Painting
Date
1965
Artist
Manolo Millares, Spanish, b. Las Palmas de Gran Canaria, Canary Islands, 1926–1972
Provenance
Pierre Matisse Gallery, New York, to 21 April 1965
Joseph H. Hirshhorn, New York, 21 April 1965-17 May 1966
Exhibition History
PIERRE MATISSE GALLERY, New York. "Los Mutilados de Paz: Paintings on Canvas and Paper, 1965-1965," 23 March-17 April 1965, no. 1, cover ill.
ROYAL DUBLIN SOCIETY, Ireland. "ROSC '67: The Poetry of Vision," 14 November-31 December 1967, no. 73, ill., p. 70.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, p. 599, no. 929, ill., pp. 722-23.
Published References
BERKSON, WILLIAM. "The Galleries: Manolo Millares," Arts Magazine vol. 39 (May-June 1965): 55, ill. (at left of installation view).
TURNER, EVAN H. "Destruction: A Factor in Contemporary Art," Canadian Art vol 23 (January 1966): 40, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden
(New York: Harry N. Abrams, 1974): p. 599, fig. 929, pp. 722-23.
See more items in
Hirshhorn Museum and Sculpture Garden Collection
School
Spanish Informalists
Credit Line
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Data Source
Hirshhorn Museum and Sculpture Garden
Accession Number
66.3561
Type
Painting
Medium
Oil, burlap, and metal on burlap
Dimensions
63 5/8 X 63 5/8 IN. (161.6 X 161.6 CM.)
