, 10 April-19 May 1996; NEW YORK COLISEUM, NY, 11 June-24 July 1996; RHODE ISLAND CONVENTION CENTER, Providence, RI, 17 August-19 September 1996; GEORGE R. BROWN CONVENTION CENTER, Houston, TX, 6 December 1996-12 January 1997.
DELAWARE ART MUSEUM, Wilmington. John Sloan's New York, 20 October 2007-20 January 2008, cat. [not included] TOUR: Westmoreland Museum of American Art, Greensburg, Pennsylvania, 10 February-27 April; DAVID AND ALFRED SMART MUSEUM OF ART, University of Chicago, 22 May-14 September; REYNOLDA HOUSE MUSEUM OF AMERICAN ART, Winston-Salem, North Carolina, 4 October-4 January 2009.

Published References:
ST. JOHN, BRUCE ed. John Sloan's New York Scene from the Diaries, Notes and Correspondence 1906-1913 (New York: Harper and Row, 1965) p. 88, 89 ill.
PACH, WALTER. "L'Art de John Sloan," L'art et les artistes XVIII (February 1914) p. 224.
JULEY, PETER. Photograph from John Sloan File, Peter Juley Archive, National Museum of American Art, Smithsonian Institution, Washington D.C.
CORTISSOZ, ROYAL. "Gari Melchers, John Noble and Diverse Others," New York Herald Tribune (20 february 1927) Section VI, p. 10, column 4.
UNSIGNED. "Notes on the Art World," New York American (27 february 1927) section M, p. 12, column 4.
UNSIGNED. "Art of John Sloan is Truly American," Philadelphia Public Ledger (15 March 1931), p. 16, column 4.
SLOAN, JOHN. Gist of Art (New York: American Artists' Group, 1939) p. 206.
GENAUER, EMILY. "Artist Insists Prize Painting Isn't Obscene," World Telegram (date?).
A.M. "Sloan Show Proves Why He Is 'The New York Painter," Los Angeles Times (5 May 1940).
HOLCOMB, GRANT. "A Catalogue Raisonne of the Paintings of John Sloan, 1900-1913," unpublished PhD dissertation, University of Delaware, 1972, p. 34-36, 140-191 no. 38.
DORSEY, JOHN. "America's rebel 'Eight' insisted on individuality," The Baltimore Sun (24 January 1983).
ELZEA, ROWLAND. John Sloan's Oil Paintings: A Catalogue Raisonne Part One (Newark, NJ: University of Delaware Press, 1991) no. 62, p. 66-67.

Hirshhorn Museum and Sculpture Garden Collection, American Realism (Mid-20th Century)

Transverse

1974

Julian Stanczak, American, b. Borownica, Poland, 1928–2017

Acrylic on canvas, 60 1/8 X 80 1/8 IN. (152.7 X 203.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Martha Jackson Memorial Collection: Gift of Mr. and Mrs. David K. Anderson, 1980

Accession Number: 80.96

Provenance:
Kraushaar Galleries, New York, to 7 September 1954
Joseph H. Hirshhorn, New York, 7 September 1954-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
C.W. KRAUSHAAR GALLERIES, New York. "Paintings by John Sloan," 11-30 April 1921, no. 9.
C. W. KRAUSHAAR GALLERIES, New York. "John Sloan," 15 February-5 March 1927, no. 1.
MONTANA STATE UNIVERSITY, Missoula. "Inaugural Exhibition," from 5 October 1937.
ADDISON GALLERY OF AMERICAN ART, Phillips Academy, Andover, Massachusetts. "John Sloan Retrospective Exhibition," 2 April-18 May 1938, no. 1, p. 13.
WARNER GALLERIES, Los Angeles. "John Sloan," May 1940.
DES MOINES ART CENTER. "The Artists' Vision," 27 February-23 March 1952, no. 67.
TERRA MUSEUM OF AMERICAN ART, Evanston, Illinois. "Treasures from the Hirshhorn: American Painting 1880-1930," 29 July-30 September 1980, no. 12.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "'The Eight' and the independent Tradition in American Art," 13 January-15 May 1983, no. 9.
MUSEUM OF THE BOROUGH OF BROOKLYN AT BROOKLYN COLLEGE, New York. Crossing Brooklyn Ferry, the River and the Bridge, 12 April-10 May 1983, no. 59.
TIMKEN ART GALLERY, San Diego, CA. Focus I: John Sloan's "The Wake of the Ferry," 2 October-2 December 1984, fig. 8.
SITES, Washington D.C. The America's Smithsonian 150th Anniversary Exhibition. TOUR: LOS ANGELES CONVENTION CENTER, Los Angeles, CA, 9 February-10 March 1996; KANSAS CITY CONVENTION CENTER, MO, 10 April-19 May 1996; NEW YORK COLISEUM, NY, 11 June-24 July 1996; RHODE ISLAND CONVENTION CENTER, Providence, RI, 17 August-19 September 1996; GEORGE R. BROWN CONVENTION CENTER, Houston, TX, 6 December 1996-12 January 1997.
DELAWARE ART MUSEUM, Wilmington. John Sloan's New York, 20 October 2007-20 January 2008, cat. [not included] TOUR: Westmoreland Museum of American Art, Greensburg, Pennsylvania, 10 February-27 April; DAVID AND ALFRED SMART MUSEUM OF ART, University of Chicago, 22 May-14 September; REYNOLDA HOUSE MUSEUM OF AMERICAN ART, Winston-Salem, North Carolina, 4 October-4 January 2009.

Published References:
ST. JOHN, BRUCE ed. John Sloan's New York Scene from the Diaries, Notes and Correspondence 1906-1913 (New York: Harper and Row, 1965) p. 88, 89 ill.
PACH, WALTER. "L'Art de John Sloan," L'art et les artistes XVIII (February 1914) p. 224.
JULEY, PETER. Photograph from John Sloan File, Peter Juley Archive, National Museum of American Art, Smithsonian Institution, Washington D.C.
CORTISSOZ, ROYAL. "Gari Melchers, John Noble and Diverse Others," New York Herald Tribune (20 february 1927) Section VI, p. 10, column 4.
UNSIGNED. "Notes on the Art World," New York American (27 february 1927) section M, p. 12, column 4.
UNSIGNED. "Art of John Sloan is Truly American," Philadelphia Public Ledger (15 March 1931), p. 16, column 4.
SLOAN, JOHN. Gist of Art (New York: American Artists' Group, 1939) p. 206.
GENAUER, EMILY. "Artist Insists Prize Painting Isn't Obscene," World Telegram (date?).
A.M. "Sloan Show Proves Why He Is 'The New York Painter," Los Angeles Times (5 May 1940).
HOLCOMB, GRANT. "A Catalogue Raisonne of the Paintings of John Sloan, 1900-1913," unpublished PhD dissertation, University of Delaware, 1972, p. 34-36, 140-191 no. 38.
DORSEY, JOHN. "America's rebel 'Eight' insisted on individuality," The Baltimore Sun (24 January 1983).
ELZEA, ROWLAND. John Sloan's Oil Paintings: A Catalogue Raisonne Part One (Newark, NJ: University of Delaware Press, 1991) no. 62, p. 66-67.

Hirshhorn Museum and Sculpture Garden Collection, Op Art

Flingtime

(1975)

Michael Steiner, American, b. New York City, 1945

Cor-ten steel, 53 x 65 1/2 x 110 3/4 in. (134.6 x 166.5 x 281.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Harry Kahn, 1981

Accession Number: 81.228

Provenance:
Kraushaar Galleries, New York, to 7 September 1954
Joseph H. Hirshhorn, New York, 7 September 1954-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
C.W. KRAUSHAAR GALLERIES, New York. "Paintings by John Sloan," 11-30 April 1921, no. 9.
C. W. KRAUSHAAR GALLERIES, New York. "John Sloan," 15 February-5 March 1927, no. 1.
MONTANA STATE UNIVERSITY, Missoula. "Inaugural Exhibition," from 5 October 1937.
ADDISON GALLERY OF AMERICAN ART, Phillips Academy, Andover, Massachusetts. "John Sloan Retrospective Exhibition," 2 April-18 May 1938, no. 1, p. 13.
WARNER GALLERIES, Los Angeles. "John Sloan," May 1940.
DES MOINES ART CENTER. "The Artists' Vision," 27 February-23 March 1952, no. 67.
TERRA MUSEUM OF AMERICAN ART, Evanston, Illinois. "Treasures from the Hirshhorn: American Painting 1880-1930," 29 July-30 September 1980, no. 12.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "'The Eight' and the independent Tradition in American Art," 13 January-15 May 1983, no. 9.
MUSEUM OF THE BOROUGH OF BROOKLYN AT BROOKLYN COLLEGE, New York. Crossing Brooklyn Ferry, the River and the Bridge, 12 April-10 May 1983, no. 59.
TIMKEN ART GALLERY, San Diego, CA. Focus I: John Sloan's "The Wake of the Ferry," 2 October-2 December 1984, fig. 8.
SITES, Washington D.C. The America's Smithsonian 150th Anniversary Exhibition. TOUR: LOS ANGELES CONVENTION CENTER, Los Angeles, CA, 9 February-10 March 1996; KANSAS CITY CONVENTION CENTER, MO, 10 April-19 May 1996; NEW YORK COLISEUM, NY, 11 June-24 July 1996; RHODE ISLAND CONVENTION CENTER, Providence, RI, 17 August-19 September 1996; GEORGE R. BROWN CONVENTION CENTER, Houston, TX, 6 December 1996-12 January 1997.
DELAWARE ART MUSEUM, Wilmington. John Sloan's New York, 20 October 2007-20 January 2008, cat. [not included] TOUR: Westmoreland Museum of American Art, Greensburg, Pennsylvania, 10 February-27 April; DAVID AND ALFRED SMART MUSEUM OF ART, University of Chicago, 22 May-14 September; REYNOLDA HOUSE MUSEUM OF AMERICAN ART, Winston-Salem, North Carolina, 4 October-4 January 2009.

Published References:
ST. JOHN, BRUCE ed. John Sloan's New York Scene from the Diaries, Notes and Correspondence 1906-1913 (New York: Harper and Row, 1965) p. 88, 89 ill.
PACH, WALTER. "L'Art de John Sloan," L'art et les artistes XVIII (February 1914) p. 224.
JULEY, PETER. Photograph from John Sloan File, Peter Juley Archive, National Museum of American Art, Smithsonian Institution, Washington D.C.
CORTISSOZ, ROYAL. "Gari Melchers, John Noble and Diverse Others," New York Herald Tribune (20 february 1927) Section VI, p. 10, column 4.
UNSIGNED. "Notes on the Art World," New York American (27 february 1927) section M, p. 12, column 4.
UNSIGNED. "Art of John Sloan is Truly American," Philadelphia Public Ledger (15 March 1931), p. 16, column 4.
SLOAN, JOHN. Gist of Art (New York: American Artists' Group, 1939) p. 206.
GENAUER, EMILY. "Artist Insists Prize Painting Isn't Obscene," World Telegram (date?).
A.M. "Sloan Show Proves Why He Is 'The New York Painter," Los Angeles Times (5 May 1940).
HOLCOMB, GRANT. "A Catalogue Raisonne of the Paintings of John Sloan, 1900-1913," unpublished PhD dissertation, University of Delaware, 1972, p. 34-36, 140-191 no. 38.
DORSEY, JOHN. "America's rebel 'Eight' insisted on individuality," The Baltimore Sun (24 January 1983).
ELZEA, ROWLAND. John Sloan's Oil Paintings: A Catalogue Raisonne Part One (Newark, NJ: University of Delaware Press, 1991) no. 62, p. 66-67.

Hirshhorn Museum and Sculpture Garden Collection

Retornos De Lo Vivo Lejano De Raphael Alberti ("The Return Of The Farther Alive" By Raphael Alberti)

1979

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

Color lithograph on paper, 22 1/8 X 30 1/8 IN. (56.2 X 76.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.136.2

Provenance:
Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists

The Moonseed

1969

Marilynn Thuma, American, b. Berwyn, Illinois, 1940

Acrylic lacquer on plastic, 42 1/4 × 30 × 9 1/2 in. (107.3 × 76.2 × 24.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4616

Provenance:
Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection

Rail Fence

(1950)

Andrew Wyeth, American, b. Chadds Ford, Pennsylvania, 1917–2009

Watercolor and pencil on paper, 21 5/8 X 29 3/4 IN. (54.9 X 75.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.5591

Provenance:
Macbeth Gallery, New York, to August 1953
(sale via ACA Gallery, August 1953)
Joseph H. Hirshhorn, New York, November 1953-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation,1966

Exhibition History:
MACBETH GALLERY, New York. "Andrew Wyeth," 6-29 November 1962.
GREENWICH GALLERY, New York. "Fifty Contemporary American Artists," 1 May-30 June 1957, no. 49, ill. p. 109.
AMERICAN FEDERATION OF ARTS, New York (organizer). "Paintings from the Joseph H. Hirshhorn Foundation Collection: A View of the Protean Century," no. 74. TOUR: M. KNOEDLER & CO., New York, 31 October-24 November 1962; CURRIER GALLERY OF ART, Manchester, New Hampshire, 16 December-12 January 1963; CARNEGIE INSTITUTE, Pittsburgh, 30 January-26 February; EVANSVILLE MUSEUM OF ARTS AND SCIENCE, Indiana, 16 March-12 April; MUNSON WILLIAMS PROCTOR INSTITUTE, Utica, New York, 30 April-27 May; J.B. SPEED ART MUSEUM, Louisville, Kentucky, 13 June-10 July; MINNEAPOLIS INSTITUTE OF ARTS, 30 July-25 August, SEATTLE ART MUSEUM, 11 September-8 October; SAN FRANCISCO MUSEUM OF ART, 26 October-23 November; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 11 December 1963-7 January 1964; DALLAS MUSEUM OF FINE ARTS, 26 January-23 February; OKLAHOMA ART CENTER, Oklahoma City, 12 March-8 April; BROOKS MEMORIAL ART GALLERY, Memphis, 25 April-23 May; ATLANTA ART ASSOCIATION, 10 June-7 July; SAGINAW ART MUSEUM, Michigan, 25 July-22 August; MONTREAL MUSEUM OF FINE ARTS, 8 September-6 October; ALLENTOWN ART MUSEUM, Pennsylvania, 24 October-21 November; MUSEUM OF FINE ARTS, Boston, 9 December 1964-10 January 1965; BROOKLYN MUSEUM, New York, 8 February-5 April.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, p.404, fig. 572, p. 759.
GREENVILLE COUNTY MUSEUM OF ART, South Carolina. "Andrew Wyeth in Southern Collections," 1 February-31 May 1978, no. 31.
CANTON ART INSTITUTE, Ohio. "Andrew Wyeth from Public and Private Collections," 15 September-3 November 1985.
NAPLES MUSEUM OF ART, Florida. "Andrew Wyeth & Family," 21 January-14 May 2006.

Published References:
DRISCOLL, EDGAR J., Jr. "The Art World, Contemporary Exhibit at Boston Museum," The Boston Sunday Globe (13 December 1964): A38.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974): 404, ill. 878.

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary Realism

Kokoschka, Oscar

(1950)

Karl Zerbe, American, 1903–1972

Oil on paper, 24 5/8 X 14 3/8 IN. (62.6 X 36.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.5657

Provenance:
Macbeth Gallery, New York, to August 1953
(sale via ACA Gallery, August 1953)
Joseph H. Hirshhorn, New York, November 1953-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation,1966

Exhibition History:
MACBETH GALLERY, New York. "Andrew Wyeth," 6-29 November 1962.
GREENWICH GALLERY, New York. "Fifty Contemporary American Artists," 1 May-30 June 1957, no. 49, ill. p. 109.
AMERICAN FEDERATION OF ARTS, New York (organizer). "Paintings from the Joseph H. Hirshhorn Foundation Collection: A View of the Protean Century," no. 74. TOUR: M. KNOEDLER & CO., New York, 31 October-24 November 1962; CURRIER GALLERY OF ART, Manchester, New Hampshire, 16 December-12 January 1963; CARNEGIE INSTITUTE, Pittsburgh, 30 January-26 February; EVANSVILLE MUSEUM OF ARTS AND SCIENCE, Indiana, 16 March-12 April; MUNSON WILLIAMS PROCTOR INSTITUTE, Utica, New York, 30 April-27 May; J.B. SPEED ART MUSEUM, Louisville, Kentucky, 13 June-10 July; MINNEAPOLIS INSTITUTE OF ARTS, 30 July-25 August, SEATTLE ART MUSEUM, 11 September-8 October; SAN FRANCISCO MUSEUM OF ART, 26 October-23 November; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 11 December 1963-7 January 1964; DALLAS MUSEUM OF FINE ARTS, 26 January-23 February; OKLAHOMA ART CENTER, Oklahoma City, 12 March-8 April; BROOKS MEMORIAL ART GALLERY, Memphis, 25 April-23 May; ATLANTA ART ASSOCIATION, 10 June-7 July; SAGINAW ART MUSEUM, Michigan, 25 July-22 August; MONTREAL MUSEUM OF FINE ARTS, 8 September-6 October; ALLENTOWN ART MUSEUM, Pennsylvania, 24 October-21 November; MUSEUM OF FINE ARTS, Boston, 9 December 1964-10 January 1965; BROOKLYN MUSEUM, New York, 8 February-5 April.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, p.404, fig. 572, p. 759.
GREENVILLE COUNTY MUSEUM OF ART, South Carolina. "Andrew Wyeth in Southern Collections," 1 February-31 May 1978, no. 31.
CANTON ART INSTITUTE, Ohio. "Andrew Wyeth from Public and Private Collections," 15 September-3 November 1985.
NAPLES MUSEUM OF ART, Florida. "Andrew Wyeth & Family," 21 January-14 May 2006.

Published References:
DRISCOLL, EDGAR J., Jr. "The Art World, Contemporary Exhibit at Boston Museum," The Boston Sunday Globe (13 December 1964): A38.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974): 404, ill. 878.

Hirshhorn Museum and Sculpture Garden Collection

No Time to Fall

2001

Maria Friberg, Swedish, b. Malmö, 1966

Single-channel video, color, sound, dimensions variable; 00:02:02 loop

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Heather and Tony Podesta Collection, Falls Church, VA, 2005

Accession Number: 05.34

Provenance:
Heather and Tony Podesta, Falls Church, VA, to 20 December 2005
Gift of Heather and Tony Podesta Collection, Falls Church, VA, 2005

Hirshhorn Museum and Sculpture Garden Collection

Ma: Space/Time in the Garden of Ryoan-Ji

1989

Takahiko iimura, Japanese, b. Tokyo, 1937

16 mm film transferred to DVD, running time: 00:46:00

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2009

Accession Number: 09.7

Provenance:
The artist, New York, to 26 February 2009
Holenia Trust Fund, in memory of Joseph H. Hirshhorn, 2009

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Fragments in Time and Space," 23 June-28 August 2011, no cat.

Hirshhorn Museum and Sculpture Garden Collection

(Untitled) (Print Portfolio)

(1975)

Rufino Tamayo, Mexican, b. Oaxaca, 1899–1991

Intaglio on paper

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4589.9

Provenance:
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
Estate of Joseph H. Hirshhorn, 1981-1986
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Stone/Steel Proposal

1982

John Van Alstine, American, b. Johnstown, New York, 1952

Charcoal and pastel on paper, 30 X 22 3/8 IN. (76.0 X 56.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Bequest of Mollie B. Darr, 1993

Accession Number: 93.15

Provenance:
Estate of Mary (Mollie) B. Darr, Washington, DC, to 4 August 1993
Bequest of Mollie B. Darr, 1993

Hirshhorn Museum and Sculpture Garden Collection

Landscape with Tree

(n.d.)

Milton Avery, American, b. Altmar, New York, 1885–1965

Oil on canvasboard, 18 × 24 in. (45.7 × 61 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.133

DEPARTMENT OF THE TREASURY, OFFICE OF THE SECRETARY, Washington, DC. Office exhibition, December 1999 - December 2000.

Hirshhorn Museum and Sculpture Garden Collection

The Day Dreamer

1962

Pamela Bianco, American, b. London, England, 1906–1994

Oil and ink on plywood, 6 7/8 x 5 in. (17.4 x 12.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.496

David Herbert Gallery, New York, to 1963

Hirshhorn Museum and Sculpture Garden Collection

Seascape

1955

Byron Browne, American, b. Yonkers, New York, 1907–1962

Gouache and ink on paper, 25 15/16 X 20 IN. (65.9 X 50.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.707

Jh Purchased From New York Society For Ethical Culture, New York 1958

Hirshhorn Museum and Sculpture Garden Collection

Stripes to the Right

1965

Jack Hamilton Bush, Canadian, b. Toronto, 1909–1977

Color serigraph on paper, 26 1/16 × 20 9/16 in. (66.1 × 52.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Charles W. Millard, 1986

Accession Number: 86.5894

Jh Purchased From New York Society For Ethical Culture, New York 1958

Hirshhorn Museum and Sculpture Garden Collection, Formalist Abstraction

The Stainless Stealer (Maquette)

(1966)

Alexander Calder, American, b. Lawnton, Pennsylvania, 1898–1976

Sheet steel, paint, and wire, 28 1/8 × 20 1/8 in. (71.6 × 51 cm) variable [measured flat]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.741

Jh Purchased From New York Society For Ethical Culture, New York 1958

Hirshhorn Museum and Sculpture Garden Collection, American Abstraction (Mid-Century)

Mixed Up

1973 -1974

Naomi Hirshhorn Caryl, American, b. Great Neck, New York, 1931

Synthetic polymer on linen, 10 1/8 x 10 in. (25.6 x 25.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.796

Jh Purchased From New York Society For Ethical Culture, New York 1958

Hirshhorn Museum and Sculpture Garden Collection

Umbrio Por La Pena

1973

Francisco Corzas, Mexican, b. Mexico City, 1936–1983

10 lithographs on paper in fabric-wrapped box, sheet: 20 5/8 x 32 3/4 in. (52.4 x 83 cm) folded in half vertically box: 21 1/4 x 17 1/4 x 1 1/4 in. (54 x 43.5 x 3.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.940.1-10

Jh Purchased From New York Society For Ethical Culture, New York 1958

Hirshhorn Museum and Sculpture Garden Collection

(Bestiary, Series) (Untitled)

December 30, 1963

José Luis Cuevas, Mexican, b. Mexico City, 1934–2017

Ink on paper mounted on paperboard, 3 7/16 X 4 1/8 in. (8.7 X 10.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1019.20

Jh Purchased From Borgenicht Gallery, Grace, New York 1965

Hirshhorn Museum and Sculpture Garden Collection

(Untitled)(Woman)

(1961)

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Ink on paper, 23 11/16 x 18 11/16 in. (60.1 x 47.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1190

Provenance:
The artist, New York, 1961
Harold Diamond, New York, to 7 November 1961
Joseph H. Hirshhorn, New York, 7 November 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
AMERICAN FEDERATION OF ARTS, New York (organizer). "American Master Drawings and Watercolors: Works on Paper from Colonial Times to the Present." TOUR: MINNEAPOLIS INSTITUTE OF THE ARTS, 1 September-26 October 1976; WHITENY MUSEUM OF AMERICAN ART, New York, 23 November-23 January 1977; FINE ARTS MUSEUMS OF SAN FRANCISCO, 20 February-17 April 1977.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 17, p. 201, 216, colorplate 17, p. 83. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Published References:
HESS, THOMAS. B. Willem de Kooning Drawings (Greenwich, Connecticut: New York Graphic Society, 1972), no. 98, ill. p. 51
STEBBINS, THEODORE, JR. American Master Drawings and Watercolors (New York: Harper & Row, 1976), fig. 322, p. 365, p. 366.
MARTINEZ, BENJAMIN and JACQUELINE BLOCK. Visual Forces: An Introduction to Design 2nd ed. (New Jersey: Englewood Cliffs/Prentice Hall, 1995), fig. E, p. 97.
GOLDSTEIN, NATHAN. Art of Responsive Drawing, 5th edition (Upper Saddle River, N.J.: Prentice Hall, 1999). [LOC NC740. G6 1999]

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation)

Woman Arranging Her Hair

(c. 1896-1911)/(cast c. 1930-32)

Edgar Degas, French, b. Paris, 1834–1917

Bronze, 18 3/8 x 9 7/8 x 6 5/8 in. (46.7 x 25.3 x 16.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1305

Provenance:
Galerie Hébrard, Paris (agents for artist's Estate)
Michel Kellerman, Paris
Marlborough Fine Art, London, to 4 January 1952 (acquired from Kellerman)
Robin Howard, London, 4 January 1952-1 July 1964
Sotheby's, London. Sale, 1 July 1964, lot 113, ill. p. 69
Marlborough Fine Art, London, 1 July 1964 (acting as agent for JHH)
Joseph H. Hirshhorn, New York, 1 July 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, fig. 122, p. 100, p. 680.
C.W. POST ART GALLERY, LONG ISLAND UNIVERSITY, Greenvale, New York. "Madame in Her Boudoir," 2 October-29 November 1981.
DIXON GALLERY AND GARDENS, Memphis, Tennessee. "Degas and His Friends," 13 September-26 October 1986, no. 6, p. 70.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC (organizer). "The Human Figure Interpreted: Modern Sculpture from the Hirshhorn Museum." TOUR: TAIPEI FINE ARTS MUSEUM, China, 25 March-28 May 1995, p. 56, ill. p. 57; separate catalogue for Japan, no. 8, p. 54, ill. p. 55. TOUR: MUSEUM OF MODERN ART, SHIGA, Otsu, Japan, 1 July-6 August 1995; ODAKYU MUSEUM, Tokyo, 9 August-28 August 1995; IWAKI CITY ART MUSEUM, 23 September-5 November 1995; TAKAMATSU CITY MUSEUM OF ART, 10 November-10 December 1995.
HIGH MUSEUM OF ART, Atlanta. "Degas and America: The Early Collectors," 28 February-27 May 2001. TOUR: MINNEAPOLIS MUSEUM OF ART, 19 June-9 September.
STERLING AND FRANCINE CLARK INSTITUTE, Williamstown, Massachusetts. "Picasso Looks at Degas," 13 June-12 September 2010, fig. 205, ill. p. 182; p. 339. TOUR: MUSEE PICASSO, Barcelona, 14 October-16 January 2011.
FONDATION BEYELER, Riehen, Switzerland. “Degas: The Late Work” 30 September 2012-27 January 2013.

Published References:
REWALD, JOHN. Degas: Works in Sculpture, A Complete Catalogue (New York: Pantheon, 1944), no. 50, p. 26, ill. pp. 110-12. (Illustration may not be HMSG's cast.)
REWALD, JOHN. Degas Sculpture (New York, Harry N. Abrams, 1956), no. 50, p. 152, plate 75. (Illustration may not be HMSG's cast.)
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 680, fig. 122 p. 100.
MILLARD, CHARLES W. The Sculpture of Edgar Degas (Princeton, NJ: Princeton University Press, 1976), pp. 69-70, 82-83, fig. 107.
SHAPIRO, MICHAEL. in Bulletin (Museum of Fine Arts, Houston) (Spring 1982), p. 14, fig. 7.
REWALD, JOHN. Degas's complete sculpture (San Francisco: Alan Wofsy Fine Arts, 1990), no. 50, pp. 138-39.
PINGEOT, ANNE. Degas Sculptures (Paris: Imprimerie Nationale, 1991), no. 62, p. 182.
CAMPBELL, SARA. "A catalogue of Degas' bronzes," Apollo 142/402 (August 1995), no. 50, T, p. 35.
SMEE, SEBASTIAN. "Lasting Impressions: A Revelatory Show Explores the Career-Long Influence of Degas on Picasso," Boston Globe 277/169 (18 June 2010), p. 19.

Hirshhorn Museum and Sculpture Garden Collection

Memo XII

1961

William Dole, American, b. Angola, Indiana, 1917–1983

Paper, ink, and watercolor on paper, 12 3/4 X 17 3/8 IN. (32.1 X 44.1 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1381

Jh Purchased From Bear Gallery, Esther, Santa Barbara, California 1961

Hirshhorn Museum and Sculpture Garden Collection

Culture Fragment

1971

William Dole, American, b. Angola, Indiana, 1917–1983

Collage

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1465

Jh Purchased From Bear Gallery, Esther, Santa Barbara, California 1961

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Study after William Rush's "Water Nymph and Bittern"

(c. 1876)/(cast c. 1931)

Thomas Eakins, American, b. Philadelphia, Pennsylvania, 1844–1916

Plaster, 9 3/8 X 4 3/8 X 2 5/8 IN. (23.8 X 11.1 X 6.5 CM.) INCL. BASE H: 1 IN. (2.5 CM)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1579

Jh Purchased From Knoedler & Co., Inc., M., New York 1965

Hirshhorn Museum and Sculpture Garden Collection

John Reynolds

(c. 1895-1900)

Susan MacDowell Eakins, American, b. Philadelphia, Pennsylvania, 1851–1938, Thomas Eakins, American, b. Philadelphia, Pennsylvania, 1844–1916

Platinum print on paper, 7 x 5 in. irreg. (17.7 x 12.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 83.89

Jh Purchased From Knoedler & Co., Inc., M., New York 1965

Hirshhorn Museum and Sculpture Garden Collection

Man Running

1965

Michael Eastman, American, b. St. Louis, Missouri, 1947

Oil on canvas, 54 7/8 x 47 1/4 in. (139.4 x 120 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1510

Jh Purchased From Knoedler & Co., Inc., M., New York 1965

Hirshhorn Museum and Sculpture Garden Collection

Model Poses

(1928)

Jacob Epstein, British, b. New York City, 1880–1959

Pencil on paper, 17 1/4 X 22 IN. (43.9 X 55.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1780

Jh Purchased From Parke-bernet Galleries, New York 1961

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture

Alter Jude

1922

Isac Friedlander, American, b. Mitau, Latvia, 1890–1968

Woodcut on paper, sheet: 9 5/8 x 6 1/2in. (24.4 x 16.5cm) image: 2 7/8 x 2 3/4 in. (7.3 x 6.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1919

Jh Purchased From Parke-bernet Galleries, New York 1961

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Head-Profile

(by 1974)

Alex Katz, American, b. Brooklyn, New York, 1927

Enamel on copper, 7 1/2 X 6 1/4 IN. (19 X 15.4 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2699

Jh Purchased From Parke-bernet Galleries, New York 1961

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary Realism

Study for a Portrait

DEc. 1965

Alex Katz, American, b. Brooklyn, New York, 1927

Oil on fiberboard mounted on wood, 16 X 12 IN. (40.7 X 30.4 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2705

Jh Purchased From Parke-bernet Galleries, New York 1961

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary Realism

Untitled

(n.d.)

Henriette Lambert, French, b. Bordeaux, 1925

Lithograph on paper, sheet: 26 3/8 x 20 5/16 in. (67 x 51.5 cm) image: 11 5/8 x 15 in. (29.5 x 38.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2820

Provenance:
Source unrecorded
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection

Woman Holding Net

1958

Emil Lazarevich, American, b. San Francisco, California, 1910–2009

Concrete, 30 1/4 x 14 1/4 x 9 3/4 in. (76.8 x 36.2 x 24.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2937

Provenance:
Source unrecorded
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection

Portrait of a Girl

1968

Louis le Brocquy, Irish, b. Dublin, 1916–2012

Oil on linen, 28 3/4 x 28 7/8 in. (73.0 x 73.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.2883

Provenance:
Source unrecorded
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection

Dorothy

(n.d.)

George Luks, American, b. Williamsport, Pennsylvania, 1866–1933

Crayon on paper, 4 7/8 x 3 1/16 in. (12.4 x 7.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3155

Provenance:
Source unrecorded
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection, American Realism (Ashcan School)

Lumiere Sur Un Plan

1970

Pol Mara, Belgian, 1920–1998

Color photo offset, 43 1/4 x 28 1/4 in. (109.9 x 71.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3160

Provenance:
Source unrecorded
Joseph H. Hirshhorn, New York and Washington, DC, to 31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection

Rearing Horse and Rider (Study for "The Miracle")

(1953)

Marino Marini, Italian, b. Pistoia, 1901–1980

Polychromed bronze, 19 3/4 x 11 3/4 x 8 3/4 in. (50.0 x 29.8 x 22.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3338

LEONID KIPNIS GALLERY, Westport, Connecticut. "Modern Sculpture," 18-30 November 1956, no. 25 (sponsored by the Westport Community Art Association).

Hirshhorn Museum and Sculpture Garden Collection