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Collection Works On View

The Hirshhorn continues to enrich the collection works with significant additions across a diverse range of media, from painting, photography, and mixed-media assemblage to cinema in the round and immersive Light and Space environments.


From Continent to Continent

Mario Merz, Italian, b. Milan, 1925–2003

Steel, glass, neon, clay, metal cables, electrical wire, and transformer, 66 x 135 x 135 in. (167.6 x 342.9 x 342.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1990

Accession Number: 90.6


SteinGladstone Gallery, New York, to 26 April 1990
Joseph H. Hirshhorn Purchase Fund, 1990


STEIN GLADSTONE, New York. "Anselmo, Chamberlain, Fabro, Flavin, Judd, Kounnellis, Long, Merz, Nauman,” 1990, no. 3, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions: 1989-1991," 8 October 1991-5 January 1992, unpublished checklist, no. 41.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


UNSIGNED. "La Chronique des Arts," Gazette des Beaux-Arts, no. 1466 (March 1991), p. 92.
WILSON, JANET. "Heavenly Hodgepodge: At the Hirshhorn, Trotting Out the 'Recent Acquisitions,'" Washington Post (25 October 1991), page B8.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Post-Balzac

Judith Shea, American, b. Philadelphia, Pennsylvania, 1948

Bronze, 98 1/2 × 28 1/2 × 28 1/2 in. (250.3 × 72.9 × 72.9 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1991

Accession Number: 91.20


Max Protetch Gallery, New York, to 1 October 1991
Museum Purchase, 1991


THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. Sculpture from Washington Collections, 4 October 1996-30 September 1997, brochure, ill.

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Subcommittee

Tony Cragg, British, b. Liverpool, England, 1949

Steel, 100 1/2 x 74 1/4 x 64 1/2 in., approx. 6000 lb. (255.3 x 188.6 x 163.8 cm, 2721.6 kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Frederick R. Weisman Art Foundation and Museum Purchase, 1992

Accession Number: 92.10


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.

Hirshhorn Museum and Sculpture Garden Collection, British Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Untitled (Yellow Bed, Two Parts)

Rachel Whiteread, British, b. London, England, 1963

Dental plaster, 66 3/8 x 27 1/4 x 28 in. (168.5 x 69.2 x 71.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1993

Accession Number: 93.17


Luhring Augustine, New York, to 28 October 1993
Museum Purchase, 1993


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Distemper: Dissonant Themes in the Art of the 1990s," 20 June-15 September 1996, no. 39, ill. p. 107.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.
WEXNER CENTER FOR THE ARTS, Columbus, Ohio. "Part Object Part Sculpture," 30 October 2005-26 February 2006, p. 211, ill. p. 213.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Out of the Ordinary," 4 February-27 May 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.

Hirshhorn Museum and Sculpture Garden Collection, British Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


The Drummer

Barry Flanagan, British, b. Prestatyn, Wales, 1941–2009

Bronze, 96 x 68 x 36 in. (243.8 x 172.7 x 91.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest and Purchase Funds, 1995

Accession Number: 95.4


Luhring Augustine, New York, to 28 October 1993
Museum Purchase, 1993


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Distemper: Dissonant Themes in the Art of the 1990s," 20 June-15 September 1996, no. 39, ill. p. 107.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.
WEXNER CENTER FOR THE ARTS, Columbus, Ohio. "Part Object Part Sculpture," 30 October 2005-26 February 2006, p. 211, ill. p. 213.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Out of the Ordinary," 4 February-27 May 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.

Hirshhorn Museum and Sculpture Garden Collection, British Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Last Conversation Piece

Juan Muñoz, Spanish, b. Madrid, 1953–2001

Bronze, 66 1/2 x 244 3/4 x 321 1/8 in. (168.9 x 621.7 x 815.7 cm) as installed

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1995

Accession Number: 95.5


Marian Goodman Gallery, New York, to 13 April 1995
Museum Purchase, 1995


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed on museum plaza, March 1996-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


UNSIGNED. "The Buyers and the Givers of 1995," The Art Newspaper 55 (January 1996), n.p.
UNSIGNED. "Around and About SI," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (May 1996), ill. p. 2.
FLETCHER, VALERIE J. "Juan Muñoz," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 163, color ill p. 162.
HOWELL, GEORGE. "Juan Muñoz: Figurative Metaphors on the Washington Mall," Sculpture 16:1 (January 1997), p. 9, ill. p. 8.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 63, ill. pp. 91, 95.
KERNAN, MICHAEL. "Art Night on the Mall," Smithsonian Magazine [issue?], ill. p. 28.
SEARS, RACHEL. "About Exhibitions: Our Solar System and 'A Place Called Home'," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (October 2001), ill. p. 8.

Hirshhorn Museum and Sculpture Garden Collection, European Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Spatial Concept: Nature (59-60 N18)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 33 1/4 in. (84.5 cm); diameter: 35 3/8 in. (89.9 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.160


Marian Goodman Gallery, New York, to 13 April 1995
Museum Purchase, 1995


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed on museum plaza, March 1996-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


UNSIGNED. "The Buyers and the Givers of 1995," The Art Newspaper 55 (January 1996), n.p.
UNSIGNED. "Around and About SI," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (May 1996), ill. p. 2.
FLETCHER, VALERIE J. "Juan Muñoz," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 163, color ill p. 162.
HOWELL, GEORGE. "Juan Muñoz: Figurative Metaphors on the Washington Mall," Sculpture 16:1 (January 1997), p. 9, ill. p. 8.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 63, ill. pp. 91, 95.
KERNAN, MICHAEL. "Art Night on the Mall," Smithsonian Magazine [issue?], ill. p. 28.
SEARS, RACHEL. "About Exhibitions: Our Solar System and 'A Place Called Home'," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (October 2001), ill. p. 8.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Spatial Concept: Nature (59-60 N29)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 29 in. (73.7 cm); diameter: 35 in. (88.9 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.161


Marian Goodman Gallery, New York, to 13 April 1995
Museum Purchase, 1995


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed on museum plaza, March 1996-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


UNSIGNED. "The Buyers and the Givers of 1995," The Art Newspaper 55 (January 1996), n.p.
UNSIGNED. "Around and About SI," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (May 1996), ill. p. 2.
FLETCHER, VALERIE J. "Juan Muñoz," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 163, color ill p. 162.
HOWELL, GEORGE. "Juan Muñoz: Figurative Metaphors on the Washington Mall," Sculpture 16:1 (January 1997), p. 9, ill. p. 8.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 63, ill. pp. 91, 95.
KERNAN, MICHAEL. "Art Night on the Mall," Smithsonian Magazine [issue?], ill. p. 28.
SEARS, RACHEL. "About Exhibitions: Our Solar System and 'A Place Called Home'," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (October 2001), ill. p. 8.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Spatial Concept: Nature (59-60 N28)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 36 5/8 in. (93 cm); diameter: 37 1/2 in. (95.4 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.162


Marian Goodman Gallery, New York, to 13 April 1995
Museum Purchase, 1995


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed on museum plaza, March 1996-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.


UNSIGNED. "The Buyers and the Givers of 1995," The Art Newspaper 55 (January 1996), n.p.
UNSIGNED. "Around and About SI," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (May 1996), ill. p. 2.
FLETCHER, VALERIE J. "Juan Muñoz," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 163, color ill p. 162.
HOWELL, GEORGE. "Juan Muñoz: Figurative Metaphors on the Washington Mall," Sculpture 16:1 (January 1997), p. 9, ill. p. 8.
SHAW-EAGLE, JOANNA. "'Recent Acquisitions' at the Hirshhorn Paints Broad Sweep," Washington Times (20 July 1997), p. D4.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 63, ill. pp. 91, 95.
KERNAN, MICHAEL. "Art Night on the Mall," Smithsonian Magazine [issue?], ill. p. 28.
SEARS, RACHEL. "About Exhibitions: Our Solar System and 'A Place Called Home'," The Torch: A Monthly Newspaper for Smithsonian Institution Staff (October 2001), ill. p. 8.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Eros, Inside Eros

Arman, American, b. Nice, France, 1928–2005

Bronze, 33 5/8 x 17 1/4 x 20 1/8 in. (85.4 x 43.8 x 51.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest, by Exchange, 1987

Accession Number: 87.10

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1989," 15 March-14 May 1989, unpublished checklist, no. 2.

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Evocation of a Form: Human, Lunar, Spectral

Jean Arp, French, b. Strassburg, Germany, 1886–1966

Bronze, 45 1/2 × 32 3/8 × 33 1/2 in. (115.5 × 82.3 × 85 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.107

JHH Purchased From Castelli Gallery, Leo, New York 12 April 1961

Hirshhorn Museum and Sculpture Garden Collection, Dada/Fluxus, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


The Great Warrior of Montauban

Emile-Antoine Bourdelle, French, b. Montauban, 1861–1929

Bronze, 73 1/4 × 62 × 24 1/8 in. (186 × 157.2 × 61.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.593


World House Galleries, New York, to 16 April 1959
Joseph H. Hirshhorn, New York, 16 April 1959-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


WORLD HOUSE GALLERIES, New York. "Bourdelle," 19 May-29 June 1957, no. 18, cover ill.
UNIVERSITY OF MINNESOTA ART GALLERIES, Minneapolis. "Antoine Bourdelle," 8 November-8 December 1957, no. 2. TOUR: WALKER ART CENTER, 12 January-9 February 1958.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 37, ill. p. 33.


JIANOU, IONEL, and MICHEL DUFET. Bourdelle, trans. Kathleen Muston and Bryan Richardson (Paris: Arted, 1965), p. 77, pl. 7; 2nd edition, 1975, p. 80, no. 161.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 56, ill.
HALE, WILLIAM H. The World of Rodin 1840-1917 (New York; Time Life Books, 1969), p. 175, caption on p. 174.
UNSIGNED. Apollo, vol. 96 (August 1972), p. 102, no. 19, ill. p. 103.
GOODE, JAMES E. "Outdoor Sculpture: Washington's Overlooked Monuments," Historic Preservation (January-March 1973), p. 6, ill.
BUTLER, JOSEPH T. "America: The Hirshhorn Museum and Sculpture Garden Opens in Washington, DC," Connoisseur 187/753 (November 1974), ill. no. 5.
YOUNG, MAHONRI SHARP. "Letter from the U.S.A. : Hirshhorn on the Mall," Apollo 100/153 (November 1974), p. 419.
MUESSIG, RAYMOND H. ed. "Controversial Issues in the Social Studies" (Washington, DC: National Council for the Social Studies, 1975), ill. p. 196.
UNSIGNED. SMITHSONIAN TORCH (December 1978), ill. p. 8.
UNSIGNED. "Care for Outdoor Sculpture," Washington Post (30 June 1994), Washington Home, ill. p. 20.
UNSIGNED. "Gallery Listings," Intowner (May 1996), ill.
FLETCHER, VALERIE J. A Garden for Art (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), no. 4, ill. p. 41.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Fish

Alexander Calder, American, b. Lawnton, Pennsylvania, 1898–1976

Metal, paint, wire, plastic, wood, glass, and ceramic, 16 1/4 x 48 1/8 x 4 1/2 in. (41.3 x 122.2 x 11.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.785


Jh Purchased From Diamond, Harold, New York 1963


SMITHSONIAN AMERICAN ART MUSEUM, Smithsonian Institution, Washington, DC. Grand re-opening exhibition, 1 July 2006-4 July 2007.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.

Hirshhorn Museum and Sculpture Garden Collection, American Abstraction (Mid-Century), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


29 Discs

Alexander Calder, American, b. Lawnton, Pennsylvania, 1898–1976

Sheet metal, paint, and wire, 48 3/8 x 36 in. (122.9 x 91.4 cm) on base

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.52


The artist
Marie Cuttoli, Paris
Harold Diamond, New York, to 16 March 1968
Joseph H. Hirshhorn, New York, 16 March 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972


PALAZZO A VELA, Torino, Italy. "Calder: Mostra Retrospettiva," 2 June-25 September 1983, no. 226, ill. p. 129.
MUSEE NATIONAL D'ART MODERNE, CENTRE GEORGES POMPIDOU, Paris. "Les Années 50," 28 June-17 October 1988, ill.
FUNDACION "LA CAIXA," Barcelona. "Europa de Postguerra 1945-1965: Arte Despues del Diluvio," 12 May-30 July 1995. TOUR: KUNSTLERHAUS, Vienna, 10 September-10 December 1995.
CHILDREN'S MUSEUM OF INDIANAPOLIS. "Calder's Art: A Circus of Creativity," 18 May 1996-5 January 1997.
MUSEUM OF CONTEMPORARY ART, Chicago. "Alexander Calder and Contemporary Art: Form, Balance, Joy," 26 June-17 October 2010.
ART MUSEUM OF THE AMERICAS, Washington, DC. "Constellations: Constructivism, Internationalism and the Inter-American Avant-Garde,” 21 June-15 October 2012.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


LERNER, ABRAM et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 671, ill. p. 422.

Hirshhorn Museum and Sculpture Garden Collection, American Abstraction (Mid-Century), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Vertical Constellation with Yellow Bone

Alexander Calder, American, b. Lawnton, Pennsylvania, 1898–1976

Wood, paint, and wire, 22 5/8 x 28 5/8 x 25 5/8 in. (57.4 x 72.5 x 65 cm.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.55


Jh Purchased From Diamond, Harold, New York 1968


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, American Abstraction (Mid-Century), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Column

Sergio Camargo, Brazilian, b. Rio de Janeiro, 1930–1990

Marble, 60 7/8 x 13 7/16 x 19 11/16 in. (154.7 x 34.2 x 50 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.57


Gimpel Fils, London, to 12 November 1968
Joseph H. Hirshhorn, New York, 12 November 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972


GIMPEL AND HANOVER GALERIE, Zurich. "Camargo," 2 March-3 April 1968, no. 48. Tour: GIMPEL FILS, London, 14 May-8 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
ART MUSEUM OF THE AMERICAS, ORGANIZATION OF AMERICAN STATES, Washington, DC. "From Torres-Garcia to Soto," 26 June-7 October 1992, unnumbered checklist, ill. p. 9.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC [w/support of the Embassy of Italy, Washington, DC]. "Le Onde: Waves of Italian Influence, 1914-1971," 16 September 2015-3 January 2016, color ill. p. 42; p. 80.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Monsoon Drift

Anthony Caro, British, b. New Malden, England, 1924–2013

Steel, 123 1/4 x 207 x 41 in. (312.9 x 525.7 x 104.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1976

Accession Number: 76.94


Gimpel Fils, London, to 12 November 1968
Joseph H. Hirshhorn, New York, 12 November 1968-6 March 1972
Gift of Joseph H. Hirshhorn, 1972


GIMPEL AND HANOVER GALERIE, Zurich. "Camargo," 2 March-3 April 1968, no. 48. Tour: GIMPEL FILS, London, 14 May-8 June.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
ART MUSEUM OF THE AMERICAS, ORGANIZATION OF AMERICAN STATES, Washington, DC. "From Torres-Garcia to Soto," 26 June-7 October 1992, unnumbered checklist, ill. p. 9.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC [w/support of the Embassy of Italy, Washington, DC]. "Le Onde: Waves of Italian Influence, 1914-1971," 16 September 2015-3 January 2016, color ill. p. 42; p. 80.

Hirshhorn Museum and Sculpture Garden Collection, Formalist Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Two Women in the Country

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil, enamel, and charcoal on canvas, 46 1/8 x 40 3/4 in. (117.1 x 103.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1200


Martha Jackson Gallery, New York, by November 1955
Felix Landau Gallery, Los Angeles
Mr. and Mrs. Paul Kantor, Beverly Hills, by June 1957-13 April 1964
Paul Kantor Gallery, Beverly Hills, 13 April 1964
Joseph H. Hirshhorn, New York, 13 April 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


MARTHA JACKSON GALLERY, New York. "Recent Oils by Willem de Kooning," 9 November-3 December 1955, no. 4, unpaginated.
MINNEAPOLIS INSTITUTE OF ARTS. "American Paintings 1945-1957," 18 June-1 September 1957, no. 30 (Paul Kantor, lender)
CONTEMPORARY ARTS MUSEUM, Houston. "The Romantic Agony: From Goya to de Kooning," 23 April-31 May 1959, ill. p. 18
PAUL KANTOR GALLERY, Beverly Hills, California. "Willem de Kooning," 3-29 April 1961, ill, unpaginated.
LOS ANGELES COUNTY MUSEUM OF ART. "Inaugural Loan Exhibition," April-July 1965
FONDATION M. ET A. MAEGHT, St. Paul de Vence, France. "10 Ans d'Art Vivant 1945-1955," 9 April-31 May 1966, cat. no. 87, ill, unpaginated.
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning," 19 September-17 November 1968, cat. no. 55, ill., unpaginated. MUSEUM OF MODERN ART INTERNATIONAL TOUR: TATE GALLERY, London, 8 December 1968-26 January 1969; MUSEUM OF MODERN ART, New York, 3 March-27 April 1969, cat. no, 64, ill. p. 98; ART INSTITUTE OF CHICAGO, 16 May-6 July 1969; LOS ANGELES COUNTY MUSEUM OF ART, 28 July-14 September 1969.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C. "Inaugural Exhibition," 4 October 1974-15 September 1975, plate no. 727, p. 496, pp. 681-82
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Golden Door: Artist-Immigrants of America 1876-1976," 20 May-20 October 1976, cat. no. 111, ill. p. 258.
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Willem de Kooning: Pittsburgh International Series," 26 October 1979-6 January 1980, no. 23.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Willem de Kooning: Drawings, Paintings, Sculpture," 15 December 1983-26 February 1984, cat. no. 197, ill. p. 184. TOUR: AKADEMIE DER KUNSTE, Berlin, 11 March-29 April 1984; MUSEE NATIONAL D'ART MODERNE, CENTRE GEORGES POMPIDOU, Paris, 28 June-24 September 1984, ill. p. 104.
STEDELJIK MUSEUM, Amsterdam. "Painting after 1945," December 1984-April 1985.
NATIONAL GALLERY OF ART, Washington, DC. "Willem de Kooning: Paintings," 8 May 1994-5 September 1994.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 14, p. 201, 216, colorplate 14, p. 77. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.
ZEITGEIST GELLESCHAFT, Berlin. "The Age of Modernism--Art in the 20th Century." MARTIN-GROPIUS-BAU, Berlin, 7 May-27 July 1997.
SOLOMON R. GUGGENHEIM FOUNDATION, New York. "Between Art and Life: From Abstract Expressionism to Pop Art." TOUR: CENTRO CULTURAL FUNDACIO "LA CAIXA," Barcelona, 28 January-28 March 1999; SCHIRN KUNSTHALLE, Frankfurt, Germany, 21 April-4 July, ill. p. 59.
KUNSTFORUM WIEN, Austria. "Willem DeKooning: Retrospective," 13 January-28 March 2005.
SMITHSONIAN AMERICAN ART MUSEUM, Smithsonian Institution, Washington, DC. Grand re-opening exhibition, 1 July 2006-4 July 2007.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


PORTER, FAIRFIELD. "Reviews and Previews: Willem de Kooning," Art News 54 (November 1955): p. 48, colorplate.
ASHTON, DORE. "Art," Arts and Architecture 72 (December 1955): p. 34
ROSENBERG, HAROLD. "Tenth Street: A Geography of Modern Art," Art News Annual 28 (1959): p. 139, colorplate.
MUNRO, ELEANOR C. "Twentieth Century," Golden Encyclopedia of Art (New York: Golden, 1961): p. 258, colorplate
HUNTER, SAM. La Pittura americana del dopoguerra (Milan: Fratelli Fabbri, 1967): colorplate 11
HUNTER, SAM. "Action Painting: La generazione eroica," L'Arte Moderna 13 (1967): p. 47, colorplate
LICHTBLAU, CHARLOTTE. "Willem de Kooning and Barnett Newman," Arts Magazine (March 1969): ill, p. 29
DRUDI, GABRIELLA. Willem de Kooning (Milan: Fratelli Fabbri, 1972): colorplate 91
ROSENBERG, HAROLD. Willem de Kooning (New York: Harry N. Abrams, 1974): ill. plate 120
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974): p. 681, fig. 727 (colorplate)
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974): colorplate no. 13
GARSON, INEZ. Willem de Kooning in the Hirshhorn Museum and Sculpture Garden (New York: Scala, 1974): no. 8
BENDER, TODD, et al. Modernism in Literature (New York: Holt, Rinehart and Winston, 1977): ill.
WALDMAN, DIANE. Willem de Kooning in East Hampton (New York: Solomon R. Guggenheim Museum, 1978): pp. 21-22, ill. p. 22
MEEWIS, WIM. Iconologie van de Action Painting (Brussels: Paleis der Academien, 1983): ill.
UNSIGNED. "De Kooning arrive par les 'femmes,'" Le Point (25 June 1984): ill.
UNSIGNED. "Le geste du peintre," Les Nouvelles (28 June 1984): ill.
UNSIGNED. "De Kooning," Galeries des Arts no. 224 (July/August 1984): ill.
BAYON, DAMIAN. "de Kooning, perturbador involuntario," El Pais (18 August 1984): ill.
MICHA, RENE. "Willem de Kooning," Art International 27 (September-November 1984): p. 51, ill.
PRADEL, JEAN-LOUIS. World Art Trends 1983/84 (New York: Harry N. Abrams, 1984): p. 149, ill. (Note: review of retrospective at Whitney Museum of American Art, 1983-84.)
ROSENFELD, LUCY DAVIDSON. What's in a Painting? (Portland, Maine: J. Weston Walch, 1986): section 6, p. 51, plate 65
HOBHOUSE, JANET. The Bride Stripped Bare: The Artist and the Nude in the Twentieth Century (London: Jonathan Cape, 1987): no. 217, ill.
WALDMAN, DIANE. Willem de Kooning (New York: Harry N. Abrams with the National Museum of American Art, 1988): no. 87
GIBSON, ERIC. " De Kooning exhibit offers unexpected insights," Metropolitan Times (8 November 1993): C17.
ZILCZER, JUDITH. "Willem de Kooning: from the Hirshhorn Collection," American Art Review 5/5 (Fall 1993): p. 105.
SMITH, ROBERTA. "De Kooning's 90th Birthday Nears, and Hirshhorn Leads the Tribute," New York Times (14 December 1993): p. C20.
CATEFORIS, DAVID. "Willem de Kooning," Art Journal 53/4 (Winter 1994): p. 86.
ZILCZER, JUDITH. "Willem de Kooning," El Guia. Art de l'arc mediterraneen (February 1994): p. 19, 20.
SANTOS-TORROELLA, RAFAEL. "Willem de Kooning: en persona," ABC de las artes (February 1994): p. 30.
UNSIGNED. "De Kooning, una pincelada valiente," Architectural Digest no. 55 (February-March 1994): pp. 24, 25.
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994): p. 3.
ANFAM, DAVID. "Washington and Barcelona: Willem de Kooning," Burlington Magazine (April 1994): p. 69, 70.
FOX, CATHERINE. "A Closer Look at Willem de Kooning," The Atlanta Journal (13 September 1994): p. C12.
JINKNER-LLOYD, AMY. "The Endurance of Beauty," Creative Loafing (17 September 1994): p. 29.
FOX, CATHERINE. " De Kooning: at the High: His is legacy of abstraction," The Atlanta Journal (25 September 1994), p. N3.
SHUTER, MARTY. "Abstract Expressionism," Savannah News/Press (9 October 1994): p. 1F, 2F.
UNSIGNED. "De Kooning's daring journey into artistic chaos-and back again," Cape Cod Times (24 December 1994): p. C1.
SHERMAN, MARY. "MFA show brushes by greatness of de Kooning," Boston Herald (8 January 1995): pp. 49. 57.
UNSIGNED. "Willem de Kooning from the Hirshhorn Museum Collection," MFA Houston Calendar (1995): p. 9-10.
JOHNSON, PATRICIA. "Willem de Kooning: abstract women and master strokes define MFA exhibit," Houston Chronicle (18 March 1995): p. 1C, 8C.
KALIL, SUSIE. "Defining De Kooning," Houston Press (20-26 April 1995): p. 4.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN. Hirshhorn Museum and Scultpure Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), pp. 90-91.
SOTHEBY'S NEW YORK. Contemporary Art, Part I; Auction: Wednesday, May 8, 1996 at 7pm (New York, Sotheby's, 1996).
ZILCZER, JUDITH. "Artist and Patron," Journal of the History of Collections 8/1 (1996): p. 124.
THE AGE OF MODERNISM: ART IN THE 20TH CENTURY. Edited by Christos M. Joachimides and Norman Rosenthal. (Berlin : Zeitgeist-Gesellschaft e.V. ; Ostfildern-Ruit [Germany] : G. Hatje ; New York, N.Y. : Distributed in the US by DAP, Distributed Art Publishers, c1997): no. 65.
YARD, SALLY. Willem de Kooning (New York: Rizzoli International Publications, Inc, 1997): plate no. 46, p. 62.
CHRISTIE'S NEW YORK. Contemporary Art: From the Collection of irwin and Bethea Green, Tuesday, 18 November 1997 (New York: Christie's, 1997): p. 41.
MORRIS, CATHERINE. The Essential Willem de Kooning (The Wonderland Press, 1999): p. 63.
STEINBERG, LEO. Encounters with Rauschenberg (A Lavishly Illustrated Lecture) (Houston: The Menil Collection; Chicago and London: The University of Chicago Press, 2000): fig. 2, p. 3.
HARRISON, HELEN AND CONSTANCE AYERS DENNE. Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach (San Francisco: Chronicle Books, 2002): p. 81.
UNSIGNED. Xerox copy of catalogue/book written in Japanese (?) (unknown publisher and date): p. 309.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Head No. 4

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Bronze, 10 1/2 x 9 1/2 x 11 1/2 in. (26.76 x 24.1 x 29.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1340


Joseph H. Hirshhorn, New York, 5 October 1977-31 August 1981 (gift of the artist)
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, no. 48, p. 145. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April; HIGH MUSEUM OF ART, Atlanta, 13 September-27 November; MUSEUM OF FINE ARTS, Boston, 10 December-19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March-28 May.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Clamdigger

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Bronze, 59 1/2 x 29 5/8 x 23 3/4 in. (151.1 x 75.2 x 60.3 cm) on artist's base, height: 2 1/2 in. (6.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.1363


Xavier Fourcade Gallery, New York, to 27 October 1976
Joseph H. Hirshhorn, New York, 27 October 1976-31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981


GREENWICH ARTS COUNCIL, Connecticut. "Sculpture 76," to 29 October 1976.
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning: Sculptures, lithographies, peintures," cat. no. sc 15, ill. p. 5. TOUR: CABINET DES ESTAMPES, MUSEE D'ART ET D'HISTOIRE, Geneva, 17 March-24 April 1977; MUSEE DE PEINTURE ET DE SCULPTURE, Grnoble, 23 June-20 September 1977.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Selections from the Joseph H. Hirshhorn Bequest," 7 August-16 November 1986, no. 32 (unpublished checklist).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, no. 45, p. 141. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April; HIGH MUSEUM OF ART, Atlanta, 13 September-27 November; MUSEUM OF FINE ARTS, Boston, 10 December-19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March-28 May.
MATTHEW MARKS GALLERY, New York. "Willem de Kooning: Sculpture," 1996, ill. checklist, no. 17, p. 56.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


UNSIGNED. "Willem de Kooning: Hirshhorn Museum," Journal of the Print World (fall 1993).
UNSIGNED. Panorama (November 1993).
CARNEGIE, MD. "Insides Out," Washington City Paper (10 December 1993): p. 52.
ZILCZER, JUDITH. "L'artiste et le mecene: l'origine de la formation de la collection de Kooning du Hirshhorn Museum," El Guia (February 1994).
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994): p. 9.
UNSIGNED. Art (April 1994): p. 28.
SPRECHER, MARY. "An abstract look at Kooning," Southern Flair (September 1994).
UNSIGNED. "De Kooning Retrospective honors Artist's Birthday," Antiques and the Arts Weekly (4 November 1994): p. 99.
UNSIGNED. "Willem de Kooning at the Museum of Fine Arts, Boston," Journal of the Print World (Winter 1995).
CHADWICK, SUSAN. "Willem de Kooning: MFA show not as abstract as artist's vision," The Houston Post (23 March 1995): D1, D8.
KUTNER, JANET. "Canvassing de Kooning's lifetime of art," The Dallas Morning News (9 April 1995): 1C, 8C.
ZILCZER, JUDTIH. "Artist and patron: the formation of the Hirshhorn Museum's Willem de Kooning collection," Journal of the History of Collections 8/1 (1996): p. 117-125.
RICHARD, PAUL. "A Life's Strong Currents," Washington Post (20 March 1997): p. B1, B4.
BARNES, BART. "Abstract Expressionist Willem de Kooning Dies," Washington Post (20 March 1997): A1.
PATERSON, JIM. "Stop and See the Sculpture," The Washington Post Weekend (15 August 1997): p. 6.
FLETCHER, VALERIE J.. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Smithsonian Institute, 1998): p. 58.
MORRIS, CATHERINE. The Essential Willem de Kooning (Wonderland Press, 1999): p. 96.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Woman/Verso: Untitled

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

A: Oil and enamel on fiberboard B: Oil and enamel on fiberboard, 53 5/8 x 44 5/8 in. (136.1 x 113.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.1197.A-B


The artist, New York, from 1948
Harold Diamond, New York, from 1948-1 November 1962
Joseph H. Hirshhorn, New York, 1 November 1962-17 May 1966
Gift of the Joseph H. Hirshhorn Foundation, 1966


FINE ARTS GALLERY, Indiana University Art Museum, Bloomington. "American Painting 1910-1960," 19 April-10 May 1964, no. 15, ill.
[INSTITUTE OF CONTEMPORARY ART, University of Pennsylvania, Philadelphia. "The Decisive Years: 1943-1953," 14 January-11 March 1965.]
MARLBOROUGH-GERSON GALLERY, New York. "International Expressionism Part I," April-May 1968, no. 9, ill.
MUSEUM OF MODERN ART, New York. "Willem de Kooning," no. 24, ill. TOUR: STEDELIJK MUSEUM, Amsterdam, 19 September-17 November 1968; TATE GALLERY, London, 8 December-26 January 1969; MUSEUM OF MODERN ART, New York, 3 March-27 April, no. 116, ill. p. 61; ART INSTITUTE OF CHICAGO, 17 May-6 July; LOS ANGELES COUNTY MUSEUM OF ART, 28 July-14 September.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, SMITHSONIAN INSTITUTION, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, pl. 532, p. 383, p. 681 (recto and verso).
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Willem de Kooning: Pittsburgh International Series," 26 October 1979-6 January 1980, no. 11, p. 42.
RHEINHALLEN MESSEGELÄNDE, Cologne. "Westkunst-Eine Ausstellung," 30 May-16 August 1981, no. 418 and 418a, ill. p. 404.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Willem de Kooning: Drawings, Paintings, Sculpture," 15 December 1983-26 February 1984, no. 168, ill. p. 165. Tour: AKADEMIE DER KUNSTE, Berlin, 11 March-29 April; MUSEE NATIONAL D'ART MODERNE, CENTRE GEORGES POMPIDOU, Paris, 28 June-24 September, ill. p. 78.
PACE GALLERY, New York. "Willem de Kooning and Jean Dubuffet: The Women," 30 November 1990-5 January 1991, plate 6.
NATIONAL GALLERY OF ART, Washington, DC. "Willem de Kooning: Paintings," 8 May-5 September 1994, no. 22, pp. 121, 54, 97, 104.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, no. 6, pp. 199, 216; colorpl. 6, pp. 66-67. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, 13 September-27 November; MUSEUM OF FINE ARTS, Boston, 10 December-19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March-28 May.
CHRISTIE'S, New York. Sale, "Contemporary Art from the Boris Leavitt Collection," 20 November 1996, lot no. 7, pp. 28-33.
MUSEUM OF MODERN ART, New York. "de Kooning: A Retrospective," 18 September 2011-9 January 2012, fig. 1 (color), p. 197; colorplate 62, p. 198; fig. 2 (color), p. 199; p. 201; figs. 1-3 (color), pp. 205-207.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


ROSE, BARBARA. American Art Since 1900 (New York: Praeger, 1967), p. 184, ill. 6-33.
DRUDI, GABRIELLA. Willem de Kooning (Milan: Fratelli Fabbri, 1972), ill. 46.
ROSENBERG, HAROLD. Willem de Kooning (New York: Harry N. Abrams, 1973), plate 61.
LARSON, PHILIP and PETER SCHJELDAHL. "De Kooning's Drawings," in De Kooning: Drawings/Sculptures (New York: Dutton, 1974), ill. 14.
GARSON, INEZ. "Willem de Kooning at the Hirshhorn Museum and Sculpture Garden (New York: Scala, 1974), no. 6.
CARMEAN, E.A., JR., "Willem de Kooning: The Women," in American Art at Mid-Century: The Subjects of the Artist by E.A. Carmean, Jr. and Eliza E. Rathbone with Thomas B. Hess (Washington, DC: National Gallery of Art, 1978), pp. 159-160, fig. 5.
WALDMAN, DIANE. Willem de Kooning in East Hampton (New York: The Solomon R. Guggenheim Museum, 1978), p. 132, ill.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 109.
YARD, SALLY E. "Willem de Kooning: The First Twenty-six Years in New York--1927-1952," unpublished Ph.D. dissertation (Princeton University, 1980), p. 180, fig. 249.
SOLLERS, PHILIPPE. De Kooning, Vite II (Paris: Editions de la Difference, 1987), no. 14, ill.
HOBHOUSE, JANET. The Bride Stripped Bare: The Artist and the Nude in the Twentieth Century (London: Jonathan Cape, 1987), no. 216, ill. p. 242.
WALDMAN, DIANE. Willem de Kooning (New York: Harry N. Abrams with the National Museum of American Art, 1988), no. 61.
ATHEREN, ROBERT G. and MEDIA PROJECTS, INC. American Heritage Illustrated History of the United States, vol. 16: Decades of Cold War (New York: Choice, 1988), ill. p. 1368 [verso mistakenly illustrated].
LANDAU, ELLEN G. Jackson Pollock (New York: Harry N. Abrams, 1989), p. 276, ill. p. 216.
MATHIEU, GEORGES. "Erklärung an die amerikanischen Avantgarde-Künstler," in Westkunst Zeitgenossische Kunst seit 1939 (Koln: DuMont Buchverlag): p. 121.
UNSIGNED. Advertisement for Willem de Kooning: from the Hirshhorn Museum Collection, Art Journal 52/4, (Winter 1993).
UNSIGNED. "Barcelona acogera la obra de Willem de Kooning," Navarra hoy (22 October 1993).
ZILCZER, JUDITH. "Willem de Kooning from the Hirshhorn Museum Collection." [exhibition brochure] (Washington DC: Hirshhorn Museum and Sculpture Garden, 1993).
GUAY, HERVE. "Willem de Kooning ou l'art dans sa totalite," Le Devoir (27-28 November 1993): p. C12.
UNSIGNED. Notable New Books from Rizzoli, The New Criterion (December 1993).
LELYVELD, NITA. "Exhibition Marks Artist's 90th Year," [unknown source] (7 December 1993) B6.
CARNEGIE, M.D. "Insides Out," Washington City Paper (10 December 1993): p. 52.
CATEFORIS, DAVID. "Willem de Kooning," Art Journal 53/4 (Winter 1993): 86-89.
SANTOS-TORROELLA, RAFAEL. "De Kooning, en persona," ABC de las artes, p. 32.
ZILCZER, JUDITH. "Willem de Kooning," El Guia 7 (February 1994): p. 19.
UNSIGNED. "Willem de Kooning: Collecio Hirshhorn Museum, Washington, DC," (Barcelona: Centre Cultural de la Fundació "La Caixa," 1994), [page unknown].
UNSIGNED. "Willem de Kooning, una figura clave del expressionismo abstracto," Panorama (February 1994), [page unknown].
SPIEGEL, OLGA. "Barcelona acoge la primera exposicion en Espana de Willem de Kooning," La Vanguardia (13 February 1994), p. 37.
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994), p. 3.
UNSIGNED. "El crepuscle dels tabus," El Temps (8 March 1994).
BARNATAN, MARCOS RICARDO. "A Brochazos: El holandes Willem de Kooning y sus cincuenta expresiones americanas," El Mundo (13 March 1994), p. 50.
COMBALIA, VICTORIA. "Vibrante De Kooning," El Pais (14 March 1994), p. 36.
MIRALEET, EDUARDO. "Esposiciones en Barcelona," La Bricha (8-17 April 1994), p. 7.
ANFAM, DAVID. "Washington and Barcelona: Willem de Kooning," Burlington Magazine (April 1994), pp. 69-70.
SCHIFF, BENNETT. "For de Kooning, Painting Has Been a Way of Living," Smithsonian 25/1 (April 1994), pp. 108-119.
DIXON, GLENN. "Art for Arts Sake," Washington City Paper (27 May 1994), p. 34.
UNSIGNED (R.B.). "De Kooning at Ninety," Art Newspaper 38 (May 1994), p. 8.
UNSIGNED. "Museum and Dealer Catalogues," Drawing 16/1 (May/June 1994), p. 17.
PAGNUCCO, LORELLA. "Fundacio 'la Caixa,'" Arte In (1994?), p. 40.
UNSIGNED. "Fundacio 'la Caixa,'" Epoca (1994?), p. 77.
UNSIGNED. "Fundacio 'la Caixa,'" La Vanguarduia Magazine (1994?), p. 63.
UNSIGNED. High Museum of Art: Calendar of Events (September 1994).
UNSIGNED. "De Kooning: A Retrospective in Atlanta," Ledger-Enquirer (2 September 1994), pp. B1, B3.
FOX, CATHERINE. "A Closer Look at Willem de Kooning," The Atlanta Journal (13 September 1994), p. C12.
JINKNER-LLOYD, AMY. "The Endurance of Beauty," Creative Loafing (17 September 1994), p. 29.
UNSIGNED. "Museums & Galleries: Power-packed de Kooning. Revered Ida Kohlmeyer. 'Local Sex, Love and Death' at Nexus," Atlanta (September 1994), p. 52.
UNSIGNED. "Willem de Kooning from the Hirshhorn Museum Collection," MFA exhibition announcement (1994).
SCHUTER, MARTY. "Abstract Expressionism," Savannah News/Press (9 October 1994), pp. 1F, 2F.
TEMIN, CHRISTINE. "Rediscovering de Kooning," The Boston Globe (9 December 1994), pp. 49, 59.
SHERMAN, MARY. "Women Dominate de Kooning show," The Boston Tab (3-9 January 1995?).
FINK, JOANNA. Review: Willem de Kooning from the Hirshhorn Collection by Judith Zilczer, Art New England (December 1994-January 1995), pp. 9-10.
KUTNER, JANET. "Canvassing de Kooning's Lifetime of Art," The Dallas Morning News (9 April 1995), pp. 1C, 8C.
SYLVESTER, DAVID. "The Birth of 'Woman I,'" Burlington Magazine 137 (April 1995), pp. 220-232.
JOHNSON, PATRICIA. "Willem de Kooning: Abstract Women and Master Strokes Define MFA exhibit," Houston Chronicle (18 March 1995), pp. 1C, 8C.
ZILCZER, JUDITH. "Artist and Patron: The Formation of the Hirshhorn Museum's Willem de Kooning Collection," Journal of the History of Collections 8/1 (1996), pp. 117-125.
VOGEL, CAROL. "Inside Art," New York Times (4 October 1996), p. C.
UNSIGNED. "Abstract Expressionism: An American Revolution?," MFA Calendar (1997), p. 4.
ZILCZER, JUDITH K. "Willem de Kooning," in Hirshhorn Museum and Sculpture Garden: 150 Works of Art (New York: Harry N. Abrams, 1996), p. 79.
RICHARD, PAUL. "A Life's Strong Currents," Washington Post (20 March 1997), pp. B1, B4.
YARD, SALLY. Willem de Kooning (New York: Rizzoli International Publications, 1997), pp. 42, 45, 127.
GIBSON, ANN. Abstract Expressionism (New Haven: Yale University Press, 1997), p. 134.
TSUJIMOTO, KAREN AND JACQUELYNN BAAS. The Art of Joan Brown (Berkeley: University of California Press, 1998), p. 55.
MORRIS, CATHERINE. The Essential Willem de Kooning (Colorado Springs: Wonderland Press, 1999), p. 65.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Spirit of Tarnish

Jean Dubuffet, French, b. Le Havre, 1901–1985

Metal foil, papier mache, and nails, 15 1/8 x 5 7/8 x 4 1/4 in. (38.4 x 14.9 x 10.8 cm) on plexiglass base: 3 3/4 x 6 1/8 x 4 1/2 in. (9.5 x 15.4 x 11.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1456


Jh Purchased From Gimpel & Hanover Galerie, Zurich 1963


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Oberon

Jean Dubuffet, French, b. Le Havre, 1901–1985

Papier-mache with glue, mica, and wood chips, 34 x 15 1/2 x 13 in. (86.4 x 39.4 x 33 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1458


Jh Purchased From Cordier & Ekstrom, New York 1964


CENTRE GEORGES POMPIDOU, Paris. "Jean Dubuffet," 12 September-31 December 2001.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


ELLEGOOD, ANNE and JOANNA BURTON. The Uncertainty of Objects and Ideas: Recent Sculpture (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006), ill. p. 80.

Hirshhorn Museum and Sculpture Garden Collection, Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


The Mournful One

Jean Dubuffet, French, b. Le Havre, 1901–1985

Papier mache, 18 13/16 x 6 3/4 x 4 3/4 in. (47.8 x 17.2 x 12.1 cm) BASE: 3 3/4 x 4 x 4 1/4 in. (9.5 x 10.2 x 10.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1459

Jh Purchased From Parke-bernet Galleries, New York 1964

Hirshhorn Museum and Sculpture Garden Collection, Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Limbour as a Crustacean

Jean Dubuffet, French, b. Le Havre, 1901–1985

Oil and sand on canvas, 45 3/4 X 35 IN. (116.0 X 88.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972

Accession Number: 72.100


Pierre Matisse Gallery, New York to 10 June 1958 (acquired from the Artist)
Joseph H. Hirshhorn, New York, 10 June 1958-1972
Gift of the Joseph H. Hirshhorn Foundation, 1972


GALERIE RENE DOURIN, Paris. "Portraits a ressemblance extraite, a ressemblance cuite et confite dans la memoire, a ressemblance eclatee dans la memoire de M. Jean Dubuffet, peintre," 7-31 October 1947, no. 14.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
FONDATION BEYELER, Basel, Switzerland. "Face to Face to Cyberspace," 30 May-12 September 1999. no. 26, ill. p. 39.
CENTRE GEORGES POMPIDOU, Paris, France. "Jean Dubuffet" 12 September 2001 - 31 December 2001.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


LORREAU, MAX. Catalogue des travaux de Jean Dubuffet, fascicule 3, Paris, Jean-Jacques Pauvert, 1966, no. 95, ill. p. 69.
LERNER, ABRAM, ed. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 686, fig. 594.
DI MAZZIO, PAUL J. "Book Reviews," Arts in Academe/Arts in Society 12, no. 3 (Fall-Winter 1975), p. 378, ill.
LUCIE-SMITH, EDWARD, SAM HUNTER, and ADOLF MAX VOGT. Kunst der Gegenwart. Propylaen Kunstgeschichte-Supplementbande II (Berlin: Propylaen Verlag, 1978), no. 29a, p. 144, ill.
FRANZKE, ANDREAS. Dubuffet (Koln: DuMont Buchverlag, 1990), ill. 23, p. 96.
DEMETRION, JAMES, et al. Jean Dubuffet 1943-1963: Paintings, Sculptures, and Assemblage (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Smithsonian Institution Press, 1993), pp. 20-33.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works or Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), p. 70, ill. p. 71.
BENEZRA, NEAL and OLGA M. VISO with ARTHUR C. DANTO (essay). Regarding Beauty: A View of the Late Twentieth Century (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; Ostfildern, Germany: Cantz, 1999), fig. 16, p. 29.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Spatial Concept: Expectations

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Oil on canvas, 38 1/4 x 51 1/4 in. (97.1 x 130.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1924

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Spatial Concept: Nature (59-60 N33)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 33 3/4 in. (85.7 cm); diameter: 41 1/4 in. (104.7 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.21

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Painted on 21st Street

Helen Frankenthaler, American, b. New York City, 1928–2011

Oil, sand, plaster of paris, and coffee grounds on sized and primed canvas, 69 1/8 x 97 in. (175.6 x 246.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1980

Accession Number: 80.153


The artist, New York, 1951-13 November 1980
Museum Purchase, 1980


TIBOR DE NAGY GALLERY, New York. "Helen Frankenthaler," 12 November-3 December 1951.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Fifties: Aspects of Painting in New York," 22 May-21 September 1980.
THE WHITE HOUSE, Washington, DC. Extended loan to President and Mrs. Bush for display in the residence, August 2001-December 2008.
GAGOSIAN GALLERY, New York. “Helen Frankenthaler,” March-April 2013 [exact dates TBD].


[HOLLIDAY, BETTY]. "Reviews and Previews: Helen Frankenthaler," Art News, vol. 50 (November 1951), p. 48.
[BRACH, PAUL]. "Fifty-Seventh Street in Review: Helen Frankenthaler," Art Digest, vol. 26 (1 December 1951), p. 18.
LANDAU, ELLEN. "Aspects of the Fifties," Art Journal 40 (Fall/Winter 1980), fig. 16, p. 388.
SWEENY, LOUISE. "Light fantastic: Artist pours moods on canvas," Arlington Heights Herald (5 October 1980), n. p.
SMITH, ROBERTA. "Report from Washington: The '50 Revisited, Not Revised," Art in America 68/9 (November 1980), p. 47, colorpl. p. 48.
ELDERFELD, JOHN. Frankenthaler (New York: Harry N. Abrams, 1989), ill. p. 32.
After "Mountains and Sea": Frankenthaler 1956-1959 (New York: Guggenheim, 1998).

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (Second Generation)/Formalist Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Hina with Two Attendants

Paul Gauguin, French, b. Paris,1848–1903

Tamanu wood with gold paint, 14 5/8 x 5 1/4 x 4 1/4 in. (37.1 x 13.4 x 10.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase with Funds Provided Under the Smithsonian Institution Collections Acquisition Program, 1981

Accession Number: 81.1


The Artist, Tahiti and Paris, spring 1892-1895
Georges-Daniel de Monfreid, Paris, 1895-1930
Mme. (Agnes) Huc de Monfreid, Paris, 1930-probably January 1974--exported from France, 18-30 January 1974
Wildenstein & Co., New York, by summer 1978 (probably January 1974)-October/December 1980
Museum purchase with funds provided under the Smithsonian Institution Collections Acquisitions Program, 1981


GALERIES DURAND-RUEL, Paris. "Exposition d'oeuvres recentes de Paul Gauguin, November 1893, cat. no. 46 (in group of Tiis per vjf research in Paris).
SALON D'AUTOMNE, Paris. "4eme Exposition," (Gauguin Retrospective), Fall 1906.
MUSEE DE LUXEMBOURG, Paris. "P. Gauguin, Sculpteur et graveur," January-February 1928, no. 12 (as "Cylindre sculpte: deux tahitiennes debout et une accroupie, coll. Daniel Monfreid).
Venice. "XVIa Esposizione Internationale d'arte citta de Venezia (Biennale): Mostra retrospetiva di Paul Gauguin," 1928, no. 22, p. 200.
GALERIE WILDENSTEIN, Paris. "La Vie ardente de Paul Gauguin," November 1936, no. 93.
GALERIE CHARPENTIER, Paris. "Georges-Daniel de Monfreid et son ami Paul Gauguin," 1938, no. 168.
MUSEE NATIONAL D'ART MODERNE, Paris. 1951, no. 15 (as Hina, coll. G.D. de Monfreid).
GALLERIE CHARPENTIER, Paris. "Cent oeuvres de Gauguin," 1960, no. 112.
NATIONALMUSEUM, Stockholm. "Gauguin i Soderhavet," 1970, no. 26.
HAUS DER KUNST, Munich. "Welt Kulturen und moderne Kunst," 16 June-30 September 1972, no. 1722.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Cylinder Decorated with Figure of Hina and Two Attendants," 7 May-30 September 1981, and March 1982.
ART GALLERY OF ONTARIO, Toronto. "Gauguin to Moore: Primitivism in Modern Sculpture," 7 November 1981-3 January 1982, no. 14, pp. 50-52, ill.
SETAGAYA ART MUSEUM, Tokyo. "Naivety in Art," 30 March-15 June 1986, ill. TOUR: TOCHIGI PERFECTURAL MUSEUM OF FINE ARTS, 28 June-3 August 1986.
NATIONAL GALLERY OF ART, Washington, DC. "The Art of Paul Gauguin," 1 May-31 July 1988, no. 139, pp. 252-254. TOUR: ART INSTITUTE OF CHICAGO, 17 September-11 December; GRAND PALAIS, Paris, 10 January-20 April 1989.
GRAND PALAIS, Paris. 1989, no. 139.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Collection in Context: Paul Gauguin's "Hina with Two Attendants," 20 November 1996-7 May 1997, no cat.
STAATSGALERIE STUTTGART, Stuttgart. "Paul Gauguin: Tahiti," 7 February-2 June 1998.
GALERIES NATIONALES DU GRAND PALAIS, Paris (Reunion des Musees Nationaux). "Gauguin Tahiti," 30 September 2003-19 January 2004. TOUR: MUSEUM OF FINE ARTS, Boston (co-organizer) 29 February-20 June 2004, cat. no. 79, p. 79 ill., pp. 353-354.
COMPLESSO DEL VITTORIANO, Rome. "Paul Gauguin: Artist of Myth and Dream," 6 October 2007-3 February 2008, cat. no. 75, p. 292, ill. p. 293.
NATIONAL GALLERY OF ART, Washington, DC (co-organized with TATE MODERN, London). "Gauguin: Maker of Myth," 27 February-5 June 2011, no. 76, color ill. p. 142; p. 241.
NY CARLSBERG GLYPTOTEK, Copenhagen, Denmark. "Gauguin and Polynesia," 24 September-31 December 2011, no. 204, color ill. p. 220; p. 366.
MUSEUM OF MODERN ART, New York. "Gauguin: Metamophoses," 8 March-8 June 2014, no. 84, color ill. pg. 6, 136.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


REY, ROBERT. "Les Bois sculptes de Paul Gauguin," Art et Decoration 53 (February 1928), ill. p. 63.
ALEXANDRE, ARSENE. Paul Gauguin: sa vie et le sens de son oeuvre (Paris: 1930), ill. p. 239, cover.
PUIG, RENE. Paul Gauguin, Georges-Daniel de Monfreid, et leurs amis (Perpignan, 1958), ill. p. 42.
GRAY, CHRISTOPHER. Sculpture and Ceramics of Paul Gauguin (Baltimore: Johns Hopkins Press, 1963), pp. 220-221, no. 95, ill.
GOLDWATER, ROBERT. Primitivism in Modern Art, rev. ed. (New York: Vintage Books, 1967), p. 71.
UNSIGNED. "La Chronique des Arts: Principales Acquisitions des Musees en 1980," Gazette des Beaux-Arts suppl. no. 1346 (March 1981), no. 225, p. 42, ill.
RICHARD, PAUL. "Hirshhorn Acquires Gauguin Sculpture," Washington Post (7 May 1981), F13, ill. (and in syndicated papers throughout U.S.)
FORGEY, BENJAMIN. "Gauguin Carving on Exhibit," Washington Star (7 June 1981), ill.
UNSIGNED. "Gauguin Sculpture," Exhibit 106 (September-October 1981), p. 14, ill.
UNSIGNED. "Paul Gauguin: The Richness of Tradition," the Smithsonian Associate 10 (September-October 1981), ill.
UNSIGNED. "La Chronique des Arts: Principales Acquisitions des Musees en 1982," Gazette des Beaux-Arts suppl. no. 1358 (March 1982), p. 86.
ALLEN, JANE ADDAMS. "Hirshhorn purchases: Bargains on display," Washington Times (16 September 1983), n.p.
PARK, EDWARDS. Treasures of the Smithsonian (Washington, DC: Smithsonian Press, 1983), ill.
TEILHET-FISK, JANET. Paradise Reviewed: An Interpretation of Gauguin's Polynesian Symbolism (Ann Arbor, Michigan: UMI Research Press, 1983), p. 78, no. 29, ill.
AMISHAI-MAISELS, ZIVA. Gauguin's Religious Themes (New York and London: Garland Publishing, 1985), pp. 373-374, ill. 197-199.
WADLEY, NICHOLAS, ed. Noa Noa: Gauguin's Tahiti (Oxford: Phaidon, 1985), no. 24, ill. p. 36.
HARRISON, CHARLES, FRANCIS FRASCINA, and GILL PERRY. Modern Art Practices and Debates: Primitivism, Cubism Abstraction--The Early Twentieth Century (New Haven and London: Yale University Press, 1993), pl. 52.
THOMSON, BELINDA, ed. Gauguin by himself (Boston: Bulfinch Press Book, Little, Brown and Co., 1993), no. 191, p. 234, ill.
SHAW-EAGLE, JOANNA. "Multiple Cultures Meld in Sculpture by Gauguin," Washington Times (14(?) November 1996), D5, ill.
UNSIGNED. "The Collection in Context: Paul Gauguin," Metro Herald (Washington, DC: 15 November 1996), ill.
RICHARD, PAUL. "Gauguin's Fantasy Island," Washington Post (29 November 1996), C1, C2, ill.
UNSIGNED. "Collection in Context: Paul Gauguin's Hina with Two Attendants," Embassy of France Program of Events (28 January 1997), ill.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Head of Diego

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Oil on linen, 17 3/4 x 13 3/4 in. (45 x 34.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2022


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 97, p. 224, ill. p. 225. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Dark Matters," 24 January 2012-6 January 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Bust of Diego

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 15 1/4 x 13 1/4 x 8 in. (38.6 x 33.7 x 20.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2027


Sidney Janis Gallery, New York, to November 1955
Joseph H. Hirshhorn, New York, November 1955-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 71, p. 182, ill. p. 183. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
NASHER SCULPTURE CENTER, Dallas. "Variable States: Intention, Appearance, and Interpretation, in Modern Sculpture," 18 September 2004-2 January 2005.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Bust of Diego with Arms

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 22 3/4 X 12 7/8 X 9 IN. (57.8 X 32.5 X 22.7 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2036


Jh Purchased From Pierre Matisse Gallery, N.y. Jan. 1958


TELFAIR MUSEUM OF ART, Savannah, Georgia. "Grand Opening installation of Jepson Center for the Arts," 10 March-31 October 2006.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Seated Woman

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 19 7/8 X 6 1/8 X 9 1/4 IN. (50.5 X 15.5 X 23.6 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2037


Jh Purchased From Pierre Matisse Gallery, N.y. May 1958


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Dog

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 17 1/2 X 38 1/8 X 6 1/4 IN. (44.2 X 96.8 X 15.7 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2038


Jh Purchased From Matisse Gallery, Pierre, New York 1958


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 59, ill. p. 165. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Bust of Diego

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 23 7/8 X 9 3/4 X 6 3/8 IN. (60.6 X 24.8 X 16.0 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2039


Jh Purchased From Matisse Gallery, Pierre, New York 1958


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 84, p. 202, ill. p. 203. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Bust of Diego on a Stele II

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 65 x 8 3/4 x 7 3/8 in., 57 lb. (165.1 x 22.2 x 18.7 cm, 25.7 kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2040


Jh Purchased From Matisse Gallery, Pierre, New York 1959


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Monumental Head

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 37 × 11 3/4 × 14 3/8 in. (94 × 29.7 × 36.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2042


Jh Purchased From Matisse Gallery, Pierre, New York 1961


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 94, ill. p. 220. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


The Nose

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, iron, and twine, 32 × 28 1/2 × 15 3/8 in. (81.2 × 69.2 × 39 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.132


Jh Purchased From Parke-bernet Galleries, New York 1970


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Alberto Giacometti 1901-1966," 15 September-13 November 1988, no. 34, p. 124, ill. p. 125. TOUR: SAN FRANCISCO MUSEUM OF MODERN ART, 15 December 1988-5 February 1989.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Figure for Landscape

Barbara Hepworth, British, b. Wakefield, England, 1903–1975

Bronze, 106 1/2 x 53 7/8 x 28 3/8 in. (270.5 x 136.8 x 72.1 cm) artist's base: 3 1/2 x 25 1/2 x 26 1/2 in. (8.9 x 64.8 x 67.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.2450


Jh Purchased From Artist, St. Ives, Cornwall, Through Gimpel Fils, London 16 June 1965
Gift of JHH, 1966


Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 630, ill.
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. "Barbara Hepworth from the Museum Collection," 23 April - 19 July 1981 (no catalog).


Alley, Ronald. Barbara Hepworth (London: Tate Gallery, 1968), p. 58.
Hammacher, A.M. The Sculpture of Barbara Hepworth (New York: Harry N. Abrams, 1968), p. 207.
Jacobs, Jay. "Collector: Joseph H. Hirshhorn," Art in America 57 (July - August 1969), ill. p. 9.
Hepworth, Barbara. A Pictorial Autobiography (New York and Washington, DC: Praeger, 1970), ill. 304, p. 110.
Jacobs, Jay. "Quality as Well as Quantity: Joseph H. Hirshhorn." The Collector in America (New York: Viking, 1971), color pl. p. 82.
Bowness, Alan. The Sculpture of Barbara Hepworth 1960-69 (New York and Washington, DC: Praeger, 1971), no. 287/2, p. 30.
Merillat, Herbert. Modern Sculpture: The New Old Masters (New York: Dodd, Mead, and Co., 1974) p. 113, ill. 2.
Lerner, Abram et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 702, ill. p. 435.
Valentien, Imke K. 'The Inspiration of the Studio." Museum International 191 (Vol 48, No. 3, 1996) p. 34, ill.
Fletcher, Valerie J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden, 1998) pp. 60, 68, no. 38, ill.

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Eleven A.M.

Edward Hopper, American, b. Nyack, New York, 1882–1967

Oil on canvas, 28 1/8 x 36 1/8 in. (71.3 x 91.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number: 66.2504


Frank K. M. Rehn, Inc., New York, to 11 September 1954
Joseph H. Hirshhorn, New York, 11 September 1954-17 May 1966
Gift of the Joseph H. HIrshhorn Foundation, 1966


FRANK K. M. REHN GALLERY, New York. "Recent Works of Edward Hopper," 14 February-5 March 1927.
CARNEGIE INSTITUTE, Pittsburgh. "Twenty-Seventh Annual Internation Exhibition of Paintings," 18 October-9 December 1928, no. 1.
WORCESTER ART MUSEUM, Worcester, Massachusetts. "Exhibition by Eight Contemporary Americans," 8-29 December 1929, no. 13.
WESTERN ASSOCIATON OF ART MUSEUM DIRECTORS TOUR. "Contemporary American Painting," 1932-1933, no. 22.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Edward Hopper, Retrospective Exhibition," 11 February-26 March 1950, no. 17. TOUR: MUSEUM OF FINE ARTS, Boston, 13 April-14 May; DETROIT INTSTITUTE OF ART, 4 June-2 July.
BRANDEIS UNIVERSITY, Waltham, Massachusetts. "Three Collections," 1-17 June 1955, no. 18.
ARTS CLUB OF CHICAGO. "Marsden Hartley, Edward Hopper, Walt Kuhn and John Sloan," 3 May-14 June 1956, no. 19.
NATIONAL GALLERY OF CANADA, Ottawa. "Some American Paintings from the Collection of Joseph H. Hirshhorn," 10-31 January 1957, no. 34. TOUR: MONTREAL MUSEUM OF FINE ARTS, 20-31 March; ART GALLERY OF TORONTO, 12 April-26 May; STRATFORD ARENA, Ontario, 1 July-31 August; WINNIPEG ART GALLERY, Manitoba, 6 October-3 November.
AMERICAN FEDERATION OF ART TOUR. "Ten Modern Masters of American Art," 1959-60, no. 16.
AMERICAN FEDERATION OF ART TOUR. "Paintings from the Joseph H. Hirshhorn Collection: A View of the Protean Century," 1962-65, no. 38, ill. p. 12.
STEPHEN HAHN GALLERY, New York. "Seven Decades: 1895-1965, Crosscurrents in Modern Art," 26 April-21 May 1966, no. 162, ill. p. 94.
IX BIENAL DE ARTE MODERNA, Sao Paulo. "United States Representation," 22 September 1967-8 January 1968, no. 3, ill. p. 11. TOUR: ROSE ART MUSEUM, Brandeis University, Waltham, MA, 24 February-31 March.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Edward Hopper," 16 September-25 January 1981, plate 343.
TERRA MUSEUM OF AMERICAN ART, Evanston, Illinois. "Woman," 21 February-22 April 1984, no. 52, ill.
ROYAL SCOTTISH MUSEUM, Edinburgh, Scotland. "Treasures of the Smithsonian," 11 August-4 November 1984.
HAMBURGERKUNSTHALLE, Hamburg. "Eve and the Future," 11 July-14 September 1986.
MONTREAL MUSEUM OF FINE ARTS. "The 1920's: Age of the Metropolis," 20 June-10 November 1991, cat. no. 614.
THE SMITHSONIAN INSTITUTION. "America's Smithsonian: Celebrating 150 Years," 1996, cat.
TATE MODERN, London. "Edward Hopper Retrospective," 27 May - 5 September 2004. TOUR: MUSEUM LUDWIG, Cologne, Germany, 9 October 2004 - 9 January 2005.
MUSEUM OF FINE ARTS, BOSTON. "Edward Hopper," 6 May-19 August 2007, cat. no. 98, ill. p. 179. TOUR: NATIONAL GALLERY OF ART, Washington, DC, 16 September-21 January 2008; ART INSTITUTE OF CHICAGO, 16 February-11 May.
MUSEO THYSSEN-BORNEMISZA, Madrid. "Hopper," 12 June-16 September 2012, no. 110, color ill. p. 178. TOUR: GALERIES NATIONALES DU GRAND PALAIS, Paris. 10 October 2012-28 January 2013.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


UNSIGNED. [Exhibitions Section], Art News 25/20 (19 February 1927): p. 10.
GOODRICH, LLOYD. "The Paintings of Edward Hopper," The Arts 11/3 (March 1927): p. 136.
DU BOIS, GUY PENE. Edward Hopper (New York: Whiteny Museum of American Art, 1931): p. 32, ill, p. 33.
DU BOIS, GUY PENE. "The American Paintings of Edward Hopper," Creative Art 8/2 (March 1931): p. 100.
BALDINGER, WALLACE SPENCER. "Formal Change in Recent American Paintings," Art Bulletin 29/4 (December 1937): ill. p. 587, p. 589.
WOLF. "Gallery Previews in New York," Pictures on Exhibit 12/5 (FEbruary 1950): p. 17.
SMITH, JACOB GETLAI. "Edward Hopper," American Artist (January 1956): ill. p. 24.
RAYNOR, VIVIEN. "New York Exhibitions: In the Galleries; Paintings from the Hirshhorn Collection" Arts Magazine 37 (December 1962): p. 45.
GENAUER, EMILY. "Impressive--75 Paintings Assembled by Hirshhorn," New York Herald Tribune (31 October 1962): p. 15.
UNSIGNED. "Special Exhibitions: 'A View of the Protean Century,'" Museum of Fine Arts: Boston: Calendar of Events (1964).
DRISCOLL, EDGAR J. "The Art World: Contemporary Exhibit at Boston Museum," The Boston Sunday Globe (13 December 1964): p. A38.
GOODRICH, LLOYD. Edward Hopper (New York: Whitney Museum of American Art, 1964): p. 34.
GOODRICH, LLOYD. Edward Hopper (New York: Harry N. Abrams, Inc., 1971): p. 104.
HUNTER, SAM. American Art of the 20th Century (New York: Harry N. Abrams, 1973): colorplate 296, p. 170.
BAIGELL, MATTHEW. "The Silent Witness of Edward Hopper," Arts Magazine 49/1 (September 1974): p. 30.
GOODRICH, LLOYD. Edward Hopper (New York: Harry N. Abrams, Inc., 1976): p. 69-70, colorplate p. 71.
LEVIN, GAIL. Edward Hopper: The Complete Prints (New York: The Whiteny Museum, 1979): p. 31.
FORGEY, BENJAMIN. "Hopper's America," Portfolio 2/4 (September/October 1980): p. 51.
DUNSTAN, BERNARD. "Looking at Paintings," American Artist (November 1980): p. 64.
BROWN, MILTON with the assistance of Judith Lanius. One Hundred Masterpieces of American Painting from Public Collections in Washington, DC (Washington, DC: Smithsonian Institution Press, 1983): p. 157.
PARK, EDWARDS. Treasures of the Smithsonian (Washington, DC: Smithsonian Books; New York: Trade distribution by Abrams, 1983).
MCCLELLAND, DONALD. "Discoveries in American Art," Studio International 197/1005 (1984): p. 4.
GREGORY, CLIVE ed. The Great Artists: Their Lives, Works and Inspiration, volume 4: The 20th Century (Marshall Cavendish Ltd, 1986).
GARDNER, HELEN. Art Through the Ages, Eight Edition ( San Diego: Harcout Brace Jovanovich, 1986): p. 917.
BATES, SUSAN and ANNE FICKLEN eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987): p. 39.
BARKER, PHYLLIS CLAUSEN. Short Lessons in Art History: 35 Artists and Their Work (Portland, Maine: J. Weston Walch, 1987): colorplate 20.
HOBBS, ROBERT. Edward Hopper (New York: Harry N. Abrams, Inc., 1987): p. 46.
UNIVERSITY DANCE COMPANY. The Power Series: a Gallery of Dances (12-15 March 1987): projection of image during show.
LIESBROCK, HEINZ. Edward Hopper: Vierzig Meisterwerke (Schirmer/Mosel, 1988): ill., plate 5.
GRIFFITH, BILL. "Zippy [Cartoon]," The Washington Post (October 1988).
BECK, HUBERT and RICHTER VERLAG. Edward Hopper (Hamburg, 1992): ill.
CRAVEN, WAYNE. American Art: History and Culture (Brown and Benchmark, 1994): p. 435.
LEVIN, GAIL. Edward Hopper: A Catalogue Raisonne. Volume III: Oils. (New York and London: Whitney Museum of American Art in association with W. W. Norton & Company, 1995): no. O-248, p. 165.
GOLDBERGER, PAUL. "An Attic of Stuff, All Real," New York TImes (14 June 1996): p. C1, C14.
SCHMIED, WIELAND. Edward Hopper: Portraits of America (Munich, New York: Prestel, 1995): colorplate, p. 67.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN: 150 WORKS OF ART. (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; New York: Harry N. Abrams, Inc, 1996): colorplate p. 58, p. 59.
BAKER, KENNETH. "American Trophies," San Francisco Chronicle (31 July 1997): p. C1, C3.
SPRING, JUSTIN. The Essential Edward Hopper (New York: Wonderland Press, Harry N. Abrams, Inc., 1998): color ill. p. 73.
BERKOW, ITA. Edward Hopper: An American Artist (Todtri, 1999): p. 34.
FRYD, VIVIEN GREEN. "Edward Hopper's 'Girlie Show--Who is the Silent Partner?'" American Art 14/2 (Summer 2000): p. 61.
BAIGELL, MATTHEW. Artist and Identity in Twentieth-Century America (Cambridge University Press, 2001): p. 55.
RICHARD, PAUL. "From the Collection: Washington's Prize Possessions," The WAshington Post (7 April 2002): G5.
KNUTSON, ANNE CLASSEN. Andrew Wyeth: Memory & Magic (Atlanta : High Museum of Art ; [Philadelphia] : Philadelphia Museum of Art, in association with Rizzoli, New York, 2005), p. 33, fig. 22.

Hirshhorn Museum and Sculpture Garden Collection, Social Realism, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Untitled

Ellsworth Kelly, American, b. Newburgh, New York, 1923–2015

Stainless steel, 78 x 135 1/4 x 129 3/4 in. (198.1 x 343.5 x 329.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1986

Accession Number: 86.5897


Blum Helman Gallery, New York, to 28 October 1986 (#3465)
Museum Purchase, 1986


BLUM HELMAN WAREHOUSE, New York. "Ellsworth Kelly: Sculptures," 3 May-7 June 1986, no. 13, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Plaza installation, 15 October 1986-present.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Recent Acquisitions, 1986-1988," 15 March-14 May 1989, unpublished checklist, no. 42.


UNSIGNED. Art in America Annual 1986-1987, ill. back cover (Blum Helman Warehouse installation photo).
UNSIGNED. Hirshhorn Museum and Sculpture Garden, Spring/Summer 1987 Calendar (Washington, DC: Smithsonian Institution, 1987), ill. front cover.
RICHARD, PAUL. "The Display of Daring: Modern Riches in the Hirshhorn's 'Recent Acquisitions,'" Washington Post (15 March 1989), p. B8.
VON ZIEGESAR, PETER. "Ellsworth Kelly," Journal of Art 2/4 (January 1990), p. 3, ill. [interview]
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson,1998), no. 58, ill. p. 89.

Hirshhorn Museum and Sculpture Garden Collection, Geometric Abstraction, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Figure

Jacques Lipchitz, American, b. Druskieniki, Lithuania, 1891–1973

Bronze, 85 3/8 × 38 1/2 × 29 1/4 in. (216.8 × 97.7 × 74.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3101


Otto Gerson Gallery, New York, to 27 December 1961
Joseph H. Hirshhorn, New York, 27 December 1961-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 241, ill. p. 101.
LOS ANGELES COUNTY MUSEUM OF ART. "Inaugural Loan Exhibition," April-July 1965.
EXPO '67 MONTREAL. "International Exhibition of Contemporary Sculpture," 28 April-27 October 1967, p. 119, ill. p. 92.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
HENRY MOORE INSTITUTE, Leeds, England. "The Sculptors Studio in Britain and France 1900-1950," 20 September 2001-6 June 2002.


UNSIGNED. "The Hirshhorn Approach," Time 80 (5 October 1962), ill. p. 75.
UNSIGNED. "Art Lone Wolf," Newsweek 60 (15 October 1962), ill. p. 110.
RUDIKOFF, SONYA. "New York Letter," Art International 6 (November 1962), p. 62.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), no. 79, p. 296, ill. p. 77.
SWEENEY, JAMES JOHNSON. "A Living Frame for Sculpture," House and Garden 126 (August 1964), ill. p. 113.
UNSIGNED. "A Look into the Future--the Joseph H. Hirshhorn Sculpture Garden," Washington Post (22 May 1966), colorpl. sec. K, p. 1.
HAMILTON, GEORGE HEARD. Painting and Sculpture in Europe: 1880-1940 (Baltimore: Penguin, 1967), pl. 104.
COLTON, JOEL. Great Ages of Man: Twentieth Century (New York: Time-Life Books, 1968), colorpl. p. 46.
BOWNESS, ALAN. Modern European Art (New York: Harcourt Brace Jovanovich, 1972) (Thames & Hudson copyright), p. 82, no. 174, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 714, colorpl. 391.
MERILIAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 104, no. 65, ill.
ALEXANDER, JASON. Why Johnny Can't Run, Swim, Pull, Dig, Slither, etc. (San Francisco: Sitnalta Press, 1978), p. 20, no. 195, ill.
ELSEN, ALBERT E. Modern European Sculpture 1918-1945 (New York: Braziller, 1979), fig. 19, pp. 30-31.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 132.
QUANTRILL, MALCOLM. "London Letter," Art International 22/9 (February 1979), p. 38.
KELLY, JAMES J. The Sculptural Idea, third edition (Minneapolis, Minnesota: Burgess Publishing, 1981), fig. 5, p. 16.
RICHARDSON, DAN, and MARGIE RICHARDSON. Journal of the Center for the Arts (Vero Beach, Florida, 1984), n.p., ill.
BERGMAN, EDWARD F. and TOM L. MCKNIGHT. Introduction to Georgraphy (Englewood Cliffs, NJ: Prentice Hall, 1993), fig. 5-37, p. 164.
WILKINSON, ALAN G. The Sculpture of Jacques Lipchitz (London ; New York: Thames and Hudson, 1996), no. 206, ill. pp. 77, 220.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 31, ill. p. 62.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Young Girl on a Chair

Giacomo Manzu, Italian, b. Bergamo, 1908–1991

Bronze, 45 × 23 3/4 × 43 1/4 in. (114.2 × 60.3 × 109.7 cm) incl. base: 1 7/8 in. (4.8 cm) high

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3290

Jh Purchased From Hanover Gallery, London 1957

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Self-Portrait with Model at Bergamo

Giacomo Manzu, Italian, b. Bergamo, 1908–1991

Bronze, 52 1/4 x 38 5/8 x 10 1/8 in. (132.7 x 98.1 x 25.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3293


The Artist to 1960
World House Galleries, New York, 1960-20 March 1962 (acquired from the Artist)
Joseph H. Hirshhorn, New York, 20 March 1962-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


WORLD HOUSE GALLERIES, New York. "Giacomo Manzu," 5 April-7 May 1960, cover ill.
WORLD HOUSE GALLERIES, New York. "Sculpture: Daumier to Picasso," 20 February-17 March 1962, no. 40.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection" 3 October 1962-6 January 1963, no. 253, ill. p. 133.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 455.


LONGREN, LILLIAN. "Reviews and Previews: Giacomo Manzu," Art News 59 (May 1960), p. 13.
MELLOW, JAMES R. "In the Galleries: Giacomo Manzu," Arts 34 (May 1960), p. 57, ill.
REWALD, JOHN. "Giacomo Manzu" (Greenwich, Connecticut: New York Graphic Society, 1966), p. 75.
GOODE, JAMES M. "Outdoor Sculpture-Washington's Overlooked Monuments," Historic Preservation 25 (January-March 1973), ill. p. 6.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 717, ill. p. 455.
ELSEN, ALBERT E. Modern European Sculpture: unknown beings and other realities (New York: G. Braziller, 1979), fig. 105, pp. 104-105.
UNSIGNED. "Hommage a Manzu," XXe Siecle, no. 58 (January 1984), pp. 52-53. ill.
BOREL, FRANCE. Le Modele ou l'artiste seduit (Geneve: A. Skira, 1990), ill.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), p. 63, ill.
PATERSON, JIM. "Stop and See the Sculpture," Washington Post Weekend (15 August 1997), p. 7.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum in association with Thames and Hudson, 1998), no. 14, p. 47, ill.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Horse and Rider

Marino Marini, Italian, b. Pistoia, 1901–1980

Bronze, 82 1/4 x 47 x 77 3/4 in. (208.8 x 119.2 x 197.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3345

Jh Purchased From Marini, Marino, Milan 1955

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Lunar Bird

Joan Miró, Spanish, b. Barcelona, 1893–1983

Bronze, 89 3/8 X 88 1/2 X 58 1/4 IN. (207.0 X 204.9 X 147.8 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.204


Pierre Matisse Gallery, New York, to 7 December 1967
Joseph H. Hirshhorn, New York, 7 December 1967-6 March 1972
Gift of Joseph H. Hirshhorn, 1972


PIERRE MATISSE GALLERY, New York. "Miró: Oiseau Solaire, Oiseau Lunaire, Etincelles," November 1967, ill. p. 7; pp. 5-15, 36.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, fig. 854, p. 563; p. 723.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Marvelous Objects: Surrealist Sculpture from Paris to New York," 29 October 2015-15 February 2016, fig. 79, color ill. p. 79; p. 186.


KUH, KATHERINE. "Year-end Notes from a Critic's Diary," Saturday Review 50 (30 December 1967), p. 35.
Reproduction. Pictures on Exhibit (December 1967), cover.
MELLOW, JAMES R. "New York Letter," Art International 12 (January 1968), p. 65, ill.
UNSIGNED. "Joseph H. Hirshhorn Museum and Sculpture Garden: 1968
Annual Report," Smithsonian Year 1968 (Washington, D.C.: Smithsonian Institution, 1969), p. 220, ill. p. 221.
ASHTON, DORE. "Retrospective/Perspective 1961-1974," Arts Magazine 49 (September 1974), p. 39.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), fig. 854, p. 563, p. 723.
JOUFFROY, ALAIN, and JOAN TEIXIDOR. Miró Sculptures rev. ed? (Paris: Maeght Editeur, 1980), no. 56, p. 229.
GOLDSTEIN, ERNEST, et al. Understanding and Creating Art (New York:
Boultinghous & Boultinghous ; Dallas: Garrard Publishing, 1985), fig. 173.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN. Family Guide (Washington, D.C.: Smithsonian Institution, 1996), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the HIrshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 32, p. 63.
GRISWOLD, WILLIAM M. et al. Pierre Matisse and His Artists (New York: Pierpont Morgan Library, 2001), ill. p. 266.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Woman before an Eclipse with her Hair Disheveled by the Wind

Joan Miró, Spanish, b. Barcelona, 1893–1983

Oil on canvas, 95 3/4 × 76 5/8 in. (243.2 × 194.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase with Funds Provided under the Smithsonian Institution Collections Acquisitions Program, 1980

Accession Number: 80.67


Pierre Matisse Gallery, New York, to 5 August 1980
Museum Purchase with Funds Provided under the Smithsonian Institution Collections Acquisitions Program, 1980


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Upright Motive No. 1: Glenkiln Cross

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 131 3/8 × 38 3/8 × 38 in. (333.6 × 97.4 × 96.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3629

Jh Purchased From Gimpel Fils, London 1957

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Draped Reclining Figure

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 40 7/8 × 66 5/8 × 34 1/8 in. (103.8 × 169 × 86.5 cm) incl. base: 1 1/4 in. (3.2 cm) high

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3634


Jh Purchased From Moore, Henry, Much Hadham, England 1956


SMITHSONIAN INSTITUTION, Washington, DC (organizer). "The America's Smithsonian: 150th Anniversary Exhibition," TOUR: Los Angeles, 9 February-7 March 1996; Kansas City, Missouri, 19 April-19 May; New York City, 11 June-24 July; Providence, 16 August-19 September; St. Paul, 11 October-14 November; Houston, 7 December-12 January 1997; Portland, 3 February-9 March; Birmingham, 1 April-11 May; San Jose, 3 June-11 July.


UNSIGNED. "Smithsonian Packs Up Its Show to Hit the Road," New York Times (November 25, 1995), n.p.

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


King and Queen

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 64 3/4 × 59 1/8 × 37 3/8 in. (164.5 × 150 × 94.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3635

Jh Purchased From Valentin Gallery, Curt, New York Dec 07, 1954

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Three-Piece Reclining Figure No. 2: Bridge Prop

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 49 1/2 X 78 7/8 X 51 7/8 IN. (115.2 X 251.5 X 131.7 CM.) INCL. BASE H: 4 3/8 IN. (11.0 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.3656

Jh Purchased From Moore, Henry, Much Hadham, England 1965

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Two-Piece Reclining Figure: Points

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 89 3/8 × 147 1/8 × 72 7/8 in. (227 × 373.7 × 185.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1974

Accession Number: 74.1

Jh Purchased From Artist 17 July 1973

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Seated Woman

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 62 x 56 1/4 x 41 3/8 in. (157.5 x 142.9 x 105.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3277

Joseph Hirshhorn purchased from Mr and Mrs. Samuel J. Holtzman, Baltimore 15 October 1977

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Three-Way Piece No. 3: Vertebrae (Working Model)

Henry Moore, British, b. Castleford, England, 1898–1986

Bronze, 40 3/4 x 93 x 48 in. (103.6 x 236.1 x 122 cm) incl. base

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number: 86.3278

Joseph Hirshhorn purchased from Mr and Mrs. Samuel J. Holtzman, Baltimore 15 October 1977

Hirshhorn Museum and Sculpture Garden Collection, British Modernist Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Geometric Mouse: Variation I, Scale A

Claes Oldenburg, American, b. Stockholm, Sweden, 1929

Aluminum, paint, and steel, 106 1/4 x 143 5/8 x 95 3/8 in. (269.8 x 364.7 x 242.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1975

Accession Number: 75.1


Sotheby Parke-Bernet, Los Angeles, Sale Number 151, 3 February 1975, Lot 61
Museum Purchase, 1975


FOGG ART MUSEUM, Harvard University, Cambridge, Massachusetts. "The Discerning Eye," 9 October-24 November 1974, no. 134, ill. (anonymous lender).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Acquisitions: 1974-1977," 25 March-24 July 1977, unnumbered checklist (exhibited on Museum Plaza).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Animal in Art: Selections from the Hirshhorn Museum Collection," 17 November 1977-15 January 1978, no. 48, ill. p. 7.


FRIEDMAN, MARTIN. Oldenburg: Six Themes (Minneapolis: Walker Art Center, 1975), p. 98.
GOLD, BARBARA. "Hirshhorn Museum Shows How It's Doing," Baltimore Sun (27 March 1977), n.p.
LAWRENCE, SIDNEY. "Three Hirshhorn Acquisitions Reveal Unusual Histories," Smithsonian Torch (May 1977), n.p., ill.
BATES, SUSAN and ANNE FICKLEN eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 40.
FLETCHER, VALERIE J. A Garden for Art (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames & Hudson, 1998), no. 55, ill. p. 86.
RICHARD, PAUL. "From the Collection: Washington's Prized Possessions," Washington Post (13 January 2002), n.p., ill.
HOCHDÖRFER, ACHIM, et al. "Claes Oldenburg: The Sixties," (New York: Prestel Publishing, 2012), color ill. p. 198.

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (American), Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Ex Cathedra

Beverly Pepper, American, b. New York CIty, 1922

Stainless steel and paint, 101 1/2 x 90 x 83 in. (257.8 x 228.6 x 210.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.37

FREDERIK MEIJER GARDENS & SCULPTURE PARK, Grand Rapids, Michigan. "Beverly Pepper: Palingenesis 1962-2012," 25 May-26 August 2012, color ill. p. 25.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Holy Mountain III

Horace Pippin, American, b. West Chester, Pennsylvania, 1888–1946

Oil on canvas, 25 1/4 × 30 1/4 in. (64.6 × 76.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4069


Robert Carlen, Philadelphia, 1945 [letter from Horace Pippin to Robert Carlen, 6 August 1945, Robert Carlen Papers, Archives of American Art, microfilm reel no. 4175, frame 87]
Michael Erlichman [listed in unpublished inventory, Robert Carlen Papers, Archives of American Art, Box 6--Miscellaneous Manuscripts]
Robert Carlen, Philadelphia
Joseph H. Hirshhorn, New York, by 1947 [lender to Philadelphia Art Alliance Memorial Exhibition]-May 17, 1966
Gift of Joseph H. Hirshhorn, 1966
Revised jz, 5/23/00


[PENNSYLVANIA ACADEMY OF FINE ARTS, Philadelphia. "One Hundred and Forty-Second Annual Exhibition of Painting and Sculpture," 26 January-2 March 1947, no. 309. The Holy Mountain (lent by Robert Carlen Gallery)--might be Holy Mountain II or Holy Mountain III?]
PHILADELPHIA ART ALLIANCE. "Horace Pippin Memorial Exhibition," 8 April-4 May 1947, no. 45 [lent by Joseph H. Hirshhorn, New York].
NATIONAL GALLERY OF CANADA, Ottawa. "Some American Paintings from the Collection of Joseph H. Hirshhorn," 10-31 January 1957, no. 61, ill. [as "The Holy"]. Tour: MONTREAL MUSEUM OF FINE ARTS, 20-31 March; ART GALLERY OF TORONTO, 12 April-26 May; STRATFORD ARENA, Ontario, 1 July-31 August; WINNIPEG ART GALLERY, Manitoba, 6 October-3 November.
SMITHSONIAN INSTITUTION TRAVELING EXHIBITION SERVICE, Washington, DC. "American Primitive Paintings," June 1958-November 1959, no. 57. Tour: PARRISH ART MUSEUM, Southampton, New York, 28 June-27 July 1958; CENTENARY COLLEGE OF LOUISIANA, Shreveport, 1-22 October; JOHN HERRON ART INSTITUTE, Minneapolis, 4-25 November; GEORGE THOMAS HUNTER GALLERY OF ART, Chattanooga, 9-31 December; BIRMINGHAM MUSEUM OF ART, Alabama, 15 January-8 February 1959; DAVENPORT MUNICIPAL ART GALLERY, Iowa, 22 February-15 March; FINE ARTS GALLERY OF SAN DIEGO, 15 July-19 September; J.B. SPEED ART MUSEUM, Louisville, 8-30 November.
BOWDOIN COLLEGE MUSEUM OF ART, Brunswick, Maine. "The Portrayal of the Negro in American Painting," 15 May-6 -September 1964, no. 74, ill.
CARNEGIE INSTITUTE MUSEUM OF ART, Pittsburgh. "Three Self-Taught Pennsylvania Artists: Hicks, Kane, Pippin," 21 October-4 December 1966, no. 116, ill. Tour: CORCORAN GALLERY OF ART, Washington, DC, 6 January-19 February 1967.
CORCORAN GALLERY OF ART, Washington, DC. "Wilderness," 1 October-14 November 1971, no. 150. (Presented by the National Endowment for the Arts.)
PHILLIPS COLLECTION, Washington, DC. "Paintings by Horace Pippin," 25 February-26 March 1977. Tour: TERRY DINTENFASS GALLERY, New York, 5 April-1 May 1977.
LOS ANGELES COUNTY MUSEUM OF ART. "Black American Artists: 1750-1950," 28 September 1976-21 August 1977. Tour: HIGH MUSEUM, Atlanta; DETROIT INSTITUTE OF ARTS; BROOKLYN MUSEUM OF ART.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Animal in Art: Selections from the Hirshhorn Museum Collection," 17 November 1977-15 January 1978, no. 51.
EVERSON MUSEUM OF ART, Syracuse. "The Animal Kingdom in American Art," 5 February-2 April 1978, no. 50, ill.
STUDIO MUSEUM IN HARLEM, New York. "Ritual and Myth," 20 June-30 November 1982.
MUSEUM OF AFRICAN AMERICAN LIFE AND CULTURE, Bishop College, Dallas. "Six Black Masters of American Art," 12 February-10 April 1983.
TERRA MUSEUM OF AMERICAN ART, Evanston, Illinois. "Two Centuries of American Folk Painting," 10 February-21 April 1985.
CHESTER COUNTY HISTORICAL SOCIETY, Pennsylvania. "Horace Pippin: A Chester County Artist," 30 January-12 June 1988.
PENNSYLVANIA ACADEMY OF FINE ART, Philadelphia. "I Tell My Heart: The Art of Horace Pippin," 24 January-17 April 1994, cat no. 129, color ill. p. 133. Tour: ART INSTITUTE OF CHICAGO, 28 April-10 July; CINCINNATI ART MUSEUM, 28 July-9 October; BALTIMORE MUSEUM OF ART, 26 October-1 January 1995; METROPOLITAN MUSEUM OF ART, New York, 1 February-30 April.
MUSEUM OF AMERICAN FOLK ART, New York. "Millenial Dreams: The Utopian Vision in American Folk Art," 13 November 1999-14 May 2000.
BRANDYWINE RIVER MUSEUM OF ART, Chaddsford, PA. "Horace Pippin: The Way I See It," 25 April - 19 July 2015, no. 67, color ill. front cover, pg. 159.


[Note: Image reproduced with statement, "Horace Pippin Explains His Holy Mountain," Art Digest 19 (April 1, 1945): 44 is NOT Holy Mountain III, but rather Holy Mountain I, formerly in the Collection of Encyclopedia Britannica]
RODMAN, SELDEN. Horace Pippin, A Negro Painter in America (New York: Quadrangle, 1947), no. 84.
SADIK, MARVIN S. "The Negro in American Art," Art in America 52 (June 1964), p. 82, ill.
WALTON, WILLIAM. "A Slice from Another Mellon," Washingtonian 3 (August 1968), colorplate p. 71.
JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), p. 61, colorplate 3.
LIPMAN, JEAN, ed. "Quality as Well as Quantity," in The Collector in America (New York: Viking, 1971), p. 79.
RODMAN, SELDEN and CAROLE CLEAVER. Horace Pippin: The Artist as a Black American (New York: Doubleday, 1971), p. 84, colorplate 7 and back endpaper.
FINE, ELSA HONIG. The Afro-American Artist: A Search for Identity (New York: Holt, Rinehart and Winston, 1973), p. 119, ill. 160.
LERNER, ABRAM, ed. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 734, colorplate 519.
LERNER, ABRAM, et. al. Selected Paintings and Sculpture from the Hirshhorn Museum (New York: Harry N. Abrams, 1974), no. 70.
FORGEY, BENJAMIN. "Horace Pippin's 'Personal Spiritual Journey'," Art News 76 (Summer 1977), p. 75.
BATES, SUSAN and ANNE FICKLEN, eds. A Picture Tour of the Smithsonian (New York: American Legacy Press, 1987), ill. p. 40.
SULLIVAN, CHARLES, ed. Children of Promise (New York: Harry N. Abrams, 1991), ill. p. 93.
LYONS, MARY E. Starting Home: The Story of Horace Pippin, Painter (New York: Charles Scribner's Sons, 1993?), ill.
HARTIGAN, LYNDA ROSCOE. "Horace Pippin's American Universe," Antiques 145 (January 1994), ill. p. 181.
MONAHAN, ANNE. "I Tell My Heart, The Art of Horace Pippin," American Art Review 6 (February-March 1994), ill. p. 104.
KING-HAMMOND, LESLIE. "Philadelphia: Horace Pippin, Pennsylvania Academy of the Fine Arts," Artnews (November 1994), p. 162.
UNSIGNED. African Americans Voices of Triumph: Creative Fire (Alexandria, Virginia: Time-Life Books, 1994), color ill. p. 211.

Hirshhorn Museum and Sculpture Garden Collection, Outsider Art, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Sphere No. 6 (Sphere within a Sphere)

Arnaldo Pomodoro, Italian, b. Morciano, 1926

Bronze, 45 × 46 1/2 × 47 5/8 in. (114.2 × 118.1 × 121 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4094

Jh Purchased From Marlborough-Gerson Gallery, New York 1965

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Interview V

George Rickey, American, b. South Bend, Indiana, 1907–2002

Stainless steel, copper and brass on wood base, 23 1/4 X 15 X 4 1/4 IN. (59.0 X 38.0 X 10.8 CM.) ON WOOD BASE 7/8 X 2 3/4 X 2 3/4 IN. (2.0 X 7.0 X 6.8 CM.) WT. 1 LB. (.45 KG)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4248

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Maquette for "Space Churn"

George Rickey, American, b. South Bend, Indiana, 1907–2002

Polychromed stainless steel on wood base, 13 1/4 x 8 5/8 x 4 3/8 in. (33.5 x 21.9 x 11.1 cm) [including base]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4251

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Large Triptych

Jean-Paul Riopelle, Canadian, b. Montreal, 1923–2002

Oil on canvas, PANEL A: 108 13/16 X 84 7/16 IN. (276.4 X 214.5 CM.) PANEL B: 108 7/16 X 84 1/2 IN. (275.5 X 214.7 CM.) PANEL C: 108 7/16 X 84 7/16 IN. (275.5 X 214.5 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4268


Jh Purchased From Matisse Gallery, Pierre, New York 1965


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionisn (Intl.), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Iris, Messenger of the Gods

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 32 1/2 x 34 x 14 3/4 in. (82.5 x 86.3 x 37.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4330


[Fiske Warren and Edward Perry Warren, Boston, to 1908]
[Museum of Fine Arts, Boston, 1908-14 May 1953 (accession no. Res.08.4, sold by order of M.F.A. Trustees)]
Curt Valentin Gallery, New York, c. 1953-10 August 1955
Joseph H. Hirshhorn, New York, 10 August 1955-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


[CURT VALENTIN GALLERY, New York. "Auguste Rodin," 4-29 May 1954, no. 23, ill. May not be HMSG cast.]
[CURT VALENTIN GALLERY, New York. "Closing Exhibition," 8 June 1955, no. 167, ill. Possibly HMSG cast.]
DETROIT INSTITUTE OF ARTS. "Sculpture in Our Time: Collected by Joseph H. Hirshhorn," 5 May-23 August 1959, no. 37, p. 22, ill. TOUR: MILWAUKEE ART CENTER, 10 September -11 October; WALKER ART CENTER, Minneapolis, 25 October-6 December; WILLIAM ROCKHILL NELSON GALLERY OF ART, Kansas City, Missouri, 20 December-31 January 1960; MUSEUM OF FINE ARTS, Houston, 1-27 March; LOS ANGELES COUNTY MUSEUM OF HISTORY, SCIENCE, AND ART, 11 April-15 May; M. H. DE YOUNG MEMORIAL MUSEUM, San Francisco, 29 May-10 July; COLORADO SPRINGS FINE ARTS CENTER, Colorado, 24 July-4 September; ART GALLERY OF TORONTO, 30 September-31 October.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 392, p. 228, ill. p. 23.
MARLBOROUGH-GERSON GALLERY, New York. "Artist and Maecenas--A Tribute to Curt Valentin," November-21 December 1963, no. 9, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, ill. 90, p. 72, p. 740.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC, organizer. "The Human Figure Interpreted: Modern Sculpture from the Hirshhorn Museum," 1995, no. 14, pp. 60-62, ill. TOUR: MUSEUM OF MODERN ART, SHIGA, Otsu, Japan, 1 July-6 August; ODAKYU MUSEUM, Tokyo, 9-27 August; IWAKI CITY ART MUSEUM, Iwaki, 23 September-5 November; TAKAMATSU CITY MUSEUM OF ART, Takamatsu, 10 November-10 December.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


COATES, ROBERT M. "The Art Galleries: Paris and Detroit," New Yorker 30 (22 May 1954), p. 80.
SALTMARCHE, KENNETH. "Notes on Special Exhibitions: Sculpture in Our Time," Art Quarterly 22 (Winter 1959), p. 351.
SALTMARCHE, KENNETH. "Sculpture in Our Time," Toronto Art Gallery News and Notes 4 (October 1960), p. 2.
ASHTON, DORE. "New York Report," Das Kunstwerk 16 (October 1962), p. 26.
RAYNOR, VIVIEN. "In the Galleries: The Hirshhorn Collection," Arts Magazine 37 (November 1962), p. 41.
DUITZ, MURRAY. "Museum," Infinity 12 (December 1963), ill. p. 18.
READ, HERBERT. A Concise History of Modern Sculpture (New York: Praeger, 1964), p. 31, ill. 22.
UNSIGNED. "Range of Hirshhorn Collection," Times (London: 3 July 1964), ill.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1967), p. 105.
LICHT, FRED. Sculpture: 19th and 20th Centuries (Greenwich, Connecticut: New York Graphic Society, 1967), p. 321, ill. 124.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 60, ill. 79.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 740, fig. 90, p. 72.
LYNES, RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian Magazine 5 (December 1974), p. 41, colorpl. p. 39.
TUCKER, WILLIAM. Early Modern Sculpture (New York: Oxford University Press, 1974), p. 35, ill. 24.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 46-2, see other casts, p. 291.
BUTLER, RUTH. Rodin in Perspective (Englewood Cliffs, New Jersey: Prentice-Hall, 1980), pp. 174-189, fig. 18.
SELZ, PETER. Art in Our Times: A Pictorial History, 1890-1980 (New York: Harcourt Brace Jovanovich and Harry N. Abrams, 1981), p. 55, fig. 116.
FINN, DAVID and MARIE BUSCO. Rodin and His Contemporaries (New York: Cross River Press, 1991), p. 84.
BUTLER, RUTH. Rodin: The Shape of Genius (New Haven and London: Yale University Press, 1993), fig. 128, p. 311.
HUNISAK, JOHN M. with essay by RUTH BUTLER. Carvings, Casts & Replicas (Middlebury, Vermont: Middlebury College Museum of Art, 1994), p. 18, fn. 44, p. 28.
COHN, BARBARA. "At Home in France," Washington Artists News 26 (Winter 1997), ill. p. 3.
TOTH, FERENC, ed. Woman: The Art of Gaston Lachaise, 1882-1935 (Budapest: Museum of Fine Arts, 2005), ill. p. 33, p. 41.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


The Burghers of Calais

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 79 3/8 × 80 7/8 × 77 1/8 in. (201.7 × 205.4 × 195.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4340


Musée Rodin, Paris and Meudon, 1953-1962
Joseph H. Hirshhorn, New York (via Otto Gerson Gallery, New York, and Gérard Cramer, Geneva), 31 March 1962-17 May 1966*
Gift of Joseph H. Hirshhorn, 1966
*rev. by VJF, 25 October 1995.


PALAIS DE LA MEDITERRANÉE, Nice. "Sculptures de Rodin," December 1961-January 1962, no. 1, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Modern Sculpture from the Joseph H. Hirshhorn Collection," 3 October 1962-6 January 1963, no. 391, ill. pp. 19-21.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June-10 September 1981.


****Main List*****
ARNASON, H. H. The History of Modern Art (Englewood Cliffs, New Jersey: Prentice-Hall; 1968), no. 82, ill. p. 63.
BRITSCH, RALPH A., and TODD A. BRITSCH. The Arts in Western Culture (Englewood Cliffs, New Jersey: Prentice-Hall, c. 1983), fig. 14-9, p. 335.
PARK, EDWARDS. Treasures from the Smithsonian (New York: Harry N. Abrams, 1983), ill.
CARPENTER, JAMES M. Visual Art: A Critical Introduction (New York: Harcourt Brace Jovanovich, 1984), p. 233-34, ill. 15-14.
COMMUNITY COMMITTEE OF THE CENTER FOR THE ARTS. Invitation to the "Fifth Annual Beaux Arts Masked Ball" (Vero Beach, Florida, 1984), n. p.
FORGEY, BENJAMIN. "The Hirshhorn: Dawn of a New Decade," Washington Post (7 October 1984), p. L1.
HOROWITZ, FREDERICK A. More Than You See: A Guide to Art (New York: Harcourt Brace Jovanovich, 1984), pp. 18, 19-22, 145-46, 226, fig. 3-8.
McCARTER, WILLIAM, and RITA GILBERT. Living with Art (New York: Alfred A. Knopf, 1984), fig. 357, p. 278.
SPORRE, DENNIS J. The Arts (Englewood Cliffs, New Jersey: Prentice-Hall, 1984), pp. 192-93, fig. 5.14.
UNSIGNED. "Museum Notes," The Washington Gallery (Summer 1984), ill. p. 25.
UNSIGNED. "Art Masterpieces in Washington Museums," Show Case of the Arts (Washington, DC: Georgetown University, Spring 1985), ill. p. 7.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts (Englewood Cliffs, NJ: Prentice-Hall, 1987), ill. 12.25, p. 387.
UNSIGNED. The Golden Book Encyclopedia (New York: Macmillan, 1988), p. 6, ill.
DOLAINSKI, STEPHEN, ed. Guest Informant (New York: Guest Informant, 1989), p. 109.
NATIONAL PARK SERVICE. Washington DC: A Traveler's Guide (Washington, DC: U.S. Department of the Interior, 1989), ill. p. 71.
UNSIGNED. Distinguished Lecturers on Art and Culture calendar (Richmond: Virginia Museum of Fine Arts, 1989), ill.
WOLF, THOMAS H. "The Object at Hand," Smithsonian 21 (August 1990), pp. 16, 18, ill. p. 18.
UNSIGNED. Reader's Newsletter 2 (October 1990), ill. p. 5.
SPORRE, DENNIS J. Reality through the Art (Englewood Cliffs, New Jersey: Prentice Hall, 1991), no. 2.3, ill. p. 50.
WHEELER, DANIEL. Art Since Mid-Century: 1945 to the Present (New York: Vendome Press, 1991), p. 15, fig. 17.
NEMETT, BARRY. Images Objects and Ideas: Viewing the Visual Arts (New York: Harcourt Brace Jovanovich College Publishers, 1992), no. 244, ill. p. 187.
SPORRE, DENNIS J. The Creative Impulse: An Introduction to the Arts, third ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1992), no. 13.27, ill. p. 405.
CELANT, GERMANO, DIETER KOEPPLIN, and MARK ROSENTHAL. Claes Oldenburg: An Anthology (New York: Guggenheim Museum; Washington, DC: National Gallery of Art, 1995), ill. p. 259.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 15-39, colorpl. p. 413.
GILBERT, RITA. Living with Art, fourth ed. (New York: Mcgrow-Hill, 1995), colorpl. 325, p. 279.
REESE, NICHOLAS. Washington (London: Studio Editions, 1995), ill. p. 41.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
MYER, PETER LIVINGSTON. Art: Do it!: A Handbook for Artists (Dubuque, Iowa : Kendall/Hunt, 1996), ill. p. 150.
TANSEY, RICHARD G. and FRED S . KLEINER. Gardener's Art through the Ages, tenth ed. (New York: Harcourt Brace Jovanovich College Publishers, 1996), fig. 26-92, p. 1012.
PATERSON, JIM. "Stop and See Sculpture," Washington Post, Weekend (15 August 1997), ill.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and Hudson, 1998), figs. 17 and 18, p. 22, figs. 23-25, p. 27, fig. 34, p. 36, fig. 35, p. 37, no. 2, ill. p. 38-39.
****Secondary List*****
UNSIGNED. The Hammond Times (Indiana, 30 September 1962), ill. p. 25.
UNSIGNED. Newsday (3 October 1962).
UNSIGNED. The Sculpture Gardens of Mr. and Mrs. Joseph H. Hirshhorn (Sarah Lawrence College, art tour brochure, 3 October 1967), cover ill.
FOGG, SUSAN. "Hirshhorn Museum Slated to Open Friday," Advance (Staten Island, New York, 2 October 1974) (also as "Controversial Art Museum," News-American, Baltimore, 6 October 1974).
UNSIGNED (U.P.I.). "Washington Museum Opens," Advertiser (Honolulu, 2 October 1974).
UNSIGNED (U.P.I.). "Controversial D. C. Museum Opens," The News (Mexico City, 3 October 1974).
POLAKOFF, JOSEPH. "Honors for Latvian Immigrant," Texas Jewish Post (3 October 1974) (also with other titles in: Jewish Times, Baltimore 4 October; Jewish Advocate, Boston, 10 October; Jewish Herald Voice, Houston, 21 November).
GENAUER, EMILY. "A $100,000,000 Collection with Uneven Value," Newsday (Long Island, New York, 4 October 1974).
UNSIGNED. "Smithsonian's New Hirshhorn Museum and Sculpture Garden," Mademoiselle (October 1974).
UNSIGNED. "New Home of the Arts," Times-Picayune (New Orleans, 10 October 1974).
UNSIGNED. "From Joe Hirshhorn's Front Yard Comes a Magnificent New Museum," People Magazine (14 October 1974), ill. pp. 24-25.
DEAR, CYRENE. "D.C. Current Museum a 'Must' in Washington," The Gleaner (Henderson, Kentucky, 20 October 1974) (also in Advace, Elizabeth City, North Carolina, 20 October).
UNSIGNED. "... The Hirshhorn," Progress Index (Petersburg, Virginia, 20 October 1974), fig. 1.
WITTENBERG, CLARISSA. "Washington's First Look at the Hirshhorn Museum," D.C. Gazette 5/9 (October 1974), p. 10.
BARKER, WALTER. "Music / Arts: Rich Content Redeems the Hirshhorn's Garden," Post-Dispatch (St. Louis, Missouri, 17 November 1974).
GILBERT, PAUL. "Art Talk," The Aegis (Bel Air, Maryland, 28 November 1974).
GRAST, BRADLEY. "Art Topics," Philadelphia College of Art, n.d. (late 1974).
UNSIGNED. "Review," Architecture Plus (December 1974).
UNSIGNED. "Art Transplant," The Guardian (2 December 1974).
UNSIGNED. "The Hirshhorn: Our Newest National Treasure," Today, no. 4 (1974), colorpl. p. 10.
LATTER, RUTH. "Hirshhorn Gathers Modern Treasures," Daily Progress (Charlottesville, Virginia, 5 January 1975), ill.
BERNTON, CAROL. "Museum Ranges from Sublime...," Indianapolis News (25 January 1975), ill.
PACK, PHYLLIS. "Washington's Newest Gallery...," Tribune-Review (Greensburg, Pennsylvania, 10 February 1975).
RUDIKOFF, SONYA. "Visiting the Hirshhorn," Commentary 59/2 (February 1975), p. 64.
UNSIGNED. "Capital's Museums Rival New York's," New York Motorist (March 1975).
UNSIGNED. Key West Citizen (Florida, 9 March 1975).
SUTER, LOLA. "New Hirshhorn Houses Rich Collections," Enterprise-Record (Chico, California, 18 March 1975), ill.
GOLDENTHAL, JOLENE. "Art: Sharing Hirshhorn's Dream," Hartford Courant (Connecticut, 30 March 1975).
KLEIN, JERRY. "The Hirshhorn....," Journal Star (Peoria, Illinois, 27 April 1975), pp. D-10, 11.
UNSIGNED. "Hirshhorn Museum and Sculpture Garden," Pastimes, Eastern Airlines Shuttle edition 3/10 (October 1975).
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Crouching Woman

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 37 1/2 × 27 5/8 × 24 1/4 in. (95.1 × 70.2 × 61.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4342


Musée Rodin, Paris, 1962 (Inventory No. I.489)
Galerie Claude Bernard, Paris, to 28 February 1963
Joseph H. Hirshhorn, New York, 28 February 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


GALERIE CLAUDE BERNARD, Paris. "August Rodin," January-February 1963, no. 14, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
NATIONAL GALLERY OF ART, Washington, DC. "Rodin Rediscovered," 28 June 1981-2 May 1982, no. 281 (as 1908 (?) enlargement from 1880-81 work).


JIANOU, IONEL and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1967), p. 89.
UNSIGNED. "Sculpture: Fresh-Air Fun," Time 90 (8 September 1967), colorpl. p. 75, p. 77.
ARNASON, H. HARVARD. History of Modern Art (New York: Abrams, 1968), p. 60, ill. 78.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), p. 740, ill. 89.
TANCOCK, JOHN L. The Sculpture of Auguste Rodin (Philadelphia Museum of Art, 1976), no. 6, other casts, p. 140.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Thames and Hudson, New York, 1998), no. 1. ill. p. 38, fig. 28, p. 30.
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Walking Man

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 84 1/4 × 61 5/8 × 28 7/8 in. (214 × 155.8 × 73.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4343


Musee Rodin, Paris, 1962
Galerie Claude Bernard, Paris, January-4 March 1963*
Joseph H. Hirshhorn, New York, 4 March 1963-17 May 1966
Gift of Joseph H. Hirshhorn, 1966
*This cast was probably commissioned by JHH through Galerie Calude Bernard. See VJF memo of 25 October 1995 in file.


GALERIE CLAUDE BERNARD, Paris. "Auguste Rodin," January 1963, no. 1, ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
SMITHSONIAN INSTITUTION, Washington, DC (organizer). "The America's Smithsonian: 150th Anniversary Exhibition," TOUR: Los Angeles, 9 February-7 March 1996; Kansas City, Missouri, 19 April-19 May; New York City, 11 June-24 July; Providence, 16 August-19 September; St. Paul, 11 October-14 November; Houston, 7 December-12 January 1997; Portland, 3 February-9 March; Birmingham, 1 April-11 May; San Jose, 3 June-11 July.


WATT, ALEXANDER. "Rodin Unknown, Homage to Atlan. Paris Commentary," Studio 165/841 (May 1963), 216.
ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 57, 114, ill. 72.
JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), p. 69, colorpl.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 86.
JACOBS, JAY. "Quality as Well as Quantity: Joseph H. Hirshhorn," Collector in America, ed. by Jean Lipman (New York: Viking, 1971), p. 83, colorpl.
ZANINI, WALTER. Tendencias da escultura moderna (Sao Paolo: Cultrix, 1971), p. 27, no. 5.
LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 32, ill.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 103, 741, colorpl. 221.
LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), p. 41, colorpl. p. 39.
MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 2-4, 64, ill. 4.
COURTHION, PIERRE. "Le plus grand musee de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 65, no. 65-1, see related works, p. 369.
FENTON, DEBORAH T. Paris and the American Avant-Garde, 1900-1925 (Detroit: Detroit Institute of Arts, 1980), fig. 14, p. 19.
SELZ, PETER. Art in our Times: A Pictorial History 1890-1980 (New York: Harcourt Brace Jovanovich and Harry N. Abrams, 1981), ill. p. 76, no. 167.
FICHNER-RATHUS, LOIS. Understanding Art, second ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1986), p. 133, ill., no. 6-11.
FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 6-17, ill. p. 134.
LEWIS, RICHARD, and SUSAN I. LEWIS. The Power of Art (New York: Harcourt Brace College Publishers, 1995), no. 7-13, ill. p. 115.
UNSIGNED. "Smithsonian Packs Up Its Show to Hit the Road," New York Times National (25 November 1995).
TRESCOTT, JACQUELINE. "Smithsonian Marks 150th With Biggest Exhibit Ever," Washington Post (14 December 1995), pp. A1, A19.
MOESER, VICKI. "Smithsonian packs travel bags," Torch, no. 96-1 (Washington DC: A Monthly Newspaper for Smithsonian Institution, January 1996), ill.
GOLDBERGER, PAUL. "An Attic Of Stuff, All Real," New York Times (14 June 1996), p. C1, C14.
TANSEY, RICHARD G. and FRED S. KLEINER. Gardner's Art Through The Ages, tenth ed. (New York: Harcourt Brace College Publishers, 1996), no. 26.91, p. 1012.
UNSIGNED. "America's Attic," USA Today (July 1996), ill. p. 26.
BAKER, KENNETH. "America Trophies," San Francisco Chronicle (31 July 1997), p. C1, ill. p. C3.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and
Hudson, 1998), no. 5, ill. p. 42.
TRESCOTT, JACQUELINE. "History Comes Home," Washington Post (12 February 1998), p. E2.
FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 1, p. 3. [exhibition brochure]
See file for further info.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Monument to Balzac

Auguste Rodin, French, b. Paris, 1840–1917

Bronze, 106 x 43 x 50 3/8 in. (269.2 x 109.2 x 127.9 cm) incl. plinth

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4344


Musée Rodin, Paris, to 2 August 1966 (Inventory No. 2.090)
Joseph H. Hirshhorn, New York, 2 August 1966-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.


SPEAR, ATHENA TACHA. Rodin Sculpture in the Cleveland Museum of Art (Cleveland: Museum of Art, 1967), p. 93.
JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 104.
GENAUER, EMILY. "Art and the Artist," New York Post (18 May 1974), p. 14.
RAYNOR, VIVIEN. "A Preview of the New Hirshhorn Museum," New York Times (14 July 1974), section 2.
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), pp. 59-60, 741, colorpl. 120.
LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), colorpl. p. 37.
MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), pp. 7-8, 63, 112, ill. 1.
COURTHION, PIERRE. "Le plus grand musée de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 72-76-15, see other casts, p. 459.
HYAMS, BARRY. Hirshhorn: Medici from Brooklyn (New York: E.P. Dutton, 1979), p. 16.
MILI, GJON. Photographs and Recollections (Boston: New York Graphic Society, 1980), ill.
MCALLISTER, JANE, ed. Hirshhorn Museum and Sculpture Garden: 150 Works of Art (Washington, DC: Hirshhorn Museum and Sculpture Garden in association with Harry N. Abrams, 1996), ill. p. 12.
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (New York: Thames and Hudson in association with the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1998), fig. 2, p. 9, no. 3, ills. p. 40-41.
UNSIGNED. "August Rodin, Balzac," Washington Post (14 May 1998), p. C8.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Voltri XV

David Smith, American, b. Decatur, Indiana, 1906–1965

Steel, 89 7/8 x 77 1/4 x 22 5/8 in. (228.1 x 196.1 x 57.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.4643


Marlborough Galleria D'Arte, Rome, to 13 October 1965
Joseph H. Hirshhorn, New York, 13 October 1965-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


FESTIVAL DEI DUE MONDI, Spoleto, Italy. "Sculture nella città," Summer 1962.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, no. 777, ill. p. 525.
THE WHITE HOUSE (organized by the National Gallery of Art), Washington, DC. "Sculpture from Washington Collections," 4 October 1996-30 September 1997, brochure, ill.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "David Smith: A Centennial," 26 January-14 May 2006. TOUR: CENTRE GEORGES POMPIDOU, Paris, 14 June-11 September.


LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Abrams, 1974), ill. p. 525.
KRAUSS, ROSALIND. The Sculpture of David Smith: A Catalogue Raisonné (New York: Garland, 1977), no. 572, p. 103; fig. 572.
SILVER, KENNETH E. "The Colossus of Bolton Landing," Art in America (October 2006), ill. 158, p. 153-162, 209-210.
GIMENEZ, CARMEN. David Smith: A Centennial (New York: S. R. Guggenheim Museum, 2006), ill. p. 16.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Pittsburgh Landscape

David Smith, American, b. Decatur, Indiana, 1906–1965

Steel and paint, 30 × 116 1/4 × 5 1/2 in. (76 × 295.2 × 14 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number: 72.266

Jh Purchased From Diamond, Harold, New York 1967

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Cubi XII

David Smith, American, b. Decatur, Indiana, 1906–1965

Stainless steel, 109 5/8 × 49 1/4 × 32 1/4 in. (278.5 × 125.1 × 81.9 cm) incl. base: 2 7/8 in. (7.2 cm) high

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972

Accession Number: 72.268

Jh Purchased From Marlborough-gerson Gallery, New York 1968

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


1962-D

Clyfford Still, American, b. Grandin, North Dakota, 1904–1980

Oil on canvas, 113 X 147 IN. (286.8 X 373.3 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the artist, 1969

Accession Number: 69.4


Gift of the artist, New Windsor, MD, 1969


CLYFFORD STILL STUDIO, Westminster, MD. 1962.
INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PENNSYLVANIA, Philadelphia, PA. Clyfford Still, 18 October-29 November 1963, no. 26.
MARLBOROUGH-GERSON GALLERY, New York. Clyfford Still, October-November 1969, no. 39.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


Mizue Magazine: A Monthly Review of Fine Arts no. 726 (Tokyo: August 1965).
Art News (November 1963).

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Angola II

Isaac Witkin, American, b. Johannesburg, South Africa, 1936–2006

Steel, 102 1/2 x 100 x 45 3/8 in. (260.4 x 254 x 115.3 cm) WT (approx, includes pallet): 600lb. (272.2kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.51

WILKIN, Karen. "Isaac Witkin." New York: Hudson Hills Press, 1998, ill. p. 32.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Seated Yucatán Woman

Francisco Zúñiga, Mexican, b. San José, Costa Rica, 1912–1998

Bronze, 41 1/2 × 35 3/8 × 44 3/8 in. (104.9 × 89.7 × 112.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1976

Accession Number: 76.93


Galería Tasende, Acapulco, Mexico, to 5 October 1974
Joseph H. Hirshhorn, New York and Washington, DC, 5 October 1974-12 May 1976
Gift of Joseph H. Hirshhorn, 1976


GALERIA TASENDE, Acapulco, Mexico. "Francisco Zúñiga," fall 1973.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Acquisitions: 1974-1977," 25 March-24 July 1977, unnumbered checklist.


UNSIGNED. Advertisement for "Francisco Zúñiga: Bronzes, Marbles, Drawings, Lithographs," Art in America 61 (no. 6), November-December 1973, ill. p. 14.
ZÚÑIGA, FRANCISCO AND JACQUES LASSAIGNE. Francisco Zúñiga: Sculpture, Drawings, Lithographs (New York: Brewster Editions, 1982), no. 45, ill. p. 63 [as "Seated Juchiteca"].
FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with Thames and Hudson, 1998), no. 30, ill. p. 59 [as "Seated Yucatán Woman"].

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Kiepenkerl

Jeff Koons, American, b. York, Pennsylvania, 1955

Stainless steel, 72 3/4 × 31 1/2 × 32 1/4 in., 550 lb. (184.8 × 80 × 81.9 cm, 249.5 kg)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Smithsonian Collections Acquisition Program, 1998

Accession Number: 98.21


The artist, to 1993
Anthony d'Offay Gallery, London, 1993-1997
Private collection, New York, 1997-1998
Richard Gray Gallery, Chicago,to 22 October 1998
Joseph H. Hirshhorn Purchase Fund and Smithsonian Collections Acquisition Program, 1998

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Antipodes

James Sanborn, American, b. Washington, DC, 1945

Copper and petrified wood, approx. 96 x 75 x 26 in.

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Partial Gift of Gilbert and Ann Kinney and Joseph H. Hirshhorn Purchase Fund, by Exchange, 1998

Accession Number: 98.22


The artist, to 1993
Anthony d'Offay Gallery, London, 1993-1997
Private collection, New York, 1997-1998
Richard Gray Gallery, Chicago,to 22 October 1998
Joseph H. Hirshhorn Purchase Fund and Smithsonian Collections Acquisition Program, 1998

Hirshhorn Museum and Sculpture Garden Collection, Washington Regional, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Brushstroke

Roy Lichtenstein, American, b. New York City, 1923–1997

Aluminum and paint, 384 x 258 x 72 in., approx.13,000 lb.

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2002

Accession Number: 02.28


The artist, to 1993
Anthony d'Offay Gallery, London, 1993-1997
Private collection, New York, 1997-1998
Richard Gray Gallery, Chicago,to 22 October 1998
Joseph H. Hirshhorn Purchase Fund and Smithsonian Collections Acquisition Program, 1998

Hirshhorn Museum and Sculpture Garden Collection, Pop Art (American), Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Window

Gerhard Richter, German, b. Dresden, 1932

Oil on canvas, 78 3/4 x 158 in. (200 x 401.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 2003

Accession Number: 03.31


Private collection


[MUSEUM LEVERKUSEN. 13 Deutsch Maler (13 German Painters), 1968]
[KUNSTMUSEUM BONN. Vier Perioden deutscher Malerei (Four Periods of German Painters), 1984]
(Information provided by James Cohan Gallery, October 2003)
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Out of the Ordinary," 4 February-27 May 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


[Gerhard Richter, Gegenverkehr, Aachen, 1969, Abb. 102]
[Gerhard Richter, Biennale, Venice, 1972, Abb. S. 58]
[Neuerwerbungen der Kunstmussen in Nordrhein-Westfalen 1976 (New Acqusitions of the Art Museum in North Rhine-Westphalia 1976), in: Wallraf-Richartz-Jarbuch, XXXIX, Cologne 1977, S. 288 Abb.]
[Neuerwerbungen der Museen, (New Acquisitons of the Museum), in: Das Kunstjarhbuch 1977/78, Mainz 1978, Abb. S. 187]
[Stemmler 1983, S. 648, Abb. S. 649]
(Above format and information reflects materials provided by James Cohan Gallery in October 2003. These references have not been verified and, as indicated above, authors were not provided.)

Hirshhorn Museum and Sculpture Garden Collection, European Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Corazón de Roca con Sangre (Rock Heart with Blood)

Ana Mendieta, American, b. Havana, Cuba, 1948–1985

8mm color film transferred to DVD, variable projection size (max. 5' x 5'); running time: 00:03:30

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Estate of Ana Mendieta Collection and an Anonymous Donor, 2005

Accession Number: 05.8

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Hispanic Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Bust of Diego

Alberto Giacometti, Swiss, b. Borgonovo, 1901–1966

Bronze, 14 1/2 x 8 5/8 x 4 5/8 in. (36.8 x 21.9 x 11.8 cm) including base

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Dawn Greene, 2006

Accession Number: 06.75


Dawn Greene, New York, to 14 December 2006
Gift of Dawn Greene, 2006


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Surrealism (European)/Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Moonrise Kent England, 30 September 1985

Hamish Fulton, British, b. London, England, 1946

Paint and lettering on wall, 144 x 384 in.

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2007. The Panza Collection.

Accession Number: 07.49


Dr. Giuseppe Panza, Massagno, Switzerland, to 27 September 2007
Joseph H. Hirshhorn Purchase Fund, 2007. The Panza Collection.


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Panza Collection," 23 October 2008-11 January 2009, cat. by Evelyn C. Hankins and Giuseppe Panza with a forward by Kerry Brougher, ill. p. 88; p. 89.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Fragments in Time and Space," 23 June-28 August 2011, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


For Gordon Bunshaft

Dan Graham, American, b. Urbana, Illinois, 1942

Two-way mirror, stainless steel, wood, and stone, 92 1/8 x 196 1/4 x 196 1/8 in. (234 x 498.4 x 498.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest and Purchase Funds, 2008

Accession Number: 08.7


Joseph H. Hirshhorn Bequest and Purchase Funds, 2008


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution. Installed in Sculpture Garden, 30 May 2008- .

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Sunset Song

Susan Philipsz, British, b. Glasgow, Scotland, 1965

Sound installation, running time: 00:08:00

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2009

Accession Number: 09.12


Tanya Bonakdar Gallery, New York, to 9 May 2009
Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2009


CARNEGIE MUSEUM OF ART, Pittsburgh. "55th Carnegie International," 3 May 2008-11 January 2009.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. Installed in the Sculpture Garden, 10 July 2009- .


GOPNIK, BLAKE. "Survey Says: Six is the Magic Number," Washington Post (8 June 2008), p. M05.
CHURNER, RACHEL. "55th Carnegie International," Artforum (September 2008), p. 455.

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden


Profuse Wet Nurse

Jean Dubuffet, French, b. Le Havre, 1901–1985

Iron slag on cement base, 14 3/4 x 6 3/8 x 3 7/8 in. (37.3 x 16.3 x 9.7 cm) incl. base height: 3 1/8 in. (7.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1454


Leo Castelli Gallery, New York, to 1961


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Postwar European, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Spatial Concept: Nature (59-60 N30)

Lucio Fontana, Italian, b. Rosario, Argentina, 1899–1968

Bronze, height: 36 1/4 in. (92.0 cm); diameter: 43 3/8 in. (110.1 cm) [irreg.]

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1980

Accession Number: 80.163


Leo Castelli Gallery, New York, to 1961


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Over, Under, Next: Experiments in Mixed Media, 1913-Present," 18 April-8 September 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


Image not available.

5 Nights (from the series "The Weight of History")

Reynier Leyva Novo, Cuban, b. Havana, 1983

Printing press ink, variable

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2016

Accession Number: 16.12


The artist, to 16 September 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor, Lerner Room


Image not available.

Still Life with Spirit and Xitle

Jimmie Durham, American, b. Washington, Arkansas, 1940

Basalt stone, 1992 Chrysler Spirit, and acrylic paint, 82 × 175 1/2 × 96 in. (208.3 × 445.8 × 243.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2016

Accession Number: 16.8


Peter Freeman, Inc., New York, to 25 July 2016
Joseph H. Hirshhorn Purchase Fund, 2016

Hirshhorn Museum and Sculpture Garden Collection, Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza


From Hand To Mouth

Bruce Nauman, American, b. Fort Wayne, Indiana, 1941

Wax on cloth, 28 x 10 1/8 x 4 in. (71.1 x 25.7 x 10.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, and Museum Purchase, 1993

Accession Number: 93.6


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Ways of Seeing: John Baldessari Explores the Collection," 26 July 2006-23 September 2007, no cat.
PHILADELPHIA MUSEUM OF ART, organizer. "Bruce Nauman: Topological Gardens," 7 June-22 November 2009 (U.S. Pavilion at the Giardini della Biennale, Venice), pl. 11, p. 123.


HANKINS, EVELYN C. and GIUSEPPE PANZA. The Panza Collection (Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2008), ill. p. 32.
RIAN, JEFF. Bruce Nauman: Selected Works from 1967 to 1999 (Paris: Gagosian Gallery, 2016), fig. 1.

Hirshhorn Museum and Sculpture Garden Collection, American Post-Minimal Sculpture, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Nude with Leg Up (Leigh Bowery)

Lucian Freud, British, b. Berlin, Germany, 1922–2011

Oil on linen, 72 x 90 1/8 in. (182.9 x 229 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1993

Accession Number: 93.7


Acquavella Contemporary Art, New York, to 22 April 1993
Joseph H. Hirshhorn Purchase Fund, 1993


TATE GALLERY, London.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "The Hirshhorn Collects: Recent Acquisitions 1992-1996," 4 June-7 September 1997, cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Regarding Beauty: A View of the Late Twentieth Century," 7 October 1999-17 January 2000. TOUR: HAUS DER KUNST, Munich, 11 February-30 April.
MUSEUM FUR MODERNE KUNST, Frankfurt, Germany. "Lucian Freud: Naked Portraits: Works from the 1940s to the 1990s," 29 September 2000-4 March 2001.
NATIONAL GALLERY OF CANADA, Ottawa. "The Great Parade: Portrait of the Artist as Clown," 25 June-19 September 2004. TOUR: GALERIES NATIONALES DU GRAND PALAIS, Paris, 9 March-31 May 2005.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Strange Bodies," 11 December 2008-15 November 2009, no cat.
CENTRE GEORGES POMPIDOU, Paris: "Lucian Freud: The Studio," 9 March-9 June 2010.
NATIONAL PORTRAIT GALLERY, London. "Lucian Freud Portraits," 9 February-28 May 2012, no. 85, color ill. p. 158; p. 249. TOUR: MODERN ART MUSEUM OF FORT WORTH, 2 July-28 October 2012.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, School of London, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Field for Skyes

Joan Mitchell, American, b. Chicago, Illinois, 1926–1992

Oil on canvas, 110 1/4 × 204 3/4 in. (280 × 520.1 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Mr. and Mrs. David T. Workman, 1975

Accession Number: 75.20


Galerie Jean Fournier, Paris
Mr. and Mrs. David T. Workman, New York, 1974-1 December 1975
Gift of Mr. and Mrs. David T. Workman, 1975


WHITNEY MUSEUM OF AMERICAN ART, New York. "Joan Mitchell," 26 March-5 May 1974, no. 15; pp. 15, 42.
ARTS CLUB OF CHICAGO. "Joan Mitchell: Recent Paintings," 23 September-9 November 1974, no. 2, colorpl.
HILLES GALLERY, WADSWORTH ATHENEUM, Hartford, Connecticut. "Contemporary Painting and Sculpture," 1 January-15 September 1975.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Acquisitions: 1974-1977," 25 March-24 July 1977, unnumbered checklist.
IVAM CENTRE JULIO GONZALEZ, Valencia, Spain. "Joan Mitchell," 11 September-14 December 1997, colorpl. pp. 58-59; p. 94.
WHITNEY MUSEUM OF AMERICAN ART, New York. "The Paintings of Joan Mitchell," 20 June-29 September 2002, pl. 40; pp. 158-159. Tour: BIRMINGHAM MUSEUM OF ART, Alabama, 27 June-31 August 2003; MODERN ART MUSEUM OF FORT WORTH, 21 September-7 January 2004; DES MOINES ART CENTER, 31 January-25 April.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.


KINGSLEY, APRIL. "New York Letter," Art International 18, no. 6 (Summer 1974), ill. p. 43.
RATCLIFF, CARTER. “Joan Mitchell’s Envisionments,” Art in America 62, no. 4 (July/August 1974), p. 35.
WOMEN'S PROGRAM OF THE SMITHSONIAN INSTITUTION. Women Artists: A Checklist of Works in the Hirshhorn Museum and Sculpture Garden Collection (Washington, DC: Smithsonian Institution, 1979), ill.
BERNSTOCK, JUDITH E. Joan Mitchell (Ithaca, NY: Herbert F. Johnson Museum of Art, 1988), ill. p. 113; pp. 112, 114.
HURWITZ, AL and MICHAEL DAY. Children and their Art: Methods for the Elementary School, 6th ed. (Fort Worth, TX: Harcourt Brace & Company, 1995), p. 183.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (Second Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Untitled

Jannis Kounellis, Greek, b. Piraeus, 1936

Plaster, marble, cement and wood, dimensions variable doorway: 82 × 38 1/16 × 25 7/8 in. (208.3 × 96.7 × 65.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1999

Accession Number: 99.21


Luhring Augustine, New York, to 27 October 1999
Joseph H. Hirshhorn Purchase Fund, 1999


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Regarding Beauty: A View of the Late Twentieth Century," 7 October 1999-17 January 2000. TOUR: HAUS DER KUNST, Munich, 11 February-30 April.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, Arte Povera, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Lick and Lather

Janine Antoni, Bahamian, b. Freeport, 1964

Chocolate and soap, Lick: 22 1/2 × 15 1/4 × 9 7/8 in. (57.2 × 38.7 × 25.1 cm) Lather: 20 1/2 × 13 7/8 × 9 3/8 in. (52.1 × 35.2 × 23.8 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest Fund, 2001

Accession Number: 01.9

HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.

Hirshhorn Museum and Sculpture Garden Collection, International Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Untitled

Robert Gober, American, b. Wallingford, Connecticut, 1954

Window: plywood, iron, plaster, latex paint, and lights; butter: beeswax, wood, glassine, and ink, butter: 9 1/2 x 47 3/4 x 40 in. (24.1 x 121.3 x 101.6 cm) window: 48 x 58 x 36 in. (121.9 x 147.3 x 91.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Bequest and Purchase Funds and Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 2003

Accession Number: 03.32


Matthew Marks Gallery, New York, to 8 December 2003
Joseph H. Hirshhorn Bequest and Purchase Funds, Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, and Museum Purchase, 2003


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Out of the Ordinary," 4 February-27 May 2013, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "At the Hub of Things: New Views of the Collection," 16 October 2014-24 April 2016, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Masterworks from the Hirshhorn Collection," 9 June 2016-6 August 2017, no cat.

Hirshhorn Museum and Sculpture Garden Collection, American Contemporary, Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Sphinx

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil and charcoal on paper, 23 13/16 x 18 5/8 in. (60.5 x 47.3 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1201


The artist, East Hampton, New York, to 1964
Harold Diamond, New York, to 1 June 1964
Joseph H. Hirshhorn, New York, 1 June 1964-17 May 1966 (gift of Harold Diamond)
Gift of Joseph H. Hirshhorn, 1966


SMITHSONIAN CASTLE BUILDING, Smithsonian Institution, Washington, DC. "Castle Exhibition I," 27 March-27 September 1986, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 30, p. 204, 217, colorplate 30, p. 120-121. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.


GAUGH, HARRY F. Willem de Kooning (New York: Abbeville Press, 1983), p. 121, fig. 109, p. 122
TERMIN, CHRISTINE. "Rediscovering de Kooning," The Boston Globe (9 December 1994), p. 49.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Untitled

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Charcoal on tracing paper, 18 7/8 x 23 7/8 in. (47.9 x 60.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1204


The artist, East Hampton, New York, to 1964
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 23, p. 202, 217, colorplate 23, p. 112. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.


STOULLIG, CLAIRE AND CATHERINE BOMPUIS. Willem de Kooning: Whitney Museum of American Art, New York, 15 December 1983 - 26 February 1984: Akademie der Künste, Berlin, 11 March - 29 April 1984 : Centre Georges Pompidou, Musée nationald'art moderne, 28 June - 24 September 1984.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Reclining Man (John F. Kennedy)

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil on paper mounted on fiberboard, 23 x 27 in. (58.4 x 68.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1207


The artist, East Hampton, New York, 1964
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning," 19 September-17 November 1968, cat. no. 78, ill. MUSEUM OF MODERN ART INTERNATIONAL CIRCULATING EXHIBITION, TOUR: TATE GALLERY, London, 8 December-26 January 1969; MUSEUM OF MODERN ART, New York, 3 March-27 April, cat. no. 90, ill. p. 127; ART INSTITUTE OF CHICAGO, 17 May-6 July; LOS ANGELES COUNTY MUSEUM OF ART, 28 July -14 September.
THE WHITE HOUSE, Washington, DC. Extended loan, May 1977.
BRAINERD ART GALLERY, State University of New York, Potsdam. "The Benefactors: Solomon R. Guggenheim, Joseph H. Hirshhorn, Roy R. Neuberger," 19 October-9 November, 1980, p. 12, ill. p. 29
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 24, p. 202-3, 217, colorplate 24, p. 113. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.
BRUCE MUSEUM, Greenwich, Connecticut. JFK and Art, 20 September 2003-11 January 2004. TOUR: NORTON MUSEUM OF ART, Palm Beach, Florida, 6 February-2 May, p. 110, ill. p. 111.


DRUDI, GABRIELLA. Willem de Kooning (Milan: Fratelli Fabbri, 1972), ill. 25.
ROSENBERG, HAROLD. Willem de Kooning (New York: Harry N. Abrams, 1973), ill. plate 152.
GARSON, INEZ. Willem de Kooning at the Hirshhorn Museum and Sculpture Garden (New York: Scala, 1974), p. 4, ill.
ZILCZER, JUDITH. Willem de Kooning from the Hirshhorn Museum Collection (New York: Rizzoli in association with the Hirshhorn Museum and Sculpture Garden, 1993), cat. no. 24.
RODRIGUEZ, PEDRO. "Para Willem, Picasso ha sido el 'tipo a superar,'" ABC de las artes (18 February 1994): p. 33.
FOX, JUDITH HOOS. Collection in Context: William de Kooning's Door Cycle, March 14-May 26, 1996 (Davis Museum and Cultural Center, 1996): unpaginated.
LEWIS, NICOLE. "Missing and Missed," The Washington Post (2 July 1998): p. B5.
VOGEL, CAROL. "De Kooning and Kennedy," The New York Times (3 July 1998).
ZILCZER, JUDITH. "Identifying Willem de Kooning's Reclining Man," American Art 12/2 (Summer 1998): pp. 26-35.
NEW YORK TIMES. "De Kooning's 'Man' identified as JFK," San Francisco Chronicle (3 July 1998).
UNSIGNED. "Reliable Source: De Kooning and debunking sci-fi films," The Torch (September 1998): p. 4.
WEIL, REX. "Presidential Nominee: a sleuthing curator recognizes a familiar face in an unusual de Kooning," Art News 97/8 (September 1998): p. 47.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Woman, Sag Harbor

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil and charcoal on wood, 80 x 36 in. (203.1 x 91.2 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1209


The artist, East Hampton, New York, to summer 1964
Joseph H. Hirshhorn, New York, summer 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


M. KNOEDLER & CO., New York. "De Kooning: Recent Paintings," 14 November-2 December 1967
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning," 19 September-17 November 1968, cat. no. 82, ill. MUSEUM OF MODERN ART INTERNATIONAL CIRCULATING EXHIBITION TOUR: TATE GALLERY, London, 8 December-26 January 1969; MUSEUM OF MODERN ART, New York, 3 March-27 April, no. 94, ill. p. 130; THE ART INSTITUTE OF CHICAGO, 16 May-6 July; LOS ANGELES COUNTY MUSEUM OF ART, 28 July-14 September.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975, plate 971, p. 626, p. 682.
SOLOMON R. GUGGENHEIM MUSEUM, New York. "Willem de Kooning in East Hampton," 9 February-23 April 1978, cat. no. 7, ill. p. 36
MUSEUM OF ART, CARNEGIE INSTITUTE, Pittsburgh. "Willem de Kooning: Pittsburgh International Series," 26 October 1979-6 January 1980, cat. no. 33, ill. p. 64
MUSEO DEL PALACIO DE BELLAS ARTES, Mexico City. "Painting in the United States from Public Collections in Washington, DC," 18 November 1980-4 January 1981, no. 70, p. 180, ill. p. 181 (Organized by the International Communication Agency, Washington, DC).
MUSEO DEL PALACIO DE BELLAS ARTES, Mexico City. "Painting in the United States from Public Collections in Washington, DC," 18 November 1980-4 January 1981,
GUILD HALL MUSEUM, East Hampton, New York. "Willem de Kooning: Works from 1951-1981," 23 May-19 July 1981, cat. no. 20, p. 20.
KORNBLATT GALLERY, Washington, D.C. "Eleven Paintings and Two Sculptures from the Sixties," 7 November-10 December 1981, cat. no. 1
STEDELIJK MUSEUM, Amsterdam. "Willem de Kooning: The North Atlantic Light 1960-1983," 11 May-3 July 1983, cat. no. 6, p. 29, ill. TOUR: LOUISIANA MUSEUM OF MODERN ART, Humlebaek, 15 July-4 September; MODERNA MUSEET, Stockholm, 17 September-30 October.
WHITNEY MUSEUM OF AMERICAN ART, New York. "Willem de Kooning: Drawings, Paintings, Sculpture," 15 December 1983-26 February 1984, cat. no. 217, ill. p. 203. TOUR: AKADEMIE DER KUNSTE, Berlin, 11 March-29 April 1984; MUSEE NATIONAL D'ART MODERNE, Centre Georges Pompidou, Paris, 28 June-24 September ill. p. 118)
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Willem de Kooning from the Hirshhorn Museum Collection," 21 October 1993-9 January 1994, cat. no. 27, p. 203, 217, colorplate 27, p. 116-17. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, Spain, 17 February-3 April 1994; HIGH MUSEUM OF ART, Atlanta, Georgia, 13 September-27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994-19 February 1995; MUSEUM OF FINE ARTS, Houston, Texas, 19 March-28 May 1995.
NATIONAL GALLERY OF ART, Washington, DC. "Willem de Kooning: Paintings," 8 May-5 September 1994, cat. no. 53, ill. p. 184.
DAVIS MUSEUM AND CULTURAL CENTER, Wellesley College, Wellesley, MA. "Collection in Context: Willem de Kooning's Door Cycle," 12 October 1995-26 February 1996, cat. no. 1, ill. TOUR: WHITNEY MUSEUM OF AMERICAN ART, New York, 14 March-26 May 1996, cat., ill.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Regarding Beauty: A View of the Late Twentieth Century," 7 October 1999-17 January 2000, cat. no. 20, ill. p. 54. TOUR: HAUS DE KUNST, Munich, 11 February-30 April.
LA FONDATION MAEGHT, St. Paul, France. "Le nu au 20e siecle," 4 July-30 October 2000, cat. no. 24, ill. p. 219.
MUSEUM OF MODERN ART, New York. "de Kooning: A Retrospective," 18 September 2011-9 January 2012, pp. 343-46, 356, 360, 362; colorplate 127, p. 363 (color detail, p. 366); color ill. p. 367; fig. 2 (color), p. 368.


UNSIGNED. "Prisoner of the Seraglio," Time (26 February 1965), colorplate p. 75
HESS, THOMAS B. "De Kooning's New Women," Art News 64 (March 1965), pp. 36, 64, ill. p. 36
MARMER, NANCY. "Los Angeles Letter," Art International 9 (June 1965), p. 40
AARONS, LEROY. "Sound the Hirshhorn! The collection," The Washington Post Potomac (19 March 1967), colorplate p. 19
HESS, THOMAS B. De Kooning: Recent Paintings (New York: Walker, 1967), colorplate p. 11.
SYLVESTER, DAVID. "De Kooning's Women," Ramparts (April 1969), ill.
HERRERA, A. "Willem de Kooning: A Space Odyssey," Harper's Bazaar 3389 (April 1994): p. 191-195, 230-31.
FORGE, ANDREW W. "De Kooning's Women," Studio International 176 (December 1968), ill. p. 251
JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), colorplate p. 68
JACOBS, JAY. "Quality as Well as Quantity: Joseph H. Hirshhorn," in Lipman, Jean, ed. The Collector in America (New York: Viking, 1971), colorplate p. 75
DRUDI, GABRIELLA. Willem de Kooning (Milan: Fratelli Fabbri, 1972), colorplate 126
HUNTER, SAM. American Art of the 20th Century (New York: Harry N. Abrams, 1972), colorplate 323
ROSENBERG, HAROLD. Willem de Kooning (New York: Harry N. Abrams, 1974), pp. 35, 50, colorplate 155
LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 682, ill. p. 626
GARSON, INEZ. Willem de Kooning in the Hirshhorn Museum and Sculpture Garden (New York: Scala, 1974), no. 11.
LAUTER, ESTELLA. "Homage to Anima: Some Psychological and Cultural Implications of Willem de Kooning's Images of Women," Soundings: An Interdisciplinary Journal 59 (1976), p. 426, ill. p. 433
HUGHES, ROBERT. "Art: Softer de Kooning's," Time (6 March 1978), ill. p. 79
LUCIE-SMITH, EDWARD, SAM HUNTER, and ADOLF MAX VOGT, et al. Kunst der Gegenwart: Propylaen Kunstgeschichte supplement, vol. II (Berlin: Propylaen Verlag, 1978), colorplate 169, no. 169, p. 180
LAUER, DAVID, A. Design Basics (New York: Holt, Rinehart, and Winston, 1979), p. 201, fig. B
UNSIGNED. A small guide book to American Art Museums (Japan: Sinichi Segi, 1979): p. 247.
STUCKEY, CHARLES F. "Bill de Kooning and Joe Christmas," Art in America 68 (March 1980), p. 67, fig. 3 p. 69
SECREST, MERYLE. "Piezas Admirables del Museo Hirshhorn se Expondran Aqui," Excelsior (20 October 1980), pp. 1, 4B
UNSIGNED. "Exposicion: Pintura Actual de los Estados Unidos," El Sol de Mexico (23 November 1980), p. 6D
LAGE, MARIO. "Plastica Actual," El Universal (24 November 1980), p. 3
BLESSING, MIRTA. "Culti-Cosas," El Universal (unknown date): p. 2.
DESCHAMPS, MADELEINE. La Peinture Americaine: Les mythes et la matiere (Paris: Denoel, 1981), plate XX
GAUGH, HARRY F. Willem de Kooning (New York: Abbeville Press, 1983), fig. 66, pp. 76-77
BROWN, MILTON, W., with the assistance of JUDITH H. LANIUS. One Hundred Masterpieces of American Painting (Washington, D.C.: Smithsonian Institution Press, 1983), p. 191
SCHULZ, BERNHARD. "Malerei als Abenteuer," Weltkunst 54 (15 April 1984), p. 1104, ill.
ROSENBLUM, ROBERT. "The Fatal Women of Picasso and De Kooning," Artnews 84 (October 1985), ill. p. 102
HOBHOUSE, JANET. The Bride Stripped Bare (London: Jonathan Cape, 1987), fig. 227, p. 254
WALDMAN, DIANE. Willem de Kooning (New York: Harry N. Abrams with the National Museum of American Art, 1988), no. 88
BARNETT, CATHERINE. "The Conundrum of Willem de Kooning," Art & Antiques (November 1989), ill. p. 69
GOLDSTEIN, NATHAN. Design and Composition (Englewood Cliffs, New Jersey: Prentice Hall, n.d.), fig. 2.15, p. 38
MUSEE ABBAYE SAINTE-CROIX (LES SABLES-D'OLONNE, FRANCE). Bataille: Georges Bataille, une autre histoire de l'oeil: Mars-Juin 1991, (Les Sables d'Olonne: L'Abbaye, c1991), p. 73
POLCARI, STEPHEN. Abstract Expressionism and the Modern Experience ( Cambridge, New York, Port Chester, Melbourne, Sydney: Cambridge University Press, 1991), p. 295
YARD, SALLY. "Willem de Kooning: the creative process," Helix 1/1 (1992), p. 46.
NERET, GILLES VON. Erotik in der Kunst des 20. Jahrhunderts (Koln: Bendikt Taschen, 1992), p. 49.
SUFFIELD, LAURA. "The artist and his patron: De Kooning at the Hirshhorn," The Art Newspaper 32 (November 1993): p. 10.
ART & AUCTION 16/4 (November 1993): p. 116.
UNSIGNED. "Willem de Kooning: Hirshhorn Museum," Journal of the Print World (Fall 1993): unpaginated.
GUAY, HERVE. "Willem de Kooning ou l'art dans sa totalite," Le Devoir (27-28 November 1993): p. C12.
SMITH, ROBERTA. "De Kooning's 90th Birthday nears and Hirshhorn leads the Tribute," New York TImes (14 December 1993): p. C19.
CATEFORIS, DAVID. "Willem de Kooning," Art Journal 53/4 (Winter 1994): pp. 86-89.
UNSIGNED. "Fuerza Expresiva del Gesto," La Vanguardia Magazine, (unknown date): p. 62.
ROSENBERG, HAROLD. "En la pintura, tengo mas de novelista que de poeta," El Mundo (18 February 1994): 57, 58.
GAFAROT, XAVIER. "Barcelona acoge desde hoy la unica muestra europa de De Kooning," Barcelona (Cataluna) (18 February 1994): p. 41.
BORRAS, MARIA LLUISA. "Pintar es una manera de vivir," La Vanguardia Magazine (25 February 1994): p. 43.
UNSIGNED. Economics (February 1994): p. 73.
ZILCZER, JUDITH. "Willem de Kooning," El Guia. Art de l'arc mediterrnaeen 7 (February 1994): p. 21.
ZILCZER, JUDITH. "Willem de Kooning, pionero y lider del expresionismo abstracto," Panorama (March 1994): p. 3.
ANFAM, DAVID. "Washington and Barcelona: Willem de Kooning," Burlington Magazine (April 1994): p. 69-70.
CATEFORIS, DAVID. Willem de Kooning (New York: Rizzoli Art Series, 1994).
SCHKAGHECK, IRMA. "Willem de Kooning: Amerikas grober Maler wird 90," Art (April 1994): p. 25.
SOLOMON, DEBORAH. "The Figure in the (Abstract) Canvas," Wall Street Journal (6 May 1994): p. A12.
DIXON, GLENN. "Art for Art's Sake," CIty Paper (27 May 1994): 34.
TULLY, JUDD. Art & Value 2/1 (1994): p. 56.
WEIL, REX. "William de Kooning," Art News 93/7 (September 1994): pp. 176, 178.
LLOYD-JINKNER, AMY. "The Endurance of Beauty," Creative Loafing (17 September 1994): p. 29.
SPRECHER, MARY. "An abstract look at Kooning," Southern Flair (September 1994).
FOX, CATHERINE. "De Kooning at the High: His is legacy of abstraction," The Atlanta Journal/The Atlanta Constitution (25 September 1994): p. N1, N3.
RATCLIFF, CARTER. "New World Order," ArtForum International 33/3 (November 1994): p. 75-79, 113.
KUSPIT, DONALD. "Body of Evidence: Old school Master," ArtForum International 33/3 (November 1994): p. 75-79, 113.
UNSIGNED. "de Kooning Retrospective honors Artist's Birthday," Antiques and the Arts Weekly (4 November 1994): p. 99.
UNSIGNED. "Willem de Kooning at the Museum of Fine Arts, Boston," Journal of the Art World (Winter 1995).
KALIL, SUSIE. "Defining de Kooning," Houston Press (20-26 April 1995): p. 4.
DAVIS MUSEUM AND CULTURAL CENTER. Fall 1995 Calendar.
GARRELS, GARY and ELISE HAAS. Willem de Kooning: The Late Paintings, the 1980's (San Francisco Museum of Modern Art, 1995): cat. ill. p. 29.
SILVER, JOAN. "'Doors open up de Kooning's world,'" Unknown publication (22 October 1995).
TEMIN, CHRISTINE. "Doors of perception," The Boston Globe (12 November 1995): pp. 57, 62-63.
LOOS, TED. "Doors of Perception," Arts & Antiques 19/5 (May 1996): p. 103-105.
ZILCZER, JUDITH. "Artist and Patron: The formation of the Hirshhorn Museums' Willem de Kooning collection," Journal of the History of Collections 8/1 (1996): p. 117-125.
GIBSON, ANN. Joe Overstreet: Works from 1957 to 1993, January 20 through April 7, 1996. (New Jersey State Museum, Trenton, 1996): p. 30.
YARD, SALLY. Willem de Kooning (New York, Rizzoli, 1997): ill. no. 75, p. 91.
LEWIS, NICOLE. Washington Post (9 August 1998).
NEMECZEK, ALFRED. Das Bild der Kunst (Art das Kunstmagazin, 1999): p. 23.
ROSENBLUM, ROBERT. On Modern American Art (New York: Harry N. Abrams, Inc., 1999): ill. p. 92, p. 368.
KUSPIT, DONALD. "Disregarding Beauty," Art New England (April/May 2000): p. 15.
HUSER, FRANCE. "Les nudes du siecle," Le Nouvel Observateur 1864 (27 July thru August 2000): p. 82.
STEINER, WENDY. The Trouble with Beauty (London: William Heinemann, 2001): plate 6.
BARNETT NEWMAN. Ed. by Ann Temkin (Philadelphia Museum of Art, 2002): p. 90.
CHRISTIE'S NEW YORK. Post-War and Contemporary (Morning Session) (Wednesday 15 May 2002): p. 24.
SCHILLING, MICHAEL et al. "Modern Science and Contemporary Paintings: Preserving an Evolving Legacy," The Getty Conservation Institute Newsletter 17 (3 November 2002): p. 6.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor


Woman

Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997

Oil on paper mounted on fiberboard, 29 x 23 in. (73.7 x 58.4 cm) panel: 29 3/8 x 23 1/2 in. (74.4 x 59.4 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number: 66.1212


The artist, East Hampton, New York, 1964
Joseph H. Hirshhorn, New York, 1964-17 May 1966
Gift of Joseph H. Hirshhorn, 1966


GALERIA UNIVERSITARIA ARISTOS, Universidad Nacional Autónoma de Mexico, Mexico City. "Actitudes Plasticas Spring," May-1 August 1965, cat. no. 2, ill., unpaginated.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, D.C., Willem de Kooning from the Hirshhorn Museum Collection, 21 October 1993 - 9 January 1994, cat. no. 26. TOUR: FUNDACIO "LA CAIXA," CENTRE CULTURAL, Barcelona, 17 February -3 April 1994; HIGH MUSEUM OF ART, Atlanta, 13 September - 27 November 1994; MUSEUM OF FINE ARTS, Boston, 10 December 1994 - 19 February 1995; MUSEUM OF FINE ARTS, Houston, 19 March - 28 May 1995.

Hirshhorn Museum and Sculpture Garden Collection, Abstract Expressionism (First Generation), Hirshhorn Museum & Sculpture Garden (Washington, DC), 3rd Floor

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