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Fat Luisa in the Bordello, 1963

Yasuo Kuniyoshi, American, b. Okayama, Japan, 1893–1953

Ink and watercolor on paper, 22 1/2 X 28 1/2 IN. (56.9 X 72.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2852

Hirshhorn Museum and Sculpture Garden Collection

Pat Lipsky, American, b. New York City, 1941

Synthetic polymer on canvas, 72 3/8 x 117 3/8 in. (183.7 x 298.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3055

Hirshhorn Museum and Sculpture Garden Collection

Frank Roth, American, b. 1936

Oil on Linen, 72 3/4 x 60 3/8 in. (184.8 x 153.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4417

Hirshhorn Museum and Sculpture Garden Collection

Domenick Turturro, American, b. 1936

Oil on canvas, 42 1/4 x 72 3/8 in. (107.2 x 183.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.4695

Hirshhorn Museum and Sculpture Garden Collection

Waimwright

Screenprint on paper, sheet: 28 1/2 x 22 5/8 in. (72.3 x 57.5 cm) image: 24 x 18 3/16 in. (61 x 46.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.5322

Hirshhorn Museum and Sculpture Garden Collection

Marvin Cherney, American, b. Baltimore, Maryland, 1925–1967

Oil on paper, 28 7/16 x 22 1/2 in. (72.3 x 57.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.907

Jh Purchased From Crystal Gallery, Berhardt, New York 1961

Hirshhorn Museum and Sculpture Garden Collection

William Dole, American, b. Angola, Indiana, 1917–1983

Oil and pencil on fiberboard, 28 1/2 x 22 1/2 in. (72.3 x 57.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1388

Jh Purchased From Kantor Gallery, Paul, Los Angeles 1964

Hirshhorn Museum and Sculpture Garden Collection

Sorel Etrog, Canadian, b. Jassy, Romania, 1933–2014

Watercolor, gouache, and pastel on paperboard, 28 1/2 X 21 7/16 IN. (72.3 X 54.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1810

Jh Purchased From Gallerey Moos, Toronto 1961

Hirshhorn Museum and Sculpture Garden Collection

Sze Tsung Leong, American, b. Mexico City, Mexico, 1970

Chromogenic print, framed: 72 3/4 × 88 5/8 in. (184.7 × 225.3 cm) image (sight): 61 1/2 × 77 1/2 in. (156 × 196.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Shoshana Wayne Gallery, Yossi Milo Gallery and Sze Tsung Leong, 2014

Accession Number: 14.23

Jh Purchased From Gallerey Moos, Toronto 1961

Hirshhorn Museum and Sculpture Garden Collection

Ben Nicholson, British, b. Denham, England, 1894–1982

Wood and paint, 44 1/2 x 69 in. (113 x 175.2 cm) weight: 84 lb. (38.1 kg) integral artist's frame: 47 1/2 x 72 3/8 x 2 3/4 in. (120.7 x 183.8 x 7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.215

Provenance:
Jh Purchased From Diamond, Harold, New York 1969

Exhibition History:
IVAM CENTRE JULIO GONZALEZ, Valencia, Spain. "Ben Nicholson," 25 April - 7 July 2002.

Hirshhorn Museum and Sculpture Garden Collection, British Postwar Abstraction

Jeff Koons, American, b. York, Pennsylvania, 1955

Stainless steel, 72 3/4 × 31 1/2 × 32 1/4 in., 550 lb. (184.8 × 80 × 81.9 cm, 249.5 kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Smithsonian Collections Acquisition Program, 1998

Accession Number: 98.21

Provenance:
The artist, to 1993
Anthony d'Offay Gallery, London, 1993-1997
Private collection, New York, 1997-1998
Richard Gray Gallery, Chicago,to 22 October 1998
Joseph H. Hirshhorn Purchase Fund and Smithsonian Collections Acquisition Program, 1998

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

Mindy Shapero, American, b. Louisville, Kentucky, 1974

Mixed media, 72 3/4 x 95 1/2 x 59 1/4 in. (184.8 x 242.6 x 150.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2006

Accession Number: 06.69

Provenance:
CRG Gallery, New York, to 18 November 2006
Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2006

Hirshhorn Museum and Sculpture Garden Collection

Matthew Northridge, American, b. Manchester, New Hampshire, 1974

Paper and tape, dimensions variable; as installed 28 1/2 x 59 x 32 in. (72.3 x 150.0 x 82.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2008

Accession Number: 08.11

Provenance:
The artist, New York, to 3 May 2008
Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2008

Hirshhorn Museum and Sculpture Garden Collection

Teresa Hubbard / Alexander Birchler, Teresa Hubbard, Irish, b. Dublin, 1965, Alexander Birchler, Swiss, b. Baden, 1962

C-print, image (sight): 86 3/4 x 70 1/8 in. (220.3 x 178.1 cm) frame: 89 1/4 x 72 3/4 in. (226.7 x 184.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Aaron and Barbara Levine, 2013

Accession Number: 13.3

Provenance:
Barbara and Aaron Levine, Washington, DC, to 2013
Gift of Aaron and Barbara Levine, 2013

Hirshhorn Museum and Sculpture Garden Collection

Andreas Gursky, German, b. Leipzig, 1955

Digital C-print mounted on plexiglass in artist's wood frame, in artist's frame: 111 x 81 1/2 x 2 1/2 in. (281.9 x 207 x 6.4 cm) sheet: 107 1/4 x 77 3/4 in. (272.4 x 197.5 cm) image: 102 1/2 x 72 3/4 in. (260.4 x 184.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Mitchell P. Rales, 2004

Accession Number: 04.22

Provenance:
Matthew Marks Gallery, New York with funds provided by Mitchell P. Rales, Potomac, MD, to 20 May 2004

Exhibition History:
None recorded

Published References:
None recorded

Hirshhorn Museum and Sculpture Garden Collection

Adolph Gottlieb, American, b. New York City, 1903–1974

Oil on canvas, 90 1/4 x 72 3/8 in. (229.2 x 183.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966, Art © Adolph and Esther Gottlieb Foundation/Licensed by VAGA, New York, NY

Accession Number: 66.2164

Provenance:
Galerie Lawrence, Paris, to 30 August 1962
Joseph H. Hirshhorn, New York, 30 August 1962-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966

Exhibition History:
GALLERIA DELL'ARIETE, Milan. Undici Americani, from 27 April, cat. no. 62, fig 7.
CORCORAN GALLERY OF ART, Washington, DC. Adolph Gottlieb: A Retrospective, 24 April-6 June 1981, no. 85, ill. p. 135, p. 168. Tour: THE TAMPA MUSEUM, Florida, 15 August-17 October; TOLEDO MUSEUM OF ART, Ohio, 7 November-19 December; ARTHUR M. HUNTINGTON ART GALLERY, University of Texas, Austin, 9 January-20 February 1982; FLINT INSTITUTE OF ART, DEWATERS ART CENTER, Michigan, 18 March-24 April; INDIANAPOLIS MUSEUM OF ART, Indiana, 15 May-19 June; LOS ANGELES COUNTY MUSEUM OF ART, California, 10 July-21 August, ALBRIGHT-KNOW ART GALLERY, Buffalo, New York, 11 September-31 October.
[TEL AVIV MUSEUM, Israel. Retrospective? 23 November 1982-9 January 1983. Correspondence is incomplete.]
[FREDERICK R. WEISMAN ART FOUNDATION, Los Angeles. 17 May-Fall 2001.]
PACE GALLERY, New York. "Adolph Gottlieb," 23 March-28 April 2012.

Published References:
RIFKIN, NED. Robert Moskowitz (Washington, DC: Smithsonian Institution, 1989), p. 46, fig. 26.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation)

Raymond Duchamp-Villon, French, b. Damville, 1876–1918

Bronze, 28 1/2 x 13 3/4 x 16 1/4 in. (72.3 x 35.3 x 41 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1465

Provenance:
Galerie Louis Carre, Paris
Galerie Claude Bernard, Paris, 1962
Joseph H. Hirshhorn, New York, 15 February 1962-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 134, ill. p. 64.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-September 1975.
WINNIPEG ART GALLERY, Winnipeg, Manitoba, Canada. "1912: The Break-up of Tradition," 6 August-4 October 1987, pp. 76, 77, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Ways of Seeing: John Baldessari Explores the Collection," 26 July 2006-23 September 2007, no cat.
THE BAKER MUSEUM, Naples FL. "The Duchamp Family of Artists," 4 January-6 April 2014, no. 03, color ill. pg. 78.

Published References:
ROBBINS, DANIEL. "Modern Sculpture from the Joseph H. Hirshhorn Collection," Apollo 76/9 (November 1962), ill. p. 721.
MICHELSON, ANNETTE. "Private but Public: The Joseph H. Hirshhorn Collection," in Contemporary Sculpture (Arts Yearbook 8) (New York: Art Digest Inc., 1965), ill. p. 186.
HAMILTON, GEORGE HEARD. Raymond Duchamp-Villon (New York: Walker, 1967), pp. 16-19.
LERNER, ABRAM, ed. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 686, fig. 162.
BARNETT, VIVIAN ENDICOTT. "Raymond Duchamp-Villon's 'Maggy'," Burlington Magazine 131 (September 1989), pp. 633-636.

Hirshhorn Museum and Sculpture Garden Collection

Käthe Kollwitz, German, b. Konigsberg, 1867–1945

Bronze, 28 7/8 x 19 x 19 1/2 in. (72.3 x 48 x 49.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2784

Provenance:
Swetzoff Gallery, Boston, to 15 February 1961
Joseph H. Hirshhorn, New York, 15 February 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Exhibition History:
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 221, ill. p. 50.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 437.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Kin and Communities: Selected Works from the Hirshhorn Museum Collection," 14 June-7 August 1977.
LYNDON BAINES JOHNSON LIBRARY, Austin, Texas. "The War to End All Wars," 11 November 1978-11 February 1979, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "German Expressionist Sculpture," 4 April-17 June 1984, no. 81, ill. p. 139.
NASSAU COUNTY MUSEUM OF ART, Roslyn, New York. "Feminine Image," 1 March-18 May 1997, fig. 47, p. 59, p. 89.

Published References:
UNSIGNED. "The Hirshhorn Approach," Time 80 (5 October 1962), colorpl. p. 75.
EICHENBERG, F. "Kathe Kollwitz," New Catholic Encyclopedia 8 (New York: McGraw-Hill, 1967), ill. p. 247.
ARNASON, H. HARVARD. History of Modern Art (New York: Abrams, 1968), p. 13, ill. 232; Third edition, rev. Daniel Wheeler, 1986, no. 190, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 7080, ill. p. 311.
RIPPER, THEODORE W. "Following Which Piper Playing What Tune," Music Ministry 8/8 (April 1976), ill. p. 3.
WOMEN'S PROGRAM OF THE SMITHSONIAN INSTITUTION. Women Artists: A Checklist of Works in the Hirshhorn Museum and Sculpture Garden Collection (Washington, DC: Smithsonian Institution, 1979), ill.
CORNELL, SARA. Art: A History of Changing Style (Oxford: Phaidon, 1983), no. 502, ill.
HOFFERT, BERNARD, et al. Art in Diversity: Studies in the History of Art (Melbourne: Longman Cheshire, 1988), no. 2.11, ill.

Hirshhorn Museum and Sculpture Garden Collection, German Expressionism

Claes Oldenburg, American, b. Stockholm, Sweden, 1929

Canvas, kapok, enamel, wood, and rope, 44 1/4 x 72 3/4 x 14 1/8 in. (112.4 x 184.7 x 35.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Regents Collections Acquisition Program, 1985

Accession Number: 85.28

Provenance:
Hubert Peeters, Brussels, to 25 November 1985
Regents Collections Acquisition Program, 1985

Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Recent Acquisitions: 1983-86, 17 November 1986-1 March 1987, unpublished checklist, p. 7.
NATIONAL GALLERY OF ART, Washington, DC. Claes Oldenburg: An Anthology, 12 February-7 May 1995, no. 121, ill. p. 222. TOUR: MUSEUM OF CONTEMPORARY ART, Los Angeles, 18 June-3 September; SOLOMON R. GUGGENHEIM MUSEUM, New York (co-organizers), 7 October-21 January 1996; KUNST- UND AUSTELLUNGSHALLE DER BUNDESREPUBLIK DEUTSCHLAND, Bonn, 15 February-12 May; HAYWARD GALLERY, London, 6 June-19 August.
ZEITGEIST GELLESCHAFT, Berlin. The Age of Modernism--Art in the 20th Century. MARTIN-GROPIUS-BAU, Berlin, 7 May-27 July 1997, no. 264, ill.
MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN, MUMOK, Vienna. "Claes Oldenburg: The Sixties," 3 February-27 May 2012, color ill. p. 180. TOUR: MUSEUM LUDWIG, Cologne, 22 June-30 September 2012; GUGGENHEIM MUSEUM BILBAO, 30 October-17 February 2013; WALKER ART CENTER, Minneapolis, 14 September 2013-12 January 2014.

Published References:
FINCH, CHRISTOPHER. Pop Art: Object and Image (London: Studio Vista, 1968), ill. p. 52.
OLDENBURG, CLAES and BARBARA ROSE (texts). Claes Oldenburg (New York: Museum of Modern Art, 1970), no. 95, ill. p. 99.
OLDENBURG, CLAES et al (texts). Claes Oldenburg (Düsseldorf: Städtische Kunsthalle Düsseldorf, 1970), no. 75, fig. 28, ill. p. 55.
OLDENBURG, CLAES and ALICIA LEGG (texts). Claes Oldenburg (London: Arts Council of Great Britain, 1970), no. 80, ill. pp. 20, 61.
JOHNSON, ELLEN H. Claes Oldenburg (Baltimore: Penguin Books, 1971), p. 40, ill. p. 42.
SMITH, ROBERTA. "A Pop Absurdist Who's a Happening All by Himself," New York Times (6 October 1995), p. C27.

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (American)

Josef Albers, American, b. Bottrop, Germany, 1888–1976

Acrylic on fiberboard, 48 x 48 in. (121.9 x 121.9 cm) frame: 48 5/8 x 48 1/2 x 1 3/8 in. (105.7 x 123.2 x 3.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.3

Provenance:
Unknown Source, Krefeld, Germany (via Galerie Denise Rene, Paris, 5 October 1967)
Joseph H. Hirshhorn, New York, 5 October 1967-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
SIDNEY JANIS GALLERY, New York. Paintings by Josef Albers, 5-31 October 1970.
ROYAL DUBLIN SOCIETY, Ireland. "ROSC '71: An International Art Exhibition," 24 October-29 December 1971, no. 3, ill. p. 23.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artists-Immigrants of America 1876-1976," 20 May-20 October 1976, no. 125, ill. p. 277.
WALKER ARTS CENTER, Minneapolis. "Vice President's House," 15 December 1977-15 March 1978.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
LINGOTTO, Turin, Italy. "Arte Americana 1930-1970," 11 January 1992- 31 March 1992, p. 116.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
FUNDACIÓN JUAN MARCH, Madrid. "Josef Albers: Minimal Means, Maximum Effect," 28 March-6 July 2014, no. 94, color ill. pg. 150.

Published References:
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) no. 866, p. 569-658.
PIPER, DAVID ed. Encyclopedia of Painting and Sculpture (London: Mitchell Beazley, 1979).
American Education Commemorative Postage Stamp, unveiled 28 April 1980, issued 12 September 1980.
AMERICAN ASSOCIATION OF MUSEUMS. Aviso (Monthly Dispatch) no. 9 (September 1980) p. 1.
HUMAN SERVICES DEVELOPMENT. Human Services Development Catalog (Boston, MA: Human Services Development, 1981) cover ill.
THE URBAN INSTITUTE, Washington D.C. 1982 Annual Report.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, NJ: Prentice-Hall, Inc., 1985) fig. 16-32, p. 421.
WESTVACO PEOPLE. Excellence: An American Treasury (Westvaco Corporation, 1988) frontispiece II, p. 251-252.
UNSIGNED. "Where & When," The Washingtonian (December 1990) p. 47.
BURCHARD, HANK. "Now Everyone's a Critic," Washington Post Weekend (14 December 1990).
WELZENBACH, MICHAEL. "How to be an Art Critic," Washington Post (13 January 1991).
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: The Vendome Press, 1991) fig. 423, p. 230.
KILIAN, MICHAEL. "Advance and Retreat," Chicago Tribune (10 January 1991) p. 12, sec. 5.
HOBBS, JACK and RICHARD SALOME. The Visual Experience (Worcester, MA: Davis Publications Inc., 1995) fig. 1-6 and fig.2-16, p. 7, 17, 301.
RAGANS, ROSALIND. Arttalk 3rd ed. (New York: Glencoe/McGraw-Hill, 2000).

Hirshhorn Museum and Sculpture Garden Collection, Geometric Abstraction

Ralston Crawford, American, b. St. Catharines, Ontario, Canada, 1906–1978

Oil on linen, 54 1/4 x 72 3/8 in. (137.7 x 183.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1278

Provenance:
Unknown Source, Krefeld, Germany (via Galerie Denise Rene, Paris, 5 October 1967)
Joseph H. Hirshhorn, New York, 5 October 1967-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
SIDNEY JANIS GALLERY, New York. Paintings by Josef Albers, 5-31 October 1970.
ROYAL DUBLIN SOCIETY, Ireland. "ROSC '71: An International Art Exhibition," 24 October-29 December 1971, no. 3, ill. p. 23.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artists-Immigrants of America 1876-1976," 20 May-20 October 1976, no. 125, ill. p. 277.
WALKER ARTS CENTER, Minneapolis. "Vice President's House," 15 December 1977-15 March 1978.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
LINGOTTO, Turin, Italy. "Arte Americana 1930-1970," 11 January 1992- 31 March 1992, p. 116.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
FUNDACIÓN JUAN MARCH, Madrid. "Josef Albers: Minimal Means, Maximum Effect," 28 March-6 July 2014, no. 94, color ill. pg. 150.

Published References:
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) no. 866, p. 569-658.
PIPER, DAVID ed. Encyclopedia of Painting and Sculpture (London: Mitchell Beazley, 1979).
American Education Commemorative Postage Stamp, unveiled 28 April 1980, issued 12 September 1980.
AMERICAN ASSOCIATION OF MUSEUMS. Aviso (Monthly Dispatch) no. 9 (September 1980) p. 1.
HUMAN SERVICES DEVELOPMENT. Human Services Development Catalog (Boston, MA: Human Services Development, 1981) cover ill.
THE URBAN INSTITUTE, Washington D.C. 1982 Annual Report.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, NJ: Prentice-Hall, Inc., 1985) fig. 16-32, p. 421.
WESTVACO PEOPLE. Excellence: An American Treasury (Westvaco Corporation, 1988) frontispiece II, p. 251-252.
UNSIGNED. "Where & When," The Washingtonian (December 1990) p. 47.
BURCHARD, HANK. "Now Everyone's a Critic," Washington Post Weekend (14 December 1990).
WELZENBACH, MICHAEL. "How to be an Art Critic," Washington Post (13 January 1991).
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: The Vendome Press, 1991) fig. 423, p. 230.
KILIAN, MICHAEL. "Advance and Retreat," Chicago Tribune (10 January 1991) p. 12, sec. 5.
HOBBS, JACK and RICHARD SALOME. The Visual Experience (Worcester, MA: Davis Publications Inc., 1995) fig. 1-6 and fig.2-16, p. 7, 17, 301.
RAGANS, ROSALIND. Arttalk 3rd ed. (New York: Glencoe/McGraw-Hill, 2000).

Hirshhorn Museum and Sculpture Garden Collection, Precisionism

Image not available.

Robert Marx, American, b. Northeim, Germany, 1925

Oil & charcoal on linen, 59 x 72 3/8 in. (149.9 x 183.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3379

Provenance:
Unknown Source, Krefeld, Germany (via Galerie Denise Rene, Paris, 5 October 1967)
Joseph H. Hirshhorn, New York, 5 October 1967-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
SIDNEY JANIS GALLERY, New York. Paintings by Josef Albers, 5-31 October 1970.
ROYAL DUBLIN SOCIETY, Ireland. "ROSC '71: An International Art Exhibition," 24 October-29 December 1971, no. 3, ill. p. 23.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artists-Immigrants of America 1876-1976," 20 May-20 October 1976, no. 125, ill. p. 277.
WALKER ARTS CENTER, Minneapolis. "Vice President's House," 15 December 1977-15 March 1978.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
LINGOTTO, Turin, Italy. "Arte Americana 1930-1970," 11 January 1992- 31 March 1992, p. 116.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
FUNDACIÓN JUAN MARCH, Madrid. "Josef Albers: Minimal Means, Maximum Effect," 28 March-6 July 2014, no. 94, color ill. pg. 150.

Published References:
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) no. 866, p. 569-658.
PIPER, DAVID ed. Encyclopedia of Painting and Sculpture (London: Mitchell Beazley, 1979).
American Education Commemorative Postage Stamp, unveiled 28 April 1980, issued 12 September 1980.
AMERICAN ASSOCIATION OF MUSEUMS. Aviso (Monthly Dispatch) no. 9 (September 1980) p. 1.
HUMAN SERVICES DEVELOPMENT. Human Services Development Catalog (Boston, MA: Human Services Development, 1981) cover ill.
THE URBAN INSTITUTE, Washington D.C. 1982 Annual Report.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, NJ: Prentice-Hall, Inc., 1985) fig. 16-32, p. 421.
WESTVACO PEOPLE. Excellence: An American Treasury (Westvaco Corporation, 1988) frontispiece II, p. 251-252.
UNSIGNED. "Where & When," The Washingtonian (December 1990) p. 47.
BURCHARD, HANK. "Now Everyone's a Critic," Washington Post Weekend (14 December 1990).
WELZENBACH, MICHAEL. "How to be an Art Critic," Washington Post (13 January 1991).
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: The Vendome Press, 1991) fig. 423, p. 230.
KILIAN, MICHAEL. "Advance and Retreat," Chicago Tribune (10 January 1991) p. 12, sec. 5.
HOBBS, JACK and RICHARD SALOME. The Visual Experience (Worcester, MA: Davis Publications Inc., 1995) fig. 1-6 and fig.2-16, p. 7, 17, 301.
RAGANS, ROSALIND. Arttalk 3rd ed. (New York: Glencoe/McGraw-Hill, 2000).

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

Matta, French, b. Santiago, Chile, 1911–2002

Oil and plaster on canvas, 55 1/2 X 72 3/4 in. (141.0 X 184.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3473

Provenance:
Unknown Source, Krefeld, Germany (via Galerie Denise Rene, Paris, 5 October 1967)
Joseph H. Hirshhorn, New York, 5 October 1967-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
SIDNEY JANIS GALLERY, New York. Paintings by Josef Albers, 5-31 October 1970.
ROYAL DUBLIN SOCIETY, Ireland. "ROSC '71: An International Art Exhibition," 24 October-29 December 1971, no. 3, ill. p. 23.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artists-Immigrants of America 1876-1976," 20 May-20 October 1976, no. 125, ill. p. 277.
WALKER ARTS CENTER, Minneapolis. "Vice President's House," 15 December 1977-15 March 1978.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
LINGOTTO, Turin, Italy. "Arte Americana 1930-1970," 11 January 1992- 31 March 1992, p. 116.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
FUNDACIÓN JUAN MARCH, Madrid. "Josef Albers: Minimal Means, Maximum Effect," 28 March-6 July 2014, no. 94, color ill. pg. 150.

Published References:
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) no. 866, p. 569-658.
PIPER, DAVID ed. Encyclopedia of Painting and Sculpture (London: Mitchell Beazley, 1979).
American Education Commemorative Postage Stamp, unveiled 28 April 1980, issued 12 September 1980.
AMERICAN ASSOCIATION OF MUSEUMS. Aviso (Monthly Dispatch) no. 9 (September 1980) p. 1.
HUMAN SERVICES DEVELOPMENT. Human Services Development Catalog (Boston, MA: Human Services Development, 1981) cover ill.
THE URBAN INSTITUTE, Washington D.C. 1982 Annual Report.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, NJ: Prentice-Hall, Inc., 1985) fig. 16-32, p. 421.
WESTVACO PEOPLE. Excellence: An American Treasury (Westvaco Corporation, 1988) frontispiece II, p. 251-252.
UNSIGNED. "Where & When," The Washingtonian (December 1990) p. 47.
BURCHARD, HANK. "Now Everyone's a Critic," Washington Post Weekend (14 December 1990).
WELZENBACH, MICHAEL. "How to be an Art Critic," Washington Post (13 January 1991).
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: The Vendome Press, 1991) fig. 423, p. 230.
KILIAN, MICHAEL. "Advance and Retreat," Chicago Tribune (10 January 1991) p. 12, sec. 5.
HOBBS, JACK and RICHARD SALOME. The Visual Experience (Worcester, MA: Davis Publications Inc., 1995) fig. 1-6 and fig.2-16, p. 7, 17, 301.
RAGANS, ROSALIND. Arttalk 3rd ed. (New York: Glencoe/McGraw-Hill, 2000).

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)

Image not available.

Tancredi (Parmeggiani), Italian, b. Feltre, 1927–1964

Oil on paper mounted on fabric in (blue) painted artist's frame, 63 1/4 X 72 3/8 IN. (160.4 x 183.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4879

Provenance:
Unknown Source, Krefeld, Germany (via Galerie Denise Rene, Paris, 5 October 1967)
Joseph H. Hirshhorn, New York, 5 October 1967-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
SIDNEY JANIS GALLERY, New York. Paintings by Josef Albers, 5-31 October 1970.
ROYAL DUBLIN SOCIETY, Ireland. "ROSC '71: An International Art Exhibition," 24 October-29 December 1971, no. 3, ill. p. 23.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artists-Immigrants of America 1876-1976," 20 May-20 October 1976, no. 125, ill. p. 277.
WALKER ARTS CENTER, Minneapolis. "Vice President's House," 15 December 1977-15 March 1978.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
LINGOTTO, Turin, Italy. "Arte Americana 1930-1970," 11 January 1992- 31 March 1992, p. 116.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
FUNDACIÓN JUAN MARCH, Madrid. "Josef Albers: Minimal Means, Maximum Effect," 28 March-6 July 2014, no. 94, color ill. pg. 150.

Published References:
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) no. 866, p. 569-658.
PIPER, DAVID ed. Encyclopedia of Painting and Sculpture (London: Mitchell Beazley, 1979).
American Education Commemorative Postage Stamp, unveiled 28 April 1980, issued 12 September 1980.
AMERICAN ASSOCIATION OF MUSEUMS. Aviso (Monthly Dispatch) no. 9 (September 1980) p. 1.
HUMAN SERVICES DEVELOPMENT. Human Services Development Catalog (Boston, MA: Human Services Development, 1981) cover ill.
THE URBAN INSTITUTE, Washington D.C. 1982 Annual Report.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, NJ: Prentice-Hall, Inc., 1985) fig. 16-32, p. 421.
WESTVACO PEOPLE. Excellence: An American Treasury (Westvaco Corporation, 1988) frontispiece II, p. 251-252.
UNSIGNED. "Where & When," The Washingtonian (December 1990) p. 47.
BURCHARD, HANK. "Now Everyone's a Critic," Washington Post Weekend (14 December 1990).
WELZENBACH, MICHAEL. "How to be an Art Critic," Washington Post (13 January 1991).
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: The Vendome Press, 1991) fig. 423, p. 230.
KILIAN, MICHAEL. "Advance and Retreat," Chicago Tribune (10 January 1991) p. 12, sec. 5.
HOBBS, JACK and RICHARD SALOME. The Visual Experience (Worcester, MA: Davis Publications Inc., 1995) fig. 1-6 and fig.2-16, p. 7, 17, 301.
RAGANS, ROSALIND. Arttalk 3rd ed. (New York: Glencoe/McGraw-Hill, 2000).

Hirshhorn Museum and Sculpture Garden Collection

Image not available.

R. B. Kitaj, American, b. Chagrin Falls, Ohio, 1932–2007

Color lithograph on paper, sheet: 28 1/2 x 22 1/4 in. (72.3 x 56.5 cm) image: 15 1/4 x 14 3/16 in. (38.7 x 36 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Artist, 1982

Accession Number: 82.30

Provenance:
Unknown Source, Krefeld, Germany (via Galerie Denise Rene, Paris, 5 October 1967)
Joseph H. Hirshhorn, New York, 5 October 1967-1972
Gift of Joseph H. Hirshhorn, 1972

Exhibition History:
SIDNEY JANIS GALLERY, New York. Paintings by Josef Albers, 5-31 October 1970.
ROYAL DUBLIN SOCIETY, Ireland. "ROSC '71: An International Art Exhibition," 24 October-29 December 1971, no. 3, ill. p. 23.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artists-Immigrants of America 1876-1976," 20 May-20 October 1976, no. 125, ill. p. 277.
WALKER ARTS CENTER, Minneapolis. "Vice President's House," 15 December 1977-15 March 1978.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
LINGOTTO, Turin, Italy. "Arte Americana 1930-1970," 11 January 1992- 31 March 1992, p. 116.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
FUNDACIÓN JUAN MARCH, Madrid. "Josef Albers: Minimal Means, Maximum Effect," 28 March-6 July 2014, no. 94, color ill. pg. 150.

Published References:
LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974) no. 866, p. 569-658.
PIPER, DAVID ed. Encyclopedia of Painting and Sculpture (London: Mitchell Beazley, 1979).
American Education Commemorative Postage Stamp, unveiled 28 April 1980, issued 12 September 1980.
AMERICAN ASSOCIATION OF MUSEUMS. Aviso (Monthly Dispatch) no. 9 (September 1980) p. 1.
HUMAN SERVICES DEVELOPMENT. Human Services Development Catalog (Boston, MA: Human Services Development, 1981) cover ill.
THE URBAN INSTITUTE, Washington D.C. 1982 Annual Report.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, NJ: Prentice-Hall, Inc., 1985) fig. 16-32, p. 421.
WESTVACO PEOPLE. Excellence: An American Treasury (Westvaco Corporation, 1988) frontispiece II, p. 251-252.
UNSIGNED. "Where & When," The Washingtonian (December 1990) p. 47.
BURCHARD, HANK. "Now Everyone's a Critic," Washington Post Weekend (14 December 1990).
WELZENBACH, MICHAEL. "How to be an Art Critic," Washington Post (13 January 1991).
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: The Vendome Press, 1991) fig. 423, p. 230.
KILIAN, MICHAEL. "Advance and Retreat," Chicago Tribune (10 January 1991) p. 12, sec. 5.
HOBBS, JACK and RICHARD SALOME. The Visual Experience (Worcester, MA: Davis Publications Inc., 1995) fig. 1-6 and fig.2-16, p. 7, 17, 301.
RAGANS, ROSALIND. Arttalk 3rd ed. (New York: Glencoe/McGraw-Hill, 2000).

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (British)/School of London

Image not available.

Antonio Seguí, Argentinean, b. Córdoba, 1934

Oil and collage on board, OVERALL: 72 3/4 X 43 1/2 IN. (184.5 X 110.5 CM.) IN ARTIST'S FRAME: 77 X 45 1/4 IN. IRREG. (195.5 X 114.9 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4512

Jh Purchased From Bernard, Galerie Claude, Paris 1964

Hirshhorn Museum and Sculpture Garden Collection

Image not available.