Kenneth Noland, American, b. Asheville, North Carolina, 1924–2010
Magna on canvas, 90 x 95 7/8 in. (228.5 x 243.3 cm)
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number: 66.3878
French & Co., New York, to 23 January 1959
Joseph H. Hirshhorn, New York, 23 January 1959-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966
FRENCH & COMPANY, New York. Kenneth Noland, 14 October-7 November 1959,
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THE JEWISH MUSEUM, New York. Kenneth Noland, 4 February-7 March 1965, no. 2.
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FREDERICK WEISMAN ART FOUNDATION, Los Angeles. Hirshhorn loan, 17 May-fall 2001.
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(June 1965), pp. 36-37.
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Harry N. Abrams, 1974), pp. 520, 730.
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RUSSELL, JOHN. The Meanings of Modern Art, Volume 11: The Great Divide (New
York: Museum of Modern Art, 1975), fig. 38, p. 37.
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Arts, LI/1 (September 1976), pp. 72, 74.
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Harper & Row, 1981).
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UNSIGNED. "Appendix: Suggested Works of Art and their Sources," English Teaching Forum 30/3 (July 1992), p. 28.
FORT WAYNE MUSEUM OF ART, Indiana. Alma W. Thomas: A Retrospective of the Paintings (San Francisco: Pomegranate, 1998), fig. 25, p. 61.
ZILCZER, JUDITH. "Light Coming on the Plains: Georgia O'Keeffe's Sunrise Series," artibus et historiae no. 40/XX (1990), fig. 18, p. 205.
Hirshhorn Museum and Sculpture Garden Collection, Washington Color School/Formalist Abstraction