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Collection Works On View

The Hirshhorn continues to enrich the collection works with significant additions across a diverse range of media, from painting, photography, and mixed-media assemblage to cinema in the round and immersive Light and Space environments.


 

From Continent to Continent

Mario Merz, Italian, b. Milan, 1925–2003

Steel, glass, neon, clay, metal cables, electrical wire, and transformer, 66 x 135 x 135 in. (167.6 x 342.9 x 342.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1990

Accession Number: 90.6


SteinGladstone Gallery, New York, to 26 April 1990
Joseph H. Hirshhorn Purchase Fund, 1990


STEIN GLADSTONE, New York. "Anselmo, Chamberlain, Fabro, Flavin, Judd, Kounnellis, Long, Merz, Nauman,” 1990, no. 3, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 41.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


UNSIGNED. "La Chronique des Arts," Gazette des Beaux-Arts, no. 1466 (March 1991), p. 92.
WILSON, JANET. "Heavenly Hodgepodge: At the Hirshhorn, Trotting Out the 'Recent Acquisitions,'" Washington Post (25 October 1991), page B8.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Post-Balzac

Judith Shea, American, b. Philadelphia, Pennsylvania, 1948

Bronze, 98 1/2 × 28 1/2 × 28 1/2 in. (250.3 × 72.9 × 72.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1991

Accession Number: 91.20


Max Protetch Gallery, New York, to 1 October 1991
Museum Purchase, 1991


THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. Sculpture from Washington Collections, 4 October 1996-30 September 1997, brochure, ill.

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Subcommittee

Tony Cragg, British, b. Liverpool, England, 1949

Steel, 100 1/2 x 74 1/4 x 64 1/2 in., approx. 6000 lb. (255.3 x 188.6 x 163.8 cm, 2721.6 kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Frederick R. Weisman Art Foundation and Museum Purchase, 1992

Accession Number: 92.10


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.

Hirshhorn Museum and Sculpture Garden Collection, British Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


 

From Hand To Mouth

Bruce Nauman, American, b. Fort Wayne, Indiana, 1941

Wax on cloth, 28 x 10 1/8 x 4 in. (71.1 x 25.7 x 10.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, and Museum Purchase, 1993

Accession Number: 93.6


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Ways of Seeing: John Baldessari Explores the Collection," 26 July 2006-23 September 2007, no cat.
PHILADELPHIA MUSEUM OF ART, organizer. "Bruce Nauman: Topological Gardens," 7 June-22 November 2009 (U.S. Pavilion at the Giardini della Biennale, Venice), pl. 11, p. 123.


HANKINS, EVELYN C. and GIUSEPPE PANZA. The Panza Collection (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2008), ill. p. 32.
RIAN, JEFF. Bruce Nauman: Selected Works from 1967 to 1999 (Paris: Gagosian Gallery, 2016), fig. 1.

Hirshhorn Museum and Sculpture Garden Collection, American Post-Minimal Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Untitled (Yellow Bed, Two Parts)

Rachel Whiteread, British, b. London, England, 1963

Dental plaster, 66 3/8 x 27 1/4 x 28 in. (168.5 x 69.2 x 71.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1993

Accession Number: 93.17


Luhring Augustine, New York, to 28 October 1993
Museum Purchase, 1993


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Distemper: Dissonant Themes in the Art of the 1990s," 20 June-15 September 1996, no. 39, ill. p. 107.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.
WEXNER CENTER FOR THE ARTS, Columbus, Ohio. "Part Object Part Sculpture," 30 October 2005-26 February 2006, p. 211, ill. p. 213.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Out of the Ordinary," 4 February-27 May 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.

Hirshhorn Museum and Sculpture Garden Collection, British Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

The Drummer

Barry Flanagan, British, b. Prestatyn, Wales, 1941–2009

Bronze, 96 x 68 x 36 in. (243.8 x 172.7 x 91.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest and Purchase Funds, 1995

Accession Number: 95.4


Luhring Augustine, New York, to 28 October 1993
Museum Purchase, 1993


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Distemper: Dissonant Themes in the Art of the 1990s," 20 June-15 September 1996, no. 39, ill. p. 107.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.
WEXNER CENTER FOR THE ARTS, Columbus, Ohio. "Part Object Part Sculpture," 30 October 2005-26 February 2006, p. 211, ill. p. 213.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Out of the Ordinary," 4 February-27 May 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.

Hirshhorn Museum and Sculpture Garden Collection, British Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Last Conversation Piece

Juan Muñoz, Spanish, b. Madrid, 1953–2001

Bronze, 66 1/2 x 244 3/4 x 321 1/8 in. (168.9 x 621.7 x 815.7 cm) as installed

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1995

Accession Number: 95.5


Marian Goodman Gallery, New York, to 13 April 1995
Museum Purchase, 1995


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed on museum plaza, March 1996-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


UNSIGNED. "The Buyers and the Givers of 1995," The Art Newspaper 55 (January 1996), n.p.
UNSIGNED. "Around and About SI," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (May 1996), ill. p. 2.
FLETCHER, VALERIE J. "Juan Muñoz," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 163, color ill p. 162.
HOWELL, GEORGE. "Juan Muñoz: Figurative Metaphors on the Washington Mall," Sculpture 16:1 (January 1997), p. 9, ill. p. 8.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 63, ill. pp. 91, 95.
KERNAN, MICHAEL. "Art Night on the Mall," Smithsonian Magazine [issue?], ill. p. 28.
SEARS, RACHEL. "About Exhibitions: Our Solar System and 'A Place Called Home'," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (October 2001), ill. p. 8.

Hirshhorn Museum and Sculpture Garden Collection, European Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


 

Spatial Concept: Nature (59-60 N18)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 33 1/4 in. (84.5 cm); diameter: 35 3/8 in. (89.9 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.160


Marian Goodman Gallery, New York, to 13 April 1995
Museum Purchase, 1995


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed on museum plaza, March 1996-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


UNSIGNED. "The Buyers and the Givers of 1995," The Art Newspaper 55 (January 1996), n.p.
UNSIGNED. "Around and About SI," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (May 1996), ill. p. 2.
FLETCHER, VALERIE J. "Juan Muñoz," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 163, color ill p. 162.
HOWELL, GEORGE. "Juan Muñoz: Figurative Metaphors on the Washington Mall," Sculpture 16:1 (January 1997), p. 9, ill. p. 8.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 63, ill. pp. 91, 95.
KERNAN, MICHAEL. "Art Night on the Mall," Smithsonian Magazine [issue?], ill. p. 28.
SEARS, RACHEL. "About Exhibitions: Our Solar System and 'A Place Called Home'," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (October 2001), ill. p. 8.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


 

Spatial Concept: Nature (59-60 N29)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 29 in. (73.7 cm); diameter: 35 in. (88.9 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.161


Marian Goodman Gallery, New York, to 13 April 1995
Museum Purchase, 1995


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed on museum plaza, March 1996-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


UNSIGNED. "The Buyers and the Givers of 1995," The Art Newspaper 55 (January 1996), n.p.
UNSIGNED. "Around and About SI," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (May 1996), ill. p. 2.
FLETCHER, VALERIE J. "Juan Muñoz," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 163, color ill p. 162.
HOWELL, GEORGE. "Juan Muñoz: Figurative Metaphors on the Washington Mall," Sculpture 16:1 (January 1997), p. 9, ill. p. 8.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 63, ill. pp. 91, 95.
KERNAN, MICHAEL. "Art Night on the Mall," Smithsonian Magazine [issue?], ill. p. 28.
SEARS, RACHEL. "About Exhibitions: Our Solar System and 'A Place Called Home'," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (October 2001), ill. p. 8.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


 

Spatial Concept: Nature (59-60 N28)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 36 5/8 in. (93 cm); diameter: 37 1/2 in. (95.4 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.162


Marian Goodman Gallery, New York, to 13 April 1995
Museum Purchase, 1995


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed on museum plaza, March 1996-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


UNSIGNED. "The Buyers and the Givers of 1995," The Art Newspaper 55 (January 1996), n.p.
UNSIGNED. "Around and About SI," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (May 1996), ill. p. 2.
FLETCHER, VALERIE J. "Juan Muñoz," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 163, color ill p. 162.
HOWELL, GEORGE. "Juan Muñoz: Figurative Metaphors on the Washington Mall," Sculpture 16:1 (January 1997), p. 9, ill. p. 8.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 63, ill. pp. 91, 95.
KERNAN, MICHAEL. "Art Night on the Mall," Smithsonian Magazine [issue?], ill. p. 28.
SEARS, RACHEL. "About Exhibitions: Our Solar System and 'A Place Called Home'," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (October 2001), ill. p. 8.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


 

Memory of My Youth in the Mountains

Joseph Beuys, German, b. Krefeld, 1921–1986

Tallow, wax, wood, metal, oil, and carpenter's rule, 40 3/4 × 63 1/4 × 44 5/8 in. (103.5 × 160.7 × 113.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, and Joseph H. Hirshhorn Purchase Fund, 1996

Accession Number: 96.17


Private Collection, Berlin, 1977-1996
Anthony d'Offay Gallery, London, to 24 October 1996
Holenia Purchase Fund in Memory of Joseph H. Hirshhorn and Joseph H. Hirshhorn Purchase Fund, 1996


MARTIN-GROPIUS-BAU, Berlin. "Joseph Beuys: Skulpturen und Objekte," 20 February-1 May 1988, no. 70, color ill. p. 214.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, no. 23, p. 22, ill. p. 19.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Ways of Seeing: John Baldessari Explores the Collection," 26 July 2006-23 September 2007, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


BASTIAN, HEINER, ed. Joseph Beuys, Robert Rauschenberg, Cy Twombly, Andy Warhol: Sammlung Marx (Munich: Prestel Verlag, 1982), pp. 76-77, ill.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D1.
HILEMAN, KRISTEN and JAMES MEYER. Anne Truitt: Perception and Reflection (London: Giles, 2009), fig. 25, p. 41.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus/European Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Eros, Inside Eros

Arman, American, b. Nice, France, 1928–2005

Bronze, 33 5/8 x 17 1/4 x 20 1/8 in. (85.4 x 43.8 x 51.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest, by Exchange, 1987

Accession Number: 87.10

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1989," 15 March-14 May 1989, unpublished checklist, no. 2.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Evocation of a Form: Human, Lunar, Spectral

Jean Arp, French, b. Strassburg, Germany, 1886–1966

Bronze, 45 1/2 × 32 3/8 × 33 1/2 in. (115.5 × 82.3 × 85 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.107

JHH Purchased From Castelli Gallery, Leo, New York 12 April 1961

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Study for "Portrait of Van Gogh" III

Francis Bacon, British, b. Dublin, Ireland, 1909–1992

Oil and sand on canvas, 78 1/8 × 56 1/8 in. (198.4 × 142.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.186


Hanover Gallery, London, to 9 July 1957
Joseph H. Hirshhorn, New York, 9 July 1957-May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966


HANOVER GALLERY, London. "Francis Bacon," 21 March-26 April 1957, no. 13.
MUSEUM OF MODERN ART, New York. "New Images of Man," 30 September-29 November 1959, no. 15, p. 152, ill. p. 33.
ART GALLERIES, University of California at Los Angeles. "Francis Bacon / Hyman Bloom," 30 October-11 December 1960, no. 9.
TATE GALLERY, London. "Francis Bacon Retrospective," 24 May-1 July 1962, no. 59, ill. Tour: KUNSTHALLE MANNHEIM, Germany, 18 July-26 August, no. 47; MUSEO CIVICO DI TORINO, 11 September-14 October, no. 50, ill, p. 128; KUNSTHAUS, Zurich, 27 October-25 November, no. 45; STEDELIJK MUSEUM, Amsterdam, 11 January-18 February 1963, no. 40, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Francis Bacon," 18 October 1963-12 January 1964, no. 39, ill. p. 54. Tour: ART INSTITUTE OF CHICAGO, 24 January-23 February.
PROVIDENCE ART CLUB, Rhode Island. "Critics' Choice: Art Since World War II," 31 March-24 April 1965, no. 4, ill. p. 19.
MARLBOROUGH-GERSON GALLERY, New York. "International Expressionism, Part I," April-May 1968, no. 2, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, fig. 751, p. 507; p. 660.
RHEINHALLEN MESSEGELANDE, Cologne. "International Exhibition, Cologne, 1981, Contemporary Art Since 1939," 30 June-16 August 1981, no. 489, ill. p. 423.
STEDELIJK MUSEUM, Amsterdam. "Le Grand Parade," 14 December 1984-14 April 1985. [add GUGGENHEIM?]
GALERIE BEYELER, Basel, Switzerland. "Francis Bacon," 12 June-12 September 1987, no. 10, ill.
BRITISH COUNCIL, London [organizer only, not venue]. "Francis Bacon," no. 6, ill. p. 39. Tour: CENTRAL HOUSE OF ARTISTS OF THE UNION OF ARTISTS, Moscow, 23 September-6 November 1988.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Francis Bacon," 12 October 1989-7 January 1990, no. 19, color ill. Tour: LOS ANGELES COUNTY MUSEUM OF ART, 11 February-29 April; MUSEUM OF MODERN ART, New York, 24 May-28 August.
BRITISH COUNCIL, London [organizer only, not venue]. "Francis Bacon," no. 34, p. 130, ill. p. 131. Tour: CENTRE GEORGES POMPIDOU, Paris, 27 June-14 October 1996; HAUS DER KUNST, Munich, 4 November-31 January 1997.
[LOUISIANA MUSEUM, Humlebaek, Denmark. "Francis Bacon," 23 January-26 April 1998, cat.} hmsg printout only....
NATIONAL GALLERY, London. "Encounters: New Art from Old," 14 June-17 September 2000, no. 18, ill. p. 20.
[DETROIT INSTITUTE OF ARTS. "Van Gogh Face to Face: The Portraits" (only toured to:) PHILADELPHIA MUSEUM OF ART, 22 October 2000-14 January 2001], no. 219, color ill. p. 242.
FONDATION VINCENT VAN GOGH, Arles, France. "Van Gogh by Bacon," 5 July-6 October 2002, cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


ALLOWAY, LAWRENCE. "Art News from London," Art News 56 (May 1957), p. 48; ill. p. 58.
HOCTIN, LUCE. "Francis Bacon et la hantise de l'homme," XXe Siècle 11 (Noël 1958): 53, colorpl p. 55.
KESSLER, CHARLES S. "Los Angeles: Bacon, Bloom, Lebrun," Arts 35 (January 1961), p 14.
FRIED, MICHAEL. "Bacon's Achievement," Arts 36 (September 1962), p. 28.
LYNTON, NORBERT. "London Letter," Art International 6 (25 October 1962), ill. p. 69.
VAN BEEK, MARIUS. "Francis Bacon: Tocht door en absurde wereld," Museumjournaal 8, no. 7 (February 1963), p. 151.
RASKILL, MARK. "Francis Bacon as a Mannerist," Art International 7 (25 September 1963).
RUSSELL, JOHN. "Peer of the Macabre, Francis Bacon," Art in America 51 (October 1963), colorpl. p. 100.
ROTHENSTEIN, JOHN and RONALD ALLEY. Francis Bacon (London: Thames and Hudson, 1964), no. 13, colorpl. p. 111.
RUSSELL, JOHN. Francis Bacon (London: Methuen, 1964), ill.
MARLBOROUGH-GERSON GALLERY. Francis Bacon: Recent Paintings (New York: Marlborough-Gerson Gallery, 1968), ill. p. 62.
DIPPEL, R.M. "Van Gogh en Bacon," Museumjournaal 14, no. 2 (April 1969), p. 100, ill. p. 101.
UNSIGNED. "Weird Wonder," MD 15 (May 1971), p. 140, colorp. p. 138.
LERNER, ABRAM, et al. Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), fig. 751, p. 507, p. 660.
TRUCCHI, LORENZA. Francis Bacon (Milan: Fratelli Fabbri Editori, 1975), no. 54, colorpl.
DAVIES, HUGH M. "Francis Bacon: The Early and Middle Years, 1928-1958," diss. (New York: Garland Publishing, 1978), no. 123, ill.
FEAVER, WILLIAM. "Talismans and Trophies: Vintage Modernism at 'Westkunst,'" Art News 80 (September 1981), p. 132, ill.
SCHMIED, WIELAND. Francis Bacon: Vier Studien zu einem Porträt (Frölich & Kaufmann, n.d.), fig. IX, p. 33, fig. 109, p. 79.
DAVIES, HUGH and SALLY YARD. Francis Bacon (New York: Abbeville Press, 1986), fig. 38.
TROMP, HANSMAARTEN. "Encontro com os grandes mestres da pintura," Crônica da Holanda 98 (1986), colorpl. p. 5.
MARTINEZ, BENJAMIN and JACQUELINE BLOCK. Visual Forces (Englewood Cliffs, New Jersey: Prentice Hall, 1987), fig. C, p. 65.
SOLOMON, ANDREW. "Exhibitions: Francis Bacon," Contemporanea (Nov./Dec. 1988), fig. 1, p. 108.
UNSIGNED. "Homage to Van Gogh," Dutch Heights 4 (December 1988), p. 14.
PAULSON, RONALD. Figure and Abstraction in Contemporary Painting (New Brunswick and London: Rutgers University Press, 1990), ill.
UNSIGNED. "Francis Bacon," American Way (American Airlines magazine) (1 March 1990), colorpl. p. 67.
VAN ALPHEN, ERNST. Francis Bacon and the Loss of Self (London: Reaktion Books, 1992), fig. 74, p. 131.
WILLING, VICTOR. "Miscellany: Icarus or the Walking Wounded," Modern Painters 5 (Autumn 1992), ill. p. 71.
RUHRBERG, KARL. Die Malerei in Europa und Amerika 1945-1960 (Köln: DuMont Buchverlag, 1992), no. 8, p. 64, ill.
SOUTH BANK CENTER. "The Spotlight Series: Francis Bacon--Study for Portrait of Van Gogh," (brochure 1994), ill.
UNSIGNED. "High Anxiety Maybe--Not High Art," Daily Telegraph (18 July 1996).
HENSHER, PHILIP. "The Brit Pack," Mail (July 1996).
HOLERT, TOM. "Arme Bestie Mensche," German Vogue (July 1996), p. 53.
UNSIGNED. "Visti da Bacon," Specchio 24 (6 July 1996), p. 118.
DOMIN[GO], CHRISTOPHE. "Bacon, le peintre cannibale," [unknown publication] (1996).
GOLDBERG, ITZHAK. "La passionselon Bacon en 14 stations," Beaux Arts (July/August 1996).
CONELLE, JENNIFER. "Apres l'espoir, Bacon," Le Devoir (Canada) (18 August 1996).
BELL, FREDERICK. "Mortal Remains," C[entre?] P[ompidou] 25 (5-11 September 1996).
HUTCHINSON, MARK. "Firing at the Nervous System," [unknown publication] (1996).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996).
BEVAN, ROGER. "Bacon for the Bavarians," Art Newspaper 64 (November 1996).
COHEN, DAVID (?). (January 1997), p. 70.
SYLVESTER, DAVID et al. Francis Bacon: Important Paintings from the Estate (New York: Tony Shafrazi Gallery, 1998), p. 50.
GALE, MATTHEW and CHRIS STEPHENS, eds. Francis Bacon (London:Tate Publishing, 2008), fig. 44, p. 64.

Hirshhorn Museum and Sculpture Garden Collection, School of London, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Study for "Portrait of Van Gogh" V

Francis Bacon, British, b. Dublin, Ireland, 1909–1992

Oil and sand on canvas, 78 1/8 × 54 1/8 in. (198.7 × 137.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.187


Hanover Gallery, London, to 25 March 1957
Joseph H. Hirshhorn, New York, 25 March 1957-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966


HANOVER GALLERY, London. "Francis Bacon," 21 March-26 April 1957 (not in catalogue; added in the course of the exhibition).
TATE GALLERY, London. "Francis Bacon Retrospective," 24 May-1 July 1962, no. 61, ill. Tour: KUNSTHALLE MANNHEIM, Germany, 18 July-26 August, no. 48; MUSEO CIVICO DI TORINO, 11 September-14 October, no. 51; KUNSTHAUS, Zurich, 27 October-25 November, no. 46; STEDELIJK MUSEUM, Amsterdam, 11 January-18 February 1963, no. 41.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Francis Bacon," 18 October 1963-12 January 1964, no. 40, color ill. p. 55. Tour: ART INSTITUTE OF CHICAGO, 24 January-23 February.
AMERICAN FEDERATION OF ARTS, New York (organizer). "Paintings from the Joseph H. Hirshhorn Foundation Collection: A View of the Protean Century," no. 78. Tour: M. KNOEDLER, New York, 31 October-24 November 1962; CURRIER GALLERY OF ART, Manchester, New Hampshire, 16 December-12 January 1963; CARNEGIE INSTITUTE, Pittsburgh, 30 January-26 February; EVANSVILLE MUSEUM OF ARTS AND SCIENCE, Indiana, 16 March-12 April; MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York, 30 April-27 May; J.B. SPEED ART MUSEUM, Louisville,13 June-10 July; MINNEAPOLIS INSTITUTE OF THE ARTS, 30 July-25 August; SEATTLE ART MUSEUM, 11 September-8 October; SAN FRANCISCO MUSEUM OF ART, 26 October-23 November; COLORADO SPRINGS FINE ARTS CENTER, 11 December-7 January 1964; DALLAS MUSEUM OF FINE ARTS, 26 January-23 February; ATLANTA ART ASSOCIATION, 10 June-7 July; SAGINAW ART MUSEUM, Michigan, 25 July-22 August; MONTREAL MUSEUM OF FINE ARTS, 8 September-6 October; ALLENTOWN ART MUSEUM, Pennsylvania, 24 October-21 November; MUSEUM OF FINE ARTS, Boston, 9 December-10 January 1965; BROOKLYN MUSEUM, 8 February-5 April.
RHEINHALLEN MESSEGELANDE, Cologne. "International Exhibition Cologne, 1981, Contemporary Art since 1939," 30 June-16 August 1981, no. 491, ill. p. 423.
HAAGS GEMEENTEMUSEUM, The Hague, Netherlands. [Francis Bacon exhibition], 30 September 1989-30 September 1990.
LOUISIANA MUSEUM OF MODERN ART, Humlebaek, Denmark. "Francis Bacon," 23 January-26 April 1998, no. 12, color ill.
TRUST FOR MUSEUM EXHIBITIONS, Washington, DC (organizer). "Francis Bacon: A Retrospective Exhibition," cat. Tour: YALE CENTER FOR BRITISH ART, New Haven, 25 January-21 March 1999; MINNEAPOLIS INSTITUTE OF ARTS, 8 April-27 May; FINE ARTS MUSEUMS OF SAN FRANCISCO, 13 June-2 August; MODERN ART MUSEUM OF FORT WORTH, 20 August-15 October.
DETROIT INSTITUTE OF ARTS. "Van Gogh Face to Face: The Portraits," 12 March-4 June 2000, no. 220, color ill. p. 242. Tour: MUSEUM OF FINE ARTS, Boston, 2 July-24 September; PHILADELPHIA MUSEUM OF ART, 22 October-14 January 2001.
HAAGS GEMEENTEMUSEUM, The Hague, Netherlands. "Francis Bacon," 27 January-15 May 2001, ill.
FONDATION VINCENT VAN GOGH, Arles, France. "Van Gogh by Bacon," 5 July-6 October 2002, cat.
KUNSTHISTORISCHES MUSEUM, Vienna. "Francis Bacon and the Tradition of Art," 15 October 2003-18 January 2004, no. 128, ill. p. 297. Tour: FONDATION BEYELER, Riehen/Basel, 8 February-20 June.
SAINSBURY CENTRE FOR VISUAL ARTS, Norwich, England. "Francis Bacon: Paintings from the 1950's," 26 September-10 December 2006. Tour: MILWAUKEE ART MUSEUM, 29 January-15 April 2007; ALBRIGHT-KNOX ART GALLERY, Buffalo, 5 May-30 July.
NATIONAL MUSEUM OF MODERN ART, Tokyo. “Francis Bacon,” 8 March-26 May 2013, no. 16, p. 52, color ill. p. 53; p. 185. Tour: TOYOTA MUNICIPAL MUSEUM OF ART, 8 June-1 September 2013.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


HAYMAN, PATRICK. "Some London Moderns," Pictures on Exhibit 20, no. 8 (May 1957), pp. 44-49.
SPIRA, ROBERT. "Austellung Francis Bacon," Die Weltkunst 27, no. 9 (1 May 1957), p. 7.
HOCTIN, LUCE. "Francis Bacon et la hontise de l'homme," XXe siecle, Nouvelle Serie 11 (Noel 1958), p. 55.
RUSSELL, JOHN. "Francis Bacon," Aujord Hui 50 (July 1965), p. 67.
TRABA, MARTA. Los Cuatro Monstruos Cardinales (Altos, Mexico, 1965), pp. 43-61.
UNSIGNED. "Gallery Shows, Museum Exhibits," New York Times (28 February 1965), p. 21, ill.
LERNER, ABRAM. "Private to Public: The Hirshhorn Collection," Arts Yearbook 9, The Museum World (1967), p. 65, color ill.
DIPPEL, R.M. "Van Gogh en Bacon," Museum Journal 14, no. 2 (April 1969), p. 100.
RUSSELL, JOHN. "Francis Bacon: A Retrospective and Preview," Horizon 13, no. 4 (Autumn 1971), p. 84.
DAVIES, HUGH M. Francis Bacon: The Early and Middle Years, 1928-1958 (New York and London: Garland Publishing, Inc., 1978), no. 125, ill.
MARMER, NANCY. "Isms on the Rhine," Art in America 69 (November 1981), p. 117, ill.
UNSIGNED. "'Study for Portrait of Van Gogh III' and 'Study for Portrait of Van Gogh V' are two works..." [unknown date], 2 pages.
SCMIED, WIELAND. Francis Bacon: Vier Studien zu einem Portrat (Frolich & Kaufmann, 1985), p. 79.
SINCLAIR, ANDREW. Francis Bacon: His Life and Violent Times (London: Sinclair-Stevenson, 1993), p. 131.
ARTS COUNCIL COLLECTION. Francis Bacon: Study for Portrait of Van Gogh (South Bank Board and Bruce Bernard, 1994).
CENTRE GEORGES POMPIDOU. Francis Bacon (Paris: Centre Georges Pompidou, 1996), pp. 297, 300.
TYSON, JANET. "The Art of Suffering," Arts (22 August 1999), pp. 1D, 3D.
KUTNER, JANET. "A Tormented View of Life," Dallas Morning News (22 August 1999), p. 1C, back page.
BEAUJEAN, DIETER. Vincent van Gogh: Leben und werk (Cologne: Konemann, 1999), color ill. p. 91.
UNSIGNED. World Art, Collections, Exhibitions: Autumn 2006 (Sainsbury Centre of Visual Arts, 2006), ill. n.p. [exhibition brochure]

Hirshhorn Museum and Sculpture Garden Collection, School of London, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

The Great Warrior of Montauban

Emile-Antoine Bourdelle, French, b. Montauban, 1861–1929

Bronze, 73 1/4 × 62 × 24 1/8 in. (186 × 157.2 × 61.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.593


World House Galleries, New York, to 16 April 1959
Joseph H. Hirshhorn, New York, 16 April 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


WORLD HOUSE GALLERIES, New York. "Bourdelle," 19 May-29 June 1957, no. 18, cover ill.
UNIVERSITY OF MINNESOTA ART GALLERIES, Minneapolis. "Antoine Bourdelle," 8 November-8 December 1957, no. 2. TOUR: WALKER ART CENTER, 12 January-9 February 1958.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 37, ill. p. 33.


JIANOU, IONEL, and MICHEL DUFET. Bourdelle, trans. Kathleen Muston and Bryan Richardson (Paris: Arted, 1965), p. 77, pl. 7; 2nd edition, 1975, p. 80, no. 161.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 56, ill.
HALE, WILLIAM H. The World of Rodin 1840-1917 (New York; Time Life Books, 1969), p. 175, caption on p. 174.
UNSIGNED. Apollo, vol. 96 (August 1972), p. 102, no. 19, ill. p. 103.
GOODE, JAMES E. "Outdoor Sculpture: Washington's Overlooked Monuments," Historic Preservation (January-March 1973), p. 6, ill.
BUTLER, JOSEPH T. "America: The Hirshhorn Museum and Sculpture Garden Opens in Washington, DC," Connoisseur 187/753 (November 1974), ill. no. 5.
YOUNG, MAHONRI SHARP. "Letter from the U.S.A. : Hirshhorn on the Mall," Apollo 100/153 (November 1974), p. 419.
MUESSIG, RAYMOND H. ed. "Controversial Issues in the Social Studies" (Washington, DC: National Council for the Social Studies, 1975), ill. p. 196.
UNSIGNED. SMITHSONIAN TORCH (December 1978), ill. p. 8.
UNSIGNED. "Care for Outdoor Sculpture," Washington Post (30 June 1994), Washington Home, ill. p. 20.
UNSIGNED. "Gallery Listings," Intowner (May 1996), ill.
FLETCHER, VALERIE J. A Garden for Art (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), no. 4, ill. p. 41.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Sleeping Muse I

Constantin Brancusi, French, b. Hobitza, Romania, 1876–1957

Marble, 6 3/4 x 10 7/8 x 8 3/8 in. (17.2 x 27.6 x 21.2 cm) on artist's base: 5 1/8 x 14 1/2 x 11 3/8 in. (13.1 x 36.7 x 28.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.610


The Artist, Paris
[Alfred Stieglitz, Gallery "291" Photo-Secession, New York, 1914]
Arthur B. Davies, New York, from c. 1914 to April 1929
American Art Association, New York, Sale, Arthur B. Davies Art Collection, 16-17 April 1929, lot. 447
C. W. Kraushaar, New York, from April 1929
[Mr. Jules Furthman, California ?]
Mrs. Barclay Scull, to 27 December 1961
M. Knoedler & Company, New York, to 2 January 1962
Joseph H. Hirshhorn, New York, 2 January 1962-17 May 1966 (in partial exchange for plaster, S.61.78)
Gift of Joseph H. Hirshhorn, 1966
IG 1972; JZ 1976; VJF 1992


QUAI D'ORSAY, Paris. "Salon des artistes indépendants, 28ème exposition," 20 March-16 May 1912, no. 494 (or no. 617?).
LITTLE GALLERIES OF THE PHOTO-SECESSION, New York. "Constantin Brancusi," 12 March-1 April 1914, no. 1 (exhibited without base or socle, lying pedestal with another work).
RITZ-CARLTON HOTEL, New York. "Allies of Sculpture," 5-25 December 1917, no. 26.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 39, ill. p. 54.
MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York. "1913 Armory Show: 50th Anniversary Exhibition," 17 February-31 March 1963, no. 617, ill. p. 41. Tour: SIXTY-NINTH INFANTRY ARMORY, New York, 6-28 April.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, ill. 197, p. 152; pp. 668-669.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Direct Carving in Modern Sculpture: Selections from the Museum's Collection," 6 October-27 November 1983, no. 2, ill. pamphlet cover.
CENTRE GEORGES POMPIDOU, Paris. "Constantin Brancusi, 1876-1957," 14 April-21 August 1995, no. 15, colorpl. no. 103. Tour: PHILADELPHIA MUSEUM OF ART, 8 October-31 December.
NATIONAL GALLERY OF ART, Washington DC. "Alfred Stieglitz and Modern Art in America," 28 January-22 April 2001.
TATE MODERN, London. "The Essence of Things," 29 January-23 May 2004, no. 20, p. 98. Tour: SOLOMON R. GUGGENHEIM MUSEUM, New York, 10 June-19 September.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


NOTE: Brancusi's own photograph of the bronze Muse (Musée national d'art moderne in Paris) has often been published as our marble, see Comparatives. That bronze rests on a base.
STIEGLITZ COLLECTION, National Gallery of Art, Washington, DC. Two installation photographs by Alfred Stieglitz of the Brancusi Exhibition at the Little Galleries of the Photo-Secession, New York, 12 March-1 April 1914.
MCBRIDE, HENRY. "Brancusi," Sun (22 March 1914).
DAVIES, ARTHUR B. Letter to William Macbeth, undated (c. 1915), Macbeth Galleries Papers, Archives of American Art, Smithsonian Institution, Washington, DC, microfilm roll no. NMc37, frames 1007-1008.
UNSIGNED. "Exhibition 'Arrangements' at '292,'" Camera Work 48 (October 1916), pl. II.
UNSIGNED. "Allies of Sculpture Exhibition," American Art News (8 December 1917), p. 2.
M.M. "Constantin Brancusi," Arts 4, no. 1 (July 1923), p. 15 (photograph by Charles Sheeler).
BELL, CLIVE. "The Art of Brancusi," Vogue 67 (1 June 1926), p. 82, ill. (The text describes it as marble but uses Brancusi's photograph which is published later as the bronze in MNAM, Paris.)
UNSIGNED. "Complete Prices of Davies Sale," Art News (29 April 1929), p. 21, no. 447 (as marble head sold for $800 to C. Kraushaar).
UNSIGNED. "Davies Sale, $7,223," Art Digest 3 (April 1929), p. 12 (as marble head sold for $800 to C. Kraushaar).
FRANK, WALDO, ed. America and Alfred Stieglitz: A Collective Portrait (New York: Literary Guild, 1934), ill. (Stieglitz photograph of 1914).
GIEDION-WELCKER, CAROLA. "Brancusi," Horizon 11 (London, 1949), ill. (listed as marble but using photograph of bronze).
GUÉGUEN, PIERRE. "La Sculpture Cubiste," L'Art d'aujourd'hui série 34, no. 4 (June 1953), pp. 50-51, ill. p. 52 (photograph of bronze).
GIEDION-WELCKER, CAROLA. Maria Jolas and Anne Leroy, trans. Constantin Brancusi 1876-1957 (New York: Braziller, 1959), ill. p. 59 (listed as marble from Davies collection, but uses early photograph of MNAM, Paris bronze).
GUÉGUEN, PIERRE. "Le nouveau colloque avec Lipchitz," XXe Siècle, no. 13 (Noël 1959), n.p.
GIEDION-WELCKER, CAROLA. Contemporary Sculpture, 3rd rev. ed. (New York: Wittenborn, 1960), p. 125, ill. (same as 1959 Brancusi book?).
KAUFMAN, BETTY. "Hirshhorn: The Collector's Art," Commonweal 77 (9 November 1962), p. 182.
JIANOU, IONEL. Brancusi (New York: Tudor, 1963), p. 93.
CUBANNE, PIERRE. L'épopée du cubisme (Paris: La Table Ronde, 1963), p. 73 (cites Guéguen).
CANADAY, JOHN. "The Rodin Revolution," New York Times (9 June 1963), ill. p. 37.
MICHELSON, ANNETTE. "Private But Public: The Joseph H. Hirshhorn Collection," Contemporary Sculpture Arts Yearbook 8 (New York, 1965), ill. p. 184.
PETRU COMARNESCO, MIRCEA ELIADE, and IONEL JIANOU. Témoinages sur Brancusi (Paris: Arted, Editions d'art, 1967), p. 59.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 138, ill. p. 136.
GEIST, SIDNEY. Brancusi, A Study of the Sculpture (New York: Grossman, 1968), no. 56, pp. 34-35, 218, ill.
UNSIGNED. Constantin Brancusi 1876-1957: A Retrospective Exhibition (New York: The Solomon R. Guggenheim Museum, 1969), pp. 21, 44, ill. p. 21, 45.
JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), ill. p. 71.
SPEAR, ATHENA TACHA. "A Contribution to Brancusi Chronology," Art Bulletin 48 (March 1970), pp. 46-47, 53.
JACOBS, JAY. "Quality as Well as Quantity: Joseph H. Hirshhorn," in Lipman, Jean, ed. The Collector in America (New York: Viking, 1971), ill. p. 81.
CHRISTIE, MANSON & WOODS, London. Sale, "Impressionist and Modern Paintings, Drawings and Sculpture," 27 June 1972, p. 64.
HUNTER, SAM. American Art of the Twentieth Century (New York: Harry N. Abrams, 1972), ill. p. 143.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), ill. p. 197; pp. 152; 668-669.
GORDON, DONALD. Modern Art Exhibtions vol. 2 (Munich: Prestel Verlag, 1974), pp. 559, 810.
TUCKER, WILLIAM. Early Modern Sculpture (New York: Oxford University Press, 1974), ill. p. 48.
GEIST, SIDNEY. "Brancusi, the Meyers, and the Portrait of Mrs. Eugene Meyer, Jr.," Studies in Art History 6 (Washington, DC: National Gallery of Art, 1974), pp. 190, 204.
UNSIGNED. New York Graphic Society The Art Gallery (October/November 1975), ill. p. 138 (adv.).
UNSIGNED. Artforum 14 (November 1975), ill. p. 26 (adv.).
COURTHION, PIERRE. "Le plus grande musée du monde: La Collection Hirshhorn," XXe Siècle 45 (December 1975), p. 31.
BUTLER, RUTH. Western Sculpture: Definitions of Man (Boston: New York Graphic Society, 1975), p. 238, fig. 137.
GEIST SIDNEY. Brancusi: The Sculpture and the Drawings (New York: Harry N. Abrams, 1975), cat no. 71, ill. p. 56, pp. 166, 177.
MCBRIDE, HENRY. The Flow of Art (New York: Atheneum, 1975), p. 56.
PREBLE, DUANE. We Create Art Creates Us (San Francisco: Canfield Press, 1976), p. 280, fig. 238.
TRIER, EDUARD. "Plastick," in Giulio Carlo Argon Die Kunst der 20. Jahrhunderts, 1880-1940 (Berlin: Propyläen, 1977), p. 298, no. 250.
KIRSH, ANDREA. Arthur B. Davies, Artist and Collector (Rockland, New York: Rockland Center for the Arts and the Edward Hopper Landmark Preservation Foundation, 1977), no. 57, ill.
MAUR, KARIN V. Oscar Schlemmer (Munich: Prestel-Verlag, 1979), p. 45, fig. 33.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 79.
SELZ, PETER. Art in Our Times: A Pictorial History, 1890-1980 (New York: Harry N. Abrams and Harcourt Brace Janovich, 1981), p. 85, fig. 189.
LONGMAN, ROBIN, ed. "People, Places & Events," American Artist (October 1983), p. 6, no. 4.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
WEBER, EVA. Art Deco in North America (London: Bison Books, 1985), no. 13, ill.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1986), ill. p.139; p. 195.
RADU, VARIA. Brancusi (New York: Rizzoli, 1986), p. 136, ill.
ZILCZER, JUDITH. "Arthur B. Davies: The Artist as Patron," American Art Journal 19, no. 3 (1987), p. 74, fig. 21.
BACH, FRIEDRICH TEJA. Constantin Brancusi: Metamorphosen Plastischer Form (Cologne: Dumont Buchverlag, 1987), pp. 472-473, no. 98, ill.
PREBLE, DUANE and SARAH. Artforms (New York: Harper & Row, n.d.), p. 374, no. 483.
WHITECHAPEL ART GALLERY. Richard Deacon (London: Whitechapel Art Gallery, 1988), p. 14, ill.
CHRISTIE'S, New York. Sale, "Impressionist and Modern Paintings and Sculpture (Part I)," (14 November 1989), ref. in description for lot 64.
KENNELLY, ELEANOR and VICTOR GAETAN. "Grand Exhibit for Grand Sculptor," Washington Times (10 December 1995), p. D1, ill.
LEVINE, SHERRIE. New Born (Japan: Tankosha, 1995), no. 7, fig. p. 18.
MILLER, SANDA. Constantin Brancusi, A Survey of His Work, (Oxford: Clarendon Press, 1995), no. 74, ill. p. 118.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), Art in Focus Series, p. 43, ill.
UNSIGNED. Art, Architecture Design (MIT Press, 1995), ill.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), ill. p. 22.
[CHRISTIE'S, New York. Sale, "Impressionist and Modern Paintings, Drawings and Sculpture" (Part I), (14 May 1997), p. 116, possible reference to HMSG's Sleeping Muse.]
CHRISTIE'S, New York. Sale, "Impressionist and Modern Paintings, Drawings and Sculpture" (Part I), (11 November 1997), p. 140, referred in description, no. 3, fig. p. 141.
KING, CHARLES. "Gateways to Romanian Culture and History," program book for the Smithsonian Folklife Festival 1999 (Washington, DC: Smithsonian Institution, 1999), p. 38, ill.
UNSIGNED. "Actualites: Grand-Bretagne--Brancusi, un art essentiel," Connaissance des Arts (February 2004), p. 27.
BARSON, TANYA, ed. Georgia O'Keeffe (London: Tate Publishing, 2016), fig. 43, p. 53.

Hirshhorn Museum and Sculpture Garden Collection, European Modernism (Early 20th century), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Fish

Alexander Calder, American, b. Lawnton, Pennsylvania, 1898–1976

Metal, paint, wire, plastic, wood, glass, and ceramic, 16 1/4 x 48 1/8 x 4 1/2 in. (41.3 x 122.2 x 11.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.785


Jh Purchased From Diamond, Harold, New York 1963


SMITHSONIAN AMERICAN ART MUSEUM, Smithsonian Institution, Washington, DC. Grand re-opening exhibition, 1 July 2006-4 July 2007.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.

Hirshhorn Museum and Sculpture Garden Collection, American Abstraction (Mid-Century), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

29 Discs

Alexander Calder, American, b. Lawnton, Pennsylvania, 1898–1976

Sheet metal, paint, and wire, 48 3/8 x 36 in. (122.9 x 91.4 cm) on base

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.52


The artist
Marie Cuttoli, Paris
Harold Diamond, New York, to 16 March 1968
Joseph H. Hirshhorn, New York, 16 March 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972


PALAZZO A VELA, Torino, Italy. "Calder: Mostra Retrospettiva," 2 June-25 September 1983, no. 226, ill. p. 129.
MUSEE NATIONAL D'ART MODERNE, CENTRE GEORGES POMPIDOU, Paris. "Les Années 50," 28 June-17 October 1988, ill.
FUNDACION "LA CAIXA," Barcelona. "Europa de Postguerra 1945-1965: Arte Despues del Diluvio," 12 May-30 July 1995. TOUR: KUNSTLERHAUS, Vienna, 10 September-10 December 1995.
CHILDREN'S MUSEUM OF INDIANAPOLIS. "Calder's Art: A Circus of Creativity," 18 May 1996-5 January 1997.
MUSEUM OF CONTEMPORARY ART, Chicago. "Alexander Calder and Contemporary Art: Form, Balance, Joy," 26 June-17 October 2010.
ART MUSEUM OF THE AMERICAS, Washington, DC. "Constellations: Constructivism, Internationalism and the Inter-American Avant-Garde,” 21 June-15 October 2012.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 671, ill. p. 422.

Hirshhorn Museum and Sculpture Garden Collection, American Abstraction (Mid-Century), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Monsoon Drift

Anthony Caro, British, b. New Malden, England, 1924–2013

Steel, 123 1/4 x 207 x 41 in. (312.9 x 525.7 x 104.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1976

Accession Number: 76.94


The artist
Marie Cuttoli, Paris
Harold Diamond, New York, to 16 March 1968
Joseph H. Hirshhorn, New York, 16 March 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972


PALAZZO A VELA, Torino, Italy. "Calder: Mostra Retrospettiva," 2 June-25 September 1983, no. 226, ill. p. 129.
MUSEE NATIONAL D'ART MODERNE, CENTRE GEORGES POMPIDOU, Paris. "Les Années 50," 28 June-17 October 1988, ill.
FUNDACION "LA CAIXA," Barcelona. "Europa de Postguerra 1945-1965: Arte Despues del Diluvio," 12 May-30 July 1995. TOUR: KUNSTLERHAUS, Vienna, 10 September-10 December 1995.
CHILDREN'S MUSEUM OF INDIANAPOLIS. "Calder's Art: A Circus of Creativity," 18 May 1996-5 January 1997.
MUSEUM OF CONTEMPORARY ART, Chicago. "Alexander Calder and Contemporary Art: Form, Balance, Joy," 26 June-17 October 2010.
ART MUSEUM OF THE AMERICAS, Washington, DC. "Constellations: Constructivism, Internationalism and the Inter-American Avant-Garde,” 21 June-15 October 2012.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 671, ill. p. 422.

Hirshhorn Museum and Sculpture Garden Collection, Formalist Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Two Women in the Country

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil, enamel, and charcoal on canvas, 46 1/8 x 40 3/4 in. (117.1 x 103.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1200


Martha Jackson Gallery, New York, by November 1955
Felix Landau Gallery, Los Angeles
Mr. and Mrs. Paul Kantor, Beverly Hills, by June 1957-13 April 1964
Paul Kantor Gallery, Beverly Hills, 13 April 1964
Joseph H. Hirshhorn, New York, 13 April 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


MARTHA JACKSON GALLERY, New York. "Recent Oils by Willem de Kooning," 9 November-3 December 1955, no. 4, unpaginated.
MINNEAPOLIS INSTITUTE OF ARTS. "American Paintings 1945-1957," 18 June-1 September 1957, no. 30 (Paul Kantor, lender)
CONTEMPORARY ARTS MUSEUM, Houston. "The Romantic Agony: From Goya to de Kooning," 23 April-31 May 1959, ill. p. 18
PAUL KANTOR GALLERY, Beverly Hills, California. "Willem de Kooning," 3-29 April 1961, ill, unpaginated.
LOS ANGELES COUNTY MUSEUM OF ART. "Inaugural Loan Exhibition," April-July 1965
FONDATION M. ET A. MAEGHT, St. Paul de Vence, France. "10 Ans d'Art Vivant 1945-1955," 9 April-31 May 1966, cat. no. 87, ill, unpaginated.
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning," 19 September-17 November 1968, cat. no. 55, ill., unpaginated. MUSEUM OF MODERN ART INTERNATIONAL TOUR: TATE GALLERY, London, 8 December 1968-26 January 1969; MUSEUM OF MODERN ART, New York, 3 March-27 April 1969, cat. no, 64, ill. p. 98; ART INSTITUTE OF CHICAGO, 16 May-6 July 1969; LOS ANGELES COUNTY MUSEUM OF ART, 28 July-14 September 1969.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C. "Inaugural Exhibition," 4 October 1974-15 September 1975, plate no. 727, p. 496, pp. 681-82
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artist-Immigrants of America 1876-1976," 20 May-20 October 1976, cat. no. 111, ill. p. 258.
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Willem de Kooning: Pittsburgh International Series," 26 October 1979-6 January 1980, no. 23.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Willem de Kooning: Drawings, Paintings, Sculpture," 15 December 1983-26 February 1984, cat. no. 197, ill. p. 184. TOUR: AKADEMIE DER KUNSTE, Berlin, 11 March-29 April 1984; MUSEE NATIONAL D'ART MODERNE, CENTRE GEORGES POMPIDOU, Paris, 28 June-24 September 1984, ill. p. 104.
STEDELJIK MUSEUM, Amsterdam. "Painting after 1945," December 1984-April 1985.
NATIONAL GALLERY OF ART, Washington, DC. "Willem de Kooning: Paintings," 8 May 1994-5 September 1994.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 14, p. 201, 216, colorplate 14, p. 77. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.
ZEITGEIST GELLESCHAFT, Berlin. "The Age of Modernism--Art in the 20th Century." MARTIN-GROPIUS-BAU, Berlin, 7 May-27 July 1997.
SOLOMON R. GUGGENHEIM FOUNDATION, New York. "Between Art and Life: From Abstract Expressionism to Pop Art." TOUR: CENTRO CULTURAL FUNDACIO "LA CAIXA," Barcelona, 28 January-28 March 1999; SCHIRN KUNSTHALLE, Frankfurt, Germany, 21 April-4 July, ill. p. 59.
KUNSTFORUM WIEN, Austria. "Willem DeKooning: Retrospective," 13 January-28 March 2005.
SMITHSONIAN AMERICAN ART MUSEUM, Smithsonian Institution, Washington, DC. Grand re-opening exhibition, 1 July 2006-4 July 2007.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


PORTER, FAIRFIELD. "Reviews and Previews: Willem de Kooning," Art News 54 (November 1955): p. 48, colorplate.
ASHTON, DORE. "Art," Arts and Architecture 72 (December 1955): p. 34
ROSENBERG, HAROLD. "Tenth Street: A Geography of Modern Art," Art News Annual 28 (1959): p. 139, colorplate.
MUNRO, ELEANOR C. "Twentieth Century," Golden Encyclopedia of Art (New York: Golden, 1961): p. 258, colorplate
HUNTER, SAM. La Pittura americana del dopoguerra (Milan: Fratelli Fabbri, 1967): colorplate 11
HUNTER, SAM. "Action Painting: La generazione eroica," L'Arte Moderna 13 (1967): p. 47, colorplate
LICHTBLAU, CHARLOTTE. "Willem de Kooning and Barnett Newman," Arts Magazine (March 1969): ill, p. 29
DRUDI, GABRIELLA. Willem de Kooning (Milan: Fratelli Fabbri, 1972): colorplate 91
ROSENBERG, HAROLD. Willem de Kooning (New York: Harry N. Abrams, 1974): ill. plate 120
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974): p. 681, fig. 727 (colorplate)
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974): colorplate no. 13
GARSON, INEZ. Willem de Kooning in the Hirshhorn Museum and Sculpture Garden (New York: Scala, 1974): no. 8
BENDER, TODD, et al. Modernism in Literature (New York: Holt, Rinehart and Winston, 1977): ill.
WALDMAN, DIANE. Willem de Kooning in East Hampton (New York: Solomon R. Guggenheim Museum, 1978): pp. 21-22, ill. p. 22
MEEWIS, WIM. Iconologie van de Action Painting (Brussels: Paleis der Academien, 1983): ill.
UNSIGNED. "De Kooning arrive par les 'femmes,'" Le Point (25 June 1984): ill.
UNSIGNED. "Le geste du peintre," Les Nouvelles (28 June 1984): ill.
UNSIGNED. "De Kooning," Galeries des Arts no. 224 (July/August 1984): ill.
BAYON, DAMIAN. "de Kooning, perturbador involuntario," El Pais (18 August 1984): ill.
MICHA, RENE. "Willem de Kooning," Art International 27 (September-November 1984): p. 51, ill.
PRADEL, JEAN-LOUIS. World Art Trends 1983/84 (New York: Harry N. Abrams, 1984): p. 149, ill. (Note: review of retrospective at Whitney Museum of American Art, 1983-84.)
ROSENFELD, LUCY DAVIDSON. What's in a Painting? (Portland, Maine: J. Weston Walch, 1986): section 6, p. 51, plate 65
HOBHOUSE, JANET. The Bride Stripped Bare: The Artist and the Nude in the Twentieth Century (London: Jonathan Cape, 1987): no. 217, ill.
WALDMAN, DIANE. Willem de Kooning (New York: Harry N. Abrams with the National Museum of American Art, 1988): no. 87
GIBSON, ERIC. " De Kooning exhibit offers unexpected insights," Metropolitan Times (8 November 1993): C17.
ZILCZER, JUDITH. "Willem de Kooning: from the Hirshhorn Collection," American Art Review 5/5 (Fall 1993): p. 105.
SMITH, ROBERTA. "De Kooning's 90th Birthday Nears, and Hirshhorn Leads the Tribute," New York Times (14 December 1993): p. C20.
CATEFORIS, DAVID. "Willem de Kooning," Art Journal 53/4 (Winter 1994): p. 86.
ZILCZER, JUDITH. "Willem de Kooning," El Guia. Art de l'arc mediterraneen (February 1994): p. 19, 20.
SANTOS-TORROELLA, RAFAEL. "Willem de Kooning: en persona," ABC de las artes (February 1994): p. 30.
UNSIGNED. "De Kooning, una pincelada valiente," Architectural Digest no. 55 (February-March 1994): pp. 24, 25.
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994): p. 3.
ANFAM, DAVID. "Washington and Barcelona: Willem de Kooning," Burlington Magazine (April 1994): p. 69, 70.
FOX, CATHERINE. "A Closer Look at Willem de Kooning," The Atlanta Journal (13 September 1994): p. C12.
JINKNER-LLOYD, AMY. "The Endurance of Beauty," Creative Loafing (17 September 1994): p. 29.
FOX, CATHERINE. " De Kooning: at the High: His is legacy of abstraction," The Atlanta Journal (25 September 1994), p. N3.
SHUTER, MARTY. "Abstract Expressionism," Savannah News/Press (9 October 1994): p. 1F, 2F.
UNSIGNED. "De Kooning's daring journey into artistic chaos-and back again," Cape Cod Times (24 December 1994): p. C1.
SHERMAN, MARY. "MFA show brushes by greatness of de Kooning," Boston Herald (8 January 1995): pp. 49. 57.
UNSIGNED. "Willem de Kooning from the Hirshhorn Museum Collection," MFA Houston Calendar (1995): p. 9-10.
JOHNSON, PATRICIA. "Willem de Kooning: abstract women and master strokes define MFA exhibit," Houston Chronicle (18 March 1995): p. 1C, 8C.
KALIL, SUSIE. "Defining De Kooning," Houston Press (20-26 April 1995): p. 4.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN. Hirshhorn Museum and Scultpure Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), pp. 90-91.
SOTHEBY'S NEW YORK. Contemporary Art, Part I; Auction: Wednesday, May 8, 1996 at 7pm (New York, Sotheby's, 1996).
ZILCZER, JUDITH. "Artist and Patron," Journal of the History of Collections 8/1 (1996): p. 124.
THE AGE OF MODERNISM: ART IN THE 20TH CENTURY. Edited by Christos M. Joachimides and Norman Rosenthal. (Berlin : Zeitgeist-Gesellschaft e.V. ; Ostfildern-Ruit [Germany] : G. Hatje ; New York, N.Y. : Distributed in the US by DAP, Distributed Art Publishers, c1997): no. 65.
YARD, SALLY. Willem de Kooning (New York: Rizzoli International Publications, Inc, 1997): plate no. 46, p. 62.
CHRISTIE'S NEW YORK. Contemporary Art: From the Collection of irwin and Bethea Green, Tuesday, 18 November 1997 (New York: Christie's, 1997): p. 41.
MORRIS, CATHERINE. The Essential Willem de Kooning (The Wonderland Press, 1999): p. 63.
STEINBERG, LEO. Encounters with Rauschenberg (A Lavishly Illustrated Lecture) (Houston: The Menil Collection; Chicago and London: The University of Chicago Press, 2000): fig. 2, p. 3.
HARRISON, HELEN AND CONSTANCE AYERS DENNE. Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach (San Francisco: Chronicle Books, 2002): p. 81.
UNSIGNED. Xerox copy of catalogue/book written in Japanese (?) (unknown publisher and date): p. 309.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Sphinx

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil and charcoal on paper, 23 13/16 x 18 5/8 in. (60.5 x 47.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1201


The artist, East Hampton, New York, to 1964
Harold Diamond, New York, to 1 June 1964
Joseph H. Hirshhorn, New York, 1 June 1964-17 May 1966 (gift of Harold Diamond)
Gift of Joseph H. Hirshhorn, 1966


SMITHSONIAN CASTLE BUILDING, Smithsonian Institution, Washington, DC. "Castle Exhibition I," 27 March-27 September 1986, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 30, p. 204, 217, colorplate 30, p. 120-121. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.


GAUGH, HARRY F. Willem de Kooning (New York: Abbeville Press, 1983), p. 121, fig. 109, p. 122
TERMIN, CHRISTINE. "Rediscovering de Kooning," The Boston Globe (9 December 1994), p. 49.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Untitled

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Charcoal on tracing paper, 18 7/8 x 23 7/8 in. (47.9 x 60.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1204


The artist, East Hampton, New York, to 1964
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 23, p. 202, 217, colorplate 23, p. 112. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.


STOULLIG, CLAIRE AND CATHERINE BOMPUIS. Willem de Kooning: Whitney Museum of American Art, New York, 15 December 1983 - 26 February 1984: Akademie der Künste, Berlin, 11 March - 29 April 1984 : Centre Georges Pompidou, Musée nationald'art moderne, 28 June - 24 September 1984.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Reclining Man (John F. Kennedy)

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil on paper mounted on fiberboard, 23 x 27 in. (58.4 x 68.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1207


The artist, East Hampton, New York, 1964
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning," 19 September-17 November 1968, cat. no. 78, ill. MUSEUM OF MODERN ART INTERNATIONAL CIRCULATING EXHIBITION, TOUR: TATE GALLERY, London, 8 December-26 January 1969; MUSEUM OF MODERN ART, New York, 3 March-27 April, cat. no. 90, ill. p. 127; ART INSTITUTE OF CHICAGO, 17 May-6 July; LOS ANGELES COUNTY MUSEUM OF ART, 28 July -14 September.
THE WHITE HOUSE, Washington, DC. Extended loan, May 1977.
BRAINERD ART GALLERY, State University of New York, Potsdam. "The Benefactors: Solomon R. Guggenheim, Joseph H. Hirshhorn, Roy R. Neuberger," 19 October-9 November, 1980, p. 12, ill. p. 29
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 24, p. 202-3, 217, colorplate 24, p. 113. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.
BRUCE MUSEUM, Greenwich, Connecticut. JFK and Art, 20 September 2003-11 January 2004. TOUR: NORTON MUSEUM OF ART, Palm Beach, Florida, 6 February-2 May, p. 110, ill. p. 111.


DRUDI, GABRIELLA. Willem de Kooning (Milan: Fratelli Fabbri, 1972), ill. 25.
ROSENBERG, HAROLD. Willem de Kooning (New York: Harry N. Abrams, 1973), ill. plate 152.
GARSON, INEZ. Willem de Kooning at the Hirshhorn Museum and Sculpture Garden (New York: Scala, 1974), p. 4, ill.
ZILCZER, JUDITH. Willem de Kooning from the Hirshhorn Museum Collection (New York: Rizzoli in association with the Hirshhorn Museum and Sculpture Garden, 1993), cat. no. 24.
RODRIGUEZ, PEDRO. "Para Willem, Picasso ha sido el 'tipo a superar,'" ABC de las artes (18 February 1994): p. 33.
FOX, JUDITH HOOS. Collection in Context: William de Kooning's Door Cycle, March 14-May 26, 1996 (Davis Museum and Cultural Center, 1996): unpaginated.
LEWIS, NICOLE. "Missing and Missed," The Washington Post (2 July 1998): p. B5.
VOGEL, CAROL. "De Kooning and Kennedy," The New York Times (3 July 1998).
ZILCZER, JUDITH. "Identifying Willem de Kooning's Reclining Man," American Art 12/2 (Summer 1998): pp. 26-35.
NEW YORK TIMES. "De Kooning's 'Man' identified as JFK," San Francisco Chronicle (3 July 1998).
UNSIGNED. "Reliable Source: De Kooning and debunking sci-fi films," The Torch (September 1998): p. 4.
WEIL, REX. "Presidential Nominee: a sleuthing curator recognizes a familiar face in an unusual de Kooning," Art News 97/8 (September 1998): p. 47.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Woman, Sag Harbor

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil and charcoal on wood, 80 x 36 in. (203.1 x 91.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1209


The artist, East Hampton, New York, to summer 1964
Joseph H. Hirshhorn, New York, summer 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


M. KNOEDLER & CO., New York. "De Kooning: Recent Paintings," 14 November-2 December 1967
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning," 19 September-17 November 1968, cat. no. 82, ill. MUSEUM OF MODERN ART INTERNATIONAL CIRCULATING EXHIBITION TOUR: TATE GALLERY, London, 8 December-26 January 1969; MUSEUM OF MODERN ART, New York, 3 March-27 April, no. 94, ill. p. 130; THE ART INSTITUTE OF CHICAGO, 16 May-6 July; LOS ANGELES COUNTY MUSEUM OF ART, 28 July-14 September.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, plate 971, p. 626, p. 682.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Willem de Kooning in East Hampton," 9 February-23 April 1978, cat. no. 7, ill. p. 36
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Willem de Kooning: Pittsburgh International Series," 26 October 1979-6 January 1980, cat. no. 33, ill. p. 64
MUSEO DEL PALACIO DE BELLAS ARTES, Mexico City. "Painting in the United States from Public Collections in Washington, DC," 18 November 1980-4 January 1981, no. 70, p. 180, ill. p. 181 (Organized by the International Communication Agency, Washington, DC).
MUSEO DEL PALACIO DE BELLAS ARTES, Mexico City. "Painting in the United States from Public Collections in Washington, DC," 18 November 1980-4 January 1981,
GUILD HALL MUSEUM, East Hampton, New York. "Willem de Kooning: Works from 1951-1981," 23 May-19 July 1981, cat. no. 20, p. 20.
KORNBLATT GALLERY, Washington, D.C. "Eleven Paintings and Two Sculptures from the Sixties," 7 November-10 December 1981, cat. no. 1
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning: The North Atlantic Light 1960-1983," 11 May-3 July 1983, cat. no. 6, p. 29, ill. TOUR: LOUISIANA MUSEUM OF MODERN ART, Humlebaek, 15 July-4 September; MODERNA MUSEET, Stockholm, 17 September-30 October.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Willem de Kooning: Drawings, Paintings, Sculpture," 15 December 1983-26 February 1984, cat. no. 217, ill. p. 203. TOUR: AKADEMIE DER KUNSTE, Berlin, 11 March-29 April 1984; MUSEE NATIONAL D'ART MODERNE, Centre Georges Pompidou, Paris, 28 June-24 September ill. p. 118)
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 27, p. 203, 217, colorplate 27, p. 116-17. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.
NATIONAL GALLERY OF ART, Washington, DC. "Willem de Kooning: Paintings," 8 May-5 September 1994, cat. no. 53, ill. p. 184.
DAVIS MUSEUM AND CULTURAL CENTER, Wellesley College, Wellesley, MA. "Collection in Context: Willem de Kooning's Door Cycle," 12 October 1995-26 February 1996, cat. no. 1, ill. TOUR: WHITNEY MUSEUM OF AMERICAN ART, New York, 14 March-26 May 1996, cat., ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Regarding Beauty: A View of the Late Twentieth Century," 7 October 1999-17 January 2000, cat. no. 20, ill. p. 54. TOUR: HAUS DE KUNST, Munich, 11 February-30 April.
LA FONDATION MAEGHT, St. Paul, France. "Le nu au 20e siecle," 4 July-30 October 2000, cat. no. 24, ill. p. 219.
MUSEUM OF MODERN ART, New York. "de Kooning: A Retrospective," 18 September 2011-9 January 2012, pp. 343-46, 356, 360, 362; colorplate 127, p. 363 (color detail, p. 366); color ill. p. 367; fig. 2 (color), p. 368.


UNSIGNED. "Prisoner of the Seraglio," Time (26 February 1965), colorplate p. 75
HESS, THOMAS B. "De Kooning's New Women," Art News 64 (March 1965), pp. 36, 64, ill. p. 36
MARMER, NANCY. "Los Angeles Letter," Art International 9 (June 1965), p. 40
AARONS, LEROY. "Sound the Hirshhorn! The collection," The Washington Post Potomac (19 March 1967), colorplate p. 19
HESS, THOMAS B. De Kooning: Recent Paintings (New York: Walker, 1967), colorplate p. 11.
SYLVESTER, DAVID. "De Kooning's Women," Ramparts (April 1969), ill.
HERRERA, A. "Willem de Kooning: A Space Odyssey," Harper's Bazaar 3389 (April 1994): p. 191-195, 230-31.
FORGE, ANDREW W. "De Kooning's Women," Studio International 176 (December 1968), ill. p. 251
JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), colorplate p. 68
JACOBS, JAY. "Quality as Well as Quantity: Joseph H. Hirshhorn," in Lipman, Jean, ed. The Collector in America (New York: Viking, 1971), colorplate p. 75
DRUDI, GABRIELLA. Willem de Kooning (Milan: Fratelli Fabbri, 1972), colorplate 126
HUNTER, SAM. American Art of the 20th Century (New York: Harry N. Abrams, 1972), colorplate 323
ROSENBERG, HAROLD. Willem de Kooning (New York: Harry N. Abrams, 1974), pp. 35, 50, colorplate 155
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 682, ill. p. 626
GARSON, INEZ. Willem de Kooning in the Hirshhorn Museum and Sculpture Garden (New York: Scala, 1974), no. 11.
LAUTER, ESTELLA. "Homage to Anima: Some Psychological and Cultural Implications of Willem de Kooning's Images of Women," Soundings: An Interdisciplinary Journal 59 (1976), p. 426, ill. p. 433
HUGHES, ROBERT. "Art: Softer de Kooning's," Time (6 March 1978), ill. p. 79
LUCIE-SMITH, EDWARD, SAM HUNTER, and ADOLF MAX VOGT, et al. Kunst der Gegenwart: Propylaen Kunstgeschichte supplement, vol. II (Berlin: Propylaen Verlag, 1978), colorplate 169, no. 169, p. 180
LAUER, DAVID, A. Design Basics (New York: Holt, Rinehart, and Winston, 1979), p. 201, fig. B
UNSIGNED. A small guide book to American Art Museums (Japan: Sinichi Segi, 1979): p. 247.
STUCKEY, CHARLES F. "Bill de Kooning and Joe Christmas," Art in America 68 (March 1980), p. 67, fig. 3 p. 69
SECREST, MERYLE. "Piezas Admirables del Museo Hirshhorn se Expondran Aqui," Excelsior (20 October 1980), pp. 1, 4B
UNSIGNED. "Exposicion: Pintura Actual de los Estados Unidos," El Sol de Mexico (23 November 1980), p. 6D
LAGE, MARIO. "Plastica Actual," El Universal (24 November 1980), p. 3
BLESSING, MIRTA. "Culti-Cosas," El Universal (unknown date): p. 2.
DESCHAMPS, MADELEINE. La Peinture Americaine: Les mythes et la matiere (Paris: Denoel, 1981), plate XX
GAUGH, HARRY F. Willem de Kooning (New York: Abbeville Press, 1983), fig. 66, pp. 76-77
BROWN, MILTON, W., with the assistance of JUDITH H. LANIUS. One Hundred Masterpieces of American Painting (Washington, D.C.: Smithsonian Institution Press, 1983), p. 191
SCHULZ, BERNHARD. "Malerei als Abenteuer," Weltkunst 54 (15 April 1984), p. 1104, ill.
ROSENBLUM, ROBERT. "The Fatal Women of Picasso and De Kooning," Artnews 84 (October 1985), ill. p. 102
HOBHOUSE, JANET. The Bride Stripped Bare (London: Jonathan Cape, 1987), fig. 227, p. 254
WALDMAN, DIANE. Willem de Kooning (New York: Harry N. Abrams with the National Museum of American Art, 1988), no. 88
BARNETT, CATHERINE. "The Conundrum of Willem de Kooning," Art & Antiques (November 1989), ill. p. 69
GOLDSTEIN, NATHAN. Design and Composition (Englewood Cliffs, New Jersey: Prentice Hall, n.d.), fig. 2.15, p. 38
MUSEE ABBAYE SAINTE-CROIX (LES SABLES-D'OLONNE, FRANCE). Bataille: Georges Bataille, une autre histoire de l'oeil: Mars-Juin 1991, (Les Sables d'Olonne: L'Abbaye, c1991), p. 73
POLCARI, STEPHEN. Abstract Expressionism and the Modern Experience ( Cambridge, New York, Port Chester, Melbourne, Sydney: Cambridge University Press, 1991), p. 295
YARD, SALLY. "Willem de Kooning: the creative process," Helix 1/1 (1992), p. 46.
NERET, GILLES VON. Erotik in der Kunst des 20. Jahrhunderts (Koln: Bendikt Taschen, 1992), p. 49.
SUFFIELD, LAURA. "The artist and his patron: De Kooning at the Hirshhorn," The Art Newspaper 32 (November 1993): p. 10.
ART & AUCTION 16/4 (November 1993): p. 116.
UNSIGNED. "Willem de Kooning: Hirshhorn Museum," Journal of the Print World (Fall 1993): unpaginated.
GUAY, HERVE. "Willem de Kooning ou l'art dans sa totalite," Le Devoir (27-28 November 1993): p. C12.
SMITH, ROBERTA. "De Kooning's 90th Birthday nears and Hirshhorn leads the Tribute," New York TImes (14 December 1993): p. C19.
CATEFORIS, DAVID. "Willem de Kooning," Art Journal 53/4 (Winter 1994): pp. 86-89.
UNSIGNED. "Fuerza Expresiva del Gesto," La Vanguardia Magazine, (unknown date): p. 62.
ROSENBERG, HAROLD. "En la pintura, tengo mas de novelista que de poeta," El Mundo (18 February 1994): 57, 58.
GAFAROT, XAVIER. "Barcelona acoge desde hoy la unica muestra europa de De Kooning," Barcelona (Cataluna) (18 February 1994): p. 41.
BORRAS, MARIA LLUISA. "Pintar es una manera de vivir," La Vanguardia Magazine (25 February 1994): p. 43.
UNSIGNED. Economics (February 1994): p. 73.
ZILCZER, JUDITH. "Willem de Kooning," El Guia. Art de l'arc mediterrnaeen 7 (February 1994): p. 21.
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994): p. 3.
ANFAM, DAVID. "Washington and Barcelona: Willem de Kooning," Burlington Magazine (April 1994): p. 69-70.
CATEFORIS, DAVID. Willem de Kooning (New York: Rizzoli Art Series, 1994).
SCHKAGHECK, IRMA. "Willem de Kooning: Amerikas grober Maler wird 90," Art (April 1994): p. 25.
SOLOMON, DEBORAH. "The Figure in the (Abstract) Canvas," Wall Street Journal (6 May 1994): p. A12.
DIXON, GLENN. "Art for Art's Sake," CIty Paper (27 May 1994): 34.
TULLY, JUDD. Art & Value 2/1 (1994): p. 56.
WEIL, REX. "William de Kooning," Art News 93/7 (September 1994): pp. 176, 178.
LLOYD-JINKNER, AMY. "The Endurance of Beauty," Creative Loafing (17 September 1994): p. 29.
SPRECHER, MARY. "An abstract look at Kooning," Southern Flair (September 1994).
FOX, CATHERINE. "De Kooning at the High: His is legacy of abstraction," The Atlanta Journal/The Atlanta Constitution (25 September 1994): p. N1, N3.
RATCLIFF, CARTER. "New World Order," ArtForum International 33/3 (November 1994): p. 75-79, 113.
KUSPIT, DONALD. "Body of Evidence: Old school Master," ArtForum International 33/3 (November 1994): p. 75-79, 113.
UNSIGNED. "de Kooning Retrospective honors Artist's Birthday," Antiques and the Arts Weekly (4 November 1994): p. 99.
UNSIGNED. "Willem de Kooning at the Museum of Fine Arts, Boston," Journal of the Art World (Winter 1995).
KALIL, SUSIE. "Defining de Kooning," Houston Press (20-26 April 1995): p. 4.
DAVIS MUSEUM AND CULTURAL CENTER. Fall 1995 Calendar.
GARRELS, GARY and ELISE HAAS. Willem de Kooning: The Late Paintings, the 1980's (San Francisco Museum of Modern Art, 1995): cat. ill. p. 29.
SILVER, JOAN. "'Doors open up de Kooning's world,'" Unknown publication (22 October 1995).
TEMIN, CHRISTINE. "Doors of perception," The Boston Globe (12 November 1995): pp. 57, 62-63.
LOOS, TED. "Doors of Perception," Arts & Antiques 19/5 (May 1996): p. 103-105.
ZILCZER, JUDITH. "Artist and Patron: The formation of the Hirshhorn Museums' Willem de Kooning collection," Journal of the History of Collections 8/1 (1996): p. 117-125.
GIBSON, ANN. Joe Overstreet: Works from 1957 to 1993, January 20 through April 7, 1996. (New Jersey State Museum, Trenton, 1996): p. 30.
YARD, SALLY. Willem de Kooning (New York, Rizzoli, 1997): ill. no. 75, p. 91.
LEWIS, NICOLE. Washington Post (9 August 1998).
NEMECZEK, ALFRED. Das Bild der Kunst (Art das Kunstmagazin, 1999): p. 23.
ROSENBLUM, ROBERT. On Modern American Art (New York: Harry N. Abrams, Inc., 1999): ill. p. 92, p. 368.
KUSPIT, DONALD. "Disregarding Beauty," Art New England (April/May 2000): p. 15.
HUSER, FRANCE. "Les nudes du siecle," Le Nouvel Observateur 1864 (27 July thru August 2000): p. 82.
STEINER, WENDY. The Trouble with Beauty (London: William Heinemann, 2001): plate 6.
BARNETT NEWMAN. Ed. by Ann Temkin (Philadelphia Museum of Art, 2002): p. 90.
CHRISTIE'S NEW YORK. Post-War and Contemporary (Morning Session) (Wednesday 15 May 2002): p. 24.
SCHILLING, MICHAEL et al. "Modern Science and Contemporary Paintings: Preserving an Evolving Legacy," The Getty Conservation Institute Newsletter 17 (3 November 2002): p. 6.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Woman

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil on paper mounted on fiberboard, 29 x 23 in. (73.7 x 58.4 cm) panel: 29 3/8 x 23 1/2 in. (74.4 x 59.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1212


The artist, East Hampton, New York, 1964
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


GALERIA UNIVERSITARIA ARISTOS, Universidad Nacional Autónoma de Mexico, Mexico City. "Actitudes Plasticas Spring," May-1 August 1965, cat. no. 2, ill., unpaginated.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C., Willem de Kooning from the Hirshhorn Museum Collection, 21 October 1993 - 9 January 1994, cat. no. 26. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April 1994; HIGH MUSEUM OF ART, Atlanta, 13 September - 27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994 - 19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March - 28 May 1995.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Girl in Boat

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Pencil on tracing paper, 9 7/16 x 7 in. (23.9 x 17.8 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1214


The artist, East Hampton, New York, 1964
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, no. 31. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April 1994; HIGH MUSEUM OF ART, Atlanta, 13 September - 27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994 - 19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March - 28 May 1995.


PRATHER, MARLA. Willem de Kooning: Paintings (New Haven and London: Yale University Press, 1994): p. 43.
MORRIS, CATHERINE. The Essential Willem de Kooning (The Wonderland Press, Harry N. Abrams, Inc., 1999): p. 88.
INSTITUT VALENCIA D'ART MODERN. Willem de Kooning (2001): p. 78.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Figure

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Charcoal on paper, 11 x 8 7/16 in. (27.7 x 21.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1216


Source unrecorded (probably the artist, East Hampton, New York)
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Woman

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil on wood, 80 x 36 in. (203.2 x 91.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1217


The artist, East Hampton, New York, 1965
Joseph H. Hirshhorn, New York, 1965-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


PENNSYLVANIA ACADEMY OF FINE ARTS, Philadelphia. "Seven on the Figure," 20 September-16 December 1979, p. 50, ill. p. 46.
ROYAL SCOTTISH MUSEUM, Edinburgh. "Treasures of the Smithsonian," 11 August-4 November 1984. Organized by the Smithsonian Institution Traveling Exhibition Service, Washington, DC.
WEXNER CENTER FOR THE VISUAL ARTS, Ohio State University, Columbus. "Art in Europe and America: The 1950s and 1960s," 16 February-22 April 1990, unnumbered checklist, p. 22.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993 - 9 January 1994, no. 36. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April 1994; HIGH MUSEUM OF ART, Atlanta, 13 September - 27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994 - 19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March - 28 May 1995.
DAVIS MUSEUM AND CULTURAL CENTER, Wellesley College, Wellesley, MA. "Collection in Content: Willem de Kooning's Door Cycle," 12 October 1995-26 February 1996, cat. no. 2. TOUR: WHITNEY MUSEUM OF AMERICAN ART, 14 March 1996-26 May 1996, cat.
C & M ARTS, New York. "De Kooning: Paintings and Related Sculpture, 1964-1973," 3 October 2000-2 December 2000, cat. no. 2.
MUSEO DE BELLAS ARTES DE BILBAO, Spain. "Pintura al desnudo: Picasso, DuBuffet, De Kooning, Bacon, Saura," 4 June 2001-19 August 2001, cat. no. 9., colorplate.
MUSEUM OF MODERN ART, New York. "de Kooning: A Retrospective," 18 September 2011-9 January 2012, colorplate 125, p. 359; pp. 356, 360.


GARSON, INEZ. Willem de Kooning in the Hirshhorn Museum and Sculpture Garden (New York: Scala, 1974), no. 12.
SUFFIELD, LAURA. "De Kooning at the Hirshhorn," The Art Newspaper 32 (November 1993): p. 10.
CLIMENT, ELISEU. El Temps (8 March 1994).
FAIRBROTHER, TREVIS. "Willem de Kooning: The Hirshhorn Museum Collection," Preview, MFA Boston (November-December 1994): p. 5.
TEMIN, CHRISTINE. "Doors of perception: Wellesley show is a rare chance to look at de Kooning's heroic years," The Boston Sunday Globe (12 November 1995): p. 57, 62-63.
SCHILLING, MICHAEL et al. "Modern Science and Contemporary Paintings: Preserving an Evolving Legacy," The Getty Conservation Institute Newsletter 17 (3 November 2002): p. 6.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Woman

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Charcoal on paper, 9 x 6 in. (22.9 x 15.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1219


The artist, East Hampton, New York, 1965
Joseph H. Hirshhorn, New York, 1965-17 May 1966
Gift of Joseph H. Hirshhorn, 1966

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Head No. 4

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Bronze, 10 1/2 x 9 1/2 x 11 1/2 in. (26.76 x 24.1 x 29.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1340


Joseph H. Hirshhorn, New York, 5 October 1977-31 August 1981 (gift of the artist)
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, no. 48, p. 145. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April; HIGH MUSEUM OF ART, Atlanta, 13 September-27 November; MUSEUM OF FINE ARTS, Boston, 10 December-19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March-28 May.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Untitled

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Charcoal on paper, mounted on paper, mounted on fiberboard, 9 1/16 x 6 1/16 in. (23 x 15.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1347


The artist, Springs, East Hampton, New York, from c. 1964-66-c. 1970
Joseph H. Hirshhorn, New York, c. 1970-31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C., Willem de Kooning from the Hirshhorn Museum Collection, 21 October 1993 - 9 January 1994, , no. 34, p. 126. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April 1994; HIGH MUSEUM OF ART, Atlanta, 13 September - 27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994 - 19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March - 28 May 1995.
THE DRAWING CENTER, New York. "Willem de Kooning: Drawing Seeing/Seeing Drawing," 31 October-19 December 1998. TOUR: ADDISON GALLERY OF AMERICAN ART, Andover, MA, 16 January-28 March 1999; WEXNER CENTER FOR THE ARTS, Ohio State University, 15 May-15 August 1999.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Untitled

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Charcoal on yellow lined legal paper, mounted on paper, mounted on fiberboard, mount: 19 x 14 1/8 in. (48.2 x 35.8 cm) image: 12 1/2 x 8 1/16 in. (30.8 x 20.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1349


The artist, Springs, East Hampton, New York, from c. 1964-66-c. 1970
Joseph H. Hirshhorn, New York, c. 1970-31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C., Willem de Kooning from the Hirshhorn Museum Collection, 21 October 1993 - 9 January 1994, , no. 34, p. 126. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April 1994; HIGH MUSEUM OF ART, Atlanta, 13 September - 27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994 - 19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March - 28 May 1995.
THE DRAWING CENTER, New York. "Willem de Kooning: Drawing Seeing/Seeing Drawing," 31 October-19 December 1998. TOUR: ADDISON GALLERY OF AMERICAN ART, Andover, MA, 16 January-28 March 1999; WEXNER CENTER FOR THE ARTS, Ohio State University, 15 May-15 August 1999.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Untitled

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Charcoal on yellow lined legal paper, mounted on paper, mounted on fiberboard, mount: 19 x 14 1/16 in. (48.2 x 35.7 cm) image: 12 1/2 x 8 1/16 in. (30.8 x 20.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1353


The artist, East Hampton, New York
Joseph H. Hirshhorn, New York, to 31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Clamdigger

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Bronze, 59 1/2 x 29 5/8 x 23 3/4 in. (151.1 x 75.2 x 60.3 cm) on artist's base, height: 2 1/2 in. (6.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1363


Xavier Fourcade Gallery, New York, to 27 October 1976
Joseph H. Hirshhorn, New York, 27 October 1976-31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981


GREENWICH ARTS COUNCIL, Connecticut. "Sculpture 76," to 29 October 1976.
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning: Sculptures, lithographies, peintures," cat. no. sc 15, ill. p. 5. TOUR: CABINET DES ESTAMPES, MUSEE D'ART ET D'HISTOIRE, Geneva, 17 March-24 April 1977; MUSEE DE PEINTURE ET DE SCULPTURE, Grnoble, 23 June-20 September 1977.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Selections from the Joseph H. Hirshhorn Bequest," 7 August-16 November 1986, no. 32 (unpublished checklist).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, no. 45, p. 141. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April; HIGH MUSEUM OF ART, Atlanta, 13 September-27 November; MUSEUM OF FINE ARTS, Boston, 10 December-19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March-28 May.
MATTHEW MARKS GALLERY, New York. "Willem de Kooning: Sculpture," 1996, ill. checklist, no. 17, p. 56.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


UNSIGNED. "Willem de Kooning: Hirshhorn Museum," Journal of the Print World (fall 1993).
UNSIGNED. Panorama (November 1993).
CARNEGIE, MD. "Insides Out," Washington City Paper (10 December 1993): p. 52.
ZILCZER, JUDITH. "L'artiste et le mecene: l'origine de la formation de la collection de Kooning du Hirshhorn Museum," El Guia (February 1994).
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994): p. 9.
UNSIGNED. Art (April 1994): p. 28.
SPRECHER, MARY. "An abstract look at Kooning," Southern Flair (September 1994).
UNSIGNED. "De Kooning Retrospective honors Artist's Birthday," Antiques and the Arts Weekly (4 November 1994): p. 99.
UNSIGNED. "Willem de Kooning at the Museum of Fine Arts, Boston," Journal of the Print World (Winter 1995).
CHADWICK, SUSAN. "Willem de Kooning: MFA show not as abstract as artist's vision," The Houston Post (23 March 1995): D1, D8.
KUTNER, JANET. "Canvassing de Kooning's lifetime of art," The Dallas Morning News (9 April 1995): 1C, 8C.
ZILCZER, JUDTIH. "Artist and patron: the formation of the Hirshhorn Museum's Willem de Kooning collection," Journal of the History of Collections 8/1 (1996): p. 117-125.
RICHARD, PAUL. "A Life's Strong Currents," Washington Post (20 March 1997): p. B1, B4.
BARNES, BART. "Abstract Expressionist Willem de Kooning Dies," Washington Post (20 March 1997): A1.
PATERSON, JIM. "Stop and See the Sculpture," The Washington Post Weekend (15 August 1997): p. 6.
FLETCHER, VALERIE J.. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Smithsonian Institute, 1998): p. 58.
MORRIS, CATHERINE. The Essential Willem de Kooning (Wonderland Press, 1999): p. 96.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Woman/Verso: Untitled

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

A: Oil and enamel on fiberboard B: Oil and enamel on fiberboard, 53 5/8 x 44 5/8 in. (136.1 x 113.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.1197.A-B


The artist, New York, from 1948
Harold Diamond, New York, from 1948-1 November 1962
Joseph H. Hirshhorn, New York, 1 November 1962-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966


FINE ARTS GALLERY, Indiana University Art Museum, Bloomington. "American Painting 1910-1960," 19 April-10 May 1964, no. 15, ill.
[INSTITUTE OF CONTEMPORARY ART, University of Pennsylvania, Philadelphia. "The Decisive Years: 1943-1953," 14 January-11 March 1965.]
MARLBOROUGH-GERSON GALLERY, New York. "International Expressionism Part I," April-May 1968, no. 9, ill.
MUSEUM OF MODERN ART, New York. "Willem de Kooning," no. 24, ill. TOUR: STEDELIJK MUSEUM, Amsterdam, 19 September-17 November 1968; TATE GALLERY, London, 8 December-26 January 1969; MUSEUM OF MODERN ART, New York, 3 March-27 April, no. 116, ill. p. 61; ART INSTITUTE OF CHICAGO, 17 May-6 July; LOS ANGELES COUNTY MUSEUM OF ART, 28 July-14 September.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, SMITHSONIAN INSTITUTION, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, pl. 532, p. 383, p. 681 (recto and verso).
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Willem de Kooning: Pittsburgh International Series," 26 October 1979-6 January 1980, no. 11, p. 42.
RHEINHALLEN MESSEGELÄNDE, Cologne. "Westkunst-Eine Ausstellung," 30 May-16 August 1981, no. 418 and 418a, ill. p. 404.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Willem de Kooning: Drawings, Paintings, Sculpture," 15 December 1983-26 February 1984, no. 168, ill. p. 165. Tour: AKADEMIE DER KUNSTE, Berlin, 11 March-29 April; MUSEE NATIONAL D'ART MODERNE, CENTRE GEORGES POMPIDOU, Paris, 28 June-24 September, ill. p. 78.
PACE GALLERY, New York. "Willem de Kooning and Jean Dubuffet: The Women," 30 November 1990-5 January 1991, plate 6.
NATIONAL GALLERY OF ART, Washington, DC. "Willem de Kooning: Paintings," 8 May-5 September 1994, no. 22, pp. 121, 54, 97, 104.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, no. 6, pp. 199, 216; colorpl. 6, pp. 66-67. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, 13 September-27 November; MUSEUM OF FINE ARTS, Boston, 10 December-19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March-28 May.
CHRISTIE'S, New York. Sale, "Contemporary Art from the Boris Leavitt Collection," 20 November 1996, lot no. 7, pp. 28-33.
MUSEUM OF MODERN ART, New York. "de Kooning: A Retrospective," 18 September 2011-9 January 2012, fig. 1 (color), p. 197; colorplate 62, p. 198; fig. 2 (color), p. 199; p. 201; figs. 1-3 (color), pp. 205-207.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


ROSE, BARBARA. American Art Since 1900 (New York: Praeger, 1967), p. 184, ill. 6-33.
DRUDI, GABRIELLA. Willem de Kooning (Milan: Fratelli Fabbri, 1972), ill. 46.
ROSENBERG, HAROLD. Willem de Kooning (New York: Harry N. Abrams, 1973), plate 61.
LARSON, PHILIP and PETER SCHJELDAHL. "De Kooning's Drawings," in De Kooning: Drawings/Sculptures (New York: Dutton, 1974), ill. 14.
GARSON, INEZ. "Willem de Kooning at the Hirshhorn Museum and Sculpture Garden (New York: Scala, 1974), no. 6.
CARMEAN, E.A., JR., "Willem de Kooning: The Women," in American Art at Mid-Century: The Subjects of the Artist by E.A. Carmean, Jr. and Eliza E. Rathbone with Thomas B. Hess (Washington, DC: National Gallery of Art, 1978), pp. 159-160, fig. 5.
WALDMAN, DIANE. Willem de Kooning in East Hampton (New York: The Solomon R. Guggenheim Museum, 1978), p. 132, ill.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 109.
YARD, SALLY E. "Willem de Kooning: The First Twenty-six Years in New York--1927-1952," unpublished Ph.D. dissertation (Princeton University, 1980), p. 180, fig. 249.
SOLLERS, PHILIPPE. De Kooning, Vite II (Paris: Editions de la Difference, 1987), no. 14, ill.
HOBHOUSE, JANET. The Bride Stripped Bare: The Artist and the Nude in the Twentieth Century (London: Jonathan Cape, 1987), no. 216, ill. p. 242.
WALDMAN, DIANE. Willem de Kooning (New York: Harry N. Abrams with the National Museum of American Art, 1988), no. 61.
ATHEREN, ROBERT G. and MEDIA PROJECTS, INC. American Heritage Illustrated History of the United States, vol. 16: Decades of Cold War (New York: Choice, 1988), ill. p. 1368 [verso mistakenly illustrated].
LANDAU, ELLEN G. Jackson Pollock (New York: Harry N. Abrams, 1989), p. 276, ill. p. 216.
MATHIEU, GEORGES. "Erklärung an die amerikanischen Avantgarde-Künstler," in Westkunst Zeitgenossische Kunst seit 1939 (Koln: DuMont Buchverlag): p. 121.
UNSIGNED. Advertisement for Willem de Kooning: from the Hirshhorn Museum Collection, Art Journal 52/4, (Winter 1993).
UNSIGNED. "Barcelona acogera la obra de Willem de Kooning," Navarra hoy (22 October 1993).
ZILCZER, JUDITH. "Willem de Kooning from the Hirshhorn Museum Collection." [exhibition brochure] (Washington DC: Hirshhorn Museum and Sculpture Garden, 1993).
GUAY, HERVE. "Willem de Kooning ou l'art dans sa totalite," Le Devoir (27-28 November 1993): p. C12.
UNSIGNED. Notable New Books from Rizzoli, The New Criterion (December 1993).
LELYVELD, NITA. "Exhibition Marks Artist's 90th Year," [unknown source] (7 December 1993) B6.
CARNEGIE, M.D. "Insides Out," Washington City Paper (10 December 1993): p. 52.
CATEFORIS, DAVID. "Willem de Kooning," Art Journal 53/4 (Winter 1993): 86-89.
SANTOS-TORROELLA, RAFAEL. "De Kooning, en persona," ABC de las artes, p. 32.
ZILCZER, JUDITH. "Willem de Kooning," El Guia 7 (February 1994): p. 19.
UNSIGNED. "Willem de Kooning: Collecio Hirshhorn Museum, Washington, DC," (Barcelona: Centre Cultural de la Fundació "La Caixa," 1994), [page unknown].
UNSIGNED. "Willem de Kooning, una figura clave del expressionismo abstracto," Panorama (February 1994), [page unknown].
SPIEGEL, OLGA. "Barcelona acoge la primera exposicion en Espana de Willem de Kooning," La Vanguardia (13 February 1994), p. 37.
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994), p. 3.
UNSIGNED. "El crepuscle dels tabus," El Temps (8 March 1994).
BARNATAN, MARCOS RICARDO. "A Brochazos: El holandes Willem de Kooning y sus cincuenta expresiones americanas," El Mundo (13 March 1994), p. 50.
COMBALIA, VICTORIA. "Vibrante De Kooning," El Pais (14 March 1994), p. 36.
MIRALEET, EDUARDO. "Esposiciones en Barcelona," La Bricha (8-17 April 1994), p. 7.
ANFAM, DAVID. "Washington and Barcelona: Willem de Kooning," Burlington Magazine (April 1994), pp. 69-70.
SCHIFF, BENNETT. "For de Kooning, Painting Has Been a Way of Living," Smithsonian 25/1 (April 1994), pp. 108-119.
DIXON, GLENN. "Art for Arts Sake," Washington City Paper (27 May 1994), p. 34.
UNSIGNED (R.B.). "De Kooning at Ninety," Art Newspaper 38 (May 1994), p. 8.
UNSIGNED. "Museum and Dealer Catalogues," Drawing 16/1 (May/June 1994), p. 17.
PAGNUCCO, LORELLA. "Fundacio 'la Caixa,'" Arte In (1994?), p. 40.
UNSIGNED. "Fundacio 'la Caixa,'" Epoca (1994?), p. 77.
UNSIGNED. "Fundacio 'la Caixa,'" La Vanguarduia Magazine (1994?), p. 63.
UNSIGNED. High Museum of Art: Calendar of Events (September 1994).
UNSIGNED. "De Kooning: A Retrospective in Atlanta," Ledger-Enquirer (2 September 1994), pp. B1, B3.
FOX, CATHERINE. "A Closer Look at Willem de Kooning," The Atlanta Journal (13 September 1994), p. C12.
JINKNER-LLOYD, AMY. "The Endurance of Beauty," Creative Loafing (17 September 1994), p. 29.
UNSIGNED. "Museums & Galleries: Power-packed de Kooning. Revered Ida Kohlmeyer. 'Local Sex, Love and Death' at Nexus," Atlanta (September 1994), p. 52.
UNSIGNED. "Willem de Kooning from the Hirshhorn Museum Collection," MFA exhibition announcement (1994).
SCHUTER, MARTY. "Abstract Expressionism," Savannah News/Press (9 October 1994), pp. 1F, 2F.
TEMIN, CHRISTINE. "Rediscovering de Kooning," The Boston Globe (9 December 1994), pp. 49, 59.
SHERMAN, MARY. "Women Dominate de Kooning show," The Boston Tab (3-9 January 1995?).
FINK, JOANNA. Review: Willem de Kooning from the Hirshhorn Collection by Judith Zilczer, Art New England (December 1994-January 1995), pp. 9-10.
KUTNER, JANET. "Canvassing de Kooning's Lifetime of Art," The Dallas Morning News (9 April 1995), pp. 1C, 8C.
SYLVESTER, DAVID. "The Birth of 'Woman I,'" Burlington Magazine 137 (April 1995), pp. 220-232.
JOHNSON, PATRICIA. "Willem de Kooning: Abstract Women and Master Strokes Define MFA exhibit," Houston Chronicle (18 March 1995), pp. 1C, 8C.
ZILCZER, JUDITH. "Artist and Patron: The Formation of the Hirshhorn Museum's Willem de Kooning Collection," Journal of the History of Collections 8/1 (1996), pp. 117-125.
VOGEL, CAROL. "Inside Art," New York Times (4 October 1996), p. C.
UNSIGNED. "Abstract Expressionism: An American Revolution?," MFA Calendar (1997), p. 4.
ZILCZER, JUDITH K. "Willem de Kooning," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 79.
RICHARD, PAUL. "A Life's Strong Currents," Washington Post (20 March 1997), pp. B1, B4.
YARD, SALLY. Willem de Kooning (New York: Rizzoli International Publications, 1997), pp. 42, 45, 127.
GIBSON, ANN. Abstract Expressionism (New Haven: Yale University Press, 1997), p. 134.
TSUJIMOTO, KAREN AND JACQUELYNN BAAS. The Art of Joan Brown (Berkeley: University of California Press, 1998), p. 55.
MORRIS, CATHERINE. The Essential Willem de Kooning (Colorado Springs: Wonderland Press, 1999), p. 65.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Spirit of Tarnish

Jean Dubuffet, French, b. Le Havre, 1901–1985

Metal foil, papier mache, and nails, 15 1/8 x 5 7/8 x 4 1/4 in. (38.4 x 14.9 x 10.8 cm) on plexiglass base: 3 3/4 x 6 1/8 x 4 1/2 in. (9.5 x 15.4 x 11.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1456


Jh Purchased From Gimpel & Hanover Galerie, Zurich 1963


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Oberon

Jean Dubuffet, French, b. Le Havre, 1901–1985

Papier-mache with glue, mica, and wood chips, 34 x 15 1/2 x 13 in. (86.4 x 39.4 x 33 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1458


Jh Purchased From Cordier & Ekstrom, New York 1964


CENTRE GEORGES POMPIDOU, Paris. "Jean Dubuffet," 12 September-31 December 2001.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


ELLEGOOD, ANNE and JOANNA BURTON. The Uncertainty of Objects and Ideas: Recent Sculpture (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006), ill. p. 80.

Hirshhorn Museum and Sculpture Garden Collection, Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

The Mournful One

Jean Dubuffet, French, b. Le Havre, 1901–1985

Papier mache, 18 13/16 x 6 3/4 x 4 3/4 in. (47.8 x 17.2 x 12.1 cm) BASE: 3 3/4 x 4 x 4 1/4 in. (9.5 x 10.2 x 10.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1459

Jh Purchased From Parke-bernet Galleries, New York 1964

Hirshhorn Museum and Sculpture Garden Collection, Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Spatial Concept: Nature (59-60 N33)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 33 3/4 in. (85.7 cm); diameter: 41 1/4 in. (104.7 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.21

Jh Purchased From Parke-bernet Galleries, New York 1964

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


 

Head of Diego

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Oil on linen, 17 3/4 x 13 3/4 in. (45 x 34.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2022


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 97, p. 224, ill. p. 225. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Bust of Diego

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 15 1/4 x 13 1/4 x 8 in. (38.6 x 33.7 x 20.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2027


Sidney Janis Gallery, New York, to November 1955
Joseph H. Hirshhorn, New York, November 1955-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 71, p. 182, ill. p. 183. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
NASHER SCULPTURE CENTER, Dallas. "Variable States: Intention, Appearance, and Interpretation, in Modern Sculpture," 18 September 2004-2 January 2005.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Bust of Diego with Arms

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 22 3/4 X 12 7/8 X 9 IN. (57.8 X 32.5 X 22.7 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2036


Jh Purchased From Pierre Matisse Gallery, N.y. Jan. 1958


TELFAIR MUSEUM OF ART, Savannah, Georgia. "Grand Opening installation of Jepson Center for the Arts," 10 March-31 October 2006.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Seated Woman

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 19 7/8 X 6 1/8 X 9 1/4 IN. (50.5 X 15.5 X 23.6 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2037


Jh Purchased From Pierre Matisse Gallery, N.y. May 1958


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Dog

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 17 1/2 X 38 1/8 X 6 1/4 IN. (44.2 X 96.8 X 15.7 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2038


Jh Purchased From Matisse Gallery, Pierre, New York 1958


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 59, ill. p. 165. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Bust of Diego

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 23 7/8 X 9 3/4 X 6 3/8 IN. (60.6 X 24.8 X 16.0 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2039


Jh Purchased From Matisse Gallery, Pierre, New York 1958


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 84, p. 202, ill. p. 203. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Bust of Diego on a Stele II

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 65 x 8 3/4 x 7 3/8 in., 57 lb. (165.1 x 22.2 x 18.7 cm, 25.7 kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2040


Jh Purchased From Matisse Gallery, Pierre, New York 1959


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

The Nose

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, iron, and twine, 32 × 28 1/2 × 15 3/8 in. (81.2 × 69.2 × 39 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.132


Jh Purchased From Parke-bernet Galleries, New York 1970


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 34, p. 124, ill. p. 125. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Figure for Landscape

Barbara Hepworth, British, b. Wakefield, England, 1903–1975

Bronze, 106 1/2 x 53 7/8 x 28 3/8 in. (270.5 x 136.8 x 72.1 cm) artist's base: 3 1/2 x 25 1/2 x 26 1/2 in. (8.9 x 64.8 x 67.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2450


Jh Purchased From Artist, St. Ives, Cornwall, Through Gimpel Fils, London 16 June 1965
Gift of JHH, 1966


Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 630, ill.
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. "Barbara Hepworth from the Museum Collection," 23 April - 19 July 1981 (no catalog).


Alley, Ronald. Barbara Hepworth (London: Tate Gallery, 1968), p. 58.
Hammacher, A.M. The Sculpture of Barbara Hepworth (New York: Harry N. Abrams, 1968), p. 207.
Jacobs, Jay. "Collector: Joseph H. Hirshhorn," Art in America 57 (July - August 1969), ill. p. 9.
Hepworth, Barbara. A Pictorial Autobiography (New York and Washington, DC: Praeger, 1970), ill. 304, p. 110.
Jacobs, Jay. "Quality as Well as Quantity: Joseph H. Hirshhorn." The Collector in America (New York: Viking, 1971), color pl. p. 82.
Bowness, Alan. The Sculpture of Barbara Hepworth 1960-69 (New York and Washington, DC: Praeger, 1971), no. 287/2, p. 30.
Merillat, Herbert. Modern Sculpture: The New Old Masters (New York: Dodd, Mead, and Co., 1974) p. 113, ill. 2.
Lerner, Abram et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 702, ill. p. 435.
Valentien, Imke K. 'The Inspiration of the Studio." Museum International 191 (Vol 48, No. 3, 1996) p. 34, ill.
Fletcher, Valerie J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden, 1998) pp. 60, 68, no. 38, ill.

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Eleven A.M.

Edward Hopper, American, b. Nyack, New York, 1882–1967

Oil on canvas, 28 1/8 x 36 1/8 in. (71.3 x 91.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.2504


Frank K. M. Rehn, Inc., New York, to 11 September 1954
Joseph H. Hirshhorn, New York, 11 September 1954-17 May 1966
Gift of the Joseph H. HIrshhorn Foundation, 1966


FRANK K. M. REHN GALLERY, New York. "Recent Works of Edward Hopper," 14 February-5 March 1927.
CARNEGIE INSTITUTE, Pittsburgh. "Twenty-Seventh Annual Internation Exhibition of Paintings," 18 October-9 December 1928, no. 1.
WORCESTER ART MUSEUM, Worcester, Massachusetts. "Exhibition by Eight Contemporary Americans," 8-29 December 1929, no. 13.
WESTERN ASSOCIATON OF ART MUSEUM DIRECTORS TOUR. "Contemporary American Painting," 1932-1933, no. 22.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Edward Hopper, Retrospective Exhibition," 11 February-26 March 1950, no. 17. TOUR: MUSEUM OF FINE ARTS, Boston, 13 April-14 May; DETROIT INTSTITUTE OF ART, 4 June-2 July.
BRANDEIS UNIVERSITY, Waltham, Massachusetts. "Three Collections," 1-17 June 1955, no. 18.
ARTS CLUB OF CHICAGO. "Marsden Hartley, Edward Hopper, Walt Kuhn and John Sloan," 3 May-14 June 1956, no. 19.
NATIONAL GALLERY OF CANADA, Ottawa. "Some American Paintings from the Collection of Joseph H. Hirshhorn," 10-31 January 1957, no. 34. TOUR: MONTREAL MUSEUM OF FINE ARTS, 20-31 March; ART GALLERY OF TORONTO, 12 April-26 May; STRATFORD ARENA, Ontario, 1 July-31 August; WINNIPEG ART GALLERY, Manitoba, 6 October-3 November.
AMERICAN FEDERATION OF ART TOUR. "Ten Modern Masters of American Art," 1959-60, no. 16.
AMERICAN FEDERATION OF ART TOUR. "Paintings from the Joseph H. Hirshhorn Collection: A View of the Protean Century," 1962-65, no. 38, ill. p. 12.
STEPHEN HAHN GALLERY, New York. "Seven Decades: 1895-1965, Crosscurrents in Modern Art," 26 April-21 May 1966, no. 162, ill. p. 94.
IX BIENAL DE ARTE MODERNA, Sao Paulo. "United States Representation," 22 September 1967-8 January 1968, no. 3, ill. p. 11. TOUR: ROSE ART MUSEUM, Brandeis University, Waltham, MA, 24 February-31 March.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Edward Hopper," 16 September-25 January 1981, plate 343.
TERRA MUSEUM OF AMERICAN ART, Evanston, Illinois. "Woman," 21 February-22 April 1984, no. 52, ill.
ROYAL SCOTTISH MUSEUM, Edinburgh, Scotland. "Treasures of the Smithsonian," 11 August-4 November 1984.
HAMBURGERKUNSTHALLE, Hamburg. "Eve and the Future," 11 July-14 September 1986.
MONTREAL MUSEUM OF FINE ARTS. "The 1920's: Age of the Metropolis," 20 June-10 November 1991, cat. no. 614.
THE SMITHSONIAN INSTITUTION. "America's Smithsonian: Celebrating 150 Years," 1996, cat.
TATE MODERN, London. "Edward Hopper Retrospective," 27 May - 5 September 2004. TOUR: MUSEUM LUDWIG, Cologne, Germany, 9 October 2004 - 9 January 2005.
MUSEUM OF FINE ARTS, BOSTON. "Edward Hopper," 6 May-19 August 2007, cat. no. 98, ill. p. 179. TOUR: NATIONAL GALLERY OF ART, Washington, DC, 16 September-21 January 2008; ART INSTITUTE OF CHICAGO, 16 February-11 May.
MUSEO THYSSEN-BORNEMISZA, Madrid. "Hopper," 12 June-16 September 2012, no. 110, color ill. p. 178. TOUR: GALERIES NATIONALES DU GRAND PALAIS, Paris. 10 October 2012-28 January 2013.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


UNSIGNED. [Exhibitions Section], Art News 25/20 (19 February 1927): p. 10.
GOODRICH, LLOYD. "The Paintings of Edward Hopper," The Arts 11/3 (March 1927): p. 136.
DU BOIS, GUY PENE. Edward Hopper (New York: Whiteny Museum of American Art, 1931): p. 32, ill, p. 33.
DU BOIS, GUY PENE. "The American Paintings of Edward Hopper," Creative Art 8/2 (March 1931): p. 100.
BALDINGER, WALLACE SPENCER. "Formal Change in Recent American Paintings," Art Bulletin 29/4 (December 1937): ill. p. 587, p. 589.
WOLF. "Gallery Previews in New York," Pictures on Exhibit 12/5 (FEbruary 1950): p. 17.
SMITH, JACOB GETLAI. "Edward Hopper," American Artist (January 1956): ill. p. 24.
RAYNOR, VIVIEN. "New York Exhibitions: In the Galleries; Paintings from the Hirshhorn Collection" Arts Magazine 37 (December 1962): p. 45.
GENAUER, EMILY. "Impressive--75 Paintings Assembled by Hirshhorn," New York Herald Tribune (31 October 1962): p. 15.
UNSIGNED. "Special Exhibitions: 'A View of the Protean Century,'" Museum of Fine Arts: Boston: Calendar of Events (1964).
DRISCOLL, EDGAR J. "The Art World: Contemporary Exhibit at Boston Museum," The Boston Sunday Globe (13 December 1964): p. A38.
GOODRICH, LLOYD. Edward Hopper (New York: Whitney Museum of American Art, 1964): p. 34.
GOODRICH, LLOYD. Edward Hopper (New York: Harry N. Abrams, Inc., 1971): p. 104.
HUNTER, SAM. American Art of the 20th Century (New York: Harry N. Abrams, 1973): colorplate 296, p. 170.
BAIGELL, MATTHEW. "The Silent Witness of Edward Hopper," Arts Magazine 49/1 (September 1974): p. 30.
GOODRICH, LLOYD. Edward Hopper (New York: Harry N. Abrams, Inc., 1976): p. 69-70, colorplate p. 71.
LEVIN, GAIL. Edward Hopper: The Complete Prints (New York: The Whiteny Museum, 1979): p. 31.
FORGEY, BENJAMIN. "Hopper's America," Portfolio 2/4 (September/October 1980): p. 51.
DUNSTAN, BERNARD. "Looking at Paintings," American Artist (November 1980): p. 64.
BROWN, MILTON with the assistance of Judith Lanius. One Hundred Masterpieces of American Painting from Public Collections in Washington, DC (Washington, DC: Smithsonian Institution Press, 1983): p. 157.
PARK, EDWARDS. Treasures of the Smithsonian (Washington, DC: Smithsonian Books; New York: Trade distribution by Abrams, 1983).
MCCLELLAND, DONALD. "Discoveries in American Art," Studio International 197/1005 (1984): p. 4.
GREGORY, CLIVE ed. The Great Artists: Their Lives, Works and Inspiration, volume 4: The 20th Century (Marshall Cavendish Ltd, 1986).
GARDNER, HELEN. Art Through the Ages, Eight Edition ( San Diego: Harcout Brace Jovanovich, 1986): p. 917.
BATES, SUSAN and ANNE FICKLEN eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987): p. 39.
BARKER, PHYLLIS CLAUSEN. Short Lessons in Art History: 35 Artists and Their Work (Portland, Maine: J. Weston Walch, 1987): colorplate 20.
HOBBS, ROBERT. Edward Hopper (New York: Harry N. Abrams, Inc., 1987): p. 46.
UNIVERSITY DANCE COMPANY. The Power Series: a Gallery of Dances (12-15 March 1987): projection of image during show.
LIESBROCK, HEINZ. Edward Hopper: Vierzig Meisterwerke (Schirmer/Mosel, 1988): ill., plate 5.
GRIFFITH, BILL. "Zippy [Cartoon]," The Washington Post (October 1988).
BECK, HUBERT and RICHTER VERLAG. Edward Hopper (Hamburg, 1992): ill.
CRAVEN, WAYNE. American Art: History and Culture (Brown and Benchmark, 1994): p. 435.
LEVIN, GAIL. Edward Hopper: A Catalogue Raisonne. Volume III: Oils. (New York and London: Whitney Museum of American Art in association with W. W. Norton & Company, 1995): no. O-248, p. 165.
GOLDBERGER, PAUL. "An Attic of Stuff, All Real," New York TImes (14 June 1996): p. C1, C14.
SCHMIED, WIELAND. Edward Hopper: Portraits of America (Munich, New York: Prestel, 1995): colorplate, p. 67.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN: 150 WORKS OF ART. (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; New York: Harry N. Abrams, Inc, 1996): colorplate p. 58, p. 59.
BAKER, KENNETH. "American Trophies," San Francisco Chronicle (31 July 1997): p. C1, C3.
SPRING, JUSTIN. The Essential Edward Hopper (New York: Wonderland Press, Harry N. Abrams, Inc., 1998): color ill. p. 73.
BERKOW, ITA. Edward Hopper: An American Artist (Todtri, 1999): p. 34.
FRYD, VIVIEN GREEN. "Edward Hopper's 'Girlie Show--Who is the Silent Partner?'" American Art 14/2 (Summer 2000): p. 61.
BAIGELL, MATTHEW. Artist and Identity in Twentieth-Century America (Cambridge University Press, 2001): p. 55.
RICHARD, PAUL. "From the Collection: Washington's Prize Possessions," The WAshington Post (7 April 2002): G5.
KNUTSON, ANNE CLASSEN. Andrew Wyeth: Memory & Magic (Atlanta : High Museum of Art ; [Philadelphia] : Philadelphia Museum of Art, in association with Rizzoli, New York, 2005), p. 33, fig. 22.

Hirshhorn Museum and Sculpture Garden Collection, Social Realism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Untitled

Ellsworth Kelly, American, b. Newburgh, New York, 1923–2015

Stainless steel, 78 x 135 1/4 x 129 3/4 in. (198.1 x 343.5 x 329.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1986

Accession Number: 86.5897


Blum Helman Gallery, New York, to 28 October 1986 (#3465)
Museum Purchase, 1986


BLUM HELMAN WAREHOUSE, New York. "Ellsworth Kelly: Sculptures," 3 May-7 June 1986, no. 13, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Plaza installation, 15 October 1986-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1988," 15 March-14 May 1989, unpublished checklist, no. 42.


UNSIGNED. Art in America Annual 1986-1987, ill. back cover (Blum Helman Warehouse installation photo).
UNSIGNED. Hirshhorn Museum and Sculpture Garden, Spring/Summer 1987 Calendar (Washington, DC: Smithsonian Institution, 1987), ill. front cover.
RICHARD, PAUL. "The Display of Daring: Modern Riches in the Hirshhorn's 'Recent Acquisitions,'" Washington Post (15 March 1989), p. B8.
VON ZIEGESAR, PETER. "Ellsworth Kelly," Journal of Art 2/4 (January 1990), p. 3, ill. [interview]
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 58, ill. p. 89.

Hirshhorn Museum and Sculpture Garden Collection, Geometric Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Siren of the Niger

Wifredo Lam, Cuban, b. Sagua la Grande, 1902–1982

Oil and charcoal on canvas, 51 × 38 1/8 in. (129.5 × 96.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.169


Pierre Matisse Gallery, New York, by May 1950
Edwin Bergman Collection, Chicago
Galerie Albert Loeb, Paris, before September 1966-30 August 1967
Joseph H. Hirshhorn, New York, 30 August 1967-6 March 1972
Gift of Joseph H. Hirshhorn, 1972


PIERRE MATISSE GALLERY, New York. "Wifredo Lam," 2-20 May 1950.
PARQUE CENTRAL, Havana. "Wifredo Lam," 2-15 October 1950, no. 12, ill.
MUSEO DE BELLAS ARTES, Caracas. "Exposicion Lam," 8-22 May 1955, no. 29.
KUNSTHALLE, Basel. "Wifredo Lam," 10 September-9 October 1966, no. 42. Tour: KESTNER-GESELLSCHAFT, Hanover, 16 December-15 January 1967; STEDELIJK MUSEUM, Amsterdam, 26 January-12 March; MODERNA MUSEET, Stockholm, 8 April-7 May; PALAIS DE BEAUX-ARTS, Brussels, 18 May-18 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, fig. 551, p. 391, p. 710.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Ibero-American Art: Selections from the Hirshhorn Museum Collection," 8 October-15 November 1981, no. 7.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Crosscurrents of Modernism: Four Latin American Pioneers: Diego Rivera, Joaquin Torres-Garcia, Wifredo Lam, Matta," 11 June-7 September 1992, no. 71, p. 183, ill. p. 210.
MUSEO NACIONAL CENTRO DE ART REINA SOFIA, Madrid. "Wifredo Lam," 29 September-14 December 1992, ill. p. 111. Tour: FUNDACION JOAN MIRO, Barcelona, 21 January-28 March 1993.
MUSEUM OF ART, Fort Lauderdale. "Cuban Artists of the Twentieth Century," 22 October 1993-2 January 1994, ill. p. 12.
NASSAU COUNTY MUSEUM OF ART, Roslyn Harbor, New York. "Latin Viewpoints: Into the Mainstream," 18 August-3 November 1996, ill. p. 76.
HAGGERTY MUSEUM OF ART, Milwaukee. "Wifredo Lam in North America," 11 October 2007-21 January 2008, ill. p. 36; pl. 48, p. 122. Tour: MIAMI ART MUSEUM, 8 February-18 May; MUSEUM OF LATIN AMERICA, Long Beach, California, 12 June-31 August; SALVADOR DALI MUSEUM, St. Petersburg, Florida, 2 October-10 January 2009.
COMPLESSO DEL VITTORIANO, Rome. "Dada into Surrealism," 8 October 2009-7 February 2010.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


ORTIZ, FERNANDO. “WIfredo Lam y su obra vista a traves de significados criticos,” Publicaciones del Ministerio de Educacion (Havana: L’Anana, 1950), ill.
TARNAUD, CLAUDE. “Wifredo Lam et le ‘Bestiare Ambigu’,” XXe Siècle 25, no. 21 (May 1963), p. 38, ill.
LEIRIS, MICHEL. Wifredo Lam (Milan: Fratelli Fabbri, 1970), p. 35, ill. p. 98.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), fig. 551, p. 391, p. 710.
FOUCHET, MAX-POL. Wifredo Lam (Paris: Éditions Cercle d’Art, 1989), n.p.
LAURIN-LAM, LOU. Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I 1923-1960 (Lausanne: Acatos, 1996), no. 50.14, ill. p. 424.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Nude on a Red Background

Fernand Léger, French, b. Argentan, 1881–1955

Oil on canvas, 51 1/4 X 32 IN. (130.1 X 81.4 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972

Accession Number: 72.173

Mme. Marie Cuttoli, Paris (acquired from the artist), by 1929 to at least 1966
Harold Diamond, New York, to 20 November 1968
Joseph H. Hirshhorn, New York, 20 November 1968-6 March 1972
Gift of the Joseph H. Hirshhorn Foundation, 1972


MUSEE NATIONAL D'ART MODERNE, Paris. "Fernand Leger: Exposition Retrospective 1905-1949," 6 October -13 November 1949, no. 35.
MUSEE DES ARTS DECORATIFS, Paris. "Fernand Leger 1881-1955," June-October 1956, no. 63, ill. p. 197. Tour: PALAIS DES BEAUX ARTS, Brussels, October-November 1956. (Collection Mme Cuttoli)
MUSEE NATIONAL D'ART MODERNE, Paris. "Depuis Bonnard," 23 March-5 May 1957, no. 111.
PAVILLON DE VENDOME, Aix-en-Provenance, France. "Collection d'un amateur parisien," 15 July-28 September 1958, no. 21, ill.
GALERIE CHARPENTIER, Paris. "Cent Tableaus des collections privees, de Bonnard a de Stael," May 1960, no. 61, ill.
CHATEAU DES ROHAN, Strasbourg, France. "Picasso et ses amis," June-July 1960, no. 16, ill.
ALTE GALERIE, Kassel, Germany. "Documenta III," 27 June-5 October 1964, part I, no. 14, p. 66.
MUSEE CANTINI, Marseille. "Fernand Leger," June-August 1966, no. 44, ill. (Collection Mme. Cuttoli, Paris).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 396, colorpl.
STAATLICHE KUNSTHALLE, Berlin. "Fernand Leger 1881-1955," 24 October 1980-7 January 1981, cat. no. 54, ill. cover.
ALBRIGHT-KNOX ART GALLERY, Buffalo, New York. "Fernand Leger," 15 January-28 February 1982, no. 43. Tour: MUSEE DES BEAUX-ARTS DE MONTREAL, Canada, 11 March-18 April; DALLAS MUSEUM OF FINE ARTS, 12 May-27 June.
SMITHSONIAN INSTITUTION TRAVELING EXHIBITION SERVICE, Washington, DC. "Treasures of the Smithsonian." Tour: ROYAL SCOTTISH MUSEUM, Edinburgh, Scotland, 11 August-4 November 1984.
CENTRE GEORGES POMPIDOU, Paris. "Fernand Leger," 29 May-29 September 1997, colorpl. p. 167. Tour: MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA, Madrid, Spain, 28 October 1997-12 January 1998, colorpl. p. 117; MUSEUM OF MODERN ART, New York, 11 February-27 May.
THE GETTY VILLA, Malibu, CA. "Modern Antiquity: Picasso, de Chirico, Léger, and Picabia in the Presence of the Antique," 2 November 2011-16 January 2012. Tour: THE MUSEE PICASSO, Antibes, France, 1 February-20 May 2012.


WALDEMAR, GEORGE. Fernand Leger (Paris: Liberairie Gallimard, 1929), ill. p. 37 (as Femme Assise, 1925, coll. Cuttoli).
UNSIGNED. "The Story of a Great Patroness: The Cuttoli Tapestry," Realites 107 (October 1959), p. 64, ill.
DEROUDILLE, RENE. Leger (Paris: Bordas, 1968), colorpl. p. 38.
GOLDING, JOHN and CHRISTOPHER GREEN. Leger and Purist Paris (London: Tate Gallery, 1970), pp. 67, 101, ill. p. 65.
UNSIGNED. Collection Marie Cuttoli Henri Langier Paris (Basel: Beyeler, 1970), ill.
FORGEY, BENJAMIN. "A Bonanza for Smithsonian," Washington Star (Washington, DC: 10 March 1972), sec. E, p. 12, ill.
Golding, John and Green, Christopher. Léger and Purist Paris. London: Tate Gallery, 1970.
Green, Christopher. Léger and the Avant-Garde. New Haven and London: Yale University Press, 1976.
ROBERTSON, NAN. "Hirshhorn Gives Museum 326 Works," New York Times (10 March 1972).
SECREST, MERYLE. "Hirshhorn: Gift to the Nation," Washington Post (10 March 1972), sec. C. p. 1, ill.
FRANKENSTEIN, ALFRED. "Hirshhorn Launches Inaugural Exhibition," San Francisco Chronicle (20 October 1974), ill. p. 29.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 712, colorpl. p. 283.
GREEN, CHRISTOPHER. Leger and the Avant-Garde (New Haven and London: Yale University, 1976), pp. 313-314, ill. p. 213.
BOWEN, LISA BALFOUR. "Major retrospective potent but ponderous," Toronto Star (3 April 1982), ill.
BUCK, Robert, Fry, Edward, and Charlotta Kotik. "Fernand Léger." New York: Abbeville Press and Albright-Knox Art Gallery, 1982.
SMITHSONIAN INSTITUTION TRAVELING EXHIBITION SERVICE. Treasures of the Smithsonian (Washington, DC: Smithsonian Institution Press, 1983), colorpl.
BARNETT, Vivian. "Fernand Léger," in John R. Lane and Susan C. Larsen, eds., Abstract Painting and Sculpture in America, 1927-1944. (Pittsburgh: Museum of Art, Carnegie Institute in association with Harry N. Abrams, New York, 1983): 184-86.
Freeman, Judi. "L'Evénement d' Objectivité Plastique: Léger's Shift from the Mechanical to the Figurative, 1926-1933" in Fernand Léger: The Later Years. London: Whitechapel, 1987.
BRITSCH, RALPH A. and TODD BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, 1985), fig. 15-23, p. 379.
UNSIGNED. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 40.
SEROTA, NICHOLAS and JOANNA SKIPWITH, ed. Fernand Léger: the later years (London: Whitechapel Art Gallery, 1987), ill. pp. 27, 37.
MARTINEZ, BENJAMIN and JACQUELINE BLOCK. Visual Forces (Englewood Cliffs, New Gersey, Prentice-Hall, 1988), fig. C, p. 63.
TURNER, ELIZABETH HUTTON. American Artists in Paris, 1919-1929 (Ann Arbor, Michigan: U.M.I. Research Press, 1989), fig. 33.
BAUQUIER, GEORGES. Fernand Leger, catalogue raisonne, 1925-1928 (Paris: Maeght, 1993), no. 530, colorpl. pp. 236-237.
CHRISTIE'S, New York. Impressionist and Modern Paintings, Drawings and Sculpture, Part I (New York: Christie's, 12 May 1993), catalogue entry of lot. 46 refers to the painting, p. 106.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill.
O'SULLIVAN, MICHAEL. "Here & Now: Art," Washington Post (22 December 1996), ill. p. G3.
UNSIGNED. "Hardcovers in Brief: Hirshhorn Museum and Sculpture Garden: 150 works of Art," Book World (22 December 1996), p. 13.
ZIILCZER, JUDITH. Richard Lindner: paintings and watercolors, 1948-1977 (Washington, DC : Hirshhorn Museum and Sculpture Garden; Munich: Prestel, 1996), fig. 35, p. 84.
SHONE, RICHARD. "Fernand Leger," Artforum (November 1997), colorpl. p. 104.
BENFEY, CHRISTOPHER. "Sex Machines: Fernand Leger and His Women," Slate website, art section (28 February 1998), ill.
FITZGERALD, MICHAEL. "Machine Dreams," Vogue (February 1998), pp. 224-227, 266, ill. p. 227.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Figure

Jacques Lipchitz, American, b. Druskieniki, Lithuania, 1891–1973

Bronze, 85 3/8 × 38 1/2 × 29 1/4 in. (216.8 × 97.7 × 74.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3101


Otto Gerson Gallery, New York, to 27 December 1961
Joseph H. Hirshhorn, New York, 27 December 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 241, ill. p. 101.
LOS ANGELES COUNTY MUSEUM OF ART. "Inaugural Loan Exhibition," April-July 1965.
EXPO '67 MONTREAL. "International Exhibition of Contemporary Sculpture," 28 April-27 October 1967, p. 119, ill. p. 92.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HENRY MOORE INSTITUTE, Leeds, England. "The Sculptors Studio in Britain and France 1900-1950," 20 September 2001-6 June 2002.


UNSIGNED. "The Hirshhorn Approach," Time 80 (5 October 1962), ill. p. 75.
UNSIGNED. "Art Lone Wolf," Newsweek 60 (15 October 1962), ill. p. 110.
RUDIKOFF, SONYA. "New York Letter," Art International 6 (November 1962), p. 62.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 79, p. 296, ill. p. 77.
SWEENEY, JAMES JOHNSON. "A Living Frame for Sculpture," House and Garden 126 (August 1964), ill. p. 113.
UNSIGNED. "A Look into the Future--the Joseph H. Hirshhorn Sculpture Garden," Washington Post (22 May 1966), colorpl. sec. K, p. 1.
HAMILTON, GEORGE HEARD. Painting and Sculpture in Europe: 1880-1940 (Baltimore: Penguin, 1967), pl. 104.
COLTON, JOEL. Great Ages of Man: Twentieth Century (New York: Time-Life Books, 1968), colorpl. p. 46.
BOWNESS, ALAN. Modern European Art (New York: Harcourt Brace Jovanovich, 1972) (Thames & Hudson copyright), p. 82, no. 174, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 714, colorpl. 391.
MERILIAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 104, no. 65, ill.
ALEXANDER, JASON. Why Johnny Can't Run, Swim, Pull, Dig, Slither, etc. (San Francisco: Sitnalta Press, 1978), p. 20, no. 195, ill.
ELSEN, ALBERT E. Modern European Sculpture 1918-1945 (New York: Braziller, 1979), fig. 19, pp. 30-31.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 132.
QUANTRILL, MALCOLM. "London Letter," Art International 22/9 (February 1979), p. 38.
KELLY, JAMES J. The Sculptural Idea, third edition (Minneapolis, Minnesota: Burgess Publishing, 1981), fig. 5, p. 16.
RICHARDSON, DAN, and MARGIE RICHARDSON. Journal of the Center for the Arts (Vero Beach, Florida, 1984), n.p., ill.
BERGMAN, EDWARD F. and TOM L. MCKNIGHT. Introduction to Georgraphy (Englewood Cliffs, NJ: Prentice Hall, 1993), fig. 5-37, p. 164.
WILKINSON, ALAN G. The Sculpture of Jacques Lipchitz (London ; New York: Thames and Hudson, 1996), no. 206, ill. pp. 77, 220.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 31, ill. p. 62.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Young Girl on a Chair

Giacomo Manzu, Italian, b. Bergamo, 1908–1991

Bronze, 45 × 23 3/4 × 43 1/4 in. (114.2 × 60.3 × 109.7 cm) incl. base: 1 7/8 in. (4.8 cm) high

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3290

Jh Purchased From Hanover Gallery, London 1957

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Self-Portrait with Model at Bergamo

Giacomo Manzu, Italian, b. Bergamo, 1908–1991

Bronze, 52 1/4 x 38 5/8 x 10 1/8 in. (132.7 x 98.1 x 25.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3293


The Artist to 1960
World House Galleries, New York, 1960-20 March 1962 (acquired from the Artist)
Joseph H. Hirshhorn, New York, 20 March 1962-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


WORLD HOUSE GALLERIES, New York. "Giacomo Manzu," 5 April-7 May 1960, cover ill.
WORLD HOUSE GALLERIES, New York. "Sculpture: Daumier to Picasso," 20 February-17 March 1962, no. 40.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection" 3 October 1962-6 January 1963, no. 253, ill. p. 133.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 455.


LONGREN, LILLIAN. "Reviews and Previews: Giacomo Manzu," Art News 59 (May 1960), p. 13.
MELLOW, JAMES R. "In the Galleries: Giacomo Manzu," Arts 34 (May 1960), p. 57, ill.
REWALD, JOHN. "Giacomo Manzu" (Greenwich, Connecticut: New York Graphic Society, 1966), p. 75.
GOODE, JAMES M. "Outdoor Sculpture-Washington's Overlooked Monuments," Historic Preservation 25 (January-March 1973), ill. p. 6.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 717, ill. p. 455.
ELSEN, ALBERT E. Modern European Sculpture: unknown beings and other realities (New York: G. Braziller, 1979), fig. 105, pp. 104-105.
UNSIGNED. "Hommage a Manzu," XXe Siecle, no. 58 (January 1984), pp. 52-53. ill.
BOREL, FRANCE. Le Modele ou l'artiste seduit (Geneve: A. Skira, 1990), ill.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), p. 63, ill.
PATERSON, JIM. "Stop and See the Sculpture," Washington Post Weekend (15 August 1997), p. 7.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum in association with Thames and Hudson, 1998), no. 14, p. 47, ill.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Horse and Rider

Marino Marini, Italian, b. Pistoia, 1901–1980

Bronze, 82 1/4 x 47 x 77 3/4 in. (208.8 x 119.2 x 197.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3345

Jh Purchased From Marini, Marino, Milan 1955

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Lunar Bird

Joan Miró, Spanish, b. Barcelona, 1893–1983

Bronze, 89 3/8 X 88 1/2 X 58 1/4 IN. (207.0 X 204.9 X 147.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.204


Pierre Matisse Gallery, New York, to 7 December 1967
Joseph H. Hirshhorn, New York, 7 December 1967-6 March 1972
Gift of Joseph H. Hirshhorn, 1972


PIERRE MATISSE GALLERY, New York. "Miró: Oiseau Solaire, Oiseau Lunaire, Etincelles," November 1967, ill. p. 7; pp. 5-15, 36.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, fig. 854, p. 563; p. 723.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 79, color ill. p. 79; p. 186.


KUH, KATHERINE. "Year-end Notes from a Critic's Diary," Saturday Review 50 (30 December 1967), p. 35.
Reproduction. Pictures on Exhibit (December 1967), cover.
MELLOW, JAMES R. "New York Letter," Art International 12 (January 1968), p. 65, ill.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden: 1968
Annual Report," Smithsonian Year 1968 (Washington, D.C.: Smithsonian Institution, 1969), p. 220, ill. p. 221.
ASHTON, DORE. "Retrospective/Perspective 1961-1974," Arts Magazine 49 (September 1974), p. 39.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), fig. 854, p. 563, p. 723.
JOUFFROY, ALAIN, and JOAN TEIXIDOR. Miró Sculptures rev. ed? (Paris: Maeght Editeur, 1980), no. 56, p. 229.
GOLDSTEIN, ERNEST, et al. Understanding and Creating Art (New York:
Boultinghous & Boultinghous ; Dallas: Garrard Publishing, 1985), fig. 173.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN. Family Guide (Washington, D.C.: Smithsonian Institution, 1996), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the HIrshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 32, p. 63.
GRISWOLD, WILLIAM M. et al. Pierre Matisse and His Artists (New York: Pierpont Morgan Library, 2001), ill. p. 266.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Woman before an Eclipse with her Hair Disheveled by the Wind

Joan Miró, Spanish, b. Barcelona, 1893–1983

Oil on canvas, 95 3/4 × 76 5/8 in. (243.2 × 194.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase with Funds Provided under the Smithsonian Institution Collections Acquisitions Program, 1980

Accession Number: 80.67


Pierre Matisse Gallery, New York, to 5 August 1980
Museum Purchase with Funds Provided under the Smithsonian Institution Collections Acquisitions Program, 1980


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Field for Skyes

Joan Mitchell, American, b. Chicago, Illinois, 1926–1992

Oil on canvas, 110 1/4 × 204 3/4 in. (280 × 520.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Mr. and Mrs. David T. Workman, 1975

Accession Number: 75.20


Galerie Jean Fournier, Paris
Mr. and Mrs. David T. Workman, New York, 1974-1 December 1975
Gift of Mr. and Mrs. David T. Workman, 1975


WHITNEY MUSEUM OF AMERICAN ART, New York. "Joan Mitchell," 26 March-5 May 1974, no. 15; pp. 15, 42.
ARTS CLUB OF CHICAGO. "Joan Mitchell: Recent Paintings," 23 September-9 November 1974, no. 2, colorpl.
HILLES GALLERY, WADSWORTH ATHENEUM, Hartford, Connecticut. "Contemporary Painting and Sculpture," 1 January-15 September 1975.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Acquisitions: 1974-1977," 25 March-24 July 1977, unnumbered checklist.
IVAM CENTRE JULIO GONZALEZ, Valencia, Spain. "Joan Mitchell," 11 September-14 December 1997, colorpl. pp. 58-59; p. 94.
WHITNEY MUSEUM OF AMERICAN ART, New York. "The Paintings of Joan Mitchell," 20 June-29 September 2002, pl. 40; pp. 158-159. Tour: BIRMINGHAM MUSEUM OF ART, Alabama, 27 June-31 August 2003; MODERN ART MUSEUM OF FORT WORTH, 21 September-7 January 2004; DES MOINES ART CENTER, 31 January-25 April.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


KINGSLEY, APRIL. "New York Letter," Art International 18, no. 6 (Summer 1974), ill. p. 43.
RATCLIFF, CARTER. “Joan Mitchell’s Envisionments,” Art in America 62, no. 4 (July/August 1974), p. 35.
WOMEN'S PROGRAM OF THE SMITHSONIAN INSTITUTION. Women Artists: A Checklist of Works in the Hirshhorn Museum and Sculpture Garden Collection (Washington, DC: Smithsonian Institution, 1979), ill.
BERNSTOCK, JUDITH E. Joan Mitchell (Ithaca, NY: Herbert F. Johnson Museum of Art, 1988), ill. p. 113; pp. 112, 114.
HURWITZ, AL and MICHAEL DAY. Children and their Art: Methods for the Elementary School, 6th ed. (Fort Worth, TX: Harcourt Brace & Company, 1995), p. 183.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (Second Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Upright Motive No. 1: Glenkiln Cross

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 131 3/8 × 38 3/8 × 38 in. (333.6 × 97.4 × 96.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3629

Jh Purchased From Gimpel Fils, London 1957

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Draped Reclining Figure

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 40 7/8 × 66 5/8 × 34 1/8 in. (103.8 × 169 × 86.5 cm) incl. base: 1 1/4 in. (3.2 cm) high

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3634


Jh Purchased From Moore, Henry, Much Hadham, England 1956


SMITHSONIAN INSTITUTION, Washington, DC (organizer). "The America's Smithsonian: 150th Anniversary Exhibition," TOUR: Los Angeles, 9 February-7 March 1996; Kansas City, Missouri, 19 April-19 May; New York City, 11 June-24 July; Providence, 16 August-19 September; St. Paul, 11 October-14 November; Houston, 7 December-12 January 1997; Portland, 3 February-9 March; Birmingham, 1 April-11 May; San Jose, 3 June-11 July.


UNSIGNED. "Smithsonian Packs Up Its Show to Hit the Road," New York Times (November 25, 1995), n.p.

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

King and Queen

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 64 3/4 × 59 1/8 × 37 3/8 in. (164.5 × 150 × 94.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3635

Jh Purchased From Valentin Gallery, Curt, New York Dec 07, 1954

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Three-Piece Reclining Figure No. 2: Bridge Prop

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 49 1/2 X 78 7/8 X 51 7/8 IN. (115.2 X 251.5 X 131.7 CM.) INCL. BASE H: 4 3/8 IN. (11.0 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3656

Jh Purchased From Moore, Henry, Much Hadham, England 1965

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Two-Piece Reclining Figure: Points

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 89 3/8 × 147 1/8 × 72 7/8 in. (227 × 373.7 × 185.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1974

Accession Number: 74.1

Jh Purchased From Artist 17 July 1973

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Seated Woman

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 62 x 56 1/4 x 41 3/8 in. (157.5 x 142.9 x 105.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3277

Joseph Hirshhorn purchased from Mr and Mrs. Samuel J. Holtzman, Baltimore 15 October 1977

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Three-Way Piece No. 3: Vertebrae (Working Model)

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 40 3/4 x 93 x 48 in. (103.6 x 236.1 x 122 cm) incl. base

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3278

Joseph Hirshhorn purchased from Mr and Mrs. Samuel J. Holtzman, Baltimore 15 October 1977

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Beach Scene

Malcolm Morley, American, b. Bradford, England,1931

Acrylic on canvas, 110 × 89 7/8 in. (279.4 × 228.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.207


Kornblee Gallery, New York, to 8 May 1969
Joseph H. Hirshhorn, New York, 8 May 1969-6 March 1972
Gift of Joseph H. Hirshhorn, 1972


KORNBLEE GALLERY, New York. "Malcolm Morley," 15 February-6 March 1969.
MILWAUKEE ART CENTER, Wisconsin. "Directions 2: Aspects of a New Realism," 21 June-10 August 1969, no. 34. Tour: CONTEMPORARY ART MUSEUM, Houston, 17 September-19 October; AKRON ART INSTITUTE, 9 November-14 December.
TAMPA MUSEUM, Florida. "Family Time," 4 August-17 October 1984.
MUSEE NATIONAL D'ART MODERNE, CENTRE GEORGES POMPIDOU, Paris. "Les annees Pop," 7 March-18 June 2001.
HAYWARD GALLERY, London. "Malcolm Morley," 15 June-27 August 2001.


[LONSTABLE, ROSELIND. "Style of the Year: The Inhumanists," New Yorker (December 1968): p. 45.
BECK, HEINZE. Pop-Sammlung Beck (Düsseldorf: Rheinland-Verlag, 1970): fig. 87, no. 157.
Advertisement. Kornblee Gallery, New York. Studio International 179 (May 1970): p. iv, ill.
TAMPA MUSEUM. The Tampa Museum News (July/August 1984): ill.
TAMPA MUSEUM. The Tampa Museum 1984-85 School Exhibition Calendar (July/August 1984): ill.
LOFT, KURT. "Images are big, bright and bold," Tampa Tribune (10 August 1984): ill., p. 13
CRANE, JEANETTE. "Cassettes add dimension to Tampa Museum exhibit,"St. Petersburg Independent (6 September 1984): 2B.
UNSIGNED. "Familiar Scene at the Hirshhorn," Daytona Beach News Journal (13 January 1985): ill.
BRITSCH, RALPH A. and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, 1985): fig. 16-38, p. 425
DONAHUE, PHIL. The Human Animal (New York: Simon and Schuster, 1985): ill. p. 305
WILLIAMS, CECIL, DAVID ARMSTRONG, and CLARK MALCOLM. The Negotiable
Environment (Ann Arbor, Michigan: Facility Management Institute, c. 1985): ill.
SAYRE, HENRY M. The Object of Performance: The American Avant-Garde since 1970 (Chicago and London: University of chicago Press, 1989): fig. 13, p. 42.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991): ill. 539, p. 278.
SEITZ, WILLIAM C. compiled and edited by MARLA PRICE. Art in the Age of Aquarius: 1955-1970 (Washington and London: Smithsonian Institution Press, 1992): colorplate 32, unpaginated.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN. Hirshhorn Museum and Sculpture
Garden: 150 Works of Art (New York and Washington, DC: Harry N. Abrams and Smithsonian Institution, 1996): 122-23, colorplate.

Hirshhorn Museum and Sculpture Garden Collection, British Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Geometric Mouse: Variation I, Scale A

Claes Oldenburg, American, b. Stockholm, Sweden, 1929

Aluminum, paint, and steel, 106 1/4 x 143 5/8 x 95 3/8 in. (269.8 x 364.7 x 242.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1975

Accession Number: 75.1


Sotheby Parke-Bernet, Los Angeles, Sale Number 151, 3 February 1975, Lot 61
Museum Purchase, 1975


FOGG ART MUSEUM, Harvard University, Cambridge, Massachusetts. "The Discerning Eye," 9 October-24 November 1974, no. 134, ill. (anonymous lender).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Acquisitions: 1974-1977," 25 March-24 July 1977, unnumbered checklist (exhibited on Museum Plaza).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Animal in Art: Selections from the Hirshhorn Museum Collection," 17 November 1977-15 January 1978, no. 48, ill. p. 7.


FRIEDMAN, MARTIN. Oldenburg: Six Themes (Minneapolis: Walker Art Center, 1975), p. 98.
GOLD, BARBARA. "Hirshhorn Museum Shows How It's Doing," Baltimore Sun (27 March 1977), n.p.
LAWRENCE, SIDNEY. "Three Hirshhorn Acquisitions Reveal Unusual Histories," Smithsonian Torch (May 1977), n.p., ill.
BATES, SUSAN and ANNE FICKLEN eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 40.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson, 1998), no. 55, ill. p. 86.
RICHARD, PAUL. "From the Collection: Washington's Prized Possessions," Washington Post (13 January 2002), n.p., ill.
HOCHDÖRFER, ACHIM, et al. "Claes Oldenburg: The Sixties," (New York: Prestel Publishing, 2012), color ill. p. 198.

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (American), Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


 

Ex Cathedra

Beverly Pepper, American, b. New York CIty, 1922

Stainless steel and paint, 101 1/2 x 90 x 83 in. (257.8 x 228.6 x 210.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.37

FREDERIK MEIJER GARDENS & SCULPTURE PARK, Grand Rapids, Michigan. "Beverly Pepper: Palingenesis 1962-2012," 25 May-26 August 2012, color ill. p. 25.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Holy Mountain III

Horace Pippin, American, b. West Chester, Pennsylvania, 1888–1946

Oil on canvas, 25 1/4 × 30 1/4 in. (64.6 × 76.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4069


Robert Carlen, Philadelphia, 1945 [letter from Horace Pippin to Robert Carlen, 6 August 1945, Robert Carlen Papers, Archives of American Art, microfilm reel no. 4175, frame 87]
Michael Erlichman [listed in unpublished inventory, Robert Carlen Papers, Archives of American Art, Box 6--Miscellaneous Manuscripts]
Robert Carlen, Philadelphia
Joseph H. Hirshhorn, New York, by 1947 [lender to Philadelphia Art Alliance Memorial Exhibition]-May 17, 1966
Gift of Joseph H. Hirshhorn, 1966
Revised jz, 5/23/00


[PENNSYLVANIA ACADEMY OF FINE ARTS, Philadelphia. "One Hundred and Forty-Second Annual Exhibition of Painting and Sculpture," 26 January-2 March 1947, no. 309. The Holy Mountain (lent by Robert Carlen Gallery)--might be Holy Mountain II or Holy Mountain III?]
PHILADELPHIA ART ALLIANCE. "Horace Pippin Memorial Exhibition," 8 April-4 May 1947, no. 45 [lent by Joseph H. Hirshhorn, New York].
NATIONAL GALLERY OF CANADA, Ottawa. "Some American Paintings from the Collection of Joseph H. Hirshhorn," 10-31 January 1957, no. 61, ill. [as "The Holy"]. Tour: MONTREAL MUSEUM OF FINE ARTS, 20-31 March; ART GALLERY OF TORONTO, 12 April-26 May; STRATFORD ARENA, Ontario, 1 July-31 August; WINNIPEG ART GALLERY, Manitoba, 6 October-3 November.
SMITHSONIAN INSTITUTION TRAVELING EXHIBITION SERVICE, Washington, DC. "American Primitive Paintings," June 1958-November 1959, no. 57. Tour: PARRISH ART MUSEUM, Southampton, New York, 28 June-27 July 1958; CENTENARY COLLEGE OF LOUISIANA, Shreveport, 1-22 October; JOHN HERRON ART INSTITUTE, Minneapolis, 4-25 November; GEORGE THOMAS HUNTER GALLERY OF ART, Chattanooga, 9-31 December; BIRMINGHAM MUSEUM OF ART, Alabama, 15 January-8 February 1959; DAVENPORT MUNICIPAL ART GALLERY, Iowa, 22 February-15 March; FINE ARTS GALLERY OF SAN DIEGO, 15 July-19 September; J.B. SPEED ART MUSEUM, Louisville, 8-30 November.
BOWDOIN COLLEGE MUSEUM OF ART, Brunswick, Maine. "The Portrayal of the Negro in American Painting," 15 May-6 -September 1964, no. 74, ill.
CARNEGIE INSTITUTE MUSEUM OF ART, Pittsburgh. "Three Self-Taught Pennsylvania Artists: Hicks, Kane, Pippin," 21 October-4 December 1966, no. 116, ill. Tour: CORCORAN GALLERY OF ART, Washington, DC, 6 January-19 February 1967.
CORCORAN GALLERY OF ART, Washington, DC. "Wilderness," 1 October-14 November 1971, no. 150. (Presented by the National Endowment for the Arts.)
PHILLIPS COLLECTION, Washington, DC. "Paintings by Horace Pippin," 25 February-26 March 1977. Tour: TERRY DINTENFASS GALLERY, New York, 5 April-1 May 1977.
LOS ANGELES COUNTY MUSEUM OF ART. "Black American Artists: 1750-1950," 28 September 1976-21 August 1977. Tour: HIGH MUSEUM, Atlanta; DETROIT INSTITUTE OF ARTS; BROOKLYN MUSEUM OF ART.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Animal in Art: Selections from the Hirshhorn Museum Collection," 17 November 1977-15 January 1978, no. 51.
EVERSON MUSEUM OF ART, Syracuse. "The Animal Kingdom in American Art," 5 February-2 April 1978, no. 50, ill.
STUDIO MUSEUM IN HARLEM, New York. "Ritual and Myth," 20 June-30 November 1982.
MUSEUM OF AFRICAN AMERICAN LIFE AND CULTURE, Bishop College, Dallas. "Six Black Masters of American Art," 12 February-10 April 1983.
TERRA MUSEUM OF AMERICAN ART, Evanston, Illinois. "Two Centuries of American Folk Painting," 10 February-21 April 1985.
CHESTER COUNTY HISTORICAL SOCIETY, Pennsylvania. "Horace Pippin: A Chester County Artist," 30 January-12 June 1988.
PENNSYLVANIA ACADEMY OF FINE ART, Philadelphia. "I Tell My Heart: The Art of Horace Pippin," 24 January-17 April 1994, cat no. 129, color ill. p. 133. Tour: ART INSTITUTE OF CHICAGO, 28 April-10 July; CINCINNATI ART MUSEUM, 28 July-9 October; BALTIMORE MUSEUM OF ART, 26 October-1 January 1995; METROPOLITAN MUSEUM OF ART, New York, 1 February-30 April.
MUSEUM OF AMERICAN FOLK ART, New York. "Millenial Dreams: The Utopian Vision in American Folk Art," 13 November 1999-14 May 2000.
BRANDYWINE RIVER MUSEUM OF ART, Chaddsford, PA. "Horace Pippin: The Way I See It," 25 April - 19 July 2015, no. 67, color ill. front cover, pg. 159.


[Note: Image reproduced with statement, "Horace Pippin Explains His Holy Mountain," Art Digest 19 (April 1, 1945): 44 is NOT Holy Mountain III, but rather Holy Mountain I, formerly in the Collection of Encyclopedia Britannica]
RODMAN, SELDEN. Horace Pippin, A Negro Painter in America (New York: Quadrangle, 1947), no. 84.
SADIK, MARVIN S. "The Negro in American Art," Art in America 52 (June 1964), p. 82, ill.
WALTON, WILLIAM. "A Slice from Another Mellon," Washingtonian 3 (August 1968), colorplate p. 71.
JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), p. 61, colorplate 3.
LIPMAN, JEAN, ed. "Quality as Well as Quantity," in The Collector in America (New York: Viking, 1971), p. 79.
RODMAN, SELDEN and CAROLE CLEAVER. Horace Pippin: The Artist as a Black American (New York: Doubleday, 1971), p. 84, colorplate 7 and back endpaper.
FINE, ELSA HONIG. The Afro-American Artist: A Search for Identity (New York: Holt, Rinehart and Winston, 1973), p. 119, ill. 160.
LERNER, ABRAM, ed. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 734, colorplate 519.
LERNER, ABRAM, et. al. Selected Paintings and Sculpture from the Hirshhorn Museum (New York: Harry N. Abrams, 1974), no. 70.
FORGEY, BENJAMIN. "Horace Pippin's 'Personal Spiritual Journey'," Art News 76 (Summer 1977), p. 75.
BATES, SUSAN and ANNE FICKLEN, eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 40.
SULLIVAN, CHARLES, ed. Children of Promise (New York: Harry N. Abrams, 1991), ill. p. 93.
LYONS, MARY E. Starting Home: The Story of Horace Pippin, Painter (New York: Charles Scribner's Sons, 1993?), ill.
HARTIGAN, LYNDA ROSCOE. "Horace Pippin's American Universe," Antiques 145 (January 1994), ill. p. 181.
MONAHAN, ANNE. "I Tell My Heart, The Art of Horace Pippin," American Art Review 6 (February-March 1994), ill. p. 104.
KING-HAMMOND, LESLIE. "Philadelphia: Horace Pippin, Pennsylvania Academy of the Fine Arts," Artnews (November 1994), p. 162.
UNSIGNED. African Americans Voices of Triumph: Creative Fire (Alexandria, Virginia: Time-Life Books, 1994), color ill. p. 211.

Hirshhorn Museum and Sculpture Garden Collection, Outsider Art, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Sphere No. 6 (Sphere within a Sphere)

Arnaldo Pomodoro, Italian, b. Morciano, 1926

Bronze, 45 × 46 1/2 × 47 5/8 in. (114.2 × 118.1 × 121 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4094

Jh Purchased From Marlborough-Gerson Gallery, New York 1965

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Interview V

George Rickey, American, b. South Bend, Indiana, 1907–2002

Stainless steel, copper and brass on wood base, 23 1/4 X 15 X 4 1/4 IN. (59.0 X 38.0 X 10.8 CM.) ON WOOD BASE 7/8 X 2 3/4 X 2 3/4 IN. (2.0 X 7.0 X 6.8 CM.) WT. 1 LB. (.45 KG)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4248

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Maquette for "Space Churn"

George Rickey, American, b. South Bend, Indiana, 1907–2002

Polychromed stainless steel on wood base, 13 1/4 x 8 5/8 x 4 3/8 in. (33.5 x 21.9 x 11.1 cm) [including base]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4251

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Untitled

Jean-Paul Riopelle, Canadian, b. Montreal, 1923–2002

Oil on canvas, PANEL A: 108 13/16 X 84 7/16 IN. (276.4 X 214.5 CM.) PANEL B: 108 7/16 X 84 1/2 IN. (275.5 X 214.7 CM.) PANEL C: 108 7/16 X 84 7/16 IN. (275.5 X 214.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4268


Jh Purchased From Matisse Gallery, Pierre, New York 1965


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionisn (Intl.), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Iris, Messenger of the Gods

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 32 1/2 x 34 x 14 3/4 in. (82.5 x 86.3 x 37.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4330


[Fiske Warren and Edward Perry Warren, Boston, to 1908]
[Museum of Fine Arts, Boston, 1908-14 May 1953 (accession no. Res.08.4, sold by order of M.F.A. Trustees)]
Curt Valentin Gallery, New York, c. 1953-10 August 1955
Joseph H. Hirshhorn, New York, 10 August 1955-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


[CURT VALENTIN GALLERY, New York. "Auguste Rodin," 4-29 May 1954, no. 23, ill. May not be HMSG cast.]
[CURT VALENTIN GALLERY, New York. "Closing Exhibition," 8 June 1955, no. 167, ill. Possibly HMSG cast.]
DETROIT INSTITUTE OF ARTS. "Sculpture in Our Time: Collected by Joseph H. Hirshhorn," 5 May-23 August 1959, no. 37, p. 22, ill. TOUR: MILWAUKEE ART CENTER, 10 September -11 October; WALKER ART CENTER, Minneapolis, 25 October-6 December; WILLIAM ROCKHILL NELSON GALLERY OF ART, Kansas City, Missouri, 20 December-31 January 1960; MUSEUM OF FINE ARTS, Houston, 1-27 March; LOS ANGELES COUNTY MUSEUM OF HISTORY, SCIENCE, AND ART, 11 April-15 May; M. H. DE YOUNG MEMORIAL MUSEUM, San Francisco, 29 May-10 July; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 24 July-4 September; ART GALLERY OF TORONTO, 30 September-31 October.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 392, p. 228, ill. p. 23.
MARLBOROUGH-GERSON GALLERY, New York. "Artist and Maecenas--A Tribute to Curt Valentin," November-21 December 1963, no. 9, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, ill. 90, p. 72, p. 740.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC, organizer. "The Human Figure Interpreted: Modern Sculpture from the Hirshhorn Museum," 1995, no. 14, pp. 60-62, ill. TOUR: MUSEUM OF MODERN ART, SHIGA, Otsu, Japan, 1 July-6 August; ODAKYU MUSEUM, Tokyo, 9-27 August; IWAKI CITY ART MUSEUM, Iwaki, 23 September-5 November; TAKAMATSU CITY MUSEUM OF ART, Takamatsu, 10 November-10 December.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


COATES, ROBERT M. "The Art Galleries: Paris and Detroit," New Yorker 30 (22 May 1954), p. 80.
SALTMARCHE, KENNETH. "Notes on Special Exhibitions: Sculpture in Our Time," Art Quarterly 22 (Winter 1959), p. 351.
SALTMARCHE, KENNETH. "Sculpture in Our Time," Toronto Art Gallery News and Notes 4 (October 1960), p. 2.
ASHTON, DORE. "New York Report," Das Kunstwerk 16 (October 1962), p. 26.
RAYNOR, VIVIEN. "In the Galleries: The Hirshhorn Collection," Arts Magazine 37 (November 1962), p. 41.
DUITZ, MURRAY. "Museum," Infinity 12 (December 1963), ill. p. 18.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), p. 31, ill. 22.
UNSIGNED. "Range of Hirshhorn Collection," Times (London: 3 July 1964), ill.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1967), p. 105.
LICHT, FRED. Sculpture: 19th and 20th Centuries (Greenwich, Connecticut: New York Graphic Society, 1967), p. 321, ill. 124.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 60, ill. 79.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 740, fig. 90, p. 72.
LYNES, RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian Magazine 5 (December 1974), p. 41, colorpl. p. 39.
TUCKER, WILLIAM. Early Modern Sculpture (New York: Oxford University Press, 1974), p. 35, ill. 24.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 46-2, see other casts, p. 291.
BUTLER, RUTH. Rodin in Perspective (Englewood Cliffs, New Jersey: Prentice-Hall, 1980), pp. 174-189, fig. 18.
SELZ, PETER. Art in Our Times: A Pictorial History, 1890-1980 (New York: Harcourt Brace Jovanovich and Harry N. Abrams, 1981), p. 55, fig. 116.
FINN, DAVID and MARIE BUSCO. Rodin and His Contemporaries (New York: Cross River Press, 1991), p. 84.
BUTLER, RUTH. Rodin: The Shape of Genius (New Haven and London: Yale University Press, 1993), fig. 128, p. 311.
HUNISAK, JOHN M. with essay by RUTH BUTLER. Carvings, Casts & Replicas (Middlebury, Vermont: Middlebury College Museum of Art, 1994), p. 18, fn. 44, p. 28.
COHN, BARBARA. "At Home in France," Washington Artists News 26 (Winter 1997), ill. p. 3.
TOTH, FERENC, ed. Woman: The Art of Gaston Lachaise, 1882-1935 (Budapest: Museum of Fine Arts, 2005), ill. p. 33, p. 41.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

The Burghers of Calais

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 79 3/8 × 80 7/8 × 77 1/8 in. (201.7 × 205.4 × 195.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4340


Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.


PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.


****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Crouching Woman

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 37 1/2 × 27 5/8 × 24 1/4 in. (95.1 × 70.2 × 61.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4342


Musée Rodin, Paris, 1962 (Inventory No. I.489)
Galerie Claude Bernard, Paris, to 28 February 1963
Joseph H. Hirshhorn, New York, 28 February 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


GALERIE CLAUDE BERNARD, Paris. "August Rodin," January-February 1963, no. 14, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June 1981-2 May 1982, no. 281 (as 1908 (?) enlargement from 1880-81 work).


JIANOU, IONEL and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1967), p. 89.
UNSIGNED. "Sculpture: Fresh-Air Fun," Time 90 (8 September 1967), colorpl. p. 75, p. 77.
ARNASON, H. HARVARD. History of Modern Art (New York: Abrams, 1968), p. 60, ill. 78.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 740, ill. 89.
TANCOCK, JOHN L. The Sculpture of Auguste Rodin (Philadelphia Museum of Art, 1976), no. 6, other casts, p. 140.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 1. ill. p. 38, fig. 28, p. 30.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Walking Man

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 84 1/4 × 61 5/8 × 28 7/8 in. (214 × 155.8 × 73.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4343


Musee Rodin, Paris, 1962
Galerie Claude Bernard, Paris, January-4 March 1963*
Joseph H. Hirshhorn, New York, 4 March 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
*This cast was probably commissioned by JHH through Galerie Calude Bernard. See VJF memo of 25 October 1995 in file.


GALERIE CLAUDE BERNARD, Paris. "Auguste Rodin," January 1963, no. 1, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
SMITHSONIAN INSTITUTION, Washington, DC (organizer). "The America's Smithsonian: 150th Anniversary Exhibition," TOUR: Los Angeles, 9 February-7 March 1996; Kansas City, Missouri, 19 April-19 May; New York City, 11 June-24 July; Providence, 16 August-19 September; St. Paul, 11 October-14 November; Houston, 7 December-12 January 1997; Portland, 3 February-9 March; Birmingham, 1 April-11 May; San Jose, 3 June-11 July.


WATT, ALEXANDER. "Rodin Unknown, Homage to Atlan. Paris Commentary," Studio 165/841 (May 1963), 216.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 57, 114, ill. 72.
JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), p. 69, colorpl.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 86.
JACOBS, JAY. "Quality as Well as Quantity: Joseph H. Hirshhorn," Collector in America, ed. by Jean Lipman (New York: Viking, 1971), p. 83, colorpl.
ZANINI, WALTER. Tendencias da escultura moderna (Sao Paolo: Cultrix, 1971), p. 27, no. 5.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 32, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 103, 741, colorpl. 221.
LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), p. 41, colorpl. p. 39.
MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 2-4, 64, ill. 4.
COURTHION, PIERRE. "Le plus grand musee de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 65, no. 65-1, see related works, p. 369.
FENTON, DEBORAH T. Paris and the American Avant-Garde, 1900-1925 (Detroit: Detroit Institute of Arts, 1980), fig. 14, p. 19.
SELZ, PETER. Art in our Times: A Pictorial History 1890-1980 (New York: Harcourt Brace Jovanovich and Harry N. Abrams, 1981), ill. p. 76, no. 167.
FICHNER-RATHUS, LOIS. Understanding Art, second ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1986), p. 133, ill., no. 6-11.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 6-17, ill. p. 134.
LEWIS, RICHARD, and SUSAN I. LEWIS. The Power of Art (New York: Harcourt Brace College Publishers, 1995), no. 7-13, ill. p. 115.
UNSIGNED. "Smithsonian Packs Up Its Show to Hit the Road," New York Times National (25 November 1995).
TRESCOTT, JACQUELINE. "Smithsonian Marks 150th With Biggest Exhibit Ever," Washington Post (14 December 1995), pp. A1, A19.
MOESER, VICKI. "Smithsonian packs travel bags," Torch, no. 96-1 (Washington DC: A Monthly Newspaper for Smithsonian Institution, January 1996), ill.
GOLDBERGER, PAUL. "An Attic Of Stuff, All Real," New York Times (14 June 1996), p. C1, C14.
TANSEY, RICHARD G. and FRED S. KLEINER. Gardner's Art Through The Ages, tenth ed. (New York: Harcourt Brace College Publishers, 1996), no. 26.91, p. 1012.
UNSIGNED. "America's Attic," USA Today (July 1996), ill. p. 26.
BAKER, KENNETH. "America Trophies," San Francisco Chronicle (31 July 1997), p. C1, ill. p. C3.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and
Hudson, 1998), no. 5, ill. p. 42.
TRESCOTT, JACQUELINE. "History Comes Home," Washington Post (12 February 1998), p. E2.
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 1, p. 3. [exhibition brochure]
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Monument to Balzac

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 106 x 43 x 50 3/8 in. (269.2 x 109.2 x 127.9 cm) incl. plinth

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4344


Musée Rodin, Paris, to 2 August 1966 (Inventory No. 2.090)
Joseph H. Hirshhorn, New York, 2 August 1966-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.


SPEAR, ATHENA TACHA. Rodin Sculpture in the Cleveland Museum of Art (Cleveland: Museum of Art, 1967), p. 93.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 104.
GENAUER, EMILY. "Art and the Artist," New York Post (18 May 1974), p. 14.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), section 2.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 59-60, 741, colorpl. 120.
LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), colorpl. p. 37.
MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), pp. 7-8, 63, 112, ill. 1.
COURTHION, PIERRE. "Le plus grand musée de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 72-76-15, see other casts, p. 459.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 16.
MILI, GJON. Photographs and Recollections (Boston: New York Graphic Society, 1980), ill.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (New York: Thames and Hudson in association with the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1998), fig. 2, p. 9, no. 3, ills. p. 40-41.
UNSIGNED. "August Rodin, Balzac," Washington Post (14 May 1998), p. C8.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

The Los Angeles County Museum on Fire

Ed Ruscha, American, b. Omaha, Nebraska, 1937

Oil on canvas, 53 1/2 x 133 1/2 in. (135.9 x 339.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.252


Irving Blum Gallery, Los Angeles, to January 1968
Joseph H. Hirshhorn, New York, January 1968-1972
Gift of Joseph H. Hirshhorn, 1972


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Ed Ruscha," 29 June-17 September 2000, cat. Tour: MUSEUM OF CONTEMPORARY ART, Chicago, 20 November-5 February 2001; MIAMI ART MUSEUM, 22 March-3 June; MODERN ART MUSEUM OF FORT WORTH, 1 July-30 September; MUSEUM OF MODERN ART, Oxford, England, 28 October-13 January 2002.
CENTRE GEORGES POMPIDOU, Paris. "Los Angeles 1955-1985: Birth of an Artistic Capital," 8 March-17 July 2006.
HAYWARD GALLERY, London. "Ed Ruscha: Fifty Years of Painting," 14 October-10 January 2010, cat. ill. p. 103. Tour: HAUS DE KUNST, Munich, 12 February-2 May 2010; MODERNA MUSEET, Stockholm, 29 May-5 September, 2010.
GETTY CENTER, Los Angeles. "Pacific Standard Time: Painting and Sculpture in Los Angeles 1945-1970," 1 October 2011-5 February 2012.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Damage Control: Art and Destruction Since 1950," 24 October 2013-26 May 2014. Tour: MUSEE D'ART MODERNE GRAND-DUC JEAN, Luxembourg, 12 July-12 October; KUNSTHAUS GRAZ, Austria, 14 November-15 February 2015.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


WOLF, SYLVIA. "Ed Ruscha and Photography," (New York: Whitney Museum of American Art and Göttingen, Germany: Steidl Verlag, 2004), pp. 238-239, ill. 275.

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (West Coast), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Voltri XV

David Smith, American, b. Decatur, Indiana, 1906–1965

Steel, 89 7/8 x 77 1/4 x 22 5/8 in. (228.1 x 196.1 x 57.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4643


Marlborough Galleria D'Arte, Rome, to 13 October 1965
Joseph H. Hirshhorn, New York, 13 October 1965-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


FESTIVAL DEI DUE MONDI, Spoleto, Italy. "Sculture nella città," Summer 1962.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 777, ill. p. 525.
THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. "Sculpture from Washington Collections," 4 October 1996-30 September 1997, brochure, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "David Smith: A Centennial," 26 January-14 May 2006. TOUR: CENTRE GEORGES POMPIDOU, Paris, 14 June-11 September.


LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), ill. p. 525.
KRAUSS, ROSALIND. The Sculpture of David Smith: A Catalogue Raisonné (New York: Garland, 1977), no. 572, p. 103; fig. 572.
SILVER, KENNETH E. "The Colossus of Bolton Landing," Art in America (October 2006), ill. 158, p. 153-162, 209-210.
GIMENEZ, CARMEN. David Smith: A Centennial (New York: S. R. Guggenheim Museum, 2006), ill. p. 16.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Pittsburgh Landscape

David Smith, American, b. Decatur, Indiana, 1906–1965

Steel and paint, 30 × 116 1/4 × 5 1/2 in. (76 × 295.2 × 14 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.266

Jh Purchased From Diamond, Harold, New York 1967

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Cubi XII

David Smith, American, b. Decatur, Indiana, 1906–1965

Stainless steel, 109 5/8 × 49 1/4 × 32 1/4 in. (278.5 × 125.1 × 81.9 cm) incl. base: 2 7/8 in. (7.2 cm) high

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972

Accession Number: 72.268

Jh Purchased From Marlborough-gerson Gallery, New York 1968

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


 

Needle Tower

Kenneth Snelson, American, b. Pendleton, Oregon, 1927–2016

Aluminum and stainless steel, 720 x 243 1/2 x 213 3/8 in. (1828.8 x 618.5 x 542 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1974

Accession Number: 74.4

Jh Purchased From Marlborough-gerson Gallery, New York 1968

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


 

1962-D

Clyfford Still, American, b. Grandin, North Dakota, 1904–1980

Oil on canvas, 113 X 147 IN. (286.8 X 373.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the artist, 1969

Accession Number: 69.4


Gift of the artist, New Windsor, MD, 1969


CLYFFORD STILL STUDIO, Westminster, MD. 1962.
INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PENNSYLVANIA, Philadelphia, PA. Clyfford Still, 18 October-29 November 1963, no. 26.
MARLBOROUGH-GERSON GALLERY, New York. Clyfford Still, October-November 1969, no. 39.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


Mizue Magazine: A Monthly Review of Fine Arts no. 726 (Tokyo: August 1965).
Art News (November 1963).

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Image not available.

 

"The Return of the Farther Alive" by Rafael Alberti

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

9 color lithographs on paper in fabric-covered portfolio, Portfolio: 31 x 22 11/16 in. (78.7 x 57.6 cm) SEE INDIVIDUAL RECORDS

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.135.1-9


Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

"The Return of the Farther Alive" by Rafael Alberti

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

Color lithograph on paper, 22 1/8 X 30 IN. (56.1 X 76.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.135.2


Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

"The Return of the Farther Alive" by Rafael Alberti

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

Color lithograph on paper, sheet: 22 1/4 x 30 in. (56.5 x 76.2 cm) image: 16 3/4 x 25 3/4 in. (42.5 x 65.4 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.135.3


Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

"The Return of the Farther Alive" by Rafael Alberti

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

Color lithograph on paper, 22 1/8 X 30 IN. (56.2 X 76.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.135.4


Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

"The Return of the Farther Alive" by Rafael Alberti

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

Color lithograph on paper, 22 1/4 X 30 IN. (56.6 X 76.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.135.5


Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

"The Return of the Farther Alive" by Rafael Alberti

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

Color lithograph on paper, 22 1/8 X 30 IN. (56.1 X 76.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.135.6


Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

"The Return of the Farther Alive" by Rafael Alberti

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

Color lithograph on paper, 22 1/8 X 30 1/8 IN. (56.2 X 76.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.135.7


Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

"The Return of the Farther Alive" by Rafael Alberti

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

Color lithograph on paper, 22 1/8 X 30 1/8 IN. (56.2 X 76.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.135.8


Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

"The Return of the Farther Alive" by Rafael Alberti

Antoni Tàpies, Spanish, b. Barcelona, 1923–2012

Color lithograph on paper, 22 X 29 5/8 IN. (55.8 X 75.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.135.9


Roberto Otero, Palma de Mallorca, Spain, to August 1980
Joseph H. Hirshhorn, New York and Washington D.C., August 1980-4 November 1980
Gift of Joseph H. Hirshhorn, 1980

Hirshhorn Museum and Sculpture Garden Collection, Spanish Informalists, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


 

Angola II

Isaac Witkin, American, b. Johannesburg, South Africa, 1936–2006

Steel, 102 1/2 x 100 x 45 3/8 in. (260.4 x 254 x 115.3 cm) WT (approx, includes pallet): 600lb. (272.2kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.51

WILKIN, Karen. "Isaac Witkin." New York: Hudson Hills Press, 1998, ill. p. 32.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden

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