Fossil for Bob Morris, Robert Rauschenberg, 1965. Paper, metal, plastic, rubber, and fabric on canvas, 84 × 60 × 9 in. (213.4 × 152.4 × 22.9 cm)
Robert Rauschenberg
b. Port Arthur, Texas, 1925–2008
Fossil for Bob Morris
1965
Paper, metal, plastic, rubber, and fabric on canvas
84 × 60 × 9 in. (213.4 × 152.4 × 22.9 cm) (variable)
Gift of Joseph H. Hirshhorn, 1972 (72.240)
© 2021 Robert Rauschenberg Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Photo: Tex Andrews
This work was conserved with support from the Bank of America Art Conservation Project


“Painting playing the game of sculpture.” That is how artist Jasper Johns in 1954 described Robert Rauschenberg’s groundbreaking artworks, which not only brought together two- and three-dimensional elements, but also insisted that painting coexist with objects scavenged from everyday life. Combines (as Rauschenberg called them) built upon Duchamp’s readymades but expanded them to a much larger scale, one that confronts the viewer with a dizzying, seemingly unrelated mashup of whole and fragmented objects, text, photomechanical reproductions, and painted gestures.


KIDS at Home: Combine Design project

Focus on Conservation: Uncovering Robert Rauschenberg’s Fossil for Bob Morris, 1965