Hirshhorn Plaza

Right-click each image and choose Save Image As


Marcel Duchamp
Fresh Widow, 1920, edition 1964
National Gallery of Art, Washington. Gift of Deborah and Ed Shein
© Succession Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York, 2015


Jean (Hans) Arp
Shirt Front and Fork, 1922
National Gallery of Art, Washington. Ailsa Mellon Bruce Fund
© 2015 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn


Jean (Hans) Arp
Objects Placed on Three Planes Like Writing, 1928
The Wadsworth Atheneum Museum of Art, Hartford, Connecticut. Purchased through the gift of James Junius Goodwin
© 2015 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn


Alberto Giacometti
Woman with Her Throat Cut, 1932, cast 1949
The Museum of Modern Art, New York. Purchase, 1949
© 2015 Alberto Giacometti Estate / Licensed by VAGA and ARS, New York, NY


Man Ray
Object to Be Destroyed (Indestructible Object), 1932, edition 1965
Smithsonian American Art Museum. Gift of Samuel M. Greenbaum and Helen Mark families in memory of Helen Mark Greenbaum
© Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2015


David Smith
Chain Head, 1933
The Estate of David Smith, New York
© The Estate of David Smith. Licensed by VAGA, New York, NY


David Smith
Saw Head, 1933
The Estate of David Smith, New York
© The Estate of David Smith. Licensed by VAGA, New York, NY


Henry Moore
Two Forms, 1934
The Museum of Modern Art, New York. Sir Michael Sadler Fund, 1937
Reproduced by permission of The Henry Moore Foundation


Henry Moore
Stringed Figure No. 1, 1937
Hirshhorn Museum and Sculpture Garden. Joseph H. Hirshhorn Purchase Fund, 1989
Reproduced by permission of The Henry Moore Foundation


Salvador Dalí
Lobster Telephone, 1938
West Dean College – part of The Edward James Foundation Group
© Salvador Dalí, Fundació Gala-Salvador Dalí, Artists Rights Society (ARS), New York 2015


Max Ernst
Moonmad, 1944, cast 1956
Hirshhorn Museum and Sculpture Garden. Gift of Joseph H. Hirshhorn, 1966
© 2015 Artists Rights Society (ARS), New York / ADAGP, Paris


Hans Bellmer
The Doll, c. 1934
The Metropolitan Museum of Art. Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987
© 2015 Artists Rights Society (ARS), New York / ADAGP, Paris


Joseph Cornell
Medici Princess, c. 1948–52
Hirshhorn Museum and Sculpture Garden. Museum Purchase, 1979
© The Joseph & Robert Cornell Memorial Foundation / VAGA, New York


Isamu Noguchi
Lunar Landscape, 1943–44
Hirshhorn Museum and Sculpture Garden. Gift of Joseph H. Hirshhorn, 1966
© 2015 The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS), New York

Salvador Dalí, Venus de Milo with Drawers
Salvador Dalí
Venus de Milo with Drawers, 1936, edition 1964
Mugrabi Collection
© Salvador Dalí, Fundació Gala-Salvador Dalí, Artists Rights Society (ARS), New York 2015

Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York
Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden, 2015. From left to right: Alexander Calder, Yellow Tights, 1945; Alexander Calder, Devil Fish, 1937; Alexander Calder, Fish, 1944; Alexander Calder, Scarlet Digitals, 1945. Photo: Cathy Carver

Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York
Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden, 2015. From left to right: Man Ray, Electricity series, 1931; Marcel Duchamp, Fresh Widow, 1920, edition 1964; Marcel Duchamp, Bottle Rack, 1914, 1960 version. Photo: Cathy Carver

Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York
Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden, 2015. From left to right: Jean Arp, Objects Placed on Three Planes Like Writing, 1928; Jean Arp, Head with Annoying Objects (Mustache, Mandolin, and Fly), 1930; Jean Arp, Torso, Navel, Mustache-Flower, 1930. Photo: Cathy Carver

Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York
Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden, 2015. From left to right: Henry Moore, Two Forms, 1934; Henry Moore, Sculptural Objects, 1949; Max Ernst, The Table Is Set, 1944, cast 1954; Louise Nevelson, Mountain Woman, 1947; David Smith, Swung Forms, 1937; Alexander Calder, Untitled (Mobile), 1942; Jean Arp, Alu with Claws, 1942; Alexander Calder, Vertical Constellation with Yellow Bone, 1943; Joan Miró, Painting (Circus Horse), 1927. Photo: Cathy Carver

Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York
Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden, 2015. Partial recreation of Marcel Duchamp’s 1,200 Coal Sacks installation in the International Exhibition of Surrealism, Paris, 1938. Man Ray, photographs of mannequins by Kurt Seligmann, Wolfgang Paalen, Marcel Duchamp, Salvador Dalí, and Max Ernst, 1938. Photo: Cathy Carver

Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York
Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden, 2015. From left to right: Isamu Noguchi, Avatar, 1947; David Smith, Big Rooster, 1945; Isamu Noguchi, Monument to Heroes, 1943; Isamu Noguchi, Trinity, 1945; Isamu Noguchi, Gregory (Effigy), 1946; Isamu Noguchi, Strange Bird (To the Sunflower), 1945. Photo: Cathy Carver

Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York
Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden, 2015. From left to right: David Smith, Agricola I, 1951–52; David Smith, Study for “Question and Answer,” 1951; Alexander Calder, The Spider, 1940. Photo: Cathy Carver

Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York
Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden, 2015. From left to right: David Smith, Saw Head, 1933; David Smith, Chain Head, 1933; Alexander Calder, Apple Monster, 1938; Joseph Cornell, Untitled (Schooner), 1931; Man Ray, Nut Girls [Les Filles des Noix], 1941; Alexander Calder, Untitled, 1938. Photo: Cathy Carver

Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York
Installation view of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden, 2015. From left to right: Salvador Dalí, Aphrodisiac Jacket, 1936, exhibition copy 1970s; Salvador Dalí, Lobster Telephone, 1938, Salvador Dalí, Venus de Milo with Drawers, 1936, edition 1964; other works by Raoul Ubac, Maurice Henry, Man Ray, Joseph Cornell, André Masson, and Georges Hugnet. Photo: Cathy Carver